Category: Regions

  • Interview: SURRENDER THE FALL’s Jared Cole talks to Upstate Metal

    This is the band that is not afraid to speak their mind and sing out what everybody in the venue is thinking. Their music has a very fresh rock sound, with catchy tunes that will haunt you for months, maybe more. This is the kind of music that loosens you up after a long day or week. The words that melodically leave their lips are very interpretive; their style is very edgy and rough, in a very good way. It’s that good-time feeling kind of rock, the kind that is also very blunt. Say hello to the hard-rockers of Memphis, Surrender the Fall.

    Surrender the Fall2

    Formed in 2005, band members consist of Jared Cole (vocals), Eddie Tyre (guitar), Anthony Pitts (guitar), Devin Hightower (bass), and Rick Anderson (drums). Surrender the Fall has been to hell and back; Tyre, being a lifelong resident of New Orleans, lost everything in Hurricane Katrina; Pitts was promised career in football until a knee injury. Of course, there was the case of their loved ones succumbing to sicknesses and passing away. Through all of the tragedy, Surrender the Fall strove for greatness. Before showing off their amazing talent, they took the necessary precautions to make sure everything sounded absolutely perfect. Eventually, they booked killer gigs such as in New Orleans, and with a great turn out, and they soon signed with Rum Bum Records. Rum Bum sent Surrender the Fall to Sonic Ranch in El Paso, TX (Taking Back Sunday, ZZ Top, Madonna, Devildriver) to record with producer/artist Lennon Murphy (Lennon, Devil’s Gift). After a five and a half week period, the band recorded what is now their debut 12 tracked record, Burn in the Spotlight, filled with songs on “love, hate, pain and everything in between.” The album was released September 18, 2012, with leading singles “Love Hate Masquerade” and currently, “Some Kind of Perfect.” Upstate Metal’s Kate Drexel had the chance to interview the band’s front man, Jared Cole.

    Media Credit - Kate Drexel
    Media Credit – Kate Drexel

    UM: How did you come up with your band name?

    JC: Surrender the Fall…we sat down, and took paper and pen and started writing ideas about band names. It was the hardest thing in the world to do; meanwhile people come up with names like Alien Ant Farm or Butthole Surfers…we set out to figure out this name and, to be honest, we didn’t have the meaning right off the bat. We kind of put the words together that sounded good, and we sat down and thought about it for a while and it’s like “Surrender the Fall”…it’s liking giving up the fall. You don’t fall, you don’t fail; if you don’t fail, then you’re still going and that’s success, that’s following your dream, that’s doing it in a diligent way so that nothing and no one can tell you not to, like they can’t keep you from it. Giving up the option for failure. That’s what it means. And well, we’re five stubborn assholes who refuse to stop doing this…one way or another, we’re going to figure out how to piss everybody off with rock and roll music. I forget now who said it, somebody called us “The Bastard Stepchild of Rock ‘N’ Roll”…it was not in an interview, but it was something along those lines…The Bastard Stepchild…the Assholes That Refuse to Quit Playing.

    UM: Who are your biggest influences?

    JC: Biggest influences…Elvis, Michael Jackson, Prince, U2, Metallica, Guns ‘N’ Roses, Willie Nelson, Johnny Cash…again, we’re all about music without prejudice, we take influences from everything and everybody. Anybody that would do it, no matter what, anybody that would get behind the mic and say it, and didn’t give a fuck what anybody else thought. Those are our influences.

    UM: How did you get to become a part of the My Darkest Days tour?

    JC: I think it was a package deal; we sent some of our stuff to their management, kinda worked the details out on the business end and joined with them. Obviously we have never met before or anything like that but they’re some of the coolest guys you’ll ever meet. We love those guys…we actually saw Matt Walst not too long ago, they were…of course you know that he’s filling in for Three Days Grace right now, and we talked to him over at the Shinedown show out there, and they were playing a Battle Creek show same night we were.

    UM: What’s the story behind “Some Kind of Perfect”?

    JC: Well, I’ll answer that by saying this: “Some Kind of Perfect” and quite a few other songs that we have are very open to interpretation. Sometimes when I write, I draw from a couple of different scenarios to influence me to get me the vibe and “Some Kind of Perfect” is basically about having a goal and having dreams and then thinking this is what’s going to be perfect, which in this case, a band trying to make it and trying to make it in this music business and then they decided to leave it and expected me to go with them and I was at a crossroads in my life where I had to say “You know what? I can’t go” I believe in this enough to see it through and just to keep pushing on and we parted ways. I saw this movie…I forgot what they were talking about but the lady said to another person, “You need to update your fairy tale.” At that point, I had to update my idea of perfect and that it didn’t matter that it wasn’t the perfect that it began with, it was at least some kind of perfect. I think it’s all about following your heart and doing what you know you were born to do, regardless of anyone else in your life. That you can have the strength and the will and the determination to follow it through and see it through no matter what, and it can mess up along the way, get some scrapes and bruises along the way but it’s still perfect because it’s exactly what you set out to do and you didn’t let anyone push you away from that. Like I said, it’s very interpretive so people can pull their own feeling from it and relate to it in different ways and I think that’s the best thing about music in itself is that when people write, it’s not always what the listener thinks it is, and the listener can…I know I found myself growing up, hearing songs and then being able to meet the guy that wrote the song and I was like “I had no idea the way I felt about that situation in my life until I heard your song and that’s exactly how I felt about it.” I think it’s cool to be able to connect with people in that way.

    UM: What does your music reflect about you guys?

    JC: That we have a really good time on stage. Our live shows and our music go hand in hand. When we did this record, we wanted it to be big, we wanted it to be loud, and we wanted to write these songs that people could grab a hold of and sing with us, because it’s a party. When people pay money and spend the time to see us do something, they want the connection and that’s all about that for us, it’s all about connecting with the audience and connecting with each other on stage and everybody is looking at everybody having a good time. Our music, it reflects us as people; we’re the band that says what everybody else is thinking but they’re afraid to say it. All of our music is honest, it’s real, it’s not a over-fabrication of anything, and I think that’s why we’ve related so well on these tours that we’ve done so far, and the fact that our first major tour was with All That Remains and Nonpoint, they’re metal bands, and I’m sitting there going, “Holy shit, these guys are helping us with our launch…” And I love metal, my guitar player Ed was in a metal band and I used in a metal band, so I mean, it’s sort of blunt but we’re just rock ‘n’ roll. We got up there and every night after night after night, everybody got it, and everybody dug it. We never got a bad review, we always went up and gave it 110% every single night and I think people gravitated towards it because it was honest because we talk about it on stage and we get off stage and we live it. And it’s real and it’s…I think that’s what it is: it’s live, it’s loud, it’s honest, but hopefully it’s catchy enough to where it sticks in your head a little bit.

    UM: Favorite venue and why?

    JC: Oh, man! It’s a toss up, actually, and I’m not saying this because I’m biased but Rams Head is one and The Machine Shop is the other, and they’re for the exact same reasons: the stage, the sound, the atmosphere at both venues are incredible. The fans that come out and the people that come out are so ready to go. It’s not like they show any prejudice towards any other band, it’s not like the crowd that comes and sit in the back until the headliner comes on. These guys are fucking ready. Both places and we loved it; man, and we were…it’s actually the first time we played at both of those places on the My Darkest Days tour. We had five, six hundred people at Rams Head and I think The Machine Shop sold out, so it was amazing. Those are the two of the ones that stick out. I still watch YouTube videos of the Rams Head show; it was one of my favorite shows I’ve ever played. It’s just the energy and the crowd, we got off stage and everybody was so cool, everybody wanted to hang out…it’s what we live for, it’s what we love to do.

    UM: What do you guys do during your down time?

    JC: I sit around and write a lot, plus seeing new cities, we’ll go and see different things. My drummer plans on seeing every capital of every city, we’ll go see the sites and what not, if we have time. A lot of times we’re hanging out at radio stations and going to get set up and…this and that, but a couple of the guys like to hit up the casinos and blow a little money, some of the other guys like to get a little bit of their drink on and hanging out, meeting some of the local people. We sit on the bus for long enough; you’re around everybody, all day so sometimes we like to split up; sometimes we go in pairs, sometimes we don’t go out. At the same time, it’s kind of like whatever; it depends on where we are. We’ll sit and write, we like to play Black Ops, I don’t ever play video games…I’m not good at it at all. I’ll sit around and play Black Ops and…I’m big into movies so just normal stuff. Stuff to pass the time when you don’t have anything going on.

    UM: When composing a song, where do your ideas come from and how do they evolve?

    JC: I just write about life…I write about my life and the things going on and things that I’ve learned, thing’s that I’m feeling; sometimes it’s in the past, sometimes it’s present, sometimes it’s things that I want later on in life and it’s a product of what that moment does to me right then. We sat down and said we were going to try and write good songs. We weren’t going to stick to any kind of genre or anything like that, and we were just going to write, to write good songs. I personally feel like that’s what we did. I don’t know what the rest of the world thinks, I hope they think the same thing but it’s just…I don’t know…it’s just life and stuff that we care about and stuff that happened to us. We’re musicians, we’re all artists and we’re all just a bunch of crazy fuckers.

    UM: What does music mean to you?

    JC: Ah, man…music…it’s a hard thing to say, you know, ‘cause I don’t know if there’s a word that…it’s a paramour, it’s a drug, an addiction; music is life and it’s a living and breathing thing. It’s the opiate of the masses. No one that I have ever met that does not connect with music in someway, you know, that it affects their life…it’s the energy. Sometimes it’s food, sometimes you get lost and that’s all you need is music. Sometimes you don’t need physical food; sometimes it quenches the thirst or solves your problem…I don’t know…it gives people hope. I mean it’s all the same things to us too. We got into this because we love music and we love the creative process of music…it’s the only thing we know. This is the most important thing to me, this is the only thing I know how to do and for me, it’s life.

    Surrender the Fall album

  • Rochester Jazz Festival Announces 2013 Lineup

    The Xerox Rochester International Jazz Festival (XRIJF) has announced their full line-up, to be held over nine days June JazzFest21-29, 2013. Since its inception in 2002 this festival has brought a myriad of legendary performers to this region and this year’s lineup is no less spectacular.

    With heavy hitters like Peter Frampton’s Guitar Circus, the already Sold Out Willie Nelson & Family, David Byrne & St. Vincent, Roger Hodgson, and for the fourth year in a row, Trombone Shorty, this year’s festival is going to be off the hook! Music lovers can expect to enjoy several new additions this year including a new venue at The Little Theatre.

    More than 1200 artists from around the world will perform in 280 concerts including more than 75 free shows at 19 venues and outdoor stages. Last years festival drew more than 187,000 people from around the world and across the U.S. XRIJF has grown to become one of the worlds largest jazz festivals with one of the nations most extensive international lineups.

    What’s New in 2013!

    Jazz Workshops for Aspiring Music Students – This new series of five structured jazz workshops will be hosted by Bob Sneider, Eastman School of Music Assistant Professor of Jazz Studies and Contemporary Media and Senior Instructor of Jazz Guitar, and led by five visiting international musicians performing at XRIJF. Aspiring students will have an opportunity to meet, listen to and learn from professional jazz musicians from overseas, and also play. […more info here]

    Free Shuttle Service Added – For all nine days of the festival a new free shuttle service will be available connecting festival fans with City parking, garages making it easier to get to venues.

    Additions to the festival also include, a Big Free Concert Added on First Friday on East Ave & Chestnut Stage, the return of the Free Library Series, and an App for Android & iPhone users to help streamline their festival experience.

    Headliner Series Tickets on Sale Now at rochesterjazz.com
    June 21 – An Evening with Pink Martini, $105/$85/$70/$55 + service charges
    June 22 – An Evening with Willie Nelson & Family – SOLD OUT
    June 25 – David Byrne & St. Vincent, $105/$95/$85/$70 + service charges
    June 26 – Roger Hodgson The Legendary Voice of Supertramp, $125/$105/$85/$70 + service charges
    June 27 – Bob James and David Sanborn with Special Guest Steve Gadd, $85/$70/$55/$40 + service charges
    June 28 – Frampton’s Guitars Circus, featuring Peter Frampton and Robert Cray, $125/$105/$85/$70 + service charges

    Free Shows – All shows FREE! No tickets required. Shows go on rain or shine.

    City of Rochester Jazz Street Stage Presented by The Community Foundation
    June 21-29, all nine days on Gibbs Street (Jazz Street), concerts starting from 3:45pm and 4:15pm daily until 11. See full schedule at rochesterjazz.com.

    City of Rochester East Avenue & Chestnut Street Stage Presented by Wegmans
    June 21: 7pm, Joshua Panda & The Hot Damned / 9pm, Dr. John

    City of Rochester East Avenue & Chestnut Street Stage Presented by Rochester General Health System
    June 22: 7pm, Coupe De Villes / 9pm, Delbert McClinton
    June 28: 7pm, Shemekia Copeland / 9pm,  The James Hunter Six
    June 29: 7pm, Thunder Body / 9pm, Monty Alexander’s Harlem-Kingston Express

    City of Rochester East Avenue & Alexander Street Stage Presented by Rochester General Health System
    June 29: 7pm, Mingo Fishtrap / 9pm, Trombone Shorty

    Full Schedule of Concerts – See http://rochesterjazz.com/artist_lineup/ for the complete lineup.

    Online: FaceBook | Twitter @XRIJF | Web www.rochesterjazz.com

  • Pitchfork 2013 Announces Full Lineup

    Pitchfork Music Festival returns for its 9th year and has announced its full lineup, taking place in Chicago’s Union Park on July 19-21, 2013. Three-day passes are currently on sale for $120 and single-day tickets are available for $50 each. Judging by previous years, three-day passes won’t last long. Although the full schedule with times will be revealed in the coming weeks, here is the breakdown of each act by day:

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    Friday, July 19
    Björk, Joanna Newsom, Wire, Woods, Mikal Cronin, Angel Olsen, Pissed Jeans, Daughn Gibson, Trash Talk, Frankie Rose

    Saturday, July 20
    Belle & Sebastian, Solange, The Breeders play Last Splash, Savages, Swans, Rustie, Low, …And You Will Know Us By The Trail of Dead, Phosphorescent, Andy Scott, Mac DeMarco, Ryan Hemsworth, Julia Holter, Parquet Courts, Merchandise, Metz, White Lung, KEM Mode

    Sunday, July 21
    R. Kelly, MIA, Yo La Tengo, Lil B, Toro Y Moi, TNGHT, El-P, Killer Mike, Chairlift, Foxygen, Sky Ferreira, Glass Candy, Autre Ne Veut, Evian Christ, Waxahatchee, Blood Orange, DJ Rashad, Tree

    Pitchfork 2013 lineup Website, Facebook, Twitter

  • Spotlight: DOLABRA “Mountain Metal” from Averill Park

    From the shadows emerges a heavy metal band that brings back the classic metal style that bands such as Metallica, Pantera and Black Sabbath have made so famously. This band has opened for major groups such as P.O.D., Filter, In This Moment, and as of recently, Soulfly. Introducing, Dolabra.

    Originally from Averill Park, NY, Dolabra consists of Dennis “Redman” Caldwell (vocals), Phil Phillips (guitar), Otis Lyons (guitar), Devin Cross (bass), and Ed Zimmerman (drums). This band has released three demos, “Worst In You”, “Death Die Kill”, and “Everything Dies”, all available for download on their website, www.dolabra.net. Upstate Metal’s Kate Drexel had the opportunity to do an interview with Dolabra’s front man, Dennis Caldwell.

     

    The band @ DolabraFest in 2012
    The band @ DolabraFest in 2012

    UM: Tell me a little bit about the band’s history.

    DC: Well, we’ve been together since April or May of 2010; we were in different bands back then, myself and my guitar player met the drummer at Edgefest back in 2008, his band and our band were playing together. When my other band, Reinfecta, broke up, me and the guitar player started another band called Dolabra and we had met Ed at Edgefest, so Ed would play drums and he is in a death metal band called Tyranize and his kit, he’s got a huge, big kit, so he said he couldn’t transport his kit back and forth, so we went and bought a house kit and we just started jamming and we jammed as a three piece for…probably about eight months and then we put an ad out on craigslist and found a bass player and then we added another guitar and we’ve been a five piece for about two years. We’re just taking it slow; we’ve done about 10 shows in the three years.

    UM: Who are your biggest influences?

    DC: I would say that everybody in the band is a hardcore Metallica fan; they can pretty much play any Metallica song there is. Then you got Cavalera Conspiracy, Black Sabbath, Anthrax, Pantera, Biohazard, MOD, SOD, Suicidal, and a bunch of old stuff. Cavalier is brand new but…

    UM: If you had the opportunity to collaborate with another band, who would it be?

    DC: Cavalera Conspiracy. For me, Max Cavalera is the king of metal, really, and it was an honor to open up for Soulfly, that was pretty crazy. I would have to say Cavalera Conspiracy or Max Cavalera.

    UM: How did you become a part of the Soulfly concert, and the Exodus one?

    DC: We were actually supposed to open up for Marc Rizzo, who’s the guitar player for Soulfly and Cavalera Conspiracy, in December and we had to jump off that show at the last minute and the same promoters, Kal and Mike Valente of Upstate Black N Blue, they were doing that show and they hadn’t mention Soulfly yet and they put us on the Soulfly show and they were great. It was an honor to be an opener for them and we only do five shows a year so we try to pick good shows and with my old band we did shows every other week all over the place and this band, we’re trying to take it slow and concentrate on playing good shows and we get to open up for bands that we grew up listening to, it’s just pretty cool. We’ve only done ten shows in two years and we’ve already opened up for Biohazard, Sworn Enemy on one show, and then Sepultura, Death Angel, Havok and Krisiun at another show. Then Skarhead and Slaine and the other night we got to open up for Soulfly, Incite and Lody Kong, so we can’t complain, we’ve been getting really good shows, so we’re just having fun.

    UM: What does your music reflect about you guys?

    DC: I don’t know…I guess our music reflects that we’re kick-ass metal musicians and come to the shows and rock out.

    UM: When’s your record coming out?

    DC: We’re hoping by the end of this year. We actually recorded all the music almost a year ago now and I’ve been hiding from the vocals for a year now and I don’t know why but I didn’t think I was man enough to pull it off but we got in there the Saturday before Soulfly pretty much just because at the Soulfly show we wanted to hand demos out. So I banged off the vocals real quick and the three tunes that we released on the demo and we’re hoping to have everything else done by the end of the year. I’d like to say we’re gonna have it done for June 22nd, we have a big party called DolabraFest, but I don’t think it’s gonna be done by then…sometime before the end of the year, I’m hoping.

    UM: You’ll be doing your own festivals?

    DC: Yeah, we’re doing that…the festival we’re doing is June 22nd, called DolabraFest, we just get a bunch of kegs of beer and it’s a way that we say thanks to the fans or friends for putting up with our devil music and we have a big keg party and camping and playing a bunch of heavy metal music. We’re pretty much just about having fun, just take the stuff real slow and trying to do things right instead of going out there and putting out a bunch of crappy recordings like we’ve all done a million times.

    UM: Any shows in the near future?

    DC: Yeah, we are opening up for Exodus, Monday, April 22nd, at Upstate Concert Hall, that’s in Clifton Park, New York, and Brick By Brick’s playing on that, Armor Column…it’s gonna be a really good show. Another honor to be opening up for old bands that we grew up with, too.

    UM: What’s your favorite part about playing on stage?

    DC: Just getting all of my friends and getting everybody together, we go out and have fun and we use our shows to get everybody out of the house and have a good time. I look forward to the shows, just get up there and have fun and seeing all of the people having fun and then after the shows, we all hang and drink with the people until the bar is almost out, so that’s pretty much what it’s about for us; we like to have fun with the people. And this band…I didn’t think when I started with this band that it was going to be as good as it is so already being part of the team…we just try to have fun.

    UM: What does music mean to you?

    DC: I guess it means a bunch of different stuff. Music is just a release, got any problems, just throw on a disc and you forget about it and…I don’t know, a bunch of different things really.

    Be sure to check out the band’s website and ‘like’ their Facebook page: https://www.facebook.com/Dolabra?fref=ts

    Fan Art from a recent show!
    Fan Art from a recent show!
  • The Bayou Cafe in Albany changes its name to The Hollow Bar + Kitchen

    The Bayou Cafe in Albany, NY recently announced on their FaceBook fan page that they were under new ownership and now open under the new name, The Hollow Bar + Kitchen. The post explained that the new owners were grateful for all that the previous owner had done for the local music scene, but that they were ready to take the business in a new direction.

    In addition to the name change the Hollow boasts of bringing well known local Chef Henry Ciccone on board to help develop the new menu. Patrons can also expect a room-by-room remodel of the space with a promise to the ladies for a much more pleasant Woman’s Bathroom!

    Don’t worry live music lovers the new vision most definitely will include delivering the sweet tunes of some of the best original and cover bands in the region that the Albany Bayou was known for. The new owners want everyone to know that although the name and menu are changing they want to build on what the Bayou was to so many in the Albany music scene.

    We look forward to bringing the space back to what it has been known for over the past 10 years. Great food, great beer and great music. ~ The Hollow Bar + Kitchen

    The Hollow Bar + Kitchen
    79 North Pearl Street
    Albany, New York 12207

    Hours
    Mon: 5:00 pm – 12:00 am
    Tue – Thu: 11:30 am – 12:00 am
    Fri: 11:30 am – 4:00 am
    Sat: 4:00 pm – 4:00 am

    Twitter: @thehollowalbany | FaceBook | http://bayoucafe.com | Ph: (518) 426-8550

  • Interview with Chris Wyse from The Cult, Owl and more

    When you hear Chris Wyse’s story it sounds almost like a movie script. Born in New York City to Irish immigrants, moved to the country in Upstate New York, picked up a guitar with his buddy Dan Dinsmore, went off to California to be a rock star, and is now coming back home to play a show with his old friend in his old stomping grounds. It’s a lot more complicated than that but it does make for a great movie, or perhaps a song. NYS Music was lucky enough to talk to Chris Wyse last week to find out what the New York native has been up to and what the future holds for the talented bassist.

    Back in the mid-80s, Chris and Dan met while attending Shenendehowa High School in Clifton Park, New York. Both were budding musicians and they quickly became good friends, Chris on bass and Dan on drums. “It was awesome [starting out in Upstate New York] because there was nothing else to do. So music ended up being our everything. We’d play the Koda Theater and do battle of the bands, and that became our learning ground.” There was a lot of support from friends and family. Things were simpler, but getting noticed was still a lot of hard work. They used tape to record demos, and they used to run around the area flyering cars for upcoming shows (a lost art that has been replaced by the non-personal events calendar on Facebook). At least less trees were harmed in the process. One of the places they used to flyer was the well-known club, Saratoga Winners. Chris and Dan would play there when they were seniors in high school and their first couple years after graduation, to adults packing the place with fans many years older.

    Chris got national attention for his innovative bass playing and was featured in Guitar Player Magazine when he was only 17. A few years after graduating from Shen, Chris moved to Los Angeles. In the 90’s, Chris played for various bands and projects with notable musicians including Tal Bachman (son of Randy Bachman of The Guess Who and Bachman Turner Overdrive), Scott Weiland (Stone Temple Pilots, Velvet Revolver), Jerry Cantrell (Alice in Chains), Paul D’Amour (original bassist for Tool) and more. It was for Paul D’Amour’s band Lusk that Chris “bought the upright bass, but that project froze due to troubles with the record company.” Chris went on from there and auditioned for Tal Bachman, playing a sort of John Paul Jones style of bass. After getting his passport straightened out, he found himself on a plane to Maui to produce the record. It was there that he met Bob Rock, “…a “real stand-up guy. Bob was one of those people that I had a great time working with, and I tried to rock his tracks. That got me into The Cult, the audition with Metallica and more. It is paramount to have someone like that [in your corner].”

    The Cult just finished seven years of touring, brought back producer Bob Rock (who also produced their albums Sonic Temple, The Cult, and Beyond Good and Evil), and released their ninth album, Choice of Weapon in 2012. Chris “loves this record, it’s a super strong record. It’s a very ‘now’ kind of record and they did a lot of work promoting it last year.” Later in 2012 The Cult also released a “prequel” album called Weapon of Choice, showing the stretches and energy that the band took in the studio. There is a raw feel to the new songs and it was evident that, as a whole, The Cult went back to their original UK roots. Chris’s unique style is evident throughout the album and it’s worth checking it out, on iTunes here.

    Now that The Cult is taking a break from touring and recording, Wyse can concentrate on his project, OwlOwl includes his childhood friend, drummer Dan Dinsmore, and Jason Mezilis, who Chris met in Hollywood in the early 2000’s. “I met Jason in a club through a mutual friend. We hit it off and followed each other’s careers. I would join bands, be on the road, and Jason was aware of my old Owl shows. Jason is incredibly talented, competent and hit it off with Dan.” Together they are Owl and they recorded a few of their recent tracks at Overit Studios just outside of Albany.  Dinsmore built the studio in an old Catholic Church. Chris added, “…The feeling and acoustics [in the church] are amazing. It gets you really inspired.”

    Chris and Dan will be back in Clifton Park playing with Jason as Owl, on March 30th with other hometown artist, Maria Brink and her band, In This Moment. “Dan and I are excited to be there. It’s not just 2013 and promoting The Right Thing album.  We played at that there as teens, when it was called Tigers. That’s the interesting thing. Playing Manhattan and LA feels like playing at home, but still nothing like playing down the road from where you first started playing music. I was just a teenager and it’s an honor to have the opportunity to play to my roots.”

    Well, the honor is Upstate New York’s when local-gone-rock-star, Chris Wyse, comes back home to Upstate Concert Hall on March 30th. will be there to witness the warm homecoming performance.

  • Alan Evans Trio play Syracuse, Buffalo and Albany, April 17th, 18th, 19th

    Alan Evans Trio head to Upstate New York in mid-April for a trio of shows in Syracuse, Buffalo and Albany, April 17-19. The band, which features Alan Evans from the legendary soul jazz trio Soulive, brings their refined blend of rock, blues, R&B/soul and funk grooves that send the listener on a cosmic journey. Music fans of all types will be rewarded with an experience that embodies the record-producing, drum-playing Alan Evans’ personal musical vision.

    Alan Evans Trio features Alan Evans on drums, Beau Sasser on organ and Danny Mayer on guitar. The tour continues to Buffalo, Albany and then head to North Carolina for four dates and closes with a date in Atlanta, GA.

    Get tickets for the show here and visit The Westcott Theater’s website here for more information on upcoming shows in Syracuse!  The Monk, a 5-piece band from Syracuse, NY will be opening the Westcott show, a dynamic group with a fusion of Funk, Rock, R&B/Soul, Latin, Hip-Hop and Dance music.

    Tickets for the Buffalo and Albany shows can be picked up here.

    Alan Evans Trio also performs at Rock n Roll Resort on April 13th in Kerhonksen, NY. You can check out more about the festival here.  

  • Marco Benevento coming to the BSP Lounge in Kingston, March 30th

    Marco BSP

    The BSP Lounge in Kingston has been stepping up their talent booking as of late and on March 30th they bring a New York favorite to its stage, Marco Benevento. For those that have seen him before you know what to expect, but if you haven’t seen him before be prepared to be amazed.  Known for his exploratory jamming and expertise on the piano, Marco is sure to leave you in awe.  His latest album, Tigerface, has been getting rave reviews by many critics as has this tour in support.  He has continuously grown as an artist over the years, adding in new elements to his shows and this tour is no different.  This time, it isn’t new gadgets on top of his piano, but words to his songs.  He has decided to open up his voice to expand his sound farther than he ever has before.  This is one of his last scheduled dates in the area, happening after the snoe.down kick off on March 21st and before his April 20th show at the Brooklyn Bowl.  Catch him while you can in these intimate settings and be prepared to get down and dance.  Get tickets now at Eventbee or at The BSP Lounge box office.

  • Easter Weekend Funk-Warriors: Turkuaz

    Brooklyn based Turkuaz has a funk-filled weekend coming up and will be on the scene at both shows. The band started in Boston in 2008 as a side project of Dave Brandwein (guitar/vocals) and Taylor Shell (bass). They spent about eight months in the Boston area before migrating as a whole to NYC. Their self-described “funk army” approach is well chosen, as the ten-piece could certainly take over several small countries with their explosive all-encompassing funk spectacle brand of performing.

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    First up is a show Friday, March 29th at The Water Street Music Hall with one of Rochester New York’s finest; Giant Panda Guerilla Dub Squad. Panda has collected quite the following for their jammed out form of roots reggae and will be in full throw down mode with this show being the last with long time keys-master Aaron Lipp.

    Next the Turkuaz funk battalion moves north to jam mecca Nectar’s in Burlington Vermont to play with Buffalo, New York’s finest genre-shifting musical experience, Aqueous. Aqueous has been touring heavy this year in support of their new album Willy is 40 and gathering their own legion of “AQuaintances”.

    hopes to see lots of smiling faces and dancing feet at these shows, and to let you in on a secret a little bird told us – the entire band will be decked out in their finest colored jumpsuits for the Rochester show so feel free to join the platoon and suit-up for your night of funk boot camp.

  • Nintendocore: Nerds On The Rise

    I’m going to get my hands wet in the review pool to give a plug to a relatively unknown style of music called Nintendocore. What is Nintendocore you ask? It’s like electronic style music that uses 8-bit sound like you would find in a Nintendo game. Some artists add their own spin on it for flavor, while others prefer to keep it original, creating a division within the genre. One of the things that drew me to it was the fact that most Nintendocore artists don’t collaborate face to face, but do so through networking, which overcomes obstacles like distance.  They generally use video game themes to base their music around, such as Pokémon, Zelda, etc.

    Ryan Taylor (in interview below) is working on an album based around all the Pokémon series. He had to push the release back because a whole new set just came out, which he needs to work into the album. From what he has told me, this is a first in the genre. Check out the interview below and decide  for yourself how you feel about this nerd-culture based genre (I use nerd in a good way because at least they have a passion for something in life). Ryan will be releasing a demo soon with a deathcore spin on the style. For updates and the latest news add Pillars Of Sarnath and look up NOG Records as they are a leading label for this genre.

    Interview with Ryan Taylor:

    https://www.youtube.com/watch?v=HkqMTOz5m4k

    Pillars Of Saranath:

    http://www.facebook.com/pages/Pillars-Of-Sarnath/284304431641333

    Music:

    https://soundcloud.com/i-megalodon/fly-away-home

    Protoflight:

    http://www.facebook.com/Protoflight?ref=ts&fref=ts

    Blank Flank:

    http://www.facebook.com/BlankFlankMusic?ref=ts&fref=ts