Category: Regions

  • Interview: Brian “Head” Welch & JR Bareis of LOVE AND DEATH

    The lights dim down at the Upstate Concert Hall, only things really lit are the banners that represent the upcoming band.

    Three band members step onto the stage; a young man with long blonde hair and his eyes were decorated with zig-zag eyeliner, held a guitar, indicating his role in the band. The bassist wore whiteout contact lenses and a long sleeved striped shirt. The drummer, sat behind his kit in dark clothing, hair in front of his face, a bit difficult to see. Finally, the man we all knew from the band we all love, made his presence known when he stepped onto the stage with his arms crossed in front of him. Suddenly, a different kind of metal started to play from the speakers. Throughout the speedy setlist with the cover of Korn‘s “Blind”, a sea of bobbing bodies took over the venue mixed with head banging and fist pumping. The music was incredible and fresh, but the big question was: who is this band? Ladies and Gents, introducing the band combined with Korn and Pantera (“Korntera“, if you will), Love and Death, featuring Brian “Head” Welch from Korn as their lead singer.

    Upstate Metal’s Kate Drexel had the incredible opportunity to interview Brian and the band’s lead guitarist, JR Bareis, in one of the cozy backstage rooms with black leather couches. Among the many topics, the history behind Brian’s nickname came to light. “I was named it when I was a kid, my head grew before my body hit puberty and so they made fun of me.”

    After sharing a few laughs, the topic changed to Love and Death and how Brian recruited the members through YouTube auditions. “To save time, ’cause I didn’t want to fly people out because everybody lived in different states, so I was like, ‘I’m not gonna fly no one out, I don’t got that cash nowadays’ and I can tell if they’re a good fit, like just listening to them and watching them play and just feeling their vibe.” However, JR felt very differently about the auditions, having to do it locked up in his room and rock out like he was on the stage “It’s awkward…it’s weird and I didn’t move around as much when I first joined but after playing a lot…I went from playing worship music to like this band so it was a big change.”

    When asked about his biggest influences, Head gave off quite the list from AC/DC to Pantera. JR told Head that he was his biggest influence in both a joking yet serious manner, changing the subject to the release of the first Korn record in 1994, JR not born yet whilst Drexel was two years of age at the time, and mentioned that he was in college. After sharing a few more laughs, the influences topic returned, Head spoke of another big influence, Rage Against the Machine. “We took that passion and took it to a more darker, trippier place, but they are a huge influence. I’m surprised more people didn’t connect that… we all love that type of music and we did it right with his album, so we’re happy.” Head revealed that all of their songs come from JR (who he referred to as Gary) to which he responded that it comes to him randomly and all of the songs written were used on the album. “I think, back in Korn and stuff, I think God inspires all gifts for all different kinds and I think they all, like in Korn in back in the day, like corn came from Him, they got cloudy from all the drugs and stuff, and the drinking so we couldn’t write good stuff, anymore, like towards the last couple of years that I was there, so now I just believe that it all comes back from God, too because He’s the giver of all gifts,” explained Head. Drexel then told Welch that she currently attends a Catholic college where they have a bit of a conversation of the school’s environment.

    When asked about how the band became part of the In This Moment tour, Welch mentioned that it had something to do with the band’s management and was unsure on how they got to be part of this incredible opportunity. As for their downtime, “Sleep….I don’t have a lot of downtime lately, which is pretty cool because I’ve had a lot of downtime before but it just seems like…but I like to read and just get filled up spiritually in my catholic school…I read a lot of catholic books, that’s my high.”

    Love and Death is scheduled to play at this year’s Rock on the Range. Be sure to catch them on tour and check out their record, Between Here and Lost, because this is one you will not want to miss out on.

  • Review: TRAPT, 3 PILL MORNING, and ACIDIC

    Monday night, Acidic,3 Pill Morning and Trapt rocked the small local venue of Brighton Music Hall, where Kate Drexel was able to catch the show and do interviews with 3 Pill Morning’s lead vocalist, Jeff Stebbins, and Trapt’s Chris Taylor Brown.

    The mixed chatter that bounced off the brick walls of Brighton Music Hall died down as soon as the lights dimmed. The show was about to begin with Hollywood’s favorite small band, Acidic, opening with one of the tracks from their recent record, “Drive Thru”. The crowd began to warm up to this entrancing, incredible sound and vibe the band gave off. Before the second song, “The Brave”, Mike Gossard (vocals) dedicated it to the people of Boston for their strength, referring to the recent marathon bombing. Through the speedy setlist, Mike introduced the next song, a cover of The Beatles’ “Come Together” and invited Trapt’s drummer, Dylan Howard, to do guest drumming along with their drummer, Matt Whitaker. Gossard ran through the crowd while singing soulfully and jumped onto the bar, taking everyone by surprise. He made his way back to the stage to continue the setlist with the performance of “Satellite”, “Copper Man” and “Strata Red”.

    After Acidic’s killer performance, it was 3 Pill Morning’s turn to blow everyone out of the ballpark. The chatter once turned into cheers once the lights dimmed and their ears were filled with a song with electronic beats. The band members came on stage one by one dressed very formally to the theme of their latest record, Black Tie Love Affair. They began with “Revolution” and once the song ended, the electronic beat was back. Before their second song, “Nothings Real”, Stebbins introduced the band to the audience then proceeded to perform. “I Want That For You” had the whole crowd jumping, a sea of bobbing bodies. In the middle of the set, Stebbins toasted to Boston. The speedy setlist ended with their well-known single, “Loser” and “Skin.” This was one very explosive, energetic band that connected with their fans. “We’re just turning that live show into something that’s special instead of sitting at home, not doing anything or listening to the CD on Spotify. We want people to come out and have that experience with us,” said Stebbins after the show, when asked to describe their live performances. Next to hit the stage, the main event, Trapt.

    The anticipation grew immensely as the crew set up the stage for Trapt. Finally, the cue that it was time for them to make their presence known. The audience cheered drunkenly and wildly as the whole band stepped upon the stage. The lights shown upon Chris Taylor Brown’s face as he asked the crowd the question that was the title to the first song, “Who’s Going Home With You Tonight?” By the end of that song, Brown dedicated their second song, “Waiting”, to the strength of Boston causing the crowd to cheer very loudly. He gave a very powerful, spin-chilling speech before the performance of their third song, “End of My Rope”. “Bring It” had the concertgoers bouncing to the rhythm of the song. Occasionally, Brown brought out his guitar to a few of the songs. The way the lights hit the stage while Trapt was playing gave off a very intimate feel, and a sense of connection with the fans was very evident. Before each song, Brown gave incredible explanations behind those songs and performed them with great energy. The setlist ended with their latest single, “Love Hate Relationship”, “Still Frame” which had the audience jumping yet again, “Stand Up” and of course, their very famous single, “Headstrong” to which the audience sang along and bounced to. “It’s just one of those songs that’s kind of like the attitude of what we’re about, that’s not being trapped and not feeling the way we did and freeing ourselves from the confines of everything that you are automatically thrown into and it’s that attitude that we’re not gonna conform into anybody’s will and we’re always going to be headstrong,” explained Chris, when asked about the story behind the song.

    All in all, incredible, energetic vibes and just the kind of show Boston needed after what they went through. This was the night that the headstrong band met the headstrong city.

  • LITA FORD releases new video for “Mother”

    Heavy Metal’s original blond rocker, Lita Ford released a video for her single “Mother” this week.  The song comes from Lita’s latest solo effort Living Like a Runaway that was released last summer on Steamhammer/SPV.  The video was directed by Lit’as former Runaway bandmate, bassist Victory Tischler-Blue.

    Lita added this about the video and the song “Mother”: “Mother is my song to my beautiful sons.  I know they will see the truth one day.  They will always have a place in my heart, which bleeds for them through this song.”  The song is about Parent Alienation. Parental alienation is a social dynamic, generally occurring due to divorce or separation, when a child expresses unjustified hatred or unreasonably strong dislike of one parent, making access by the rejected parent difficult or impossible.  Something that is an unfortunate consequence of spending years on the road touring the country and in Lita’s case, the World.

  • DOOMSDAY DEVICE, Raw Local Hardcore Act with Promise

    dd

    A fairly young hardcore act, Doomsday Device are some fresh new faces bringing their own style to the local hardcore scene. Based in true, heavy, hardcore roots, this band is not afraid to get as absolutely heavy as possible.

    These guys bring “getting low” to a whole new level, honing a brutal, down-tempo sound consisting of chugging guitars, deep screams, and powerful rhythm. Their Facebook Band Profile only has two rough demos of songs up to get the idea of how these guys sound. Now, when I say “rough demos”, I mean really rough. There’s no professionalism or gloss to it, and is often off-time and somewhat hard to distinguish instrumental tracks.

    However, this doesn’t detract from the sound they are going for. These raw recordings contain all the power and brutality they are trying to convey, and at this stage in their band’s existence, that’s fine. They are able to demonstrate some sizable talent among all the members of the band, and the rawness of the recordings demonstrates a certain carefree attitude that allows you to enjoy the music the way they must: purely and honestly. These guys are not afraid of showing flaws, they embrace it.

    As good as a professional record sounds, they seem to respect the human element of recording music just as much, and this attitude deserves respect. I’d say that they have some growing to do both as musicians and as a band on the whole, but they show promise to do so. Their demo songs “Curse of the Walkers” and “The Turning Point” dabble in vocal effects, acoustic guitar, sound effects, and other creative “spices”. This shows that as heavy as they’re trying to be, they also welcome different ideas and are willing to experiment.

    However, one thing is certain: no matter where they decide to go from here, Doomsday Device are going to improve and broaden their musical horizons, and will always keep things as heavy as you can imagine.

    You can check out Doomsday Device here and give them a “like”:

    https://www.facebook.com/DD315

  • Get Strange this Memorial Day at StrangeCreek Campout!

    Memorial Day, a weekend traditionally known as the opening of summer kicks off 2013 Festival season in the Northeast with StrangeCreek Campout Music and Arts Festival in Greenfield, Massachusetts, nestled in the Berkshire Mountains. The festival is named after the bands Max Creek and Strangefolk is held at Camp KeeWanee, a children’s summer camp on a small river in the woods of Northern Massachusetts.

    StrangeCreek CampoutWith a notorious combination of great music and a welcoming family friendly atmosphere, this festival has become a favorite of many, especially . While a small festival overall, StrangeCreek has benefited from positive word of mouth over the years and continues to grow and gain loyal attendees seeking out the best music in New England.  Several Upstate NY bands, including Donna the Buffalo, Jimkata, Conehead Buddha, Marco Benevento, Eastbound Jesus and Lucid will be making an appearance this year, as well as numerous bands that make routine trips through Upstate New York.

    The entire StrangeCreek Campout lineup includes headliners Max Creek, Dumpstaphunk and Donna the Buffalo, plus fan favorites Zach Deputy, Ryan Montbleau, The Alchemystics and Marco Benevento. The rest of the lineup is not too shabby either, with something for everyone: Consider the Source, Jimkata, Yo Mama’s Big Fat Booty Band, Bernie Worrell Orchestra, Alan Evans Trio, Juggling Suns, Shake Down, Turkuaz, A. Dario, Barika, Bay Road, Beau Sasser Project, Big Daddy Love, Big Something, The Big Sway, The Brummy Brothers, Byrne’s Big Suit, Carole Davia, Conehead Buddha, Cosmic Dust Bunnies, Cosmodrome, Daddie Long Legs, Danny Pease & the Regulators, Domino Theory, Eastbound Jesus, Fat Bradley, Fungus Amungus, Gaia Roots, The Garcia Project, Gary Backstrom Band, Goosepimp Orchestra, Jabooda, Juicy Grapes, Kind Buds, The Kings, Les Racquet, Liquid Pocket, Lucid, The Marks Brothers, Matt Carey, The McLovins, Moses & the Electric Company, Orange Television, Otis Grove, Our Own World, Outer Stylie, Paranoid Social Club, People With Instruments, Pigeons Playing Ping Pong, Primary Others, Primate Fiasco, Raft, Rebelle, Rebel Alliance, Relative Souls, Resin Ed, Rev Tor featuring Charles Neville, Rising Tribe, Romano Project, Secret Sage, Seed, Silent Bujak, Sun Jones, Tawdry, Tony Vacca and World Rhythms Ensemble with Abiodun Oyewole (of The Last Poets), Van Gordon Martin Band, Vernville Family Jam, Viral Sound and William Thompson Funk Experiment.

    StrangeCreek CampoutAside from the music, the festival also offers Yoga, bonfires, late night music, and an overall sense of community, that is missing at many larger events. This year, as in years prior the gates will open on Thursday evening for those looking to get a jump on the weekend. Tickets are now on sale.

    We cannot wait for Memorial Day! See you at StrangeCreek!!

  • Bela Fleck and The Marcus Roberts Trio Play The Westcott May 8th

    Tomorrow, May 8 at 7 p.m., banjo extraordinaire Bela Fleck will bring his masterful sound to the Westcott Theater in Syracuse with the Marcus Roberts Trio for an evening full of musical virtuosity. Except the four men will come together to display their sound together.

    belafleck1L

    Chances are you know of Fleck as the man who revolutionized the banjo through relentless touring with his band the Flecktones, who are currently on hiatus. He has sat in with countless musicians spanning his career, which began when his father gifted him a banjo at age 15. The Marcus Roberts Trio is led by its namesake. The ever-changing cast of musicians currently features founder Roberts, who grew up in Florida with a gospel style background, on piano. Tennessee native Rodney Jordan will be playing the upright bass, while Jason Marsalis, nephew of legendary musician Wynton Marsalis, will be playing drums.
    The show is sure to be a fun, yet intimate, time. The Westcott has a history of hosting some of the most famous musical acts while providing fans with an up-close, and very personal view of the men and women on stage.
    Tickets for the show are on sale now at thewestcotttheater.com for $35 advance, and $40 the day of.

  • Aztec Two-Step gave a dose of folk-rock to the Bearsville Theater on April 27th

    A beautiful evening of music took place at the Bearsville Theater in Woodstock on April 27th with the legendary folk-rock band Aztec Two-Step.  Over the course of two sets of music, Rex Fowler and Neal Schulman had the intimate crowd in the palm of their hands.  The night took place in the lounge of the Bearsville Theater rather than the big room, making the evening even more special by being physically very close to the performers.

    DSC03562 (1) copy

    Between sets Rex and Neal hung out by the merchandise stand and chatted with everyone who wanted to.  It was a wonderfully laid back Saturday night show. As soon as Rex and Neal took the stage, the appreciative crowd gave them a huge ovation.  Both men are very good story tellers and jokesters and showed it very early on.  All night they had funny stories ranging from origins of songs to stories about other musicians to a lovely tribute to Richie Havens.  Another great thing about the show was that they had no written set list and discussed which song to do next in front of everyone, which of course led to more jokes.

    The relaxed feeling of the show made everything all the better. Rex and Neal have a great bond on stage.  Their harmonies are still perfect after being together for 42 years and their guitar work is excellent.  Neal can really handle a guitar.  Some of his solos through the evening were jaw dropping.  Both musicians moved from folk to rock to blues to country easily showing that their music is full of variety and that they have something for everyone.

    DSC03698 (1) copy

    A first set highlight was “The Ballad of Humpty Dumpty and Cinderella” which saw the audience participate in the chorus after an invitation from Rex and Neal to help them out, easily making for a highlight of the evening. The set continued with Neal saying “You know some bands have lists up here, and we don’t blame them” as the audience laughed seeing that Rex and Neal weren’t sure what they would open up with.  Early on in the set they stated how all acoustic duo acts owe their livelihood to The Everly Brothers and they did a great cover of “Walk Right Back.” Following that, Neal and Rex went right into “Tonight I Wish I Was in Texas” which was a clear highlight with great harmonies.  They ended set one with “The Persecution & Restoration of Dean Moriarty (On The Road)” and it was a perfect set closer.  The song is a tribute to the novel by Jack Kerouac and it does the book justice. Some of second set highlights were “Killing Me”, “Highway Song”, and “Johnny’s an Angel”.  The last one is a tribute written for John Lennon a week after he was killed in 1980.

    All three of these songs were excellent and received well by the small crowd at Bearsville.  After finishing the set, Neal and Rex briefly went to the side of the stage and then came back, joking with the crowd they didn’t know if it was a well-deserved encore or they were just coming back to come back.  They were obviously joking as they were getting a huge ovation from the fans in attendance.  With a two song encore of “Whiskey Man” and “Prisoner”, they ended on a high note, receiving a standing ovation from the entire crowd at the end of the second song.  It was a great evening of folk rock and if you have a chance, be sure to see these two great musicians for a thoroughly enjoyable evening of music.

  • Albany knows how to MOVE – recap of MOVE Music Festival, April 27th

    The second annual MOVE Music Festival was held April 27th in Albany, bringing 100 bands  to play in 10 venues across the city, catering to a wide array of musical genres. People are always looking for the next big thing and wanting to be a part of something, especially from the beginning. Some bands catch big breaks and it’s fun to be a fan who can say, “I saw them before they were famous.”  Albany’s MOVE Music Fest gave concert goers the opportunity to experience new acts from all over the state and country, promoting the cities’ ever growing music scene. I barely knew 5 out of 100 bands on the lineup and was expecting really amateur music from bands who I thought were getting their first gig out of their mother’s basement.  However, I was more than surprised with the talent that each group displayed and can’t wait to see their upcoming shows.

    MOVEmusicfest

    It was more than overwhelming to look at the schedule for the day and pick a place to start. With each band only getting an hour to play, my friends and I tried to strategize a route which was convenient for ourselves and would give us the chance to catch the few bands we did know in action. In the end, we decided to start at Valentines because it was the closest venue to my apartment and never fails with good music. We arrived at the venue around 4pm with plenty of people inside and out ready to catch the first of many acts to come. Party Boat kicked off my evening with wailing vocals that reminded me of the indie band GroupLove, complete with catchy lyrics and simple harmonies. I love surfer music, mostly for the unique guitar sounds that I don’t hear too often living in Upstate New York. I was excited to learn that the group is from Saratoga Springs and often play at Valentines plus other nearby venues.

    partyboat

    Next up was The Ameros, who opened with one of my favorite songs, “Ain’t No Rest for the Wicked” by Cage the Elephant. This not only pumped me up but the rest of the crowd too causing a massive surge to the front of the stage. Lead singer Jesse Calhoun belted out lyrics of freedom and rebellion with great passion and honesty, almost causing a riot on the dance floor. Charles Pope blew me away with his sharp guitar riffs especially during “New American Century.” The Ameros musical style ranges from reggae, rock, funk and explosive hip hop. This was their second time playing at the MOVE Music Festival and Calhoun said it went way better this year since they got to play at one of their favorite venues, Valentines, and were able to support their friends’ bands by catching more music too.

    ameros

    While catching some fresh air outside, my friends and I were approached by a few tie dye wearing, hairy faced dudes handing out flyers for the band, TreeHouse! It seemed legit. We headed upstairs at Valentines to check out the reggae group that had traveled all the way from the Carolinas to play here. As it was getting closer to show time, we noticed that the guys handing flyers outside were now on stage, tuning up and was actually the band TreeHouse! The band takes pride in their excessive way to self-promote themselves, such as pulling people in from out the streets. I was totally surprised by the deep vocals coming from Jeremy Anderson that echoed off the walls in the venue. Bassist Matt Link did not stop dancing and grooving the entire time they were on stage. Trey Moody laid out tasty beats throughout the set, only encouraging the band to keep pushing the reggae party vibe.

    treehouse!

    Barons in the Attic, the grunge rock Albany locals, took the downstairs Valentines stage and blasted into their set with “Julia.” The upbeat melody mixed with hardcore rhythm was more than enough to get the crowd in full dance mode. The Barons combine punk, garage and folk with energetic force and attitude, always making for a good show.  Matt Hamilton was unavailable for the show so fans were treated to Eric Krans from “The Parlor” who fit right in by strumming and stirring up the crowd just as loud as the rest of the boys.

    baronsintheattic

    For a change of pace, we headed towards Lark St where there would be more venues with more music. My girlfriend suggested we check out Brown Bread & Von Holt, an electronic pop band from her home town in Beacon, NY.  We cruised into Lark Tavern, a bar that after undergoing renovations, hosts routine musical acts of all genres in their back room with a small stage and plenty of table seating. The dynamic duo is Rebecca Doerfer (Brown Bread) and Colin Cheyne (Von Holt) who together make up a bone chilling dance party. Doerfer’s voice is haunting and angelic while Cheyne sends out eerie chords from his guitar. Their sound is a dark and electronic space jam full of heartbreak yet good spirits.

    Still a new festival, MOVE is off to a great start and has support next year when they want to host 100 bands in our back yard of Albany.

  • Rochester Lilac Festival May 10-19, 2013

    The 1,200 lilac bushes decorating the 22 acres of Highland Park Rochester Lilac Festival
    will put on a spectacular show May 10-19, 2013, exploding with color and fragrance during the Rochester Lilac Festival — showcasing the world’s largest collection of lilacs during the largest and oldest festival of its kind.

    The 105-year-old festival this year has a new name, adding the word Rochester to the title, plus a new logo, new events and attractions, high-profile national music acts,  and a new producer, The Springut Group.

    What’s new and notable for the Lilac Fest in 2013?

    Wine & Chocolate Tasting: 

    Three evenings of a Wine & Chocolate Tasting under the big tent, where you can sample more
    than 150 different local, regional, and national wines from more than 30 wineries — from 4
    to 8 p.m. Tuesday, May 14; Wednesday, May 15; and Thursday, May 16.

    Craft Beer Garden: 

    A Craft Beer Garden will offer more than 20 varieties of eclectic regional and national beers on
    tap on a rotating schedule of five different beers per day, for sale alongside a variety of beers
    from Genesee Brewery. The featured breweries are Ithaca, Victory, Long Trail, and Pyramid.

    Kid Power!

    Each year a portion of the park is transformed into a mini amusement park during the Lilac
    Festival. And this year the children’s rides and entertainment will feature new mini rides and
    several bounce houses and inflatable obstacle courses. The kids’ stage will offer a variety of acts
    and is being relocated closer to the rides, in an area now being called “Kid Power!”

    Minicarousel

    Demonstration Stages: 

    Along the paths, a variety of demonstrations will be taking place, from gardening tips to
    woodworking.

    Lilac 10K and Family 5K: 

    This annual event, sponsored by MedVed, is a picturesque run through city streets on the final
    day of the festival, Sunday May 19. New high-tech additions help runners track their midway
    and final times, while automatically sending texts to family and friends.

    Art In the Park: 

    More than 130 artists will be exhibiting on the South Avenue Green in this year’s juried Arts
    and Crafts Shows, open 10:30 a.m. to 6 pm. Saturdays and 10:30 a.m. to 5 p.m. Sundays. Artists
    from more than 10 different states are participating, with art ranging from ceramics and glass to
    jewelry and metal/sculpture.

    purple-lilacs

    2013 Lilac Festival Event Schedule:

    Friday, May 10th

    Special Events
    10:30  Opening Ceremonies

    Center Stage
    10:30am     Le Roy Jr. High School Swingin’ Knights Jazz Band
    11:30am     Brockport 5th Grade Hilltop Singers & Top Brass Players
    12:30pm     Dr. Charles T. Lunford School No. 19 School Band
    4:00pm       Mr. Mustard
    5:30pm       The Fat City Band
    7:00pm       Skycoasters

    Children’s Stage
    5:00pm     Joe Cappon
    6:00pm     Joe Cappon

    Saturday, May 11th

    Special Events
    10:30am   YNN Lilac Parade
    10:30am-6:00pm     Art In Bloom – Juried Art & Craft Show

    Center Stage
    12:30pm         The Spanky Haschmann Swing Orchestra
    1:30pm           Zac Brown Tribute Band
    2:30pm          Deborah Mangone
    4:00pm          Mitty and The Followers
    5:30pm          Amanda Lee Peers and The Driftwood Sailors
    7:00pm          Spin Doctors

    Children’s Stage
    1:00pm         Dinner Dogs
    2:00pm         Gary the Happy Pirate
    3:00pm         Dinner Dogs
    4:00pm         Gary the Happy Pirate5:00pm         The Magical John Show

    Sunday, May 12th

    Special Events
    10:30am-5:00pm     Art in Bloom – Juried Art & Craft Show

    Center Stage
    10:30am        Alysia Groth Band
    11:30am        Blue Jimmy
    12:30pm       The Dirty Bourbon Blues Band
    2:30pm         Natalie B Band
    4:00pm         My Plastic Sun
    5:30pm         Teagan and the Tweeds
    7:00pm         Eddie Money

    Children’s Stage
    1:00pm         Dinner Dogs
    2:00pm         The Magical John Show
    3:00pm         Mike Kornrich
    4:00pm         Dinner Dogs
    5:00pm         The Magical John Show

    Monday, May 13th

    Center Stage
    10:30am       Abraham Lincoln School 22 Choir
    11:00am       Cobblestone School Band
    12:00am       Our Lady of Mercy High School Orchestra
    12:30pm       Bishop Kearney – Murder of Crows Band
    1:30pm         Greece Olympia High School
    4:00pm         MoChester
    5:30pm         Lake Street Dive
    7:00pm         The English Beat

    Children’s Stage
    12:30pm       “Farmer Tom” Walsh
    6:00pm         “Farmer Tom” Walsh

    Tuesday, May 14th

    Special Events
    4:00pm-8:00pm  Wine & Chocolate Tasting

    Center Stage
    10:30am       Paul Road Elementary School Band
    11:30am        Indian Landing School Band
    12:30pm       Palmyra-Macedon Middle School Honors Band, Jazz Band, Con Brio
    1:30pm          Spencerport High School Jazz band
    4:00pm         Audio Influx
    5:30pm         J.C. Brooks & the Uptown Sound
    7:00pm         Chuck Prophet and the Mission Express

    Children’s Stage
    12:30pm        Mike Kornrich
    6:00pm         Mike Kornrich

    Wednesday, May 15th  

    Special Events
    10:30am-4pm        Seniors Day
    4:00pm-8:00pm   Wine & Chocolate Tasting

    Center Stage
    10:30am       St. Joseph’s School Band
    11:30am        St. John’s Jam Band
    12:30pm        Twelve Corners Middle School Jazz Band & Select Choir
    1:30pm          Smugtown Stompers
    4:00pm         Meghan Koch and the Gentleman Callers
    5:30pm         Tommy Brunett Band
    7:00pm         The Marshall Tucker Band

    Children’s Stage
    12:30pm        “Farmer Tom” Walsh
    6:00pm         “Farmer Tom” Walsh

    Thursday, May 16th

    Special Events
    4:00pm-8:00pm     Wine & Chocolate Tasting

    Center Stage
    10:30am         Holly Elementary Chorus
    11:00am         Gates Chili Middle School Jazz Ensemble & Spartan Original Singers
    12:00pm         School #12 Concert Band and Hand Bell Choir
    1:00pm           North Christian Academy Concert Band and High School Choir
    4:00pm           The Moho Collective
    5:30pm           The Lawnmowers
    7:00pm           Rusted Root

    Children’s Stage
    12:30pm        Mike Kornrich
    6:00pm          Mike Kornrich

    Friday, May 17th

    Center Stage
    10:30am        Cosgrove Middle School 7th Grade Chorus
    11:00am        Rochester City School District “Bloomin Arts”
    4:00pm          Mikaela Davis
    5:30pm          Brian Lindsay Band
    7:00pm          The Smithereens

    Children’s Stage
    12:30pm        “Farmer Tom” Walsh
    6:00pm         “Farmer Tom” Walsh

    Saturday, May 18th

    Special Events
    10:30am-6:00pm  Art In The Park -Juried Art & Craft Show

    Center Stage
    11:30am        Teressa Wilcox Band
    12:30am       The Fools
    2:00pm         The Crawdiddies
    3:30pm         Driftwood
    5:30pm         The Lone Bellow
    7:00pm         The Prickers

    Children’s Stage
    1:00pm         Matt Episcopo
    2:00pm         Gary the Happy Pirate
    3:00pm         Matt Episcopo
    4:00pm         Gary the Happy Pirate
    5:00pm         Matt Episcopo

    Sunday, May 19th

    Special Events
    8:00am         5K Family Fun Run
    9:00am         10K Race
    10:30am-5:00pm     Art In The Park – Juried Art & Craft Show

    Center Stage
    11:30am       Flint Creek
    1:00pm         Dang!
    2:30pm         Big Sandy and his fly-rite boys
    4:00pm        The John Cole Blues Band
    5:30pm        Prime Time Funk
    7:00pm       The Campbell Brothers

    Children’s Stage
    1:00pm         Matt Episcopo
    2:00pm         Mike Kornrich
    3:00pm         Matt Episcopo
    4:00pm         Mike Kornrich
    5:00pm         The Magical John Show

    Visitorsjumpingforjoy

    For more information and updates on Rochester Lilac Festival 2013, visit lilacfestival.com

  • Heart in Hand “Almost There”

    Brit rockers, Heart in Hand, kick-off their second album “Almost There” locally on May 14th.  Produced by Pedro Texeira, they blend together melodic, transcendental instrumentals along with barking lyrics that define their hardcore roots. Front man, Charlie Holmes and crew are apparently excited about what the band calls, “quite simply a masterclass in how to create a truly engaging Hardcore record.”

    One should be able to appreciate some real talent from this group.  In “Old Tattoos”, I was caught up in the ethereal guitar play between Ollie Wilson and Ed Hartwell. It’s perhaps the best (nearly) three minutes on the entire CD that is distantly akin to Dream Theatre. And, you’ll see the same kind of play under tracks “Proposal” and “Vows”. Wilson and Hartwell have no trouble flipping the switch back to the hard stuff to accompany Holmes as well.

    I’m not certain I’d be quick to call this one a “masterclass” but Heart in Hand certainly wears their collective heart upon their sleeve in this installment. I give props to Holmes for actually sounding coherent throughout the majority of the CD. But, I have genuine concern for him when I hear the lyrics. For example, from their title track, “You’re the one. Can you save me from myself? Keep me by your side (and) don’t let me go.” I feel that I’m handling someone who is emotionally unstable, and that I should be careful with what is written here. Matters get worse, psychologically, under the eighth track “Old Tattoos.” “I don’t know how I always find a way to forgive you, but I do.  And, I always will. I’m nothing without you.”  It’s like an anthem for unhealthy, dependent relationships. If you can relate to these lyrics, seriously, seek help. I digress.

    I have to admit, the band play on the instrumentals seemed to showcase this band’s talent at its best. Set aside the merits I paid to Holmes for the relative clarity in his singing, but there appears to be a rift in the caliber of performance from when he sings and when he does not. It should be noted that this difference could be a deliberate attempt to move the listener with what the band describes as “soaring peaks and bitter lows.”  Blending together dream-like instrumentals with typically harsh metalcore lyrics was entertaining and done well. Nevertheless, I can’t help but recognize the prophetic nature of the album’s title.

    For more information, visit the band on Facebook: Facebook.com/heartinhandukmh