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  • Night Lights Music Festival Lit up Western New York

    The Great Blue Heron, more widely known for their annual festival over the Fourth of July weekend, played host to the third annual Night Lights Music Festival September 13th and 14th. The sprawling acreage nestled in the Amish countryside of Western New York, was transformed into an interactive playground, tucking light displays along the wooded pathways, adding depth and interest to the already full weekend of music.

    night lights music festivalOver two dozen bands, many hailing from or with roots in Central and Western New York, drew a large local fan base and with that a community atmosphere missing at many larger festivals. The festival grounds and camping areas were full of surprises; drum circles, pop up campfires, jam sessions, and plenty of folks looking for adventures. Nationally touring bands The Heavy Pets, Jimkata and Marco Benevento provided a punch of energy to the already excited crowds, and more regional acts, Aqueous, Space Junk, Lazlo Hollyfeld, The Manhattan Project and Schleigho gave performances not easily forgotten.

    The two stages kept music running at a steady pace, a credit to the hard-working volunteers, lighting folks, and sound techs, allowing for little lapse between acts. Set far enough apart, the walk to and from each stage gave the audience the opportunity to wander through the lighting displays. The participation of the observer whether it be playing a drum, or simply watching the bonfire as it flickered and grew, was essential to the overall experience. Night Lights Fall Music Festival with its multifaceted entertainment, peaceful and well-organized camping and clean and friendly atmosphere should be on everyone’s fall festival schedule.

  • Hearing Aide: Floodwood “This is Life”

    From their endless touring with nationally-acclaimed jam favorite moe. to recording and playing together as the Americana based Al and the Transamericans, for Upstate music fans, Al Schnier and Vinnie Amico are two names that ring a familiar tune.  But their new collaborative side project, Floodwood, is an act on the bill that may not but the name is buzzing.  Less than two years ago, the two joined forces with New York natives Nick Piccininni, Jason Barady, and Zachary Fleitz to create a new, progressive string outfit who, in the short time since their inception, have swept through the live scene, playing countless festivals and shows in the region.  And with the release of a new album this fall, Floodwood isn’t just a group merely drifting along the stream.  They’ve jumped into the scene feet first, plucking strings and packing energy to rise them out of the tide.

    floodwood this is lifeThe band’s newest release, This is Life, is an album simple in theme, yet complex in form.  Showcasing the diverse talent of the Northern-bred quintet, it draws on elements of jam, jazz, bluegrass, and roots to capture the signature sound associated with the Floodwood name.  Birthed out of the foothills of the Adirondack Mountains, the album features Al Schnier  (moe.) on guitar, Nick Piccininni (The Abrams Brothers, The Atkinsons, The Delaney Brothers) on banjo and fiddle, Jason Barady  (Wooden Spoon) on mandolin, Zachary Fleitz  (Wooden Spoon) on bass, and Vinnie Amico (moe.) adds a unique percussive dimension otherwise unseen in music of this kind.  Al, Nick, and Jason all take lead on vocals, and the musical variation of the band makes each track on This is Life take on a form of its own.

    “North Country Winds”, the album’s opening track, pays homage to the Floodwood’s northern roots. Schnier’s nostalgic lyrics paint the picture of an isolated Adirondack winter, and Barady opens up the number with a teasing of the mandolin –  soon after the rest of the band follows suit;  Piccininni’s fiddle stands at the forefront, and Fleitz and Amico’s rhythms drive the track. The album’s theme is reflected in the track, “Holy Sacred”, a playful tune with a simple message.  The track showcases Piccininni on banjo and “This is Life,” are three words that repeat themselves throughout the tune.

    Tracks like “Gravel Yard” and “Caught” are reflective of Schnier and Amico’s musical history of experimental jam.  Weaving together improvisational, spacey elements with traditional bluegrass form, the tracks hit at the core of what classifies Floodwood as a progressive touring act.  “Magnolia Road” is a tune with that signature moe. sound fan have grown to love, but the addition of Picinni’s vocals accompanied by strings give it a flavor of its own.  “Stomp It”, “Spoon Kicks” and “Whiskey after Breakfast” are instrumental tunes whose energies are reflective of what one might find when catching Floodwood live. Naturally, these songs set themselves apart from the other tracks on This is Life.

    While the album gives listeners a taste of the progressive powerhouse that is Floodwood, it merely skims the surface. They are a band not simply to be heard, but one to be seen.  To appreciate Floodwood, one must dive deep, but not too deep.  The spin they put on traditional form isn’t the only thing that characterizes Floodwood as progressive.  These days, they’re moving along at a rapid pace, playing countless shows throughout the Northeast.  And while touring and playing together may be fairly new for this Adirondack-born quintet, their music makes the message clear: for Floodwood, This is Life.

    Currently, This is Life is available for digital download.  To purchase the album, visit iTunes.

    Key tracks: North Country Winds, Stomp It, Caught

  • One Last Shot Interview with Jeremy Miller

    One Last Shot is a Punk band hailing from Syracuse is anything less than heavy hitting. With heavy hitting vocals and powerful instrumentals to go along with it these guys will leave you pumped and angst wanted more. I had a chance to talk with Jeremy (vocals) about the band and their hush hush Halloween album release.

    Me: First off how did you guys meet? Were you high school buds? Random meet up somewhere and happened to hook up?

    Jeremy: The line up changed over the years, but the current member’s were all connected by friends of friends in the music community.

    Me: How did you guys come up with your name?

    Jeremy: The original members took the old name “One More Shot, One Last Chance” and consolidated it to “One Last Shot”

    Me: Is it a reference to hockey or does it have anything to do with being the underdog coming up and giving it one last shot at your dreams?

    Jeremy: It’s about anyone giving it one last shot at dreams, or anything at life that they are trying to do which seems impossible.

    Me: Who are some of your influence in music and or in your personal lives that make you do what you do?

    Jeremy: We all musically have different influences. But what I’ve noticed is we all have a love for music in our scene made in the early 2000’s.

    Me: How does the writing process go for you guys?

    Jeremy: It can happen in many ways, whoever has a musical idea, they bring it to the table and we go off of it. Currently we’ve been locked in a room surrounded by extreme horror movies every other day writing.

    Me: Speaking of writing process, I heard there was an album coming out soon! Would you care to shed some light one that?

    Jeremy: We’ve put so much time into this. Almost over a year and a half of ideas and writing. All songs are written and in a week we go in to record it. Oh and its 12 all new songs.

    Me: Date, people your working with?

    Jeremy: The album will be out on Halloween (Naturally). We’re working with a lot of people, but I will not be able to drop that bomb yet. The one I will tell you we’re working with is Steve Sopchak at Square Studios again. I wouldn’t have it any other way. He’s the best at what he does.

    Me: Album art?

    Jeremy: Not yet.

    Me: I know your a horror movie fan Jeremy, can you tell us…..Whats your favorite scary movie haha

    Jeremy: I have too many favorites. They are a huge influence on me and my art. The other members are really into horror movies too, so it works well.

    Me: The music video for “Guilt Like a Guillotine” did you direct and produce that yourself or did you bring outside influence?

    Jeremy: We had the nice folkes at Night Force Video help with it for fun before there was a such thing as Night Force Video. They will be doing our next one as well.

    Me: What were the trials and tribulations that went into making the video?

    Jeremy: Ummm… It was a quick thing, nothing too hard or serious. We will be taking way more time and putting a lot into the next one. It’s going to be awesome.

    Me: Lets take a step away from the music and talk about the Straight Edge lifestyle?

    Jeremy: Sure. It’s a clean lifestyle away from drugs, alcohol and promiscuous sex.

    Me: Ive been hearing about a diffusion in the community, would you like to talk about that a bit?

    Jeremy: I honestly don’t do it for the community or care what goes on in it. I know that may sound disrespectful, but I mean no disrespect. I don’t do it for the community or care about a few assholes in it. No matter what you do, there will always be jerks messing with it and giving it a bad name. I just do it for me and for my health, and if I’m happy with myself that’s all that matters.

    Me: Any last words or stuff you’d like to throw out there that hasn’t been said or upcoming projects?

    Jeremy: Just expect this new album to be a flash from the past but in present time.

    Look out for them in a venue near you and check them out on any one of these links below!

    Website:

    http://www.onelastshotband.com/#store

    Facebook:

    https://www.facebook.com/onelastshot

    PureVolume:

    http://www.purevolume.com/onelastshot315

    Myspace:

    https://myspace.com/onelastshot

    Reverbnation:

    Throw my page a like on Facebook:

    https://www.facebook.com/315StreetTeam

  • Review: 95 X Fest

    Twenty Two bands for $20! What!!! With a lineup that consists of Sick Puppies, Adam Gontier, Nonpoint, Trapt, Otherwise and more, how can you go wrong for $20!!! Add eleven of some of the area’s best local talent and you have this year’s 95 X fest.

    Held at the F Shed in Syracuse N.Y., I was kind of skeptical of this venue until I got there. The F Shed is like a big warehouse or, like its name, a shed. A huge shed, in fact, but really nice inside. So, like me, don’t judge the place until you actually see it, because it’s actually a really good venue for a concert.

    There were eleven local area bands, and they all sounded pretty good. So all you concert promoters out there looking for some good opening acts for future shows, check out the list of local bands that kicked @$$ on this show. You really can’t go wrong with any of them.

    First on the main stage was Another Lost Year. This is a really good up-and-coming band. Their singles are getting a lot of airplay on XM Octane. Their sound check went a little longer than they wanted, so they had to cut their set a little short, but this band still rocked the place. They connected and played to the crowd really well.

    Next up was a band I knew nothing about, but now I know very well. Allele took the main stage second. Front man Wally Wood has endless energy. I think he stood on the rail and sang with the crowd for half his performance.

    Girl On Fire is now the third band to play on the main stage. Their current single, “The Takedown,” is really hot. These guys put on a great live performance. During one song, singer Austin Held’s mic went dead, which prompted him to slam it on the ground in frustration. He then grabbed another mic and hit the next note right on cue.

    Mindset Evolution was the fourth band to play the main stage. Their current single, “Burn It Down,” is also played a lot on XM Octane. These guys won Battle Of The Bands in 2012, and they have really grown since a year ago when they were on the Uproar Festival. ME put in a really good live performance.

    Devour The Day was the fifth band to grace the main stage. Former Egypt Central members Joey Chicago and Blake Allison make up half the band. Their current single, “Good Man,” is in heavy rotation on the radio. I forgot how much energy these guys have. Insane! They will be touring with Hinder later this year so make sure you go and check them out.

    One of my favorite up and coming bands that were a late addition to this show’s lineup were slated in the sixth spot on the main stage. Otherwise took the stage next and brought the house down. Otherwise is one of the best live bands you could see. I love watching Adrian and the boys rock it. If you have never seen Otherwise, all I can say is what the hell are you waiting for? Adrian just connects with the crowd and pulls you in. Bassist Vassilios and Guitarist Andrew were so energized, I think they drank a whole case of Red Bull or something before the show. Vassilios even jumped in the crowd and played bass around all the fans for an entire song, which prompted Adrian to say “please don’t kill our bassist”.

    Disturbed members Mike and Dan, along with Evans Blue Member and singer Dan, make up the next band that were in the seventh spot on the main stage. Fight Or Flight were up next and they were better than I thought. I wasn’t feeling their cd that much yet, and their single, “First Of The Last,” is OK, but their live performance is really good. In fact, they were so good live you would think that they were a band for many years performing together.

    Trapt gets the eighth spot on the show. Trapt played a good mix of old and new tracks. They always put in a great live performance, but I prefer them on a more intimate stage setting. Singer Chris Taylor Brown makes you feel his emotions as he sings and is a great performer. Their current single, “Eye Of The Storm,” is starting to get a lot of airplay on the radio.

    This next band is another must-see band if you have never seen them. In the ninth spot on the main stage was Nonpoint. Elias and the boys are so much fun to watch live. They just come out and Kick @$$ form start to finish. I had the chance to hang out with the boys for a little bit on their tour bus, and we had a really random discussion about mushrooms. We also had a debate on who has better pizza, New York or Chicago?

    Former front man for Three Days Grace, Adam Gontier, was slated in the tenth spot for this show. I haven’t ever seen 3DG with Adam. Matt is a great fill in, but when I heard Adam sing those songs I was blown away. Adam said to the crowd, “Isn’t it nice to hear the guy who wrote the songs, sing the songs?” Adam is just amazing live, and at one point near the end of his set he climbed the scaffolding all the way up to the lights and just hung there for a bit. I thought he was going to jump into the crowd, but after hanging for a couple of minutes he came back down.

    Sick Puppies is slated as the headliners for this event. Shimon and the gang always put on a great show. I was watching them pump each other up backstage before their performance. Shimon really likes talking to the crowd before every song, which can be a little overkill. When you have been at a festival all day and you’re the last act please keep the talking to a minimum. A large stage means more room for Emma to jump and spin around on stage. This girl is just amazing live, and I don’t think I would ever get tired of watching her play. Anzai is of the best bassists you could ever see live.

    This was a really good event and one of my favorite concerts of the year. This event was very fan-friendly with all of the bands signing autographs at different times under the autograph tent. That, to me, is what a music festival should have. It’s really nice to shoot the $#!t with your favorite artist for a couple of minutes and get something signed or take a picture with them.

    Photographer JT Gilbert took a lot of really nice pictures of this event, and his one of Nonpoint is f’in awesome. If Nonpoint ever makes a live dvd, that pic should be the cover.

    I also got to exchange a few words with Dan from Disturbed/Fight or Flight. He was drinking some really good red wine in a plastic solo cup. After I asked him what he was drinking, he told me, “Hey I have to switch it up from beer every now and then.” Funny.

    I also got to hold Adam Gontier’s Terminator-inspired mic stand which had to weigh about fifty pounds.

    Congrats to 95 X for putting on a really great event, despite the fact that a rival radio station that had their own event a week earlier pulled a classless move and held a free concert the same time and day of this event. I didn’t matter though, because on this day this was the place to be.

  • Chill as it Ever Was: Catskill Chill Music Festival Review

    The Catskill Chill celebrated its 4th annual music festival weekend on September 6th-8th at the scenic review of Camp Minglewood of Hancock, NY, located in the heart of the Catskills. The festival brought together another year of great music with a talented lineup and loving community known as the Chill Fam. What was once a summer sleep away camp gave festival goers the ultimate end to the summer party with the rustic and wooden stages, laid back staff and fun seeking friends that brought back memories of childhood and past Chill weekends. Guests had the option of renting cabins, complete with bunk beds, bathrooms and showers as well as plenty of tent camping for those seeking a view of the clear star filled skies at night while vendors were set up near the stages offering a variety of foods, clothes and odd ends at all hours of the weekend, complete with an Ice Cream Silent Disco Truck.

    American Babies, kicked off the festival weekend on the Main Stage with a gentle rock vibe with slight southern twang. Keyboardist Adam Flicker kept a very close ear to his organ almost as if he was resting his head on every note. “Blue Skies” brought an enchanting melody of endless sunshine while their rendition of The Grateful Dead’s “New Speedway Boogie” helped the crowd stretch out their singing chops and dancing muscles. Spiritual Rez is a reggae ska band that can dance harder than you and they aren’t afraid to show it. Toft Willingham is a total talented nutcase as he sings and rocks on guitar all over the stage, encouraging the crowd to join in on a massive primal scream. Drummer Ian Miller, having recently broken his right arm, still managed to beat the hell out of the drums left handed and Mohamed Araki took a break from his keyboards to excite the crowd with a stage shaking keytar solo. Making their third appearance at The Chill, the four piece electronic rock band, Particle sent the crowd rocketing with their “Launchpad” opener into Eddy Grant’s “Electric Avenue.” It was an unusual, somewhat early (5pm) set for the group but that didn’t stop the Chill Fam from packing out the Main Stage area for their spacy dance jams. The band congratulated the crowd on making the right choice to attend this year’s Catskill Chill as it is one of their favorite festivals to perform at and went on to cover Paul Simon’s “You Can Call Me Al.”

    Jimkata had the crowd grooving in a beautiful unison with angelic yet robotic synthesizers and hard hitting guitar riffs. Drummer Packy Lunn slams relentlessly on the cymbals throughout “Die Digital” as Evan Friedell’s vocals cascade around the dance floor. Capital Zen, the progressive funk rock band from Upstate New York had music going in every direction. Their lyrics are fast spitting poetry that hits you at warp speed as their electronic tunes mix with hardcore rock and eventually into a cover of Primus’ “My Name is Mud.” Lotus brought the sound of lasers to life as they blasted the Main Stage to pieces with “Uffi” into “Golden Ghost”. Big electronic build ups throughout the set with heavy beats and intense guitar shredding provided a never-ending dance groove for the Chill Fam. The set got kicked up a notch as Particle keyboardist, Steve Molitz, joined the band for “Greet the Mind” for the ultimate get down. “Alright, we are pretty lite up” joked Alan Evans after their set opener, “They Call Me Velvet.” Given only an hour and a few minutes to play on Stage B, the Alan Evans trio didn’t waste a minute of pure funk explosion. Keyboardist Beau Sasser could barely sit down as he shook the keys and Guitarist Danny Mayer’s riffs were so sharp, they could cut right through you.

    Primate Fiasco, newcomers to the Chill this year, scored one set Friday and Saturday night on the Acoustic Junction stage. The modern day ragtime band was a refreshing and fun surprise to folks who found themselves dancing in no time. J Witbeck’s deep sousaphone notes kept the music hot while Dave Russo picked on the banjo with fire. The true highlight of Friday night came from the 10 piece party machine, Lettuce, who threw down the funk on the Main Stage and never picked it up. Their high energy horn section blasted the groove so even folks all away across the lake could get down. It was an old school, disco dance party with plenty of soul to spare. The crowd screamed with excitement as the band played the infamous “Apache’ by Jerry Lordan. Alecia Shakour had smooth sensual vocals as she sat in for “Do Your Thing.” Kung Fu ended the night on the Main Stage with a dirty funky groove full of serious attitude. The hard core electronic beats and ripping saxophone from Robert Somerville are things not to be messed with. John Durkin and Nigel Hall joined in for the far out funk of “Steppin in It.”

    check out Bryan Lasky’s photos below and keep reading for more of Catskill Chill from Saturday and Sunday

    A brief early Saturday morning storm passed through, making way for blue skies with sunshine and a jam packed day of music scheduled. Twiddle had a surprisingly large crowd at the Main Stage for their noon set plus multiple musician sit ins. 13 year-old guitar hero Bobby Paltauf sat in for “Mamunes the Fawn” and Todd Stoops from Kung Fu sat in for “Brown Chicken, Brown Cow” > “Funky Town.” Twiddle’s music mixes with all the best flavors of music such as funk, jazz, and rock causing a delicious start to Saturday. The Z3, a three piece funk band dedicated to music of Frank Zappa consists of Zappa lovers Beau Sasser, Tim Palmieri and Bill Carbone. The trio appealed to more than just Frank Zappa fans on the B Stage with their funky twist tributes of his original experimental rock songs. After last year’s late night cabin set, Solaris, Ithaca’s electronic trio rocked the comfortably crowded Club Chill. The all instrumental group fed off the wild energy in the room and threw it right back with a higher dosage of funk jazz fusion. Jared Raphel couldn’t be stopped as he gyrated back and forth, crushing his keys with atomic awesomeness.

    One of the more diverse bands of the weekend was Shwizz. One moment they are raging 80s German techno then suddenly it’s a light and soft lullaby jam. The band had so much love for the Chill Fam that it rained on the crowd and mixed with the cloud of glitter that was continuously being shot out of a cannon. One of the highlights of the set was the “Theme from Jurassic Park” closer, possibly the best cover of the weekend; Shwizz slowed down the piece and gently brought it up to a mountainous climactic peak. Quite the tear jerker. Aqueous delivered tight jams with improvisational grooves that kept the audience in nonstop motion. The big highlight and surprise of the set was their cover of “The Kids Aren’t Alright” by The Offspring, which brought out the teenage rebel in everyone, leading to a moshing sing along.

    Galactic gave The Chill a taste of New Orleans soul shakin funk music as well as a modern twist with speedy lyrics especially during “Move Fast.” The five piece band brought the Mardi Gras jazz and groove with their horn section and a resilient rhythm from Carter Burgess and Aaron Hagele. Fikus, best described as an electro funk rock, fused together a combo of hip hop attitude with piano solos and classic rock guitar riffs that turned Club Chill upside down. Brothers Past crushed it for over an on the B Stage for an hour set, with the highlight being a smooth and exhilarating “Squeeze” going just over 17 minutes. The dangerously fun headliner, Conspirator, was proud to return to Catskill Chll this year as they dominated the Main Stage. The band has a devoted fan base, due in part to Marc Brownstein and Aron Magner of The Disco Biscuits and for the powerful electronic rock dupstep that fans can’t get enough of. Drew Suto of Dutch Masterson Designs provided an intricate light and visual show that highlighted the unstoppable dark dance party. RAQ ended the evening with the quartet bringing an old school rock groove to the Chill Fam. The set consisted of on point jams with strong harmonies that flowed from “Cheap Sunglasses>Pushin’ Up Daisies> Bootch McGoo.”

    Check out Bryan Lasky’s photos below for day two of the Catskill Chill and keep reading for a review of Sunday

    On Sunday, Cabinet brought a beautiful start to Sunday with their all-string bluegrass sound. Their soft harmonies and bow playing was as fresh as the Catskill Mountain air. There were breaks in the clouds with gorgeous rays of sunshine that reflected off the lake while Cabinet’s music echoed off the breeze. It was more of a bluegrass meditation as concert goers eased into the third and final day of the Chill. More bluegrass followed as the four piece band, The Brummy Brothers, strummed on the Acoustic Junction stage. The Brummy’s introduced the song, “Cell Phone Blues”, by saying how one of the best things about the Catskill Chill is the zero cell phone service, a rare treat for today’s generation to enjoy The Chill with no technological distractions. The Brummy’s lyrics revolve around partying, the simple things in life and modern troubles, all with a jamgrass vibe that folks can both relate and “shake their brum” to. Later that day, the crowd was dancing, stomping, and singing along with the eight piece funk and soul band, Sister Sparrow and The Dirty Birds as their music flew off the Main Stage. The main songbird herself, Arleigh Kincheloe, blew minds with her stunning vocals and stage presence. The Dirty Birds know how to get down and dirty with a booming horn section, shrieking harmonica plus groovy drum and guitar solos.

    The McLovin’s, with less than an hour set, took the stage wearing furry animal costumes and played their second consecutive year at the Catskill Chill. The band did a solid version of Pink Floyd’s “Run like Hell” before bringing up the Horn Section from  Grant’s Tomb, New York’s top jazz jamband for a few songs, adding an extra party element. Legendary musician George Porter Jr. joined the animals on stage for a surprise cover of “Rappers Delight” by The Sugarhill Gang resulting in a massive dance breakout. Traveling all the way from Boulder, Colorado and one of the most anticipated sets for Sunday was The Motet playing a Funk is Dead set, a tribute to The Grateful Dead. The Motet performed the classic Grateful Dead songs such as “Scarlet Begonias”, “Fire on the Mountain”, “New Speedway Boogie” and “Shakedown Street” but with a funky fresh and exotic groove that was contagious. It was almost like hearing the Dead for the first time.

    The Meter Men got the crowd jiving with a steady beat from the “Hand Clapping Song” opener which helped the musicians stretch out their groove muscles. The set was an easy flowing funk session with the Meter Men constantly feeding off each other’s vibes. Page McConnell took a moment to share with the crowd how he was reeling at the fact that he was playing with his musical heroes resulting in a roaring cheer. One of the highlights of the set was when George Porter Jr. invited Bobby Paltauf, the aforementioned 13 year old guitarist, to join them on stage and introduced him as one of the up and coming musicians to watch out for. Paltauf held his own among the music legends as he had Porter Jr. and McConnell laughing as he went note for note with Nocetelli. The crowd couldn’t get enough as they cheered on the musical magic that was happening before their eyes. After The Meter Man capped off their set with “Just Kissed My Baby”, Turkuaz blew up the B Stage with their high energy funk explosion of a performance. Geneva Williams and Sammi Garett bumped in perfect unison with their tambourines, taking turns with their own killer vocal solos. The horn section didn’t miss a chance to blow fans away as the set got wilder by each second. David Brandwein was front and center with his hard hitting vocals and nasty guitar shredding. Turkuaz doesn’t stop from the second they step foot on the stage to the second they get off, be prepared to dance your shoes off.

    For the most dedicated of the music festival fans, there was the climactic late Sunday night trio of Dopapod, Papadosio and a collaboration of the two to form, Dopadosio. As the evening temperatures dropped into the low 40s, the crowd was more than eager for the music to start as the bands took time setting up the gear on stage. New York City experimentalists Dopapod treated fans to an uplifting fusion of rock meets techno meets improvisational jam, something akin to an outer space back yard party. The four piece band isn’t afraid to push their music or fans out of their comfort zone with their genre mixing testing. Papadosio have a more relaxed sound as they started with a spacey “Hippie Babysitter” only to take an electronic turn and add haunting vocals for “Method of Control.” The quintet combined psychedelic rock with a techno jazz composition that kept people hot on the dance floor. The final act of the Catskill Chill weekend came when members of Dopadosio closed down the Main Stage with a three song tribute to RadioHead with “Airbag”, “Paranoid Android” and “Optimistic.” From the first tent set up to the last car leaving the lot, smiles could be seen all weekend. There was a constant feeling of appreciation as friends gathered to celebrate each other, the talented musicians and hardworking staff that helped make the weekend all that it could be and even better. With more than enough music and positive energy, The Catskill Chill lived up to their motto, “All Love, All the Time.”

    The final set of pictures from the Catskill Chill from Bryan Lasky.

  • Syracuse University’s WERW Launches Semester with Performances from Bad Cello, The Bird Calls, Cult of the Crying Moon

    1375046_10151872238142884_1638297850_n As technology has developed and new methods of music listening have emerged, traditional radio has taken a hit in both popularity and listenership. For 26 years on the Syracuse University campus, however, WERW has consistently provided students with an outlet for music discovery. To celebrate another year of college radio on The Hill, WERW hosted a launch party on Saturday night for the Syracuse community to come enjoy performances from the area’s best musicians.

    After a short opening set from student DJ, Lex Z, Cult of the Crying Moon—sporting his Fender Stratocaster and his clear-framed glasses—took the stage amongst a living room full of SU’s most musically minded scholars. The solo act provided an energy that encouraged the venue’s inhabitants to continue the grooves they’d found during the preceding DJ set. With his candid songwriting, Cult of the Crying Moon exhibited a vocal range reminiscent of Roy Orbison.

    While Ben Bondy—the man behind Cult of The Crying Moon—can often be found playing in the garage rock three-piece, Friendless Bummer, the opportunity to catch a live performance from Ben’s most recent side project was one of the night’s most exciting aspects. Continuing the launch party’s theme of solo performers, another 1/3 of Friendless Bummer took the stage after Cult of the Crying Moon. The Bird Calls, an acoustic project created by SU senior, Sam Sadomsky shifted the show into a mellower feel with his Bob Dylan, Bruce Springsteen influenced tunes. Neglecting the age difference between himself and his influences, The Bird Calls’ lyricism incorporates a wisdom that exceeds his 21 years of life, and his Oberst-esque vocal styling and intricate picking patterns contribute to his folksy songwriting.

    Among a lineup of acts playing electric instruments, The Bird Calls’ provided a refreshing thirty minutes of acoustic listening. Ithaca-based electro-pop act, Bad Cello, headlined the evening’s bill. Accompanied by a slew of synthesizers and a sampling pad, the one-man-band also known as Zeno Pittarelli closed the night’s festivities with the most raucous performance of all. After playing several tracks from his debut Takes, Bad Cello performed material from his recently released EP, Finna.

    Ending the show with a bang, Bad Cello provided an excitement that will carry over into WERW’s presence on the SU campus throughout the entirety of the semester. Make sure to listen to WERW this fall and check out the station’s website for more information.

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  • The Rascals to Bring “Once Upon A Dream” to the Upstate Region This Fall

    Coming to the Upstate Region this fall is a show that is part concert and part Broadway production.  The The Rascals, the legendary group from the 60’s, will be coming to Binghamton, Rochester, Buffalo, Syracuse, and Albany during the third week of November.   The show, which is produced by Steven Van Zandt, goes through their tumultuous history with newsreels, old concert footage, and filmed segments playing behind the band both during and between songs.  Van Zandt had been trying to get the group back together for many years, but the members did not want to do it.  Finally, with this show, he convinced them to agree to come together and they have been playing shows since December 2012 when the show premiered at The Capitol Theatre. 1001456_10151628431272052_1554064091_n The group was a major force in the music scene in the 60s, starting out as The Young Rascals.  They were one of the few American Bands that thrived during the British Invasion.  Their brand of rock ranged from blue eyed soul to folk rock to protest songs, even dabbling in civil rights issues.  Some of their bigger hits include “Beautiful Morning”, “Good Lovin’”, and “Groovin”.  In the early 70’s they went their separate ways until they were inducted into the Rock and Roll Hall of Fame for a one night only performance until now.  The original members, Felix Cavaliere, Gene Cornish, Eddie Brigati, and Dino Danelli, are all here for these shows and these are can’t-miss events.  The Rascals are back and they are ready to bring a spectacular show to the Upstate Region.  For more information on ticket availability check here.

    Upstate New York dates

    November 19 – Broome County Veterans Memorial Arena, Binghamton, NY

    November 20 – Auditorium Theatre, Rochester, NY

    November 22 – Shea’s Performing Arts Center, Buffalo, NY

    November 23 – Landmark Theatre – Syracuse, NY

    November 24 – Palace Theatre, Albany, NY

  • The John Scofield Überjam Band Thrills The Massry Center

    On a cold September Sunday evening, John Scofield brought his Überjam Band, consisting of Andy Hess, Tony Mason, and Avi Bortnick, to the Massry Center on the campus of The College of Saint Rose.  The small crowd was rewarded by a show they were in complete awe of, as all of the musicians were on fire the entire evening.  This band has been on the road for the majority of the summer and it showed in the way that all of the jamming seemed to come so easy.

    John Scofield was in great spirits all night, joking with the crowd between songs about the music, but also about the hit television series Breaking Bad, asking the crowd what they were doing at the concert and not watching the third to last show of the series, as he is a fan of the show as well.  He seemed to be awestruck by the rapturous response he got from the crowd after every song.  Andy’s bass playing all night was a magnificent constant thumping, while Tony’s drumming was a force to be reckoned with from the beginning of the first song until the end.  Avi’s guitar playing was tremendous, as were his loops that he set from a computer all evening.

    “Al Green Song” and “Curtis Knew” were beautiful pieces early on in the set that had wonderful solos from Scofield.  “Jungle Fiction” started off with some crazy loops and became more and more abstract as the song went on, with the rest of the music layered on top of them. “Monster Bootie” saw old hip hop breaks being used as the loops to be mixed with the rest of the music the band was playing and gave the song a different flavor from everything else played throughout the night.  The show was pure fire and the band could be seen having a great time throughout the performance.

  • Phish to Release a Classic Upstate New York Show: Niagara Falls 95

    Phish announced this past week that they will be officially releasing a great show from their 95 Fall Tour, better yet, one from Niagara Falls. This tour of course is one of the more well known tours in Phish’s history that saw the band play from October all the way through New Years Eve.  This tour is also special to the Capitol Region because on December 9 in Albany the band played one of their best versions of “You Enjoy Myself” ever.

    phish niagara falls 95

    The show in Niagara Falls took place on December 7th, two nights prior to that Albany show, and has first set highlights of a “Demand” “Rift” combo as well as a “Slave.”  The second set sees the opening “Split Open and Melt” get “In-A-Gadda-Da-Vida” teases, an early version of “Taste” while it was still being called “Taste That Surrounds”, a “Reba” with no whistling, and a set ending “Mike’s Groove” that ended in a “Digital Delay Loop Jam.”  This is great news and we here at always love when an Upstate show gets an official release.  This is said to be released in November, right after they come through the Upstate Region this year on their highly anticipated Fall Tour.

    Thursday, 12/07/1995, Niagara Falls Convention Center, Niagara Falls, NY

    Set 1: The Old Home Place > The Curtain > AC/DC Bag, Demand > Rift, Slave to the Traffic Light, Guyute, Bouncing Around the Room, Possum, Hello My Baby

    Set 2: Split Open and Melt, Strange Design > Taste That Surrounds, Reba1, Julius, Sleeping Monkey > Sparkle > Mike’s Song -> Weekapaug Groove [2] -> Digital Delay Loop Jam, Amazing Grace

    Encore: Uncle Pen

    [1] No whistling
    [2] Unfinished

    Teases:
    “In-A-Gadda-Da-Vida” tease in “Split Open and Melt”
    “Pop Goes the Weasel” tease in “Reba”

  • Album Review: MGMT’s New Self-Titled Release

    MGMT

    2007’s Oracular Spectacular landed MGMT in a strange place. The duo’s psych pop sounds, originally meant for dorm room jams, escalated into a deal with Columbia Records, appearances at major music festivals, and countless film, television, and advertising placements.  After touring behind the success of their debut, MGMT released Congratulations in 2010. The sophomore follow-up adopted three new members from their touring band, along with a sound less suited for radio and more on par with the brainy, hipster aesthetic associated with their Wesleyan University roots.

    With the June announcement of a third release scheduled to arrive this fall, the contrast between Oracular Spectacular and Congratulations created a curious anticipation regarding the direction of MGMT’s future. Whether or not fans could expect material similar to early hits like “Kids” and “Time To Pretend” was unsure, but by self-titling the upcoming release, co-heads Benjamin Goldwasser and Andrew VanWyngarden seemed to be making a statement: regardless of what they’d released in the past, this would be MGMT’s defining album.

    Now that the MGMT has been streaming through Rdio for two weeks, available for purchase since last Tuesday, and featured alongside a full-length visual experience titled “Optimizer,” what’s most clear about the new material is the fact that MGMT are seriously talented musicians. The album’s first single “Alien Days” opens MGMT with a nod to the band’s pop influences, incorporating pitched-down vocals over a heavy, distorted drumbeat. MGMT’s most pop-centered track, however, comes in the form of a cover of Faine Jade’s “Introspection.” Goldwasser and VanWyngarden create a modern day interpretation of the 1968 psych-rock song with synth lines and fluctuating, panned-out vocals. While “Alien Days” and “Introspection” represent a portion of the album more suited for sing-alongs, much of MGMT is characterized by the pair’s experimental influences. Tracks like  “A Good Sadness” and “An Orphan of Fortune” find VanWyngarden’s vocals among cacophonous instrumentals.  Off kilter polyrhythms and dissonant melodies establish a sound far removed from those found on MGMT’s 2007 debut, but to Benjamin Goldwasser and Andrew VanWyngarden, their music is more normal than ever.

    Key tracks: “Cool Song No. 2,” “Introspection,” “Your Life Is A Lie”