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  • Merry Upstate Metal Xmas

    Right about now, we expect most of you are hung over on Stewart’s Egg Nog and family bickering.  And, we’re absolutely positive that if you hear Dominick the Donkey one more time, you’re going to kill someone with that Fender guitar you just got. Merry Xmas from Upstate Metal.

    So, with that said we’re bringing back what we’ve found on Al Gore’s Interwebs, hoping to find what others are doing today.

    Here’s your little bit of valium.

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    The economy has been improving across upstate New York, but some of us still find it difficult to rub two pennies together.
    One of our competitors, the Capital Region’s Metroland, has witnessed the residual effects of the Great Recession, first hand. Above, a parent appears to be bragging over his or her Dickensian approach to soften the blow to the kids.
    “I told my kids, ‘it’s Jesus’ birthday, not your birthday. You’re not getting anything’.”
    Ouch!
    That’s a tough pill to swallow right there. Hopefully Santa Claus found his way there last night. Something made from the heart is always better than something bought. Remember that, kids.

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    KISS’ Gene Simmons and his family paid a visit to Uncle Huge at the Playboy Mansion for an epic holiday party on Christmas Eve.
    He took a moment to snap off a picture of his 21-year-old daughter, Sophie Tweed Simmons, snuggling up to a 20-foot tall Rudolph the Red-Nosed Reindeer.
    Sophie has been in the headlines herself, having competed briefly on Fox Network’s The X Factor, last year. And, earlier the year, English newspaper The Daily Mirror published photographs of her in her thong bikini, while on vacation with her boyfriend in Ha’waii.
    Sophie is one of two daughters between Simmon and 1982 Playboy Playmate of the Year, Shannon Tweed.

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    Halestorm lead singer, Lzzy Hale uploaded a photo of the family Christmas Tree from her mother’s house. this morning.
    2013 has been a good year for the Hale family. After releasing their second album The Strange Case Of… in April of 2012, the song “Love Bites (So Do I)” won their first Grammy Award for Best Hard Rock/Metal Performance on February 10, 2013.
    Halestorm is scheduled to launch a 12-stop European tour on April 1, 2014. The band just recently stopped in our area to perform. Go take a look for an awesome write-up and fantastic photos of the band.

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    Vince Neil cares not for a White Christmas, at least not on his Christmas card that pictures him and girlfriend, Rain Andreani.
    The 52-year-old, former frontman of Motley Crüe, is currently dating the 32 year-old hair dresser while separated from his fourth wife, Lia Gerardini. Neil married Gerardini in 2005, but announced their separation in 2010.
    Neil made headlines in late 2012 after collapsing on stage at a concert in Sydney, Australia. Aside from music, the hard rocker ventured into the Gentlemen’s Club business, opening Deja Vu Presents: Vince Neil’s Girls Girls Girls in Las Vegas, Nevada.
    Girls, Girls, Girls was the Crüe’s forth studio album, released back in 1987.

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    Black Label Society frontman, Zakk Wylde is absolutely giddy over the Arthur Fonzarelli doll he apparently received from under the tree this morning.

    The 46-year-old founding father of the LA rock group is certainly young enough to remember Happy Days from before its time in syndication.  And, for those of us old enough to remember the ultra-cool character that was made famous by Henry Winkler can completely understand the excitement over receiving such a gift.

    This has been a busy year for Wylde and his crew.  Following the release of Unblackened, the boys went out and participated in this summer’s Gigantour IV, along with Megadeth, Device, Hellyeah, Newsted and Death Division.  Wylde is reportedly working on material for yet another release next year.  Since the band’s inception in 1998, the band has launched nine studio albums, two live albums, two compilation albums, an EP and three video albums.

    The posting of Wylde’s mug in full scream makes one wonder if he’s truly excited over getting The Fonz, or is he trying to release the tension from his all of his work.

    There could also be that fact that he’s upset over the departure of Nick “Evil Twin” Cantanese from BLS.  Cantanese, who has been with the band since the start, reportedly set sail on December 2.

    In case you’re looking to spend some recently acquired cash, a vintage Happy Days‘ Fonz doll from 1976 is currently selling on eBay for $26. (Imagine how much it would have been worth had he never jumped that shark.)

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    Orianthi Panagaris was recently getting into the festive spirit, as shown here from a picture she posted on her Instagram account a few days ago, apparently stealing shit out of her Christmas Tree’s closet.

    Or, maybe, that’s how they dress where she’s from in Australia.

    The amazingly gifted guitarist is currently in between tours, having closed out traveling with Alice Cooper over the past several months as part of the 98Rock Halloweenie Roast.

    The 28-year-old released her third studio album, Heaven in This Hell,  this past March and ultimately earned a three out of five stars from Allmusic.com.  A deluxe version of the album was subsequently released this past September, which included three extra tracks.

    For you stalkers who have yet to happen across her Instagram account, well, go Google it.  But, I’ll tell you, the girl’s got a special relationship with that phone of hers.  It’s not uncommon to see four or five updates on her account on any given day.  Of course, the girl was just touring, and she gifted her fans with plenty of images from behind the scenes.

    She goes back on the road next March, as she’ll meet up again with Cooper overseas as part of the European Rock Meets Classic Tour.

    Happy Holidays, and Happy New Year’s to you all from UpstateMetal!

  • Jimkata, Squid Parade, and FiKus Rock the House at the Oneonta Theater

    On Friday, December 6th at the Oneonta Theater, the crowd was in for a treat with a spectacular showcase of exquisite young talent on display. Starting off the evening was Squid Parade, a hometown band who really seemed to have their act together. A tight band with sick bassist Pete Piscitelli, the band managed to pull off complicated rhythms with ease. Drummer, Emmett Rozelle, who could have easily been seen playing in an ‘80s hair band had enough raw energy to fuel the rest of the more serious band members. Their awesome cover of the night was “No Quarter”, which they played with extreme accuracy.

    Following was FiKus, featuring another killer bassist, Travis Paparoski, this time on the six-string bass. Their keyboardist Jon Schmarak seems to be heavily influenced by Marco Benevento, with the band playing as their third song of the set “Michael Phelps”, one of their more popular tunes that successfully channels Benevento’s style and demonstrates just how talented this young keyboardist is. The percussionist Pete Kozak doubled as lead singer/rapper, and he had a great voice, but the lyrics were at times drowned out by the other instruments. The band members looked like they were truly enjoying themselves on stage, which came through in the incredible energy of their tunes. Much of their song list had a “video game rock” kind of feeling.

    The headliner of the night was Jimkata, a relatively-close-to-hometown band, hailing from Ithaca. Jimkata always seems to draw a crowd of familiar faces to the Oneonta Theater. Complete with local area fire dancers who took their act indoors for this show, using cool light toys instead of flames (although sometimes distracting, taking attention away from the music itself), Jimkata put on a rockin’ show.

    Start with a base of disco and ‘90s pop-rock, mix in some electronic sounds and techno beats, and you end up with Jimkata’s signature style of “electro-funk”. A sine wave of sound seemed to permeate throughout the set, giving a real feeling of drive and continuity. The band was definitely not shy about letting the audience know they got bass, which came through in the crowd’s enthusiasm and consistent bopping along to the tunes. The band’s drummer Packy Lunn has a great command of rhythm, managing to keep the rest of the band together during their more rhythmically tricky songs. The last song of the set, “American Cars”, had a particularly electronic feel to it, featuring double keyboards by Aaron Gorsch and Dave Rossi. Responding to the audience’s insistence on one more song, Jimkata came back out with a duo of two more spacey numbers, “Die Digital > Roll With the Punches”, to send everyone on their way home on an upbeat note, excited to come back to check out Jimkata the next time they come to town.

  • An UpstateMetal look at Echo Hill

    The idea that anything you put out into the universe remains forever tangible, defines the collective awareness and dedication behind  Smithtown alternative band, Echo Hill.

    Speaking with the band’s 21-year-old guitarist, Alex Laudani, it’s apparent just how well he and his bandmates understand that it takes more than a dream to achieve the tangible.

    Echo Hill, out of Smithtown, NY, consists of Alex Laudani, Dylan Coates, Keith Miller and Monique Teichert.  (Photo Credit: Echo Hill/Facebook)
    Echo Hill, out of Smithtown, NY, consists of Alex Laudani, Dylan Coates, Keith Miller and Monique Teichert. (Photo Credit: Echo Hill/Facebook)

    It’s an early Sunday evening when Laudani sits down to talk.  It’s a busy time of year for everyone. Each member of the band is pursuing a college degree and semester finals are just around the corner.  On top of his studies, Laudani continues to add material to the band’s website, Twitter and Facebook accounts. “We put a lot of time in this,” he said. “We try to get a lot of information out there to our fans.”   And the effort is getting them noticed.  Echo Hill was named a featured artist on an independent radio station based out of California, and they’re garnering enough attention to land gigs off Long Island.  Just a few nights before, they performed a gig at the Lit Lounge in New York City. “We were actually scheduled to play in Webster Hall,” said Laudani, “but one of the promoters changed the venue so we played at the Lit Lounge.” The East Village venue is no stranger to big names, having the likes of Bauhaus, Dirty Vegas, White Stripes, and Rolling Stone magazine cross through their front door over the years.  “It was a cool, underground place… We’re hoping to get another opportunity to play Webster Hall.  But, that’s how the city goes.  We’re just trying to get our foot in the door.  You have to be grateful with any place that you get.”

    Laudani is approaching his final year at SUNY Farmingdale, where he studies business.  As if one needs to question his field of study, as every visible step the band makes appears orchestrated.  A well manicured image made in the absence of any guidance from a manager or record label.  “It’s all us,” he said.  “We’re trying to go as far as we can by ourselves. Once someone approaches us that we like, we’ll come to a decision. But at this point we’ll try to do as much as we can independently.

    [Independently, to an extent.]

    “My family is very supportive. They love me, obviously. I grew up on classic rock – Led Zeppelin and all those classic rock bands. I was always listening to that as a child. It’s part of the reason why we have that sound and that influence in our music. I definitely hand it to my parents for that.”

    Echo Hill was conceived in 2010, with Laudani and bassist Dylan Coates writing music jamming out in each other’s basements, but the present line-up has been together for less than a year.   Each member attributes different influences, from the aforementioned pioneers of hard rock to contemporary mixed-media artists like Linkin Park, melding a collective sound that has drawn comparisons to Paramore.  The band has taken upon itself to launch the resurgence of rock ‘n’ roll and identify closest to the alternative rock genre.  They had received favorable feedback after the release of their first EP in 2012.  However, the band parted ways from their original lead singer, leaving themselves without a front man.

    Then came, Monique.

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    “One day she emailed us,” recalled Laudani, of current front woman, Monique Teichert.

    Teichert has a contralto style of voice characteristic of jazz performer Diana Krall, only had Krall decided to go hard rock.  She’s a siren on the mic, possessing a voice that’s both sultry and haunting.  However, none of this was ever showcased outside of a few talent shows she won during junior high school.

    “We really didn’t want to reach out to her [at first],” said Laudani. “Because it would completely change the sound and image of the band, something that I was very reluctant to do. I always feared becoming one of those female-fronted bands where everything is about the singer.”

    Nonetheless, a persistent Teichert earned a tryout with the band.  Laudani described what changed his mind.

    “Something about her was special, I thought, so we decided to do a side part – an acoustic kind of thing,” he said. “So we brought her in, tried her out, and we liked her.  As far as “that moment” it was one of our first shows at this venue called Revolution. The place was packed, and Monique shined; leading the crowd and all. That showed me right then and there that she was an innate performer and that she was born to do that. It was really cool.”

    Teichert was officially made the band’s lead singer in early January.  And, since then, have released their second EP, Namaste, and organized a food drive by means of a multi-band concert event in Smithtown this past summer.  The event collected more than 900 pounds of food intended for those still impacted by the events of Hurricane Sandy.

    Echo Hill’s image – enhanced or maintained with the addition of Terichert – is nevertheless well cultivated, partly due to the use of social media:  A medium the band recognizes as a vital tool for success.  “We understand the importance of social media, how important image is in these times,” said Laudani.  The band’s Twitter feed is consistently peppered with links and updates.  And, the 12 videos available on their YouTube account include professional productions of live shows from various venues, and jam sessions recorded from Rogue Studios in Hicksville, NY.   One video in particular  is a cover of Zeppelin’s “Whole Lotta Love.”

    It’s a tall order to cover a legendary band, though most attempt it regardless of talent level.  Jimmy Page, Robert Plant, and the late John Bonham are considered all-time greats within their own rights.  But, Echo Hill’s tribute to the Brit rockers has less to do with mimicking a classic, as it is attempting to make something of their own.  Teichert’s come-hither vocals replace Plant’s more aggressive approach, while Laudani’s guitar work seems to show less Page and more Mike McCready, utilizing distortion pedals akin to the Pearl Jam guitarist’s repertoire.

    Drummer Keith Miller, who idolized Bonham, is a decorated artist, having received numerous accolades through New York State School Music Association (NYSSMA) throughout his academic career.  And, Coates brings on the talent of playing both guitar and bass, bypassing guitar so that he can fill out the band’s need for a bass player.

    Everyone holds his and her own on this tribute, and it’s worth a viewing.  Then, it’s recommended you listen to Namaste.  The talent within this group shines through with versatility and originality.

    “For some bands, image is even more important than music,” said Laudani, “and we don’t stand for that.”

    Fans in upstate New York need to take notice of Echo Hill now.  Laudani says the band is planning a tour of the local colleges that pepper the landscape.  Albany, Binghamton, Oneonta, and Cortland were all named. “We’re still planning that,” he said.  But, once these plans become tangible, you ought to go see them.

    For more information, go to www.EchoHillBand.com, @EchoHillBand on Twitter, or Echo Hill on Facebook.

  • Ocupanther Three-Hour Set on DubLand Rochester

    When Ocupanther plays Rochester, even the most loyal fans can expect a few surprises and sharp new tunes.  December 6th was no exception as Ocupanther returned to Dubland Underground on a snowy Friday night that saw a room full of old friends and curious new faces. Ocupanther has a knack for capturing these types of diverse audiences, and the reason is two fold.

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    First, the music is captivatingly genre-bending, but still accessible on a broader level.  The bands opening song for the evening, “The Great Oxygenation”, is a perfect example of such.  With patiently buoyant synth grooves layered on top of warm, locomotive bass lines and heavily syncopated percussion, Ocupanther welcomes listeners like greeting an old friend. “TGO” then launched directly into “Yerkrewrun”, a new song in the lineup, which took the energy of the room to the next level while showcasing the groups ability to write some damn complex music, building patterns and changing time without losing their signature meditative peaks-and-valleys.

    The second major factor of Ocupanther’s appeal, a band priding themselves on composition over improvisation, are their studio efforts.  For a band that doesn’t play too frequently, they are workhorses when it comes to writing and preparing.  The night showcased seven songs that have yet to appear on an album, all of which showed new depths of musicianship and warm beats marrying dark rhythms.  Their two albums, Progressor (off which the group played four tracks on Friday) and Troncoso (three tracks) are of a sound quality and caliber rarely seen on an ‘independent’ level.  This craftsmanship and attention to detail is refreshing in a scene that is often dominated by quantity over quantity and one-off chance happenings.

    All that said, the Ocupanther live show is an experience in its own right, guaranteeing audiences will move from beginning to end. Some favorites of Friday evening included the new, pumping dance tune, “Obtuse Snoot”, late-set dueling guitar machine guns covered by a steady rhythm section on “Gunther Splitchicks”, and a welcome instrumental cover of “I Feel Love”.   Once again Ocupanther threw the type of party you can’t afford to miss on a Friday night (especially when the show is free) while proving their chops on a musical and professional level and continuing to look forward.  With a new album on the horizon, expect more big surprises and music that stirs the pot of what to expect from our local scene.

    See Ocupanther January 28th at Nietzsche’s in Buffalo at 9pm with Ajamaja and DejaFuze.

    Setlist: The Great Oxygenation>  Yerkrewrun> Misunderstanding Hugs, Treat Me Like A Telescope*, Stompgoat, Progressor, Mike Chases His Pony, I Feel Love#, Ghostless, Gunter Splitchiks, Pyromancer>Obtuse Snoot, Naga Jolokia, Fraktura, Troncoso

    Encore: Holy Jeffery

    * First Time Played
    # Donna Summer Cover

  • Brothers Past Comes To The Hollow December 21st

    Brothers Past will return to Albany December 21st to throw down another epic show at The Hollow at 79 North Pearl Street to celebrate the Winter Solstice. The night will be opened by Albany’s own local electronic, jam based band Digital Dharma.

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    Brothers Past are a Philadelphia based indie-electronic jam band who have toured across the nation playing large festivals such as Bonnaroo,  SXSW, Langerado, Wakarusa and Albany’s own Camp Bisco. Since their arrival on the music scene in 2001, Brothers Past has made their mark as an extremely influential and talented force within the jam community.

    The show will start at 9 pm and doors will open at 8 pm. Tickets are 12$ prior, and 15$ at the door.

    Brother’s Past| Facebook| @BrothersPast

  • Best of 2013 – Part 5, Bands on the Rise and Jams of the Year!

    2013 has been a great year. We have expanded our staff and coverage to bring more bands and live acts to the attention of fans and readers, and are looking forward to 2014 with great anticipation as we focus on the music coming out of all corners of New York State. The best of 2013 Music festivals and incredible tours and jams pepper the Upstate New York music calendar, giving broad musical choices for the 8 million New Yorkers who call Upstate their home.

    Our staff writers and photographers were asked to look back at the full year of music in Upstate New York and beyond, and weigh in with their best of 2013. We looked at 10 categories – Best Upstate Show, Best Show, Best Upstate Album, Best Album, Best Upstate Festival, Best Festival, Best Upstate Venue, Best Venue, Best Band on the Rise and Jam of the Year –  and came up with the best music we have seen and heard this year. Here’s part 5 of 5, looking at the Bands on the Rise and our Jams of the Year

    Best Band on the Rise

    Top Picks

    Aqueous

    best of 2013 jamsEastbound Jesus

    Rest of the Best

    Consider the Source

    Conehead Buddha

    Driftwood

    Lucid

    The Blind Owl Band

    Mister F

    Solaris

    Floodwood

    Turkuaz

    Gusto

    MaryLeigh Roohan

    Sarah Jarosz

    Lucius

    GOASTT

    Tame Impala

    The Acid

    RY X

    Bad Cello

    Aminal

    Did we miss a band on the rise that should know about and you think is great? Sound off in the comments!

    Best Jams of the Year

    Phish, “Crosseyed & Painless > Harry Hood”, Holmdel, NJ, 7/10

    Phish, “Tweezer”, Lake Tahoe, 7/31

    The Kollectiv and The Heavy Pets, The Hollow, Albany, 4/23

    Aqueous, “Shine on You Crazy Diamond”, Buffalo, 6/21

    Rich Robinson and Jackie Greene dueling guitars with The Black Crowes at Lockn’ Music Festival, 9/7

    Disco Biscuits, “Basis for a Day”, City Bisco, Mann Music Center, Philadelphia, PA 9/27

    Vampire Weekend, “Hannah Hunt”

    23 ft. Miley Cyrus, Wiz Khalifa, Juicy J “Mike Will Made-It”

    Disco Biscuits,  “Tom Sawyer” City Bisco, Mann Music Center, Philadelphia, PA 9/28

    Keller Williams and Floodwood, Putnam Den 10/10

    Aqueous – “Uncle Phils Parachute”, The Dubland Underground, Rochester, 11/15

  • One Weird Night for All that Remains

    All that remains — one weird day.

    All That Remains rolled into Clifton Park a few days ago. They rocked the house along with Soil and local openers Hollow is thy Heart, but the day left us with some questions and stories to tell. Here’s what went down:

    1. Lead vocalist, and official band a – hole, Phil Labonte called out the New York State Police on their apparent violation of the 4th Amendment of the Constitution. Actually, their tour bus was hit by a car. No one was hurt, but the responding officer asked for the names and ages of everyone on the bus. Labonte specifically said on Facebook, “The fuck has absolutely no right to ask for that information…welcome to NY where the Bill of Rights won’t protect you.”

    Just so Labonte knows, the 4th Amendment protects you from unwarranted search and seizure, not someone asking you for your name. I guess you could just say no if you really want to. He’s not going to shoot you.

    Even so, reports have just been confirmed that Labonte will be working on a Fuck the Police type mix tape alongside no-longer-relevant rapper 50 Cent.

    2. Hollow is thy Heart proved, once again, that they are one of the biggest forces in local metal right now. They played both fan favorites, “Death Comes Marching, and Without a Savior.” Although the snow led to a lot of cancellations, the ever-building crowd may have been one of Hollow is thy Heart’s milestones, as drummer Brandon Weaver said.

    As always, AJ Justiniano’s voice was nothing short of powerful, while the instrumentation was on dead point. The crowd began to move. Hollow is thy Heart is certainly big-time material. Give them some time and those guys will be on tour.

    3. Soil may be up and coming, but they certainly proved that they deserve to be on stage with All that Remains. They were not necessarily unique, but they came out with a bang and the crowd could move along. If nobody knows your music, at least have a catchy hook.

    4. Apparently, All That Remains has become a country band. When Labonte came out with those sweet, angelic pipes for one of their slower songs, everyone got their lighters in the air for “What if I was Nothing?” While this song could have easily been denounced as a horrible rip off of Taylor Swift, it actually sounded very different in a live setting. Who knows what the cause was, but Labonte has stepped his game up when it comes to clean vocals.

    The magic didn’t stop there. ATR played some of their old classics as well. From the perspective of someone who first heard the band when they came out with the Fall of Ideals, it was pretty enjoyable to hear some of these once again. In the same way, the performance ethic of the band as an entity has greatly improved.

    5. An anonymous source told us that Oli Hebert, the lead guitarist, smoked a bowl with a few members of other bands after the show. Since this is unconfirmed, we just wanted to make sure that the responding car crash officer doesn’t go after any of the other smokers. Don’t even think about asking for names, sir!

    All in all, there’s nothing like going to a sweaty metal show, being packed into a room like Upstate Concert Hall, and singing along with some of the first metal songs you ever heard — with or without the silly antics apparent before and after the show.

  • Candlebox at Oswego County Event Center (finally, Part 2!)

    I wrote that back in late September, talking about an incredible show at the Syracuse area’s newest big outdoor venue, the Oswego County Event Center.  A few months late but hopefully a way to remind everyone as they look out the window into fields of snow that summer is coming and live shows will be seen — often, and right here in Upstate New York. Candlebox
    Candlebox Oswego
    When the Syn City Cowboys took the stage, the crowd was mixed on who are these kids from Kansas City, and the women drooling over the fit bodies and refreshing look the band presents.  Once they started, the focus was on good ol’ rock and roll.  SCC has been around for a little over three years and continue their relentless tour schedule to bring their music to the fans.  Frontman Ethan Cole says his favorite lead signer is Metallica’s James Hatfield, but while Cole may rock out like Mr. Hatfield, you will find his vocals to be a little more youthful, clean and more reminiscent of strong 80’s frontmen like Sammy Hagar or David Coverdale.  If these young men stay together, keep writing pure rock tunes and stay on the road perfecting and promoting their craft – they will become a household name.  In rock ‘n roll households at least.
    The long summer day was just beginning to become a long summer night as Open Air Stereo walked out onto the brand new enclosed stage in Pennellville, New York.  Forty years ago you’d hear a band for the first time on the local radio station.  Twenty years ago it was either  MTV or VH-1, and you heard them and saw them at the same time.  More recently, with bands like Open Air Stereo, a band’s first exposure is often on reality television, they don’t hear the music until later (to be fair, OAS did get some decent play time on “Laguna Beach” but who was really listening?).  Nine times out of ten when you finally hear the music it is a huge disappointment.  OAS is that 1 out of 10 that you say to yourself, “oh damn, these guys are good!”  One of the reasons they are so good was due to a Craigslist ad.  Yes, you can find more on Craigslist than old tires and an escort for a lonely Friday night.  Open Air Stereo found guitarist, Scott Pounds on Craigslist.  This would be another time that you could safely say, “oh damn, these guys are good.”
    Behind the Pennellville Fire Station just 10 minutes north of Syracuse on this summer evening was no exception.  A smooth rock groove and strong beat supporting tunes like “Stuck on You” got the crowd bouncing up and down, or what some call “dancing”.  The set went up and down with intensity and it was obviously that the band has been fine tuning its stage presence.  Backstage, they were working on their own equipment, even fixing a snare that broke after the last gig and a night full of traveling didn’t give a lot of time to fix it.  Life on the road is tough and hopefully OAS has what it takes to stick it out.  There is a large market of 16-25 year old girls and the guys that follow them around that needs this music.  In the process the band will continue to mature and bring in a large fan base and move past the “Laguna Beach” name and into their own.  Something hard work and many miles over desolate highways can deliver.
    Rumors were flying that Syracuse natives, Crows Cage, were going to start their set with a little surprise.  I was eagerly awaiting by the stage to see what these hard rockers had in store for the audience.  Already local favorites with more fan adorned t-shirts in the crowd than any other band, including headliner, Candlebox – they didn’t need to do something gimmicky to get the crowds attention.  So, what could it be?
    Aaron Bellow busts out an incredible guitar solo to start the show.  The guitar whined and whimpered with delight of the fans and to the delight of my ears, too.  Aaron’s big surprise was using a bow to light up the solo… it was like a slide guitarist found his way into a haunted house and had to play for all the ghouls and boys.  It was actually pretty awesome.  While it could have easily been cheesy, it wasn’t overly hyped nor did it last too long.  It was short, to the point and therefore a powerful statement that Crows Cage was ready to make shit happen and as the sun slowly went down behind them, the energy of the festival type crowd was about to hit the next level.
    Fresh off the release of their CD Forgotten Sins the band busted out tunes from the new album that turned up the tempo. “Grindstone” or “Derivation” really highlights the intense pace set by Crows Cage rhythm section: Clint Greer on drums and Tommy Rose on bass.  A slick guitar lead-in allowed Eddie ‘EJ’ Carrara’s vocals to have the strong impact that was intended.  After seeing Crows Cage open for national acts Devour the Day and Saliva earlier in the summer, there was something special about the line-up.  Seeing them a month or two later on stage in the OCEC showed more development and a tight adhesive bond within the band.  The chemistry allowed the music to flow over the crowd and melt some faces and blow some minds.  With any direct support band they have one important job, above all others: get the crowd ready for the headliner.  Two words, “Mission Accomplished.”
    Earlier in the week leading up to the show I was able to talk to Candlebox’s Kevin Martin about the bands “comeback”, the purity of rock, how things have progressed since their peak in the 1990s, new material focused on a new message, and a new sound.  Candlebox can still delight the audience with classic favorites like “Far Behind” and “You”.  But even those classics now have a refreshing twist live, either through an acoustic set up or even a slight ska/dub influence.  The show at the Oswego County Event Center was no exception.  The crowd was pumped up and the band maintained that energy mixing in the old and the new.  Guitar licks from the legendary Peter Klett dropped more than one jaw as original Candlebox drummer, Scott Mercado, set the pace.
    From the V.I.P. poster signing to the dominant stage presence and command of the crowd, Candlebox did not lose their touch with their fans.  An openly supportive marijuana rights agenda influenced a few fans to light up and partake after the sun went down behind the stage.  That scene alone, sunset while the band lights grew in intensity gave me chills.  The photos could never do it justice.  My recommendation is to plan at least one or two shows there in 2014 so music fans can truly appreciate the new venue.
  • All That Remains headlines 95X Syracuse’s Nightmare Before Xmas

    All That Remains has been touring nonstop and riding the momentum of commercial success with albums like For We Are Many and last year’s A War You Can Not Win.  Returning to Syracuse for the second time this year for Nightmare Before Xmas, they brought in Chicago’s Soil, who reunited last year with original singer and ex-Drowning Pool singer, Ryan McCombs.  95X brought in local acts Era, from Oswego and Cry To The Blind, from Rochester, to complete the entire act.  The show was at the Wescott Theater, which may be the venue of choice for metal acts in Syracuse.

    Dealing with absolutely shitty weather for a December 14 night, the Metal Fans and 95X listeners proved that shitty weather does not stop anyone from catching a great show.  It was a packed house.

    Era opened the act.  I don’t know a whole lot about them; this was the first show they played with their new lineup.  They opened for Hatebreed back in December of last year.  They were more metal oriented than the other acts.  I would say they were a combo of Slayer and Clutch.  But they were solid and the crowd was very receptive to them.

    Cry To The Blind stormed the stage for their 20 minute set.  They have a more hard rock flavor to them and VERY energetic.  When it’s ball shrinking cold outside, it’s nice to have a band jumping around getting the crowd pumped up and having a great time.

    Soil, who was part of the tour, played a 30 minute set.  Keep in mind, Soil played Syracuse over the summer as well which I was in attendance for.  The first time they played, they actually played a couple of Drowning Pool songs.  This time, they didn’t.  Frontman Ryan McCombs made it clear to the crowd that he wasn’t feeling well. But that didn’t stop him from giving a stellar performance.  Opening with “Loaded Gun,” then the rest of their set consisted songs off their 2001 CD Scars.  And of course, they closed with “Halo”, with McCombs going into the middle of the crowd to get everyone into.  Hopefully Soil sticks around and comes back soon.  The rest of the band actually hung at the merch table after their set which is always nice to see.

    All That Remains made quite the entrance.  With House of Pain’s “Jump Around” playing over the PA before they got on stage and opened with “Down” and “Stand Up.”  I’ve seen All That Remains several times.  The first time I  saw them was back at Ozzfest in 2006; at the time they were relatively unknown.  Talk about progression (in a good way).  All That Remains did a good job of blending their heavier songs with their mellower hits and ballads.  Most of the Ballads were played in the middle of their set while their heavier stuff opened and ended their set.  One thing I was really impressed with in their overall performance is Jeanne Sagan’s backing vocals to harmonize with Phil.  And I personally think Phil is one of the best singers that can go from a death metal growl to singing clearly.  That’s always been the band’s strength.  Also this was the 3rd to last show of the tour and no one seemed worn down at all.  Some of the other songs that were played were “For Now We Tremble”, “Dead Wrong”, of course “What If I Was Nothing”, and their 2 closers were “Hold On” and “2 Weeks”, rounding out about a one hour set. No encore.  The crowd went nuts.  A good-sized mosh pit was in the middle of the entire venue.   Overall fantastic show. I would imagine All That Remains will return next year.

    According to ThePrp.com, All That Remains tour bus was in an accident on the NYS Thruway on the way to their next show at Clifton Park.  Luckily, no one was hurt.  It didn’t help the roads were shitty before and after the show.  Also I would imagine we will start seeing more metal shows at the Wescott than the Lost.

  • Fall 1989: The Long Island Sound – Featuring Jerry Garcia Band and duo Bob Weir and Rob Wasserman

    Fall 1989: The Long Island Sound (Round Records), a brand-new, six-CD box set from the Jerry Garcia Band and the acoustic duo of Bob Weir and Rob Wasserman, is out today. The collection, which is the latest in a series of archival releases from the Garcia Family, contains more than five and a half hours of previously unreleased music and features cover art by the legendary Stanley Mouse.

    Fall 1989

    It captures two complete performances from the storied 1989 East Coast run that featured Garcia’s Grateful Dead band mate Bob Weir and renowned bassist Rob Wasserman setting the stage for two nightly sets from the Jerry Garcia Band: the September 5, 1989 show at Hartford Civic Center in Hartford, CT and the September 6, 1989 concert at Nassau Coliseum in Uniondale, NY.

    Fall 1989: The Long Island Sound

    Setlist for September 5, 1989 at Hartford Civic Center, Hartford, CT:

    Bob Weir & Rob Wasserman 

    Festival, Fever, K.C. Moan, Desolation Row, Looks Like Rain, The Winners, Victim or the Crime -> Wasserman Bass Improvisation no. 1 -> Throwing Stones

    Jerry Garcia Band

    Set One
    Cats Under the Stars, They Love Each Other, Waiting for a Miracle, Run for the Roses, Like a Road, My Sisters and Brothers, Deal

    Set Two
    The Harder They Come, Mission in the Rain, Forever Young, Evangeline, Gomorrah, Don’t Let Go -> Lonesome and a Long Way From Home

    Setlist for September 6, 1989 at Nassau Coliseum, Uniondale, NY:

    Bob Weir & Rob Wasserman

    Walking Blues, City Girls -> Fever, Blackbird -> When I Paint My Masterpiece, Shade of Grey -> The Winners -> Easy to Slip -> Wasserman Bass Improvisation no. 2, Heaven Help The Fool

    Jerry Garcia Band

    Set One
    How Sweet It Is (To Be Loved By You), Stop That Train, That’s What Love Will Make You Do, Mississippi Moon, I Second That Emotion, And It Stoned Me, Deal

    Set Two
    The Harder They Come, Dear Prudence, I Shall Be Released, Let It Rock, Evangeline, That Lucky Old Sun, Tangled Up in Blue

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