Category: Regions

  • The 2nd Annual Fiddlers Picnic – A Good Old Ho’down in the Mud

    The roads were treacherous, the mud was deep, the sun was out and the sounds of bluegrass filled the warm summer air. The 2nd annual Fiddlers Picnic in Marion, NY brought us securely into full blown festy season. With a lineup that impressed bluegrass lovers young and old, this intimate festival nestled in the woods was of all things one hell of a family ho’down!

    Friday: Ahhh, the first day of the fest; always a wild card in my book. It can go two ways really, calm and chill and hanging with friends – gearing up for a late Saturday … OR it’s the night that we all get crazy and dance barefoot in the mud with a jar of pineapple moonshine in our hands till the sun comes up.

    Highlights from Friday included Eastbound Jesus with the sounds to bring people from setting up their camp to dancing in the hay covered mud. The Blind Owl Band who set the bar high for the two remaining bands that night, played their hearts out while a barrage of friends graced the stage.

    The night got better as it progressed with South Carolina’s Dangermuffin keeping the energy high! The straw dance floor atop the mud only added an old-timey feel to the family ho’down this festival had become. It was clear that this weekend was going to be filled with sit-ins and campfires, despite the weather just a few short days before. Late-night Friday belonged to Hogmaw from Pennsylvania who rightfully refer to themselves as ‘bringing a distinct abstract sound to string band music that can only be best described as THUNDERGRASS!’

    Hogmaw
    Hogmaw

    Saturday: The day began with The North and South Dakotas, a great sting band with a drummer and amplified instruments. It was quite relaxing and a beautiful way to start the day –  sunshine in your face sitting on the grassy hill, enjoying the people watching , and girls with hula-hoops and a jug o’ shine to set their dancing mood.

    Clinton's Ditch
    Clinton’s Ditch

    Saturday Afternoon brought us to the 3rd stage for the Aaron Austin Band which slowed things down a bit more than the previous act. For a lovely cover of “Tangled Up In Blue” we sat in the hammock and enjoyed the coolness of the shade. Late afternoon developed into a gathering of close friends and families; children in rain boots and hay strewn across the ground to make a dance floor above the muddy earth. Festival goers were also treated to sets by Still Hand String Band, Boots n’ Shorts and Rochester natives, Clinton’s Ditch.

    Boots n' Shorts
    Boots n’ Shorts
    Black Mountain Symphony on Saturday was another first timer for this gal and of course another delightful choice of bands, which has been the theme for the fest so far. Black Mountain Symphony features Annie Campo, a soulful singer/violinist with talent far beyond her years. Drummer Bill Palinski shared the duties of vocals and artistic drumming that kept the beat like a locomotive barreling down the tracks.  Bear Campo on keyboards also brought an intense sound to this performance. This band will be a welcome addition to any festival – their sound is all encompassing with strings, keys, guitar and drums.
    Black Mountain Symphony
    Black Mountain Symphony

    The real treat Saturday was the surprise first time live performance of Ms. Haley Rose (age 12) with her breathtaking rendition of “The Star Spangled Banner” and a captivating “Somewhere Over The Rainbow”, which brought festival goers to a stand still on the hill as she sang her heart out to the ears of fans and family alike. Natural talent runs in her family and it’s worth noting that Haley’s singing talents were equally impressive to that of her younger brother, Brayden Vaughn, whom MC’d the entire festival with the experience of a seasoned announcer.

    Also on the bill for Saturday was Boots n’ Shorts, Jatoba, Floodwood, the Rumpke Mountain Boys and a late-night jam with Free Grass Union. Saturday night’s Jatoba set gave us a fast-ass-jam-grass version of Phish’s “Rift” that had phans hootin and a’ hollerin for this Vermont-based festival favorite.

    Bands these days are creating side projects for themselves that seem to be crossing the genres in which they have been known in – Floodwood is no exception to this trending concept in music. moe. band members Vinny Amico and Al Schnier are credited for face melting jam-rock while also belonging to a down right kick ass bluegrass ensemble. Floodwood followed suit with the rest of the weekend and brought the roof down with their original brand of newgrass.

    After a set with Floodwood, the energy was high and the mud was deep – the Rumpke Mountain Boys, from Ohio, brought the music hungry crowd to the second stage for what turned out to be one of my favorite jams from the weekend. The band has molded their own style of bluegrass/jamgrass into what they call ‘trashgrass.’

    Unfortunately because of the severe weather warnings for Sunday, Fiddlers Picnic had to cancel the music for Sunday – when campers woke to down pouring rain early Sunday morning, we were sad about missing the music for that day but relieved that we got the warning early enough to pack-up. Gear loaded onto the back of a sleeping-bag, we embraced the mudslide down the side of the hill we were perched upon so happily the two previous days of the festival.

    This festival had a stellar line-up from morning till late-nights, the family-friendly vibe, and beautiful camping spots. Fiddlers Picnic should be on the radar of any bluegrass lover. Cheers!

  • Standing on the Super Moon – Jerry Garcia Symphonic Celebration at Tanglewood, June 22nd

    Symphonies do not typically lend themselves to improvisation, a trademark of Jerry Garcia and his performances with the Grateful Dead. So it was going to be interesting to see how Warren Haynes, one of the hardest working men in rock and roll was going to handle the Garcia catalog within the constraints of the Boston Pops Orchestra. The answer was very well, considering there was no rehearsal with the full orchestra other then what transpired the day of the show and at soundcheck, for which I happened to be picnicking on the lawn.

    Original Art by Nate Duval. Pick up at nateduval.com
    Original Art by Nate Duval. Pick one up at nateduval.com

    I attended the show with my tour buddy of many years, Kim, along with her family. Kim is a classically trained music teacher so I was going to rely on her opinion on how well the musicians did! Or so I thought. Kim’s biggest critique: She wanted more Warren as he was a little low in the mix. I argued that this wasn’t the Warren Haynes show but his interpretation of Jerry Garcia’s vast catalog within the settings of an orchestra. Nor were we listening to a rock band like The Allman Brothers, or Haynes’ own Gov’t Mule where he can let it rip. Shall I say I was looking for a refined performance? I argued that his guitar and his voice were just two instruments within the orchestra. Kim made note that one item not typically found in an orchestra was a trap set and I felt likewise about the four string electric bass. We also had vocals from Warren and two back up singers, Alecia Chekour and Jasmine Muhammad, ala the Jerry Garcia Band. The Joshua Light Show was another atypical appearance with the symphony.

    Keith Lockhart, Conductor of the Pops, took to the stage with wearing a tye-dye shirt while Warren was a little more formal. No tux for him, but he was wearing a suit coat on a very muggy night. He also was playing Wolf, one of Jerry’s own personal guitars designed by former Alembic employee Doug Irwin. Wolf was of the guitars that Garcia allegedly bequeathed to Irwin that wound up being involved in a dispute with the Grateful Dead organization on who actually had the ownership of the guitars. When the lawyers were paid, Irwin got to keep Tiger and Wolf; when both guitars were sold in 2002, Wolf garnered $700,000! Not a bad chunk of change, considering Jerry Garcia paid $1,500 for it. How the guitar wound up back within the control of Garcia’s estate I was not able to track down, but Trixie (Theresa) Garcia authorized the use of Wolf and approved of the symphonic celebrations. Down in the pit, my friend PFossilman Phil noted there was a big burly guy probably there to protect the guitar!!

    We spent the first Set in our seats in the shed where we had a jumbo screen right in front of us so I was able to see the setlist which the cameras captured many times, much to the chagrin of the dude sitting behind me who kept shrieking, “Why did they have to show it!” and “Please don’t show it again!” As I mentioned, the sound was a little subdued in the shed so we stayed on the lawn for Set 2. I was able to lay on our blanket on the lawn under the giant Super Moon, which Warren made reference to during “Standing on the Moon”, close my eyes and take in all the notes and movements. It was magical to hear songs I’ve heard so many times, including the distinctive sound ‘wah wah’ of Wolf echo across the Tanglewood lawn. Some old time deadheads thought it a sacrilege that anyone other then Garcia should be playing Wolf.

    All the songs were from the Grateful Dead repertoire except for “Russian Lullaby”,  a song that was originally written by composer Irving Berlin, which Jerry performed with his Jerry Garcia Band. The “Terrapin Station/Slipnot/Terrapin Reprise” segment lent itself best to the full symphony with its big notes and crescendos. Kim mentioned that the full orchestra was light in the middle of most songs and seemed to be more in the mix on the openers, closers and the band interludes. It would be interesting to know how long it took the Pops to score the music for the various instruments as there are definitely pieces that can be improved upon as far as making bolder use of the horns, percussion, strings etc…

    I encourage you to give a listen and experience the show for yourself as everyone will have their own opinion. Warren and the Boston Pops received many standing ovations throughout the show. I enjoyed a family outing listening to some of my favorite tunes. Although I wouldn’t chase the performances from stop to stop, I would go attend another show to see how another symphony handles the Garcia catalog.

    While a recording of the Tanglewood show has yet to surface, here is Warren’s performance with the National Symphony Orchestra at The Wolf Trap in Vienna, Virginia on June 26th. We will update this post as recordings surface.

    Set I: Tuning, Dark Star, Bird Song, Crazy Fingers, Russian Lullaby/Band/Interlude, Scarlet Begonias/Band/ Interlude, Shakedown Street, Morning Dew

    Set II: Mission in the Rain*, High Time^, Uncle Johns Band/Band/Interlude, West LA FadeAway, Standing on the Moon, Drums, Lady with a Fan/Terrapin Station/SlipKnot/Terrapin Reprise

    Encore: Ship of Fools

    * only one verse

    ^ not on official set list

  • Hearing Aide: Solaris Burns Bright With ‘NeoN’

    Solaris, the three-piece instrumental band from Ithaca has released their newest album, NeoN. The album kicks off with “Triphammer”, a fast tempo beat with eerie echos and a serious build up that continues to rise throughout the entire song.

    This is that first song you hear that sends the message that the night has commenced I am a big fan of the “THEM” remix which is heavier on the bass at first, then a slower rhythm, making for an easy flowing electronic jam. “Neon” is just as it sounds, bright and bursting with energy, with an unpredictable melody. “Nostromo” (jazz version) was a pleasant surprise and I was pleased to hear Solaris experimenting with a different style, yet still making it their own. It was refreshing to hear a softer side of the band, each instrument being showcased delicately. “Harkonnen” gives off a Halloween vibe: think spooky mad scientist laboratory meets robots and aliens. “E.S.C. (Remix)” has more high pitched beeps and boops, with a groove that just as soon drops you as it picks you up again.

    NeoN is an ideal album to listen to while you’re driving to your next show or when you’re gearing up on lot. The album has an wide assortment of crisp arrangements, highlighting the multiple sounds of Upstate New York’s Solaris and making them the must see band of the summer.

    NeoN was recorded digitally in the studio, was produced, mastered and edited by drummer, Dan Lyons with additional overdubs from keyboardist Jared Raphel. Bassist Vinny Naro created the design and album artwork.  Fans can stream the album for free, a $3 download or $5 physical copy which gives you the artwork as well. NeoN features new electronica songs and experimental sounds as well as remixes to past favorites. Their summer tour will include festivals such as The Big UpThe Catskill Chill and MyGlo II.

    Key Tracks: Neon, Triphammer , Nostromo (Jazz Version)

  • Trombone Shorty Plays Final Day of the Xerox Rochester International Jazz Fest

    The 12th Edition of the Xerox Rochester International Jazz Festival (XRIJF) wraps up today with free shows on 4 outdoor stages featuring Trombone Shorty and Orleans Avenue back for his fourth appearance. Plus, a full night of shows in the clubs, all followed by the final jam session at the Rochester Plaza. This year’s festival has been a showcase of “known” and “unknown” musicians – tonight will be a party in the streets that should not be missed!

    24

    The latest album from Trombone Shorty and the Orleans Avenue, For True, offers substantive proof of their explosive growth, further refining the signature sound Troy “Trombone Shorty” Andrews has dubbed “Supafunkrock.”

    Andrews hails from the Tremé neighborhood in New Orleans’ 6th Ward, getting his nickname at four years old when he was observed by his older brother James marching in a street parade wielding a trombone twice as long as the kid was high. He got his start early, learning how to play drums and the trumpet at the age of three. By the time he reached six, this prodigy was playing trumpet and trombone in a jazz band led by his older brother James.

    The band – Mike Ballard on bass, Pete Murano on guitar, Joey Peebles on drums, Dan Oestreicher on baritone sax and Tim McFatter on tenor sax – stirs together old-school jazz, funk and soul, laced with hard-rock power chords and hip-hop beats, and they’ve added some tangy new ingredients on For True as they keep pushing the envelope, exploring new musical territory.

    Trombone Shorty and Orleans Avenue will be at the East Ave. & Alexander St. Stage, tonight at 9:00PM – this is a FREE show.

  • Tom Petty and the Heartbreakers Shine Bright at SPAC Under the Full Moon

    A hot and humid Sunday night did not stop the masses from coming out for a great show at the Saratoga Performing Arts Center (SPAC) as Tom Petty and the Heartbreakers put on a non-stop two hour show that saw him mix up the setlist with songs spanning his entire career.  The crowd was standing through the night and was rapid in their applause and participation.  Tom was very thankful throughout the evening and let it be known to everyone that he has loved coming to upstate New York since 1980 and hoped to see everyone again.

    tom petty SPACThe evening started with The Wallflowers playing a great 45 minute set.  Most people may know the band as being the band of Jakob Dylan, son of Bob Dylan, but they proved they can play on their own accord.  They started right out of the gates with a cover of The Band’s song “Don’t Do It.”  They did the song justice with Jakob singing the lyrics wonderfully.  They went right into “Three Marlenas” and transitioned quickly into “The Letter,”  a song originally by The Box Tops, but they played it in more of a Joe Cocker style.  Having the two covers early in the set brought the audience to attention before going into their own material.  Rami Jaffee worked the keyboards beautifully with Stuart Mathis playing great lead guitar throughout the set.  “One Headlight” got the crowd on their feet near the end of the set.  As the band finished up “The Difference”, the pavilion was standing room only with a roar from the crowd thanking the band for a great opening set.

    Setlist: Don’t Do It, Three Marlenas, The Letter, I’ve Been Delivered, 6th Avenue Heartache, Closer to You, Sleepwalker, One Headlight, Misfits and Lovers, The Difference

    Tom Petty and The Heartbreakers recently wrapped up intimate residencies at both The Beacon Theatre and The Henry Fonda Theatre, focusing on deep tracks and rare covers.  These shows seem to have put a new energy into the band as they came out swinging with a cover of The Byrds “So You Wanna Be A Rock ‘n’ Roll Star” and quickly followed it up with “Love is a Long Road.”  Both of these songs saw Mike Campbell wailing away on his guitar and he continued to show how good of a guitarist he is at every opportunity throughout the evening of music.  Tom told the crowd, before starting Paul Revere and The Raiders hit song “(I’m Not Your) Steppin’ Stone,” that he and The Heartbreakers are just a “glorified garage band from Florida and we like to rock out just like you do.”  The hits soon followed with “Mary Jane’s Last Dance,” that had Scott Thurston playing a mean harmonic, and “Free Fallin,” which got the whole crowd singing along with Tom.

    Tom had the lights turned on so he could see the adoring, standing-room-only crowd before introducing the band to everyone.  What followed was a special song for the current tour.  Having been a member of the super group The Traveling Wilburys, Petty usually plays one song from their catalog during his shows and this tour he chose “Tweeter and the Monkey Man.”  It’s a great song and a deep cut from the band and one The Heartbreakers pulled off flawlessly.  “Melinda” soon followed and it gave a chance for Benmont Tench and Steve Ferrone to show off their skills at piano and drums, respectively.  With the rest of the band dropping out during the song, these two went to work for an extended jam on the song.  The set ended with a “Refugee” and “Runnin Down a Dream” double shot that was stunning.

    With a three song encore of “Don’t Come Around Here No More”, “You Wreck Me” and “American Girl”, there wasn’t a person in the crowd not rocking out to end the show.  Even though the band has been together since the mid-1970s, they continue to put on a show like few acts can today.  Hopefully it won’t be too long before they come back to the Upstate region.

    Setlist: So You Wanna Be A Rock ‘n’ Roll Star, Love Is a Long Road, I Won’t Back Down, (I’m Not Your) Steppin’ Stone, Here Comes My Girl, Mary Jane’s Last Dance, Free Fallin’, A Woman in Love (It’s Not Me), Listen to Her Heart, Tweeter and the Monkey Man, Rebels, Melinda, Learning to Fly, Yer So Bad, I Should Have Known It, Refugee, Runnin’ Down a Dream

    Encore: Don’t Come Around Here No More, You Wreck Me, American Girl

  • Summer Nights in Saratoga: Assembly of Dust at Putnam Den, June 22nd

    Saratoga Springs has so much music in the summer, particularly at Saratoga Performing Arts Center, it can be easy to overlook the local music that is found throughout the town nearly every night of the week. Whether you are looking for music to follow dinner, a free show in the park or a stand alone night of live music, there’s something for everyone in Saratoga. A fine example of Saratoga in the summer took place this past Saturday at Putnam Den with Assembly of Dust and opener Capital Zen.

    After a warmup from Capital Zen, the crowd filtered outside for some fresh air, then back inside once Assembly of Dust made their way to the stage shortly after 11 pm. Opening up with “Sometimes”, the Strangefolk original had a twist with a little jazz fusion added in from Adam Terrell, followed by a lengthy “Tavern Walker”, a nod to the band’s street team. Twenty minutes later, we had only heard two songs, a fantastic glimpse at a band who was relaxed and patient with their songs. “Arc of the Sun”, a track off Some Assembly Required and featuring Mike Gordon on the studio version, gave a mellow contrast to the previous songs, but “Samuel Aging” was where the band jumped right back into the thick of things, diving into the tune and finding plenty of space to stretch the song out.

    “Elixir” featured Jason Crosby on the keys; Crosby, who has played with both Phil Lesh and Bob Weir, gave a jazzier taste to normally rocked out songs, yet still played the fiddle on “Corpus Christi” , a very multi-talented member of Assembly of Dust. “Filter”  capped off the set with the ‘Funky Chicken’ dancing crowd and now-sweating band singing in unison the “Doo-doo-do-do-do” refrain, literally melting in the moment. The set kept getting more rocking as each song unfolded and progressed. With a great flow to the songs, the jams were built from within each individual song, a true jamband set.

    Among all this great music, it should be noted that the band and well lit audience were a great accent to the evening. Wes Rizzo’s lights had a 1960s Flower Power vibe that shone down on the band and crowd equally, using the walls to illuminate all. Speaking with Reid Genauer during setbreak, he spoke of the Putnam Den as “Great, it’s an awesome energy. We were in a small little theater and it was pristine and sort of quiet, and very resident, last night. Tonight it’s back into the bar brawl scene, not brawl literally, but you know, the gritty bar – as much as I love the serenity and acoustics of a nice theater, I’m just at home in the context of a bar, I’m a happy camper. And the vibe is awesome out there.”. Clearly enjoying the night and digging the vibe the crowd was putting off, the band was relaxed and took a well earned break between sets.

    Second set opened with “Truck Farm” and “Bus Driver”, leading up to a resounding version of “Roads”, a classic tune that any live music fan can identify with. The line “I don’t know where I’m going but I’ll get there, yeah! Sometimes I’m wondering where will it be?” has broad appeal and led to the crowd singing/shouting along with the refrain. A special treat, thanks in part to bassist John Leccesse, was Crosby, Stills & Nash’s “Woodstock”, a perfect tune for AOD and leading to another sing-a-long amid sustained dancing in the crowd.

    “Mud Spring Draw” featured Crosby’s fiddle once again, while “Poland” included a “down down diggy diggy” vocal jam, and whether it was organic or rehearsed did not matter – the crowd was into it, the band was meshing and drummer Andy Herrick held down the beat to keep the jam progressing – this was the highlight of the night, among many other worthy candidates. The encore began with “Things That Fly” with just Reid and Adam on guitar, gentle and stretched out perfectly. “Fountain” and “Harrower” followed, both jammed out just as nearly the entire night was, closing in a three-song encore at nearly 25 minutes. The crowd cheered for more while catching their breath – the night was a non-stop rocker from start to finish, a great way to kick off the summer in Saratoga.

    Assembly of Dust is also playing at Gathering of the Vibes in Seaside Park, CT, in late July. Before then, you can catch them at  The Friendly Gathering in Windham, Vermont, this coming weekend, June 28-29. Reid mentioned, regarding Assembly of Dust playing, “Our good friend and longtime manager Bob Kennedy is involved with that in some way shape or form. And I think its BYOB which is nice.” AOD and BYOB at a festival – a great combo.

    Set 1: Sometimes, Tavern Walker, Arc of the Sun, Samuel Aging, Elixir, Vaulted Sky, Corpus Christi, Second Song, Filter

    Set 2: Truck Farm, Bus Driver, Roads, Mama, Woodstock, Poland, Mud Spring Draw, Honeycreeper

    Encore: Things That Fly*, Fountain, Harrower

    *just Reid and Adam

    Assembly of Dust on Facebook, Twitter and on the web

  • Neko Case at the State Theatre of Ithaca, October 29th Tickets On Sale Today

    nekocase300There’s a special challenge to being an artist in this increasingly fractured cultural age; a delicate balancing act, between being of your time, and striving for timelessness. Few contemporary artists even try. Neko Case is an exception. Dan Smalls Presents brings Neko Case to the State Theatre of Ithaca in Ithaca, NY on October 29th.

    Case’s last album, 2006’s Fox Confessor Brings the Flood, brought her to that nexus where critical acclaim meets commercial success. But Case’s impact can’t be measured merely in chart placements. It’s her ability to connect – on an uncommonly deep and meaningful level – with her audience. She’s one those artists, you see: the kind whose songs linger in your head, your heart and soul long after the record has stopped spinning.

    This is an all ages show. Doors open at 7pm and the show starts at 8pm. Tickets go on sale today, Friday at 9a.m. – pick up your tickets at the venue box office or online. BUY TICKETS HERE!

  • Peter Frampton’s Guitar Circus Headlines Day 8 of the XRIJF

    The 12th Edition of the Xerox Rochester International Jazz Festival (XRIJF) continues today with headliner Peter Frampton’s Guitar Circus featuring Robert Cray and Don Felder, formerly of the Eagles. Show starts at 7:30 PM. Tickets still available: $70-125 plus service fees. Pick up your tickets at rochesterjazz.com, Ticket Shop located at 100 East Ave & Gibbs St., by calling (585-454-2062), or at the door.

    Frampton

    Also playing tonight – Ben Taylor, Youn Sun Nah, Hilario Duran, Gregory Porter, Carmen Souza, Cyrus Chestnut & more in the Clubs — James Hunter Six, Shemekia Copeland & Mingo Fishtrap on 3 Free Outdoor Stages!

    Today’s Concert Schedule

    6:00 pm

    Giacomo Gates & Friends The Rochester Club – Groove Nights Series  $20 or Club Pass

    Dwayne Dopsie & The Zydeco Hellraisers Montage  $20 or Club Pass

    ESM Jazz Honors Unit 3 – COLOSSUS City of Rochester Jazz Street Stage Presented by The Community Foundation FREE

    Rochester Metro Jazz Orchestra Unity Health System Big Tent  $20 or Club Pass

    Gregory Porter Kilbourn Hall, ESM  $25 or Club Pass

    6:15 pm

    Hilario Duran Trio Max of Eastman Place  $20 or Club Pass

     6:30 pm

    Carmen Souza Xerox Auditorium at Xerox Plaza  $20 or Club Pass

    6:45 pm

    Phronesis Christ Church – Made In The UK Series  $20 or Club Pass

    7:00 pm

    Ben Taylor Little Theatre  $20 or Club Pass

    Shemekia Copeland City of Rochester East Ave. & Chestnut St. Stage Presented by Rochester General FEEE

    7:30 pm

    Youn Sun Nah & Ulf Wakenius Nordic Jazz Now @ Lutheran Church Of The Reformation  $20 or Club Pass

    FRAMPTONS GUITAR CIRCUS Kodak Hall At Eastman Theatre Buy Tickets online or at the door.

    Mingo Fishtrap City of Rochester Jazz Street Stage Presented by The Community Foundation FREE

    7:45 pm

    Cyrus Chestnut Hatch Recital Hall at Eastman School of Music  $20 or Club Pass

    Gas House Gorillas Abilene – Roots & Americana Stage  $20 or Club Pass

    8:30 pm

    Dirty Dozen Brass Band Unity Health System Big Tent  $20 or Club Pass

    8:45 pm

    Phronesis Christ Church – Made In The UK Series  $20 or Club Pass

    9:00 pm

    The James Hunter Six City of Rochester East Ave. & Chestnut St. Stage Presented by Rochester General FREE

    Carmen Souza Xerox Auditorium at Xerox Plaza  $20 or Club Pass

    9:15 pm

    Ben Taylor Little Theatre  $20 or Club Pass

    9:30 pm

    Mingo Fishtrap City of Rochester Jazz Street Stage Presented by The Community Foundation  $20 or Club Pass

    Nordic Jazz Now @ Lutheran Church Of The Reformation  $20 or Club Pass

    9:45 pm

    Gas House Gorillas Abilene – Roots & Americana Stage  $20 or Club Pass

    10:00 pm

    Dirty Dozen Brass Band Unity Health System Big Tent  $20 or Club Pass

    Giacomo Gates & Friends The Rochester Club – Groove Nights Series  $20 or Club Pass

    Dwayne Dopsie & The Zydeco Hellraisers Montage  $20 or Club Pass

    Hilario Duran Trio Max of Eastman Place  $20 or Club Pass

    Gregory Porter Kilbourn Hall, ESM  $25 or Club Pass

    10:30 pm

    XRIJF Nightly Jazz Session with The Bob Sneider Trio State St. Bar & Grill at the Rochester Plaza Hotel FREE

  • Rusted Root to play Songs at Mirror Lake Music Series in Lake Placid

    The Pines Inn ‘Songs at Mirror Lake Music Series’ presented by Adirondack “By Owner” has announced the second performance in the seven week series, scheduled for Tuesday, July 9th, as World Rock Night with Rusted Root in Lake Placid. The Mirror Lake Music Series is held at 7:00PM on seven Tuesdays throughout the summer at Mid’s Park on Main Street.

    rusted root lake placidThese weekly performances, running from July 2 through August 13, feature local, regional and national acts in the scenic and historic setting of Mid’s Park on Main Street, Lake Placid.  The series features local and regional emerging artists in a variety of musical genres and provides valuable exposure to these up and coming acts.  The music series is also an opportunity to introduce residents and visitors to a diverse range of musical genres in a scenic and relaxing setting.

    Rusted Root’s latest album – The Movement” is a tribute to their fans. “The title itself is a testament to the community surrounding our music,” says vocalist and percussionist Liz Berlin.  Rusted Root created the Fortunate Freaks Unite! We Are Rusted Root campaign, a fan-funding campaign where fans contributed to the making of the album, while receiving some cool opportunities with the band.

    rusted root lake placidAdmission to the music series is free, so grab your blanket and head on down to Mid’s Park on Tuesday’s for a fabulous time.  Parking is available at St. Agnes Church which is a short walk to Mid’s Park.  Should there be inclement weather for the performances the rain site is around the corner at the Lake Placid Center for the Arts, 17 Algonquin Drive, Lake Placid.  If you would like to volunteer to assist with the concerts please contact Bill at bill@sonsgsatmirrorlake.org.

    I would like to reach out my hand
    I may see you, I may tell you to run (on my way, on my way)
    You know what they say about the youngWell pick me up with golden hand
    I may see you, I may tell you to run (on my way, on my way)
    You know what they say about the young

  • Click Click Boom – SALIVA Lights up Lost Horizon

    When covering a show, I try to get there early to catch all the local acts. It’s good to see what talent (or lack of talent) is coming up in an area. After going to enough shows and seeing a variety of local acts and some of the same ones over and over, you can get a feel of what is happening in the scene. Since I live in the Albany area, I know the Capital region’s scene. The metal scene is much more of a hard core, heavy, scream-o thing with various bands coming and going and a few staples, like Brick by Brick or bright up-and-comers like Restless Streets.

    I will be the first to admit that I’m not too familiar with the Syracuse scene. I will also tell you that after the Saliva show at the Lost Horizon, this NEEDS to change. Saliva was great and I will talk about that later, but the locals were exceptional. East Coast Live Entertainment and 95X put together an awesome lineup that kept moving at a great pace. The breaks between sets were minimal, and welcomed so we could go outside and take in some cool summer evening air. I’ve rarely seen a promoter hustle the day of the show as much as Chuck from East Coast Live. He was working harder than anyone there and I think sound, lighting and musicians can appreciate that effort and put that much more into their own work. Perhaps all of that combined made the night of music so incredible.

    Starting off the show was Hitting on Amber. Designated by 95X deejay, Dixon, as the most improved band on the Syracuse scene. I’m not sure what they sounded like a year ago, but I can tell you that they immediately set the bar high for the locals following them. Simply put, they rocked. Sound was clean and their performance was solid. This is a band that could open for any touring hard rock or heavy metal act coming to the region and will start seeing their own following grow in the meantime. Like most locals, time in front of audiences and growing their footprint are the first steps. Look for Hitting on Amber on more local shows and get there early to support them, you won’t be disappointed.

    Catastrophe Me was next up and while I enjoy female lead singers (I am currently really into Maria Brink’s new stuff), this performance was the one exception to a night of hard rockin’ goodness. I found myself cringing at some parts hoping that the set would hurry along, the shrieking would stop, or the choreographed headbanging would cease to exist from rock ‘n roll entirely. While the performance wasn’t a complete catastrophe, vocal work and stage presence issues need to be addressed before being taken seriously in the rock world. There is a lot of potential in the young lead singer, something maturity and a good manager can work with and I hope they seek out that guidance and continue to grow within the local scene.

    Auburn stoner metal band, Stone Soul Foundation, took the stage and as far as I was concerned, this could have been the start of the touring bands. The quality of performances from this point forward made the cost of admission worth it at twice the price. This dread-lead hard rockin’ gang of misfits had great vocals, guitar licks, and the drummer set an energetic pace.

    As I walked around the Lost Horizon between sets I noticed more Crows Cage t-shirts than all the other bands combined. Their local following came out in droves and I was anxious to see if they could live up to the hype. Being placed between SSF and Devour the Day would have been tough for Saliva to live up to. Yes SSF and DTD were THAT good. Luckily for Crows Cage they were that good, too. They took the challenge and kept the night moving. The venue was hot and sticky, and people were still dancing to real rock ‘n roll. If this show is any indication, the Syracuse scene is strong. A lot of talent and some national touring potential.

    Devour the Day is made up of past members of Memphis, Tennessee band, Egypt Central. No strangers to national tours and big stages, they didn’t miss a beat. Their new material is solid and already getting airtime on Sirius XM’s Octane, along with a lot of attention from local rock station 95X. Within the last month since the show at the Lost Horizon, DTD has shared the stage and is planning to with Sevendust and Otherwise in July 2013 and currently a June run with Hinder. After their set I turned to Joy (my girlfriend who joined me for the show) and we agreed that if the night ended right then, it would have been a great night. How can Saliva top this?

    Well, Saliva couldn’t top it, but they did keep the night going with bright lights, strong vocals from their new lead singer Bobby Amaru and new songs that seemed a lot harder than their old material. Time away did not hurt this band that is known primarily for the huge hit, “Click Click Boom”. A couple of the new songs will get airtime that will hopefully help eliminate the one hit wonder status that they are unfortunately labeled with. Their talent and energy combined with the new songs should generate new fans.

    Other highlights of the evening included the fans and the venue. First off, two young rockers with cerebral palsy were there and apparently get free tickets to all East cost Live Entertainment shows. Why? Because besides busting his ass to make sure everyone is happy and comfortable at the show, Chuck understands that rock ‘n roll is about passion. These young fans love rockin’ out and Chuck loves giving the gift of music. Not only did they get free tickets, they got free shirts and the bands came out and got their photos taken with them. It warmed my heart to see someone giving back. Rock used to be a lot about helping each other out and when I look at Chuck and other promoters like Mike Valente from Black ‘n Blue, who is known to throw benefit shows often, and I hope for their success. Fans often think promoters cash in, it’s simply not true for most. Many shows lose money and the occasion that money is made, they are quick to help out the locals that play for gas money or drinks.

    The venue was great and if you live in central New York and haven’t been to the Lost Horizon for a show, you need to go. Legends passing through the valley have played there over the past 40 years. Names like Guns N Roses, Bon Jovi, and the Red Hot Chili Peppers. Upcoming shows include The Front Bottoms and Earth Crisis. Add this venue to your rock ‘n roll bucket list. You can thank me later.