Category: Finger Lakes

  • The Avett Brothers at CMAC With Grace Potter and The Nocturnals July 26th

    The Avett Brothers will play CMAC in Canadaigua, this Friday, July 26th. Opening for them will be Grace Potter & The Nocturnals. The show starts at 7:30PM and tickets can be purchased at the venue box office.

    “Always remember there was nothing worth sharing like the love that let us share our name”, these words play over and over in my head every time I look into my children’s eyes, words from a song titled, “Murder in the City”, with lyrics that pull at your heart strings and bring forth deep emotions of love and devotion to those closet to us, our families. The Avett Brothers music isn’t just something to be enjoyed – they do what music is meant to do – tell stories that we can all relate to, with heavy emotions of love, hate, joy, pain, loss, forgiveness; The Avett Brothers are true musical story tellers.

    Photo By: Photographer Jim Gilbert
    Photo By: Photographer Jim Gilbert

    The Avett Brothers combine bluegrass, country, punk, pop melodies, folk, rock and roll, honky tonk, and ragtime to produce a sound described by the San Francisco Chronicle as having the “heavy sadness of Townes Van Zandt, the light pop concision of Buddy Holly, the tuneful jangle of the Beatles, the raw energy of the Ramones.”

    Photo By: Photographer Jim Gilbert
    Photo By: Photographer Jim Gilbert

    The band has been together since the early 90’s and have grown in popularity with appearances at this year’s Mountain Jam and Govenor’s Ball. The Avett Borthers are – Brothers Scott Avett (banjo) and Seth Avett (guitar)—as well as Bob Crawford (double bass). Joe Kwon, (cello) and Mike Marsh (drums).

    Photos by Photographer Jim GilbertMountain Jam 2013

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    @TheAvettBros | FaceBook

  • The Avett Brothers at CMAC With Grace Potter and The Nocturnals July 26th

    The Avett Brothers will play CMAC in Canandaigua, NY, Friday, July 26th, opening for them will be Grace Potter & The Nocturnals. The show starts at 7:30PM and tickets can be purchased at the venue box office or online at Ticketmaster.com.

    “Always remember there was nothing worth sharing like the love that let us share our name”, these words play over and over in my head every time I look into my children’s eyes, words from a song titled, “Murder in the City”, with lyrics that pull at your heart strings and bring forth deep emotions of love and devotion to those closet to us, our families. The Avett Brothers music isn’t just something to be enjoyed – they do what music is meant to do – tell stories that we can all relate to, with heavy emotions of love, hate, joy, pain, loss, forgiveness; The Avett Brothers are true musical story tellers.

    The Avett Brothers combine bluegrass, country, punk, pop melodies, folk, rock and roll, honky tonk, and ragtime to produce a sound described by the San Francisco Chronicle as having the “heavy sadness of Townes Van Zandt, the light pop concision of Buddy Holly, the tuneful jangle of the Beatles, the raw energy of the Ramones.”

    The band has been together since the early 90’s and have grown in popularity with appearances at this year’s Mountain Jam and Govenor’s Ball. The Avett Borthers are – Brothers Scott Avett (banjo) and Seth Avett (guitar)—as well as Bob Crawford (double bass). Joe Kwon, (cello) and Mike Marsh (drums).

    Follow

    @TheAvettBros | FaceBook

  • Widespread Panic announces their Fall Tour 2013

    widespread 13Widespread Panic has announced their Fall Tour plans for 2013.

    After performing at the inaugural Interlockin Festival Sept. 7th and 8th, Panic will embark on a 2 part tour, the first through the Southeast and Midwest Sept. 20th – Oct. 5th, and then another 3 week run starting in Texas Oct. 25th that will bring them through the Southeast and up the East Coast ending at the Theater at MSG on Nov. 16th.

    They will perform their only Upstate NY show of the tour on Thursday Nov. 14th at the Landmark Theatre in Syracuse. The on sale date is Sept. 13th at 10am, $40.00 Reserved, available online at www.ticketmaster.com, or charge by phone 800.745.3000.

    Fore more information visit the band’s website : www.widespreadpanic.com

  • The 23rd Annual Finger Lakes Grassroots Festival of Music and Dance: Staying Different by Remaining the Same

    In this day and age where music festivals are popping up like a game of  Whack-A-Mole, it’s nice to know there’s an oasis of musical and arts gatherings right in our own backyard, one that is celebrating its 23rd consecutive year. That festival is Grassroots and that backyard is Trumansburg, NY.Grassroots Festival 23rd

    “The uniqueness of Grassroots really lies in the feeling where everyone who goes to Grassroots feels like a real part of the festival. You’re not being subject to an event, rather you’re part of it and creating your experience with everyone else, so everyone who comes to it is truly, a real part of it.” – Jeb Puryear, Donna the Buffalo

    Spawned from the brainchild of Donna The Buffalo members in 1990, the Finger Lakes Grassroots Festival of Music and Dance has evolved in many ways, uniquely, by not evolving. The festival has always stayed true to its roots (no pun intended) by offering the widest array of genres, cultures, instruments, ethnicities, flavors, beats and personalities of any festival in Upstate, which, in many ways, defies the current model of genre-specific festivals that have become so recently prevalent. This year’s lineup remains on par with that informal mission: attract the total diversity of people Upstate NY has to offer by offering the most diverse lineup to new and veteran festival goers July 18-21.

    “You know it’s really easy for a music festival to slide into that stereotypical niche of being hippie or whatever but I mean, yeah, sure I’m a hippie, but it’s a tough distinction to make. We get farmers and republicans to everyone. That’s one of our goals really is to make the masses of people, everyone from everywhere, to realize Grassroots can be a great event for everyone,” said Donna the Buffalo frontman Jeb Puryear in a recent interview. “The uniqueness of Grassroots really lies in the feeling where everyone who goes to Grassroots feels like a real part of the festival. You’re not being subject to an event, rather you’re part of it and creating your experience with everyone else, so everyone who comes to it is a truly, a real part of it.”

    Fresh off their latest album release, Tonight, Tomorrow and Yesterday, roots/zydeco/jam icons Donna the Buffalo returns home to the Finger Lakes to highlight this year’s extensive lineup.  In addition, other area acts include Sim Redmond Band, Giant Panda Guerilla Dub Squad, John Brown’s Body, Driftwood, Milkweed, Gunpoets, Thousands of One and Sophistifunk, among countless others. As always, some of the regulars will be making another appearance with Keith Frank and the Soileau Zydeco Band, and Preston Frank and His Family Zydeco Band keeping people kickin’ up their heels to ungodly hours each night in the infamous Grassroots Zydeco Tent. Other great acts include Rubblebucket, Rusted Root, Jim Lauderdale, The Town Pants and Chatham County Line but perhaps the largest draw of the festival (‘The Herd’ would contest) is expected to be for Emmylou Harris and Rodney Crowell. Perhaps, however, most of Grassroots charm arrives from hearing music or artists you have never heard of or maybe never have consciously self-introduced: Genres spanning afrobeat to Cuban, bluegrass to soul or reggae to…dare I even say it, country music.

    One of those said “acts”, if you can call their ensemble that, is called Festival Au Desert – a Caravan of Peace. Hailing from Mali, a nation currently torn in turmoil among recent throngs of Al Qaeda influence, the Festival Au Desert refers to themselves, comprised of several different Malian musical groups, as a ‘Festival in Exile’ and they will bring that mobile caravan of global rhythms to Trumansburg July 18-21. “The Festival of the Desert thing is gonna be pretty cool. It’s a product of when the forces of global politics invade something as pure as music,” said Puryear. “Al Qaeda is in the northern part of Mali, and getting unruly and next thing they did was start going into the villages and started outlawing music and outlawing something like music in Mali is a pretty heinous thing, so they have this festival in the desert every summer and they didn’t feel like they could hold it safely over there, so they decided to take their festival on the road and we were lucky enough to get ‘em.”

    In addition to the non-stop music July 18-21 at the Trumansburg Fair Grounds, Grassroots also boasts eclectic mixes of art, dance, food and activities. Since 1990, the festival has appeared to really grow with some of its original attendees. In addition to growing up as a festival, Grassroots has also expanded to now include Grassroots Festivals in North Carolina and Florida. “First, in the beginning of it all, with some proceeds, we wanted to bring awareness to AIDS. We started as a musical event and we decided to make it to go towards helping some causes. We branched out to arts and education and essentially, by branching out to helping education and the arts, we are essentially furthering our original mission, which is music,” said Puryear.

    Essentially, the Finger Lakes Grassroots Festival of Music and Dance promotes arts and education, provides family-friendly entertainment, on-site camping and food, a relaxed, friendly vibe, a diverse lineup of never-ending music and great Finger Lakes Scenery. Yet, despite all of this, Puryear said he knows there are music lovers in Upstate New York who still have not yet made it to one of the past 22 installments. “Everyone in this area is good people. People who come and finally get there after hearing about it for years just end up having an unbelievable time. I can even begin to recommend anything more assuredly than telling people to go to Grassroots festival. It really is special.”

    ‘s recommendations for this year’s lineup: Donna the Buffalo, The Horse Flies, Driftwood, Chatham County Line, The SPAM Allstars, The Speckers, Aurelio Martinez, The Campbell Brothers, Rubblebucket, Emmylou Harris and Rodney Crowell. For a complete listing of Grassroots artists: please visit www.grassrootsfest.org

  • The 2nd Annual Fiddler’s Picnic: A Photo Review

    Friday night of the 2nd Annual Fiddler’s Picnic was jam-packed with great music from the Capital Region’s own Eastbound Jesus, good ol’ Adirondack boys The Blind Owl Band and Dangermuffin coming all the way from Folly Beach, South Carolina. Despite the mud from earlier rains, the hollow was still great for dancing and a little bit of apple moonshine.  Camping was available anywhere you could stake your claim.

    Saturday at Statewide Music’s Fiddlers Picnic was a fiddle-tastic time for all. The site at Miller Hollow in Marion was immaculate and filled with shady areas to escape the burning sun. Escaping the blazing bluegrass was impossible though, yet every band brought their A-game and delivered killer sets. The day featured bands such as Rochester’s Clinton’s Ditch, Maine’s Mallet Brothers Band, Vermont’s Jatoba, Ohio’s  Rumbke Mountain Boys and Buffalo’s Floodwood. (Featuring Vinny and Al from moe.).

    Typical to every StateWide festival, this was a family affair, filled with friendly faces and plenty of children tearing around. At one point, HerbyOne’s own daughter blessed us with a beautiful rendition of “The Star Spangled Banner” from the main stage. Music and fun went late into the night once again despite undesirable weather conditions. Highlights were a fierce newgrass version of Phish’s “Rift” by Jatoba and all of Floodwood’s amazing set.

  • The 2nd Annual Fiddlers Picnic – A Good Old Ho’down in the Mud

    The roads were treacherous, the mud was deep, the sun was out and the sounds of bluegrass filled the warm summer air. The 2nd annual Fiddlers Picnic in Marion, NY brought us securely into full blown festy season. With a lineup that impressed bluegrass lovers young and old, this intimate festival nestled in the woods was of all things one hell of a family ho’down!

    Friday: Ahhh, the first day of the fest; always a wild card in my book. It can go two ways really, calm and chill and hanging with friends – gearing up for a late Saturday … OR it’s the night that we all get crazy and dance barefoot in the mud with a jar of pineapple moonshine in our hands till the sun comes up.

    Highlights from Friday included Eastbound Jesus with the sounds to bring people from setting up their camp to dancing in the hay covered mud. The Blind Owl Band who set the bar high for the two remaining bands that night, played their hearts out while a barrage of friends graced the stage.

    The night got better as it progressed with South Carolina’s Dangermuffin keeping the energy high! The straw dance floor atop the mud only added an old-timey feel to the family ho’down this festival had become. It was clear that this weekend was going to be filled with sit-ins and campfires, despite the weather just a few short days before. Late-night Friday belonged to Hogmaw from Pennsylvania who rightfully refer to themselves as ‘bringing a distinct abstract sound to string band music that can only be best described as THUNDERGRASS!’

    Hogmaw
    Hogmaw

    Saturday: The day began with The North and South Dakotas, a great sting band with a drummer and amplified instruments. It was quite relaxing and a beautiful way to start the day –  sunshine in your face sitting on the grassy hill, enjoying the people watching , and girls with hula-hoops and a jug o’ shine to set their dancing mood.

    Clinton's Ditch
    Clinton’s Ditch

    Saturday Afternoon brought us to the 3rd stage for the Aaron Austin Band which slowed things down a bit more than the previous act. For a lovely cover of “Tangled Up In Blue” we sat in the hammock and enjoyed the coolness of the shade. Late afternoon developed into a gathering of close friends and families; children in rain boots and hay strewn across the ground to make a dance floor above the muddy earth. Festival goers were also treated to sets by Still Hand String Band, Boots n’ Shorts and Rochester natives, Clinton’s Ditch.

    Boots n' Shorts
    Boots n’ Shorts
    Black Mountain Symphony on Saturday was another first timer for this gal and of course another delightful choice of bands, which has been the theme for the fest so far. Black Mountain Symphony features Annie Campo, a soulful singer/violinist with talent far beyond her years. Drummer Bill Palinski shared the duties of vocals and artistic drumming that kept the beat like a locomotive barreling down the tracks.  Bear Campo on keyboards also brought an intense sound to this performance. This band will be a welcome addition to any festival – their sound is all encompassing with strings, keys, guitar and drums.
    Black Mountain Symphony
    Black Mountain Symphony

    The real treat Saturday was the surprise first time live performance of Ms. Haley Rose (age 12) with her breathtaking rendition of “The Star Spangled Banner” and a captivating “Somewhere Over The Rainbow”, which brought festival goers to a stand still on the hill as she sang her heart out to the ears of fans and family alike. Natural talent runs in her family and it’s worth noting that Haley’s singing talents were equally impressive to that of her younger brother, Brayden Vaughn, whom MC’d the entire festival with the experience of a seasoned announcer.

    Also on the bill for Saturday was Boots n’ Shorts, Jatoba, Floodwood, the Rumpke Mountain Boys and a late-night jam with Free Grass Union. Saturday night’s Jatoba set gave us a fast-ass-jam-grass version of Phish’s “Rift” that had phans hootin and a’ hollerin for this Vermont-based festival favorite.

    Bands these days are creating side projects for themselves that seem to be crossing the genres in which they have been known in – Floodwood is no exception to this trending concept in music. moe. band members Vinny Amico and Al Schnier are credited for face melting jam-rock while also belonging to a down right kick ass bluegrass ensemble. Floodwood followed suit with the rest of the weekend and brought the roof down with their original brand of newgrass.

    After a set with Floodwood, the energy was high and the mud was deep – the Rumpke Mountain Boys, from Ohio, brought the music hungry crowd to the second stage for what turned out to be one of my favorite jams from the weekend. The band has molded their own style of bluegrass/jamgrass into what they call ‘trashgrass.’

    Unfortunately because of the severe weather warnings for Sunday, Fiddlers Picnic had to cancel the music for Sunday – when campers woke to down pouring rain early Sunday morning, we were sad about missing the music for that day but relieved that we got the warning early enough to pack-up. Gear loaded onto the back of a sleeping-bag, we embraced the mudslide down the side of the hill we were perched upon so happily the two previous days of the festival.

    This festival had a stellar line-up from morning till late-nights, the family-friendly vibe, and beautiful camping spots. Fiddlers Picnic should be on the radar of any bluegrass lover. Cheers!

  • Upstate Spring Revival in Review Part 3/3

    Editors note: This is part 3 of our 3 part Upstate Spring Revival coverage that features the music from the weekend. Take a look at coverage in Part 1 and Part 2.

    IMG_6444

    What a fantastic weekend! Despite possibly the worst weather conditions imaginable from Friday evening through Saturday morning, the State Wide Music staff came through. Kudos to sound man Tim, who gave us one of the best sounding festivals ever; site manager Jeff for his tank-sturdy stages, cameramen Kevin and Brennan for braving torrential downpour conditions with expensive equipment, and most of all, to the bands and festival-goers for keeping an upbeat “We’re all friends” attitude throughout the fracas. Big thanks to Herby One and State Wide Music for yet again delivering the perfect regional festival experience.

    Didn’t have enough yet? State Wide Music has two more shindigs planned for the summer at Miller Hollow in Marion NY.  June 13th-16th will be the second annual Fiddlers Picnic. Spotlighting some of the region’s best bluegrass music,  the festival will include the moe. side project Floodwood, Dangermuffin, The Rumpke Mountain Boys, and many more. July 11th-14th is Upstate Boogie 4, featuring one of the funkiest lineups ever with Kung Fu, Yo Mama’s Big Fat Booty Band, Pigeons Playing Ping Pong, Sophistafunk and more to be announced!

    Here are some of the featured setlists from some of the hottest sets over the weekend at Upstate Spring Revival:

    Flabberghaster

    View From The Mountain, Lies, Stone Free[Hendrix],Hangin’ On The Moss,The Crunge>Dazed and Confused[Zeppelin],Who Put This Spell On Me,Coming Up For Air, Lose Your Shoes, The Machine, Whipping Post[Allmans]

    Mister F

    Deal Breaker, Everything You Say, This One Goes to 11, Jump the Shark,  Treadmill, Bed Intruder Song >Vocoder, Answer the Dog, Hedgehog

    Ocupanther

    I Feel Love[Donna Summer], Pyromancer*, Misunderstanding Hugs, Naga Golokia, Ghostless, Fraktura, Stompgoat

    * Debut

    Formula 5

    Earthbound Tim, King Harvest[The Band], New Untitled Song, The Clear %-> Nu-Gen -> 3 Ring Circus -> The Ride Ending

    % Unfinished

    Dopapod

    Nuggy Jawson -> Priorities -> The National Anthem[Radiohead] -> Priorities, Weird Charlie > Cloud World, Donkey Kong Theme *€> Trapper Keeper*, Bats In The Cave^, Present Ghosts, French Bowling+

    *contained elements of “Another Brick In The Wall Pt. 2” by Pink Floyd
    €debut
    ^w/ Mike Gantzer from Aqueous on guitar for the jam, Dr Dre teases
    +contained elements of “Hey Are You Going To Burning Man?” by Electric Apricot

    Timbre Coup

    Snoop Tiger, July, TheWay > Jam > Roland Opus, I didn’t know She had a Mustache, June, Arnold Schwarzeneggar

    Aqueous

    Skyway, Strange Times, Aldehyde > Uncle Phil’s Parachute >Fur Elise[Beethoven]* >Uncle Phil’s Parachute > Knights of Cydonia[Muse] > Warren in the Window > Timmy’s Blades > Regulators[Warren G]**, Pictures > Origami % > Uncle Phil’s Parachute ***

    * Linus and Lucy tease

    ** With Chuck [Dopapod] on bass, Evan on vocals

    *** Schism teases [Tool]

    % Unfinished

  • Upstate Spring Revival in Review Part 2/3: The Sounds

    Editors note: This is part 2 of our 3 part Upstate Spring Revival coverage that features the music from the weekend. Come back tomorrow for our final article, “The Skinny and The Setlists”

    The music started promptly at 7:30pm Thursday night with the combined forces of Carly Jane and Train Rat. The Cohocton, NY band’s melodic hypnotizing jazzy blues with a hidden fury was a great way to kick start the weekends musical expeditions. Along with a slew of originals, they offered up sexy versions of Peggy Lee’s “Fury” and The Devil Makes Three’s “Old Number 7”. Following Train Rat was Springwater’s White Woods with their own brand of Cake-esque alt-rock with extra frosting.  The two bands also collaborated on a song with some expert mandolin play and an audience chanting “Chugging down to New Orleans” right along with the musicians.

    Thursday’s closer was Vermont’s Flabberghaster. While hard to define given their unique flavor, one could imagine AC/DC mashed up with the Allman Brothers and get a sense of their sound. This was some rocking music and the crowd ate it up. Beyond the head banging, the band also went on a number of exploratory improvisations from bare bones hard rock to jazzy percussive clap-alongs. While their set was somewhat cover heavy, they made songs like Led Zeppelin’s “The Crunge” and the Allman Brothers “Whipping Post” their own with no fear of straying from the original song structure. Where’s that confounded bridge? Who cares! The crowd wandered back to their tents completely flabbergasted. True to rock and roll form the band slept overnight on the stage.  

    Friday started out early with Canandaigua’s Upstate. The bands blues based rock and roll with lots of experimentation and fierce peaks got people out of their tents and down to the stages. In the middle of the set they offered a fun mash-up of one of their originals with the new Daft Punk song “Get Lucky”. Following Upstate was Buffalo’s Slip Madigan. The band’s upbeat happy music with funky breakdowns and hints of electronica was a great match to the unexpected sun shining down on the crowd. The newly formed Mister F followed, composed of  3 members of Albany’s Timbre Coup and Scott Hannay from Capital Zen. The F maintains their own sound, which runs the gambits of influences from funk and rock to jazz and electronica. Their self-described genre of “Neat and Clean, Hard and Dangerous” is pretty much spot on.

    Rochester’s Ocupanther then laid its claws into the audience with their brand of instrumental funk-space-psychedelia featuring the juxtaposing styles of Berkeley schooled axeman Colin Jones and self taught shred wizard Mikey Pantano. They opened with an adventurous cover of Donna Summer’s “I Feel Love” and the audience responded with much love of their own. Friday’s evening journey began with Albany’s Timbre Coup and their deep progressive rock influences, intertwining metal overtones and doses of electronic forays with top notch vocals. As the sprinkles started to turn to rain, true to their name, Project Weather Machine stormed the stage for an hour and a half of Grateful Dead and old school blues inspired improvisations with awesome names like “Nitrous Roxide”. As the rain progressed in intensity festival goers were treated to the first show by Buffalo’s Universe Shark in several months. Despite their hiatus they did nothing but deliver, keeping the crowd dancing in the mud. Closing out the evening was the return of the much revered Schleigho. Their set was nothing short of mind-numbingly brilliant, ranging from pure technical by-the-numbers wizardry to wide open “Space”-esque exploration. Musicians were buzzing about this set the rest of the weekend with phrases like “It was like going to jam clinic” and “I’m not worthy” being thrown about.  

    Saturday started later than anticipated. Stage equipment was all moved to the main stage due to the mud pit in front of the secondary stage. Thankfully the weather cleared, the sun came out, and Ithaca’s Solaris started things off with some excellent intense EDM. Albany’s Formula 5 proved quite the draw in the next spot with their genre-everywhere sound. Funk, rock, blues, jazz, electronic, it was all in the mix as well as a fun cover of The Bands “King Harvest”. The trio of Rochester’s Haewa filled the 5pm slot with some of the most extended jamming of the weekend, more of Colin Jones guitar-pyrotechnics, and a rock solid grooving core.

    The evening lineup of Vermont’s Twiddle, Buffalo’s Aqueous, and NYC’s exploding Dopapod was so hot people were wiring their doctors to re-up their heart medications. Twiddle started it off with a set filled with improv, explosive soaring peaks, and a jam of Phish’s “Contact” that ended up going from “Funkytown” to “Billy Jean”. The centerpiece of the show was a monster version of original “The Box” which simply went everywhere. Aqueous then one upped everyone with the biggest crowd of the weekend thus far, and a hot-as-fire set no amount of liquid could extinguish. Filled with effortless segues, memorable originals, a fun sit-in from Dopapod’s Chuck Jones on Warren G’s “Regulate”, and a brilliantly intense take on Muse’s “Knights of Cydonia”, Aqueous had the audience in the palm of their hand. Brooklyn’s Dopapod closed the evening set with an all out rager, effortlessly gliding from song to song with the best light show of the weekend by far. This band is on fire and should not be missed at any opportunity.  Aqueous’s Mike Gantzer sat in for original “Bats in the Cave” complete with some well placed Dr Dre “Xxplosive” teases.

    Those that survived the onslaught of Aquapod stayed up for the late night set of NYC’s Consider the Source, whose technical expertise may not be surpassed by anyone. Imagine a Primus that got all jammy and had three Les Claypools running the show. Pure intense perfection and an exquisite end to the fest. An incredible weekend of music, with each band bringing their A-games.

    Come back tomorrow for our weekend summation and an assortment of some of the weekends best setlists.

  • Upstate Spring Revival in Review Part 1/3: The Scene

    Family. No other word can describe a regional festival like Upstate Spring Revival festival better than family. Familiar faces from shows over the years. Passing by the same groups to and fro from the campsite, always with friendly salutations and wide smiles. Meeting new people spinning tails of their travels freely as if every soul they meet is an old friend. Sharing toasts and high fives with complete strangers, shyness abandoned. In our modern; smart-phone consumed; too busy to say hello world, this situational rarity is beyond refreshing. It’s a damn good feeling and a great way to spend a weekend in the woods. May 8-11 at The Whispering Pines Hideaway proved this concept beyond a shadow of doubt.

    DSC_0250

    The Hideaway is typically an aviary hunting preserve and ATV adventure site, with trap towers, clay pigeon throwers, and rut filled off-roading trails throughout the area. While this may seem an ironic venue for a gathering of peace loving hippies, it proved itself perfect for the weekends experience. Car camping was available throughout the site with a plethora of settings, be it wooded, open field, or just a place to lay down in the grass. Musicians roamed freely through the crowd chatting with fans and fellow music makers. Both secondary and primary stages were located in a lower area, surrounded by trees, but still allowing a picturesque view of the sunset. The stages were minutes from each other with a variety of vending, drum circles and lessons, and glass blowing demonstrations all conveniently located within the main “Shakedown Street”.

    DSC_0441

    Weather ended up being better than forecast. Thursday night through late Friday afternoon was beautiful. Friday night through Saturday was a bit rough with blowing rain but everyone kept in good spirits. Many huddled around campfires sharing jovial tales while others wandered the site in rain ponchos making new friends. Musicians plowed through the weather unscathed and everyone delivered excellent sets. Saturday night, between sets, Solar Flare and entourage offered up a spectacular display of pyrotechnic acrobatics.  Other activities included live glass blowing demonstrations, drum lessons and circles, face painting, and much more.

    Come back tomorrow to read our review of “The Sounds” featuring pictures by contributing photographer Kevin Burke.

    Photos by Darren Kemp

    Editors note: This is part one of our three part review of the Spring Revival festival. Each article will include a photo gallery from one of our three featured photographers.

  • Blind Owl Band | Kickstarter Project

    The Blind Owl Band has set out to raise funds with Kickstarter to promote their new album and 2nd recorded effort. The band returned to Granary Studio in Morrisonville, NY in March and April 2013 and recorded 13 unreleased original tracks with Larry Dolan returning as producer.

    blind owl band

    The album features songs that were born within the walls of the Granary recording studio during the recording of “Rabble Rousing” in the fall of 2011 such as “Jazzy Magee”, “Christians Head”, “Cherry Tree” and new songs that have yet to be played live, such as “Rain On”.

    Now as The Blind Owl Band gets ready for summer, they are looking for support to independently release this album. The recording is done, a release date of July 10th has been set.  The band now needs the help of their fans to fund the mastering, printing and advertising of this album.The Kickstarter project has a goal of $5000 and we think these guys deserve the help!

    The band is touring in support of their Kickstarter Project from May 16 to May 26, you can also Follow the release of the album via their Facebook page or at TheBlindOwlBand.com.

    The Blind Owl Band

    Arthur Buezo (Guitar, Vocals)

    Christian Cardiello (Bass)

    James Ford (Banjo, Vocals)

    Eric Munley (Mandolin, Vocals)

    Tour Dates:

    May 16 – Atwoods Tavern, Cambridge, MA
    May 17 – Pizza Stone, Chester, VT
    May 18 – Strawberry Jam, Northville, NY
    May 18 – Olive Ridley’s, Plattsburgh, NY with Lucid
    May 19 – The Wherehouse, Newburgh, NY
    May 20 – The Living Room, NYC, NY
    May 21 – Free Range Busking Day
    May 22 – Underground Arts, Philly, PA with The Brummy Brothers
    May 23 – The River St. Jazz Cafe, Wilkes-Barre, PA
    May 24 – Touch Fest 2013!! South ADK’s
    May 25 – The Dutch Treat, Franconia, NH
    May 26 – Rosa Flamingo’s, Bethlehem, NH
    May 26 – Red Square, Burlington, VT