For the first 10 years of moe.down, Snow Ridge Ski Resort in Turin was the home and Labor Day was the weekend – an end of summer tradition everyone in the Northeast that called themselves a moe.ron looked forward to experiencing. Then there was the ill-advised shift to Mohawk at Gelston Castle for moe.downs 11 and 12, but fortunately fans convinced the band to move back to Turin, with a shift to mid-August for moe.downs 13 and 14. Now, things have come full circle in the past 5 years and moe.down 15 will return to Snow Ridge Ski Resort for moe.down 15 on Labor Day weekend.
A message from moe.: “We are excited to announce moe.down is moving back to Labor Day Weekend! A lot of thought has gone into this decision. It wasn’t easy: so many people liked the new weekend, but a number of people also missed the advantages of the holiday weekend. We hope all of you can still join us. Watch for updates, 15 will be moe.mentous! August 29,30&31 2014 Snow Ridge Ski Resort Turin, NY”
Fans were asked to vote on the preferred date for moe.down, and while Mid-August was the fan favorite, Labor Day was the decision fans went with. Looks like Phish at Dick’s may have some competition for fans of both bands. Or maybe not.
Now in its fourteenth consecutive year, the moe.down music festival has comfortably settled back into its original home at Snow Ridge Ski Resort in Turin, NY. Once again, moe.ville will be alive as fans get down to a dozen bands, including hosts moe.
For the past few years, moe. has been experimenting with new formulas; the attempted change in location (Gelston Castle in Mohawk, NY) for #11 & #12 was a major disappointment to most, but the weekend change from Labor Day weekend to mid-August seems to be accepted by the majority. This year was their first attempt at a VIP upgrade ticket option, which offered a fenced-off section a few hundred feet back from the stage and off to the side, containing its own beer tent, porta-potties, and covered seating area. It also allowed for earlier entry to the site on Thursday, including a pre-festival show and moe. soundcheck, while general campers were still forced to stay in line with their car until the next morning.
Photo by Krest Winchester
Thursday night into Friday was gloomy and drizzling rain. This is not unfamiliar territory for the dedicated, experienced moe.ron; on Labor Day weekend in years past it was not unusual to have oppressively high 90s heat, pouring rain, or even snow. As usual, the crowd in line Thursday night showed their excitement for the festival by partying all night long, sometimes alongside the nicer of the two groups of security hired for the weekend. Gates opened around 8:30 am Friday morning, and everyone scurried to their favorite campsites with tarps to hold their spot while taking the multiple trips required to cart their weekend’s worth of belongings from the parking lot. Music didn’t start Friday until 4:30 pm, allowing plenty of time for set up and even a nap. The weather gods were in sync with moe. this year, and the rain stopped just before Pennyshine, Al Schnier’s wife Diane’s new project, took the stage. Del McCoury’s band followed on the main stage, dressed to impress wearing three piece suits and showing the crowd how it’s done. Eastbound Jesus gave a great two set moe.down debut and featured the tunes getting some well deserved attention in Upstate NY.
Photo by Krest Winchester
As moe. took the main stage for their first set of the weekend, the lights hit it off magically with the mountain air dew, making a sick show on the ski hill behind. As a tribute to Jerry Garcia on the anniversary of his death, moe. played “Casey Jones” to a crowd singing along in appreciation and reverence. Later on in the evening, to tip another hat to the bearded legend, “Deal” was met with more hoots, hollers and dancing.
Anyone who checked out Steve Kimock Band’s late night set Friday agreed it was one of the top performances of the weekend. The band was on fire. Bernie Worell, the keyboardist from Parliament Funkadelic and the Talking Heads, ripped it apart. After a funkalicious “Come Together” cover and later a “Burning Down the House”, the crowd left the stage sweaty and glowing.
Photo by Krest Winchester
Another perfect day Saturday brought two solid sets by a fan favorite from Upstate NY’s past, Conehead Buddha. By now it was very clear how much moe.down, its moe.rons, and its performers have grown, as kids of all ages with huge headphones populated not only the audience but also the stage. Terry Lynch’s adorable toddler Felix joined his dad for most of the first set, staring at the dancing crowd with a shaker in his hand.
Later during moe.’s set, the three horns from Conehead returned to play a spooky and yet rockin’ “Plane Crash.” Also welcomed to the stage that night was Chris Michetti (Conspirator, Raq) for “Godzilla.” Their second set’s “Recreational Chemistry,” “Akimbo,” and “Meat” with dueling solos from Vinnie and Rob was arguably the best of the weekend, and after the customary announcements of birthdays, engagements and landmark show celebrations, the encore was in tribute to the late JJ Cale who passed away two weeks prior, and also to Mikey Houser who passed away 11 years ago that night, with a song Widespread Panic also often covered, “Traveling Light”.
Photo by Krest Winchester
With a third day of awesome sun and mountain breeze, many fans took advantage of the chair lifts for an even higher experience. Others staked out front row territory for the two sets of Raq on the side stage. Raq has received a huge response from their comeback shows in recent months, and this weekend was no different. Keyboardist Todd Stoops, with his normally worn tRAQ suit jacket draped on his keyboard stand, joked with the crowd, announcing that Sam Levey (owner of Westcott Theatre in Syracuse) had ruined his ensemble. (Sam, as well as friend Kyle Shay of KRock Jam Sessions, have been doing some ‘Stoops tour’ in matching tRAQ suit outfits in the front row.) Be assured, these Stoops fans are great guys and normally dig the ladies. It was like the whole crowd was one big group joking and busting on each other like old friends.
In years past, Sunday was the last chance for a mayoral candidate to petition the voting crowd with their qualifications for election as the Mayor of moe.ville, a title which has never carried any weight except some drunken notoriety the Sunday of the next year’s festival and very few “I’m kind of a big deal” points with the other ‘.rons. In prior years there were often bribes of free bacon, shots of liquor out of a cow costume’s teat, and chuckle-worthy posters on every porta-potty door and tent pole. There was noticeably less petitioning than usual, possibly because there hasn’t been an actual person winning the mayoral race in years. Cows, buttscratchers, squirrels humping Utica Club beer cans and ‘Tits & Whiskey’ have been some of the most current moe.ville political figures. This year Rex and Lloyd lost to “Ditch” – Ditch being a well-known location in “Turwookistan” camping area where the sketchiest of sketchy happens til dawn or later. And the mayor relinquishing their title from moe.down 13? That would be Gold Bond. The powder.
Photo by Krest Winchester
Stanley Jordan Trio was a huge hit for the weekend. A band with mind-blowing chops, Stanley can play his guitar like a piano and then seamlessly go into jazz comp chords with one hand while soloing keys with his other. This didn’t stop with Stanley Jordan himself, as his drummer then busted out one handed solos on keys while playing his drum kit with other hand. This talent on top of diversity of playing Mozart in the same set as Katy Perry’s “I Kissed a Girl”, was something you walk away from still wrapping your head around what you saw.
That wasn’t the last the weekend would see of this Trio, for as moe. began their two sets, Stanley was welcomed back to the stage for “Yodelittle” -> “Meat” (finishing with force the “Meat” from the day before.) And again Stanley was up on stage to close out Sunday’s encore of “Rebubula” and “Happy Hour Hero,” this time with his drummer as well, before the customary fireworks ended the music for the weekend just after 11 pm. In a world full of terrible twists and tragic turns, moe.ville continues to be a solid staple for family fans of any age. Never a disappointment. Let’s hope that Mayor Ditch doesn’t do us dirty next year.
As original as the title, The Blind Owl Band presents their sophomore disc. A distinct set of vocal accompaniment would have one wondering if Tom Waits dropped in (he didn’t) for a batch of fiery bluegrass and dirty jams. Using traditional instrumentation, Arthur Buezo (guitar, vocals), Eric Munley (mandolin, vocals), James Ford (banjo, vocals) and Christian Cardiello (bass), all transplants to Saranac Lake, NY, draw upon their youthful influences mostly defined by their fathers’ flare for the good stuff. This Train I Ride is Made of Wood and Steel is a testament to their past whilst forging a path where their sound is becoming uniquely their own.
“Sailor Song,” whether intentional or not, exemplifies the magical undercurrent of the past popping up in today’s music. The disc intro gives a nod to a “House of the Rising Sun” look alike, but only for a few seconds. From this point forward, the disc launches into a fun-filled, fast-paced, barnburner, ho-down of a good time. They give a breather by slowing it down in “Missing My Home,” where Eastbound Jesus’, “Holy Smokes!” is given accolades. A bass solo introduces “Jazzy McGee,” in a tune that sounds just like its title. A neat little contrast in The Blind Owl Band is the depth of the tenor and bass vocals and the high-pitched use of the mandolin, where a balance is met and the band is defined.
The Blind Owl Band is quickly gaining attention by both fans and other, well known musicians. Performing around the northeastern territory, rich in roots Americana, has helped launched these bearded boys in musical stardom. With a new disc underway, an album release tour is scheduled. Please visit The Blind Owl Band for a list of tour dates.
Trey Anastasio Bandcomes to Albany on Saturday, January 26th, but the music doesn’t stop when Big Red leaves the stage. If you’re coming to town for the main show, stick around for three great late night options, all close by The Palace Theater. The Bayou is located a few hundred feet down North Pearl Street from The Palace while Red Square is on Broadway, a block east of North Pearl and about a 1/2 mile walk. A cab is recommended to get to Valentines.
Hot Day at the Zoo (HDATZ) is the quartet of Jon Cumming (banjo, dobro, vocals), Michael Dion (guitar, harmonica, vocals,) Jed Rosen (upright bass, vocals), and JT Lawrence (mandolin, vocals). Dion and Cumming are the band’s two main songwriters. Both, with distinctive personalities, offer enough stories to fill a catalogue of songs that are whole-hearted and full of sincerity. Add in Rosen, who’s technical prowess allows him to hold down the beat and push the music along, and Lawrence, who’s youthful energy and stellar musicianship fuel his strength in fulfilling each song’s missing piece, and the result is a band who humbly creates something bigger than any of themselves.
Rosen speaking about HDATZ’s live performance says, “Expect to see four guys up on stage playing their asses off and singing their hearts out.” All four members play with so much vivacity and vigor that an abundance of both baby powder to keep dry and superglue to prevent their fingernails from falling off is necessary. Whether they’re headlining or performing as special guest support for artists including The Band’s Levon Helm, David Grisman, Leon Russell, moe., and Hot Buttered Rum, HDATZ connects with their audience through their defiant high energy on stage. With improvisations that give songs new shape, signature arrangements of covers, and many special guests, concertgoers may expect to never see the same show twice.
The Brooklyn-based funk army known as Turkuaz “is like tossing a lit match into a dumpster full of fireworks” (bestnewbands.com). Their stage show combines influences from Sly and the Family Stone to Talking Heads into an explosive auditory and visual circus, a full-frontal assault on the senses. After multiple residencies at NYC’s Brooklyn Bowl, two blowout performances at Bear Creek Music Festival, and tours spanning the east and west coasts, Turkuaz has developed a reputation from NYC to San Francisco as the band that plays louder, faster, and harder than all the rest. Learn more at
Combining jazz, hip hop, funk, soul, and gospel, The Chronicles bring a unique sound that defies classification. Founded by upstate NY horn heavyweights, Bryan Brundige and Jeff Nania in October of 2009, The Chronicles have included and continue to feature the most talented up-and-coming musicians in the Capital Region. The Chronicles have been working hard to spread their music throughout the northeast with appearances at regional theaters like the New Hampshire Jazz Center and Proctor’s GE Theater. They have also appeared at major music festivals like Riverfront Jazz Festival, Tulip Festival, Bella Terra, African American Heritage Day, The Brooklyn Hip Hop Festival, The Big Up, and The BeatShot Music Festival. Albanyʼs alternative newsweekly, Metroland recognized them as “Best Jazz” in 2012, and in their 2011 “Best of the Capital Region” critic’s poll as the best in live hip hop with “jazz chops out the yin yang, and new tunes at their fingertips every time they pick up their instruments.”
While this is an after party, the music begins at 9pm. Formula 5 caps off the night, and they are a great up and coming jamband in Albany, with a great sound. Check out our interview with them.
Cost is $10 to get in but only $5 with a Trey ticket stub!