Category: Buffalo

  • Merry Upstate Metal Xmas

    Right about now, we expect most of you are hung over on Stewart’s Egg Nog and family bickering.  And, we’re absolutely positive that if you hear Dominick the Donkey one more time, you’re going to kill someone with that Fender guitar you just got. Merry Xmas from Upstate Metal.

    So, with that said we’re bringing back what we’ve found on Al Gore’s Interwebs, hoping to find what others are doing today.

    Here’s your little bit of valium.

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    The economy has been improving across upstate New York, but some of us still find it difficult to rub two pennies together.
    One of our competitors, the Capital Region’s Metroland, has witnessed the residual effects of the Great Recession, first hand. Above, a parent appears to be bragging over his or her Dickensian approach to soften the blow to the kids.
    “I told my kids, ‘it’s Jesus’ birthday, not your birthday. You’re not getting anything’.”
    Ouch!
    That’s a tough pill to swallow right there. Hopefully Santa Claus found his way there last night. Something made from the heart is always better than something bought. Remember that, kids.

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    KISS’ Gene Simmons and his family paid a visit to Uncle Huge at the Playboy Mansion for an epic holiday party on Christmas Eve.
    He took a moment to snap off a picture of his 21-year-old daughter, Sophie Tweed Simmons, snuggling up to a 20-foot tall Rudolph the Red-Nosed Reindeer.
    Sophie has been in the headlines herself, having competed briefly on Fox Network’s The X Factor, last year. And, earlier the year, English newspaper The Daily Mirror published photographs of her in her thong bikini, while on vacation with her boyfriend in Ha’waii.
    Sophie is one of two daughters between Simmon and 1982 Playboy Playmate of the Year, Shannon Tweed.

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    Halestorm lead singer, Lzzy Hale uploaded a photo of the family Christmas Tree from her mother’s house. this morning.
    2013 has been a good year for the Hale family. After releasing their second album The Strange Case Of… in April of 2012, the song “Love Bites (So Do I)” won their first Grammy Award for Best Hard Rock/Metal Performance on February 10, 2013.
    Halestorm is scheduled to launch a 12-stop European tour on April 1, 2014. The band just recently stopped in our area to perform. Go take a look for an awesome write-up and fantastic photos of the band.

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    Vince Neil cares not for a White Christmas, at least not on his Christmas card that pictures him and girlfriend, Rain Andreani.
    The 52-year-old, former frontman of Motley Crüe, is currently dating the 32 year-old hair dresser while separated from his fourth wife, Lia Gerardini. Neil married Gerardini in 2005, but announced their separation in 2010.
    Neil made headlines in late 2012 after collapsing on stage at a concert in Sydney, Australia. Aside from music, the hard rocker ventured into the Gentlemen’s Club business, opening Deja Vu Presents: Vince Neil’s Girls Girls Girls in Las Vegas, Nevada.
    Girls, Girls, Girls was the Crüe’s forth studio album, released back in 1987.

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    Black Label Society frontman, Zakk Wylde is absolutely giddy over the Arthur Fonzarelli doll he apparently received from under the tree this morning.

    The 46-year-old founding father of the LA rock group is certainly young enough to remember Happy Days from before its time in syndication.  And, for those of us old enough to remember the ultra-cool character that was made famous by Henry Winkler can completely understand the excitement over receiving such a gift.

    This has been a busy year for Wylde and his crew.  Following the release of Unblackened, the boys went out and participated in this summer’s Gigantour IV, along with Megadeth, Device, Hellyeah, Newsted and Death Division.  Wylde is reportedly working on material for yet another release next year.  Since the band’s inception in 1998, the band has launched nine studio albums, two live albums, two compilation albums, an EP and three video albums.

    The posting of Wylde’s mug in full scream makes one wonder if he’s truly excited over getting The Fonz, or is he trying to release the tension from his all of his work.

    There could also be that fact that he’s upset over the departure of Nick “Evil Twin” Cantanese from BLS.  Cantanese, who has been with the band since the start, reportedly set sail on December 2.

    In case you’re looking to spend some recently acquired cash, a vintage Happy Days‘ Fonz doll from 1976 is currently selling on eBay for $26. (Imagine how much it would have been worth had he never jumped that shark.)

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    Orianthi Panagaris was recently getting into the festive spirit, as shown here from a picture she posted on her Instagram account a few days ago, apparently stealing shit out of her Christmas Tree’s closet.

    Or, maybe, that’s how they dress where she’s from in Australia.

    The amazingly gifted guitarist is currently in between tours, having closed out traveling with Alice Cooper over the past several months as part of the 98Rock Halloweenie Roast.

    The 28-year-old released her third studio album, Heaven in This Hell,  this past March and ultimately earned a three out of five stars from Allmusic.com.  A deluxe version of the album was subsequently released this past September, which included three extra tracks.

    For you stalkers who have yet to happen across her Instagram account, well, go Google it.  But, I’ll tell you, the girl’s got a special relationship with that phone of hers.  It’s not uncommon to see four or five updates on her account on any given day.  Of course, the girl was just touring, and she gifted her fans with plenty of images from behind the scenes.

    She goes back on the road next March, as she’ll meet up again with Cooper overseas as part of the European Rock Meets Classic Tour.

    Happy Holidays, and Happy New Year’s to you all from UpstateMetal!

  • Wooten Brothers Bring the Family to Albany and Buffalo for the Holidays

    Musical families have been around in the business for quite some time with last names like Jackson, Dylan, and Marley indicating an extensive lineage of artists.  There have been few that have the collective talent the family of the Wooten Brothers possess.  While not as known as some of the aforementioned examples, Victor, Joseph, Roy, and Regi have already left a lasting mark in the industry and continue to widen their influence today.

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    This Sunday, December 15th and Monday, December 16th, The Wooten Brothers will be taking the stage at at The Egg in Albany and The Tralf Music Hall in Buffalo, respectively.  It has been several years since the foursome have toured and they should be firing on all cylinders with the Albany and Buffalo dates being two of the last three of this incredible tour.  It is rare that these guys get together, so this is a special one for not only the fans, but the four on stage as well. The show that awaits is a night of pure fusion as each have a huge array of influences that could be pulled from at any point. Roy, also known as Futureman, is the drummer with brother and bassist Victor in Bela Fleck and the Flecktones. Roy plays what he calls a “drumitar” which looks similar to a guitar, but employs various drum sounds via an array of buttons. Those familiar with classic rock might also know of Joseph who is the keyboardist for the Steve Miller Band. Something must have been in the water because there was no shortage of talent to go around this family.

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    If still needing more of a push though, there’s a pretty good chance that you’ll catch one of the world’s best bassist that night. Victor Wooten, yes from above, is one of the most recognized and talented bass players both currently and overall. Youngest of all of the brothers, Victor has won five Grammy’s with Bela Fleck and the Flecktones adding his smooth groove and virtuosic touch to a bluegrass/jazz fusion. Among other awards, Victor was also named the tenth greatest bassist of all time by Rolling Stone readers in 2011. The sounds he pulls out of his bass could go unexplained by a seasoned musician.

    Albany and Buffalo were luckily selected as two of the 13 dates along the East Coast for this two-week family jaunt. Thanks to the brothers, Upstate gets an early gift this year.

  • All I Want For X-Mas is More Nugs: Aqueous Releases 4th Live Album

    Buffalo’s buzztastic groove rockers Aqueous have announced a New Years Eve release date for the fourth release in their Live Nugs series. The Nugs started smoking in 2010 with Volume One and Two, then took a two year hiatus before returning with Volume Three in 2012 prior to the groups debut at moe. Down 12. The discs feature an assortment of tracks from the bands live shows for each era. Live Nugs: Volume 4 has a mere five tracks running an astounding 73 minutes. Like jams? Us too! Beyond that, it is also the first in the series to feature 100% original material. It will be available for purchase at the bands New Years Eve celebration in Erie, PA at the crooked i and online in 2014.

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    Watch for a review of the album coming soon from ‘s Jeremiah Shea!

    Catch Aqueous next in Upstate NY on January 3rd at The Lost Horizon in Syracuse.

  • Alan Evans Trio Provides Black Friday Funk in Buffalo

    Walking into Nietzsche’s Saturday, November 29th, you could instantly feel something in the air that was different. One by one, people made their way passed the handlebar-mustached doorman and grabbed a beer with apparent anticipation. Drummer Alan Evans was born and raised in Buffalo, and one thing the city does well is welcome home one of their own. There were several family members and close friends present and that was in addition to the growing fan base that the Alan Evans Trio has quickly established here.

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    Starting the night, Kid Splendor & the Royal Fortune took to the stage and, ironically, had the fortune of a Royal Family instrument upgrade. Earlier in the day, Kid Splendor drummer Jacob Leckey got a text saying he could use Alan Evans drum kit. Hesitating with disbelief, he almost brought his drums just in case. Lucky for Leckey though, the text was no hoax and he got to take full advantage of the incredible opportunity. As the band opened with their song “A Go Go”, Leckey channeled Evans and commanded the opening groove. Describing the experience, Jacob said, “I wasn’t as concerned that it was Al’s as I was with the fact that it was setup directly in the front of the stage. I have never played a show as a drummer like that and being the main thing people would focus on was new. Adding to it, the guy who normally gives me most of my cues was behind me and made it a bit daunting.” The hurdles went unnoticed by the crowd though as the band’s sound was tight. Once they were a few songs in, the band pulled out a cover of the Neville Brother’s “Fire on the Bayou,” satisfying the longtime funk appreciators of the crowd. Throughout the set, guitarist Mike Hogan and keyboardist Mike Kausner traded solos with a solid foundation laid down by the rest of the band. The addition of the Harbor Horns, a three piece horn section that played with Kid Splendor during their set, added brass accents and a rousing rotating solo on “Smaller the Club (Better the Party).” Kid Splendor closed their set with “Floyd” which was led by the rapid pace of Leckey, still feeding off of the high. The energy of the song capped off a great opening to the night and propelled the crowd right into AE3’s set that shortly followed.

    Set List: A Go Go, Chicken Strut, Fire on the Bayou, Mah Na Ma, Hey Pocky Way, Sissy Strut, Smaller the Club (Better the Party), Laminak, Floyd

    As Alan, Beau, and Danny made their way through the crowd and up the stairs in the front of the stage, people began filling in and really packing the small club. With the upper levels filled, it really felt like the band was only going to make it out if they satisfied the surrounding group. They took the challenge in stride and easily surpassed all expectations. The set started off blazing right from the get-go, leading with the fast-paced “They Call Me Velvet.” Beau Sasser’s solo on the song stomped on the gas, but Danny Mayer’s answer sent the crowd into orbit. Alan Evans was equally adding to the sound, beating his drums harder than I have ever seen him play. The fact that his kit held up for the entire set was honestly surprising as he was relentless from the beginning. Even with the focus they put forth, you could see the fun these guys were having as it was written all over their faces. After every solo or lead, you could always spot one of them giving a nod to the other as if they were just as excited to hear that as we were.

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    As the middle of the set approached, the group dove into another highlight of the night on the Hendrix cover of “Ain’t No Tellin,” which really captivated the crowd. Beau Sasser showcased his ability on this one and proved that he should have his own “Beau Knows” marketing campaign for his B-3 prowess. What he did on that solo caused most people to stop dead in their tracks and pay attention to his rapid-fire delivery. As the energy reached a high point, the band thankfully slowed things down with “The Laydown.” Danny Mayer led this song as it began with a slow-rolling Strat solo that was beautifully colored with a muffled wah tone. The slow pace allowed Mayer to float some powerful notes into the night air, leaving room for Evans to accent in between. While they’re only a three-piece, they understand how to strike a perfect balance between each other. The balance of improvisation and structure was explored throughout the night with an almost undetected form of communication between the guys. Wrapping up an incredible night of funk, the guys came out for an encore of the Buddy Miles song “Them Changes.” The song was fitting for the evening and left the crowd with one last high. Mayer’s solo on this one had his Strat screaming with every note being further punctuated by Evans’ play.

    At any given point during their set, you really felt as though these guys were somehow able to talk to each other while they played. They pull off of a completely synchronized feel without coming off as rehearsed. It’s pretty obvious why they continue to draw more and more at every show and will continue to with the drive they have. Thankfully for us, Alan is a hometown guy who always sets aside time for a trip home.

    Set List: They Call Me Velvet, If You Want My Love > If You Want Me To Stay > If You Want My Love, Thor, I’m Coming Home, Ain’t No Tellin, The Laydown, Nothing to Say, Who Dare Knock, Cosmic Hazel Dust

    Encore: Them Changes

    Photography by Kyle Hess

  • Conehead Buddha and Funktapuss Lay it on Thick in Buffalo

    Funktapuss-ConeheadBuddhaA little cold weather and snow has never gotten in the way of a Buffalonian’s plans. On Saturday, November 23rd, the city experienced the first bitter cold temperatures of the year, but that didn’t stop the funk fanatics of the Queen City. Conehead Buddha and Funktapuss were in town and Nietzsche’s was packed with eager fans that fought the elements just to check these two out.

    With Conehead headlining the show, Funktapuss kicked things off with their soulful/bluesy style of funk. The five-piece from Cape Cod opened their set with a new song titled, “Unmistaken Reality.” While it started off like a slow rolling funk current, it really opened up as Ryan Tivey took the night’s first solo on sax and got the crowd buzzing. The end of the song had a heavy feel to it, similar to Lettuce’s brand of funk, and will keep me Googling the song name waiting for its official release. The band kept the pace after that, but really hit their stride on an old school/new school, back to back, funk history lesson. The guys took on a classic, covering Stevie Wonder’s “Higher Ground”. Lead singer Latez Crawley’s voice shined with a couple of fans drawing comparisons to James Brown. From there, they went into a cover of the Lettuce song, “Do It Like You Do”, showcasing the bands tight control of rhythm and wrapping up the history lesson.

    As the set progressed, the band played songs off of their self-titled album as well as some other fitting covers. Brian Vanderbeek’s virtuosic bass opening to “Shakey Ground” was Wooten-esque and only reinforced why this guy should be known worldwide for what he can do with his instrument. It would be an insult to say he’s one of the best up and coming bassists as his skills are on par with all of the top names we’re familiar with. The band kept the funk pumping all night, only stopping briefly in between songs to really pack their set. Besides the opener, the group played two other new songs, “February” and “Soul Specific”. The three new songs as a whole were delivered with rhythmic precision and illustrated how Funktapuss is continuing to evolve their sound. Whereas their first album rode the soulful side of funk, the new album might see them kicking things up a gear as the three newbies on Saturday were simply incessant. To cap off their set, the group threw in one last cover, Tower of Power’s “What Is Hip”. This is a staple of theirs and the group absolutely nails it every time. Brian Vanderbeek’s heavy bass on the closer really drove the set home and had the entire crowd dancing to the throwback. With the band still relatively new, there was a resounding buzz in the crowd preceding the performance, wondering who these guys were and where they came from. This band is due to break out anytime now, and with every show it seems they’re gaining more and more momentum.

    Setlist: Unmistaken Reality > I Got to Groove > I Know > Higher Ground > Do It Like You Do > Lesson > Shakey Ground > Threadin’ the Needle > The Truth > Go If You’re Gone > February > Night Life > Soul Specific > What Is Hip

    Conehead Buddha took the stage next to keep the crowd moving. There was a lot of anticipation for these guys, which wasn’t surprising though as their blend of influences results in a feel-good vibe that anyone could dance to. The appropriately titled, “Aint No Better Way,” was the perfect way to start off the set. The high energy of the song immediately had people smiling and grooving around the dance floor, setting the tone for the remainder of the night. The stage was just as packed as the dance floor with the eight-piece band settling in to Nietzsche’s cozy stage. As the Latin rhythms carried in “Cielo Drive,” more and more of the crowd began to join in, coaxed from the outskirts of the club. The show was in full swing now and it seemed like Conehead had full control over its momentum. Mid-set approached and the band slowed things down with “Fly on Your Bedroom Wall.” The reggae feel was the perfect break to all of the energy that preceded it. The highlight of the night though, was during their song “Rockets,” as guitarist Justin Cross came out of nowhere and electrified the crowd. Up to that point, he was just blending in and contributing to the great feel, knowing all along he was going to blind side everyone in attendance. The solo lasted almost four minutes and showcased his chops while proving he had the control to hide it up until that point. For any musician, it’s a skill to know when to take the lead, but even more of one to show restraint. His surprise attack easily topped the night and left the crowd begging for more. These guys have been around the block a few times and tricks like this only reinforce that. They closed the night with an encore of “Safety in Numbers”, leaving all sweating and looking forward to the cold air. The walk back to the car was a welcomed one and definitely not requiring the jacket in tow.

    Setlist: Aint No Better Way > Mind the Question > Cielo Drive > Forget Me Not > Fly on Your Bedroom Wall > Crumbs > My Way > Wear You Down > Rockets > Vinnie > My Side of the Story > Present Perfect > Shades of Green

    Encore: Safety in Numbers

  • Buffalo Based Blue Stream Productions Announces Nietzsche’s Partnership

    BSPIMAGEBlue Stream Productions (BSP) an Upstate New York based artist management agency, has announced a partnership with Nietzsche’s located at 248 Allen St. in Buffalo, NY.

    BSP will start promoting and presenting a few shows a month at the hallowed musical venue that has hosted thousands of top notch shows over the past 30 years. BSP president/founder Josh Holtzman will be handling the bookings and plans to bring tons of great music and up and coming talent to the Western, NY region.

    Nietzche’s is open daily from 12 Noon – 4AM with live music every night. Parking is limited to the street, but taking public transit to the venue is a breeze.

    For more information on upcoming shows you can call (716) 886-8539 and for Booking information please contact Josh at josh@bluestreamproductions.com

    will keep you informed of these shows as they are announced. Blue Stream’s artist roster currently includes Buffalo’s Aqueous and Rochester’s Ocupanther.

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  • Buffalo’s Own Alan Evans Returns Home to Nietzsche’s on November 29th

    Alan Evans is a true Buffalonian – hard-working, humble, true to himself and fiercely loyal. He recalls growing up in the Queen City saying, “I was just lucky enough to be accepted at a very young age by seasoned musicians when I was coming up. I never felt like I didn’t belong or like I was just some little kid hanging on. That feeling of acceptance really made me feel like I could do anything in life. I’m forever grateful for that.” Fast forward to today and his passion has not only taken him around the world, but continues to lead him to new and exciting ventures. Anyone that’s been a fan over the course of his career knows this and will continue to look his way for anything he contributes to. It’s to nobody’s surprise that when the longstanding Soulive drummer ventured out and started another band, that success would soon follow.

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    Seemingly overnight, the Alan Evans Trio was born when Alan enlisted the help of Beau Sasser on organ and Danny Mayer on guitar to bring a fresh approach and round out the new outfit. Their sound harkens back to the days of Freddie Hubbard and George Benson, while raising the ante for the next generation. Each of the guys are outstanding musicians in their own right which allowed them to hit the ground running with their first album Drop Hop, released in 2012. They quickly established themselves and followed that up with their sophomore album, Merkaba, the very next year. The organ trio might have historic roots, but these guys are determined to carry that torch and continue to evolve one of music’s simplest arrangements. The subtle interplay of each member’s strengths is unbelievable for the short amount of time they’ve been together. There’s just a natural connection that Al anticipated when he assembled the band, and he couldn’t have been more spot on.

    This year in particular though has been a great one for the guys. Not only did they get the chance to host the first live album recording at the Woodstock Sessions, but they also made their first trip overseas as a band. The jaunt to the UK was filled with new experiences, but the overall trip was what really captivated Alan. He explains, “The highlight of the trip has to be the trip itself. I’ve been all over the world many times with Soulive, but there was something really special about getting out of the country for the first time with AE3. It just inspires me to keep pushing forward.”

    Even for someone as seasoned as Alan though, the return home is always something special. The Trio is headed to Buffalo Friday, November 29th, for a night at his old stomping grounds. When Nietzsche’s was brought up, Alan Evans said, “One thing you have to love about that venue is that it’s pretty much the same since my days playing there as a teenager.” He goes on about his hometown, “I just love the vibe in Buffalo. It’s just a very unique place in this world of ours.” We’re in for a treat indeed as Alan has always been known to pull out the stops for his Buffalo family. When asked about whether he would be doing anything special, Alan responded with, “I’m starting to write some new tunes for a new AE3 album and we have been rocking some of the new stuff live.”

    Alan continues to prove why he should be considered music royalty in the Queen City, and Friday won’t be any different. Get there early, stay late, and take note, because the only time you’ll ever catch him slowing down is when the song calls for it.

  • Aqueous and Tauk Join Forces for Two Nights in Upstate, NY

    Aqueous/TaukExperimental and progressive Rock, powerhouses – Aqueous and Tauk will play 2 Upstate, NY shows this week. Both bands have continued to grow from high school bands to Nationally performing, festival favorites. There is no doubt that the musical bonds that brought them together have produced some of the East Coast’s most spectacular funktastic rock infused musical acts – Aqueous and Tauk may be separate bands but their paths are shared on a journey to musical stardom.

    Aqueous and special guests Tauk will first play Dubland Underground in Rochester, NY on November 15th. Show starts at 10PM and tickets are $7 and this is an 18+ ages show.

    The experimental duo then heads to Buffalo on November 16th to play Nietzsches . Show starts at 10PM and tickets are $7, this is an 21+ show. For more information on where to purchase tickets please go HERE.

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  • Preview: All That Remains set to return to CNY and Capital Region

    All That Remains is set to bring their heavy melodic metal-core sound back to the Capital Region on Saturday, Dec. 14, 2013 at the Westcott Theater in Syracuse, N.Y., and Sunday, Dec. 15, 2013 at Upstate Concert Hall in Clifton Park, N.Y.

    Opening for the show at both venues will be hard alternative post grunge rockers Soil.

    All That Remains:

    From Springfield, Massachusetts, Philip Labonte (vocals), Mike Martin (guitar), Oli Herbert (Guitar), Jeanne Sagen (bass), Jason Costa (drums). Formed in 1998, ATR has recorded 6 studio albums and 1 live album, in their 15 year history including Behind Silence and Solitude (2002), This Darkened Heart (2004), The Fall of  Ideals ( 2006), Overcome (2008), For We Are Many (2010) and current album A War You Cannot Win (2012).

    Soil:

    From Chicago, Illinois, Ryan McCombs (vocals), Tim King (bass), Adam Zadel (guitar). Formed in 1997, Soil has recorded 6 studio albums in their 16 year history including Throttle Junkies (1999), Scars (2001), Redefine (2004), True Self (2006), Picture Perfect ( 2009) and current album Whole (2013).  

    Original vocalist Ryan McCombs is back with Soil to make the original line-up complete. McCombs left the band in 2004 to be with his family and resurfaced in 2005 as lead vocalist for Drowning Pool.

    Other December Tour Dates:

    Dec 2 – Denver, CO @ Summit Music Hall **

    Dec 4 – Minneapolis, MN @ Mill City Nights *

    Dec 5 – Ashwaubenon, WI @ Green Bay Distillery

    Dec 6 – Pontiac, MI @ Crofoot Ballroom

    Dec 7 – Joliet, Il @ Mojoe’s

    Dec 10 – Charleston, SC @ Music Farm **

    Dec 11 – Johnson City, TN @ Capones *

    Dec 13 – Baltimore, MD @ Rams Head Live! ***

    Dec 14 – Syracuse, NY @ The Wolcott Theater

    Dec 15 – Clifton Park NY @ Upstate Concert Hall

    Dec 28 – Northampton, MA @ Pearl Street ****

    * Motionless In White

    ** Motionless In White/Soil

    *** Asking Alexandria/Devour The Day & more

    **** Jasta

  • Chris Cornell Shines at University at Buffalo Center for the Arts

    Chris Cornell has been impressing audiences for decades and the Buffalo crowd on November 5th was no exception.  Before singing the first note, the singer of Audioslave and Soundgarden fame walked right up to the front row and warmly greeted the eager audience with handshakes and hugs.  The tone was set for an intimate evening with the legendary singer.

    Chris Cornell BuffaloHe started the solo acoustic performance with “Scar on the Sky” and treated the nearly sold out crowd to almost two and a half hours of musical talent spanning over 20 years of his musical career.  Stripped down to just a voice and a guitar, Cornell’s raspy voice stood out and with power and emotion.  Playing favorite tunes such as “Hunger Strike” and “Sunshower”, Cornell kept the crowds excitement at a high.  In between songs, Cornell told stories behind the meaning of each tune.  He explained, “Dandelion” was written for his unborn daughter while anticipating her arrival.  He also remarked that “Can’t Change Me” was written when he was tired of worrying about others perceptions of him.

    Cornell’s performance wasn’t without tribute to old friend Andy Wood from Cornell’s early days with his first band, Mother Love Bone.  When a man in the crowd yelled, “Play something for Andy!” Cornell acknowledged his late band mate in playing, the Mother Love Bone song, “Man of Golden Words”.

    With a heartfelt thank you to the audience, Cornell closed with a six song encore leaving the crowd on it’s feet in grateful applause.

    Setlist:  Scar on the Sky, Silence the Voices, You Know My Name, Dandelion, Original Fire, Sunshower, Halfway There, Fell on Black Days, Getaway Car, As Hope and Promise Fade, One, Seasons, The Day I Tried to Live, Two Drink Minimum, Can’t Change Me, When I’m Down, Man of Golden Words, Wooden Jesus, Hunger Strike

    Encore:  Cleaning My Gun, Doesn’t Remind Me, A Day in the Life, I Am the Highway, Imagine, Black Hole Sun