Category: North Country

  • Another Happy Weekend in moe.ville

    Now in its fourteenth consecutive year, the moe.down music festival has comfortably settled back into its original home at Snow Ridge Ski Resort in Turin, NY. Once again, moe.ville will be alive as fans get down to a dozen bands, including hosts moe.

    For the past few years, moe. has been experimenting with new formulas; the attempted change in location (Gelston Castle in Mohawk, NY) for #11 & #12 was a major disappointment to most, but the weekend change from Labor Day weekend to mid-August seems to be accepted by the majority. This year was their first attempt at a VIP upgrade ticket option, which offered a fenced-off section a few hundred feet back from the stage and off to the side, containing its own beer tent, porta-potties, and covered seating area. It also allowed for earlier entry to the site on Thursday, including a pre-festival show and moe. soundcheck, while general campers were still forced to stay in line with their car until the next morning.

    moe.ville
    Photo by Krest Winchester

    Thursday night into Friday was gloomy and drizzling rain. This is not unfamiliar territory for the dedicated, experienced moe.ron; on Labor Day weekend in years past it was not unusual to have oppressively high 90s heat, pouring rain, or even snow. As usual, the crowd in line Thursday night showed their excitement for the festival by partying all night long, sometimes alongside the nicer of the two groups of security hired for the weekend. Gates opened around 8:30 am Friday morning, and everyone scurried to their favorite campsites with tarps to hold their spot while taking the multiple trips required to cart their weekend’s worth of belongings from the parking lot. Music didn’t start Friday until 4:30 pm, allowing plenty of time for set up and even a nap. The weather gods were in sync with moe. this year, and the rain stopped just before Pennyshine, Al Schnier’s wife Diane’s new project, took the stage. Del McCoury’s band followed on the main stage, dressed to impress wearing three piece suits and showing the crowd how it’s done. Eastbound Jesus gave a great two set moe.down debut and featured the tunes getting some well deserved attention in Upstate NY.

    moe.ville
    Photo by Krest Winchester

    As moe. took the main stage for their first set of the weekend, the lights hit it off magically with the mountain air dew, making a sick show on the ski hill behind. As a tribute to Jerry Garcia on the anniversary of his death, moe. played “Casey Jones” to a crowd singing along in appreciation and reverence. Later on in the evening, to tip another hat to the bearded legend, “Deal” was met with more hoots, hollers and dancing.

    Anyone who checked out Steve Kimock Band’s late night set Friday agreed it was one of the top performances of the weekend. The band was on fire. Bernie Worell, the keyboardist from Parliament Funkadelic and the Talking Heads, ripped it apart. After a funkalicious “Come Together” cover and later a “Burning Down the House”, the crowd left the stage sweaty and glowing.

    moe.ville
    Photo by Krest Winchester

    Another perfect day Saturday brought two solid sets by a fan favorite from Upstate NY’s past, Conehead Buddha. By now it was very clear how much moe.down, its moe.rons, and its performers have grown, as kids of all ages with huge headphones populated not only the audience but also the stage. Terry Lynch’s adorable toddler Felix joined his dad for most of the first set, staring at the dancing crowd with a shaker in his hand.

    Later during moe.’s set, the three horns from Conehead returned to play a spooky and yet rockin’ “Plane Crash.” Also welcomed to the stage that night was Chris Michetti (Conspirator, Raq) for “Godzilla.” Their second set’s “Recreational Chemistry,” “Akimbo,” and “Meat” with dueling solos from Vinnie and Rob was arguably the best of the weekend, and after the customary announcements of birthdays, engagements and landmark show celebrations, the encore was in tribute to the late JJ Cale who passed away two weeks prior, and also to Mikey Houser who passed away 11 years ago that night, with a song Widespread Panic also often covered, “Traveling Light”.

    moe.ville
    Photo by Krest Winchester

    With a third day of awesome sun and mountain breeze, many fans took advantage of the chair lifts for an even higher experience. Others staked out front row territory for the two sets of Raq on the side stage. Raq has received a huge response from their comeback shows in recent months, and this weekend was no different. Keyboardist Todd Stoops, with his normally worn tRAQ suit jacket draped on his keyboard stand, joked with the crowd, announcing that Sam Levey (owner of Westcott Theatre in Syracuse) had ruined his ensemble. (Sam, as well as friend Kyle Shay of KRock Jam Sessions, have been doing some ‘Stoops tour’ in matching tRAQ suit outfits in the front row.) Be assured, these Stoops fans are great guys and normally dig the ladies. It was like the whole crowd was one big group joking and busting on each other like old friends.

    In years past, Sunday was the last chance for a mayoral candidate to petition the voting crowd with their qualifications for election as the Mayor of moe.ville, a title which has never carried any weight except some drunken notoriety the Sunday of the next year’s festival and very few “I’m kind of a big deal” points with the other ‘.rons. In prior years there were often bribes of free bacon, shots of liquor out of a cow costume’s teat, and chuckle-worthy posters on every porta-potty door and tent pole. There was noticeably less petitioning than usual, possibly because there hasn’t been an actual person winning the mayoral race in years. Cows, buttscratchers, squirrels humping Utica Club beer cans and ‘Tits & Whiskey’ have been some of the most current moe.ville political figures. This year Rex and Lloyd lost to “Ditch” – Ditch being a well-known location in “Turwookistan” camping area where the sketchiest of sketchy happens til dawn or later. And the mayor relinquishing their title from moe.down 13? That would be Gold Bond. The powder.

    moe.ville
    Photo by Krest Winchester

    Stanley Jordan Trio was a huge hit for the weekend. A band with mind-blowing chops, Stanley can play his guitar like a piano and then seamlessly go into jazz comp chords with one hand while soloing keys with his other. This didn’t stop with Stanley Jordan himself, as his drummer then busted out one handed solos on keys while playing his drum kit with other hand. This talent on top of diversity of playing Mozart in the same set as Katy Perry’s “I Kissed a Girl”, was something you walk away from still wrapping your head around what you saw.

    That wasn’t the last the weekend would see of this Trio, for as moe. began their two sets, Stanley was welcomed back to the stage for “Yodelittle” -> “Meat” (finishing with force the “Meat” from the day before.) And again Stanley was up on stage to close out Sunday’s encore of “Rebubula” and “Happy Hour Hero,” this time with his drummer as well, before the customary fireworks ended the music for the weekend just after 11 pm. In a world full of terrible twists and tragic turns, moe.ville continues to be a solid staple for family fans of any age. Never a disappointment. Let’s hope that Mayor Ditch doesn’t do us dirty next year.

  • Grass in the Adirondacks is Blue: Oak Mountain Bluegrass and Arts Festival, August 17th

    The foothills of the Adirondacks are a perfect location for camping, hiking, kayaking and fishing, especially in these dog days of summer as the sun sets a little earlier each day. Oak Mountain in Speculator has been an all-seasons destination for years, but in the summer they have begun to attract a crowd for an annual event, Oak Mountain Bluegrass and Arts Festival. Smaller than Snow Ridge (moe.down) and Hunter (Mountain Jam), Oak Mountain has gentle sloping hills that lead to a comfortable base where music fans can set up tents, canopies and chairs and bask in the warm sunny Northern New York days and feel the chill come down the mountain once the sun sets.

    oak mountain bluegrassWith locally made arts and photography of the Adirondacks for sale, the crowd was very relaxed on this warm day, some hooping, others chatting with friends but all focused on the music and tapping their feet to the five bluegrass bands from Upstate New York that graced the stage. Birdseed Bandits got things kicked off with Lumineers-style bluegrass, paced and inviting, including “Wagon Wheel”, a popular cover by Old Crow Medicine Show. Pocket Change played tunes from Steve Miller Band, Justin Earle Townes, The Grateful Dead, Marshall Tucker Band and Neil Young, as well as original spread out in between these wonderful renditions of classic songs. Blind Owl Band performed more frenetic bluegrass tunes, notably “Missing my Home”, eliciting cheers with a shoutout to Eastbound Jesus. A gorgeous cover of Led Zeppelin’s “Thank You” had Christian Cardiello swap his upright bass for electric one, while the strings of Eric Munley, James Ford and Arthur Buezo were in sync in a Greensky Bluegrass type of connectedness. Their high intensity and fast paced play for the full set is proof that Upstate NY bluegrass is its own subgenre.

    Two bands from the Utica area, The Rusty Doves and Remsen Social Club, closed out the night as the sun began to set, giving way to pink and purple hues in the sky. The Rusty Doves started off with a cover of Patsy Cline’s “After Midnight”, an intense “Rock of Ages” and a beautiful “Pretty Fair Maid”, by Tim O’Brien. Remsen Social Club polished off a splendid day with the campfire crackling nearby, playing “Over You Darling”, “Mountain Top Love Song” and “Gorge Road Blues”. Campers enjoyed the brisk Adirondack night and locals ventured back to town once night fell, setting up a perfect night in that area between the Mohawk Valley and the North Country, a perfect place for a music festival in August.

  • Aqueous Announces Extensive Fall Tour of New York, Midwest and Atlantic Coast

    Buffalo’s favorite intense groove rock experience Aqueous has announced an extensive fall tour that brings the band to many new markets as well as established ones. The band has been hitting the road harder then ever this year and this new batch of dates will bring them to over 120 shows for 2013.

    AQ-FALLTOUR

    Highlights include the tour kick-off at the esteemed Brooklyn Bowl with Turkuaz and Jimkata for the Catskill Chill music festival pre-party. Several Upstate NY dates follow as well as the band’s second international date in Montreal. October features a four-show North Carolina run and will also bring them close to one of their mentors; performing an after party for the Rochester Phish show (w/ Jimkata). Washington D.C. and Brooklyn will be treated to some undoubtedly well planned Halloween antics to start off November before a pilgrimage to jam-mecca Nectar’s in Burlington and another pair of upstate dates in Buffalo and Rochester.

    aqueousfalltour

    The summer may fade, but the rage lives on. Check out the full schedule below!

    Aqueous Fall 2013 Tour Dates with Upstate NY highlighted
     
    9/4 – Brooklyn Bowl – Brooklyn, NY * w/ Turkuaz & Jimkata
    9/7 – The Catskill Chill Music Festival – Hancock, NY
    9/11 – 123 Pleasant – Morgantown, WV * w/ The Main Squeeze
    9/12 – Thunderbird Cafe – Pittsburgh, PA * w/ The Main Squeeze
    9/13 – Night Lights Fall Festival – Sherman, NY
    9/14 – Barnaroo – Dover, OH
    9/20 – The Dubland Underground – Rochester, NY
    9/21 – Nietzsche’s – Buffalo, NY
    9/26 – The Waterhole – Saranac Lake, NY
    9/27 – Java Barn @ St. Lawrence University – Canton, NY
    9/28 – Gert’s @ McGill University – Montreal, QC
    10/2 – Papa Pete’s – Kalamazoo, MI
    10/3 – The Gramophone – St. Louis, MO
    10/4 – Hideaway Saloon – Lexington, KY
    10/5 – The Empty Glass – Charleston, WV
    10/8 – The Blind Tiger – Greensboro, NC
    10/9 – One Stop @ Asheville Music Hall – Asheville, NC
    10/10 – The Saloon @ NC Music Factory – Charlotte, NC
    10/11 – 185 King Street – Brevard, NC
    10/16 – Electric Haze – Worcester, MA
    10/17 – Thirsty Moose Taphouse – Portsmouth, NH
    10/18 – The Putnam Den – Saratoga Spring, NY
    10/19 – The Crooked I – Erie, PA
    10/22 – Water Street Music Hall – Phish After Party – Rochester, NY * w/ Jimkata
    10/23 – The Lost Horizon – Syracuse, NY * w/ Tauk
    10/24 – Black Oak Tavern – Oneonta, NY * w/ Tauk
    10/25 – The Lot – Ithaca, NY * w/ Tauk
    10/26 – Jungle Boogie Festival – Lake George, NY
    11/1 – The Bayou – Washington, DC * w/ Tauk
    11/2 – The Knitting Factory – Brooklyn, NY * w/ Tauk
    11/6 – Urban Nest – Asbury Park, NJ
    11/7 – Nectars – Burlington, VT *
    11/8 – Shaskeen Pub – Manchester, NH
    11/9 – Church – Boston, MA
    11/15 – The Dubland Underground – Rochester, NY * w/ Tauk
    11/16 – Nietzsche’s – Buffalo, NY * w/ Tauk
    11/20 – Tonic Room – Chicago, IL * w/ Brown Bag
    11/22 – Scarlet & Grey – Columbus, OH
  • Flashback: Phish in Lake Placid, December 1995, with New Audio Source

    Thinking about what I wanted to write about as Phish Summer Tour kicked off and SPAC, I pondered a few different things. I wanted to first off write about something I had in the pipelines of new seeds I was sharing with the etree community and I of course wanted something Phish, and maybe something that was not only good, but under appreciated. Lake Placid 1995 met all the criteria.

    Much has been documented about December 1995, a month many consider to be one of the top three if not single greatest months in the history of Phish. It’s a month filled with night after night of fiery, tight playing, ground break jams and multiple all around all-time great shows, one that was filled with very few dull moments. I happened upon four shows this month myself, which proved to be quite the challenge considering the weather we faced in the Northeast.

    Phish Lake Placid

    Blizzard like conditions from Albany to Lake Placid that final week of Phish tour made it extremely difficult to get around on the New York State Thruway. It became so much that when confronted with an opportunity after Binghamton to sell my Lake Placid tickets and head home to Buffalo, I did, which made collecting my thoughts on this two night run that ended this long and incredible tour somewhat bittersweet. One thing that has also gone a little unnoticed and less written about in recent years, particularly in the 3.0 era of Phish is the value of seeing Phish on their home turf. Not necessarily Vermont or New England, but Upstate New York, specifically, the North Country, the Adirondack region. When I think of Phish, I think of this region. When I visit this part of New York State, I want to listen to Phish and when I see Phish in this region, it brings back incredible memories. To me, there is nothing like an Upstate New York Phish show.

    Phish Lake Placid
    Phish lot shirt from 1995

    Seeing Phish at places like The Knickerbocker Arena or Saratoga Performing Arts Center, from The Clifford Ball in Plattsburgh to the ground breaking Halloween 1994 in Glens Falls and many more, Phish brings it on their adopted home turf. When the band grew out of Vermont, not only by touring around the country, but growing their fan base into larger venues in the early 90’s, it was Upstate New York that served as the new home turf. You can feel it when you’re there. Phish in Lake Placid ’95 was the perfect two-night conclusion to this great month. What more could you really expect from these guys at this point? A monster tour staring back in September and wrapping up nearly three months later. What started in Hershey, built upon in New Haven, collected at U-Mass, exploded in Niagara Falls and Albany, carried on in Maine, reached all new levels at Binghamton and set the table in Lake Placid for what many believe to be the greatest Phish show of all time on New Years Eve. These two shows contained all the tightness of three months on the road you would expect. A well oiled machine coming to a rest after a long work out. I don’t think the band’s lack of creativity or deeper exploration in these shows is worth worry.

    What you do get is air tight renditions, high energy improvisation like what is found in the “Mikes > Simple > Weekapaug” in night one, and the band ultimately capping the tour and setting the table for the New Years Eve run. While December ’95 is not known for its very best “Mike’s Grooves”, it is known for is all time “Tweezers”, and 12/17 deserves attention along with the others. There are times for me when it sometimes feels like not only musically, but on a decision making level, that you sense what the band has decided upon. It feels to me all these years of listening to these Lake Placid shows, that they deliberately knew where they were in the tour and what had gone down up to this point. They noticed that sometimes they need a creative reprieve and 12/16 was one of those moments. But by night two, we’re ready to bring it back for one last push down the home stretch and really see what this thing is made of, to see if they could milk this thing to the last drop, and that’s exactly what they did.

    phish lake placid
    photo by James Potvin

    What gets overshadowed from this month is the bulk of 12/17’s second set: “Free > Also Sprach Zarathustra > Harry Hood > Sparkle > Tweezer -> Tweezer Reprise”. A raunchy “Free”, a direct hit of “2001”, an extended “Hood” and one last gasp “Tweezer” really showcases the brilliance of what makes December ’95, and seeing Phish on their home turf of Upstate New York so special. That is energy, energy, energy. The band knows it. The crowd knows it. Say what you will about Great Woods, Merriweather, Deer Creek or Alpine, Hampton, Philly or Boston, but there is quite simply nothing like a Phish show in green country of Upstate New York.

    Download Lenny Stubbe’s new source to circulation of 12/16/95

    Download Lenny Stubbe’s new source to circulation of 12/17/95

  • It’s All Good in the Woods! A Review of Backwoods Pondfest 2013

    The city of Peru hosted one of the best kept secrets of Upstate New York on August 2nd and 3rd 2013 at the Twin Ponds Campsite with the music festival Backwoods Pondfest. The intimate music festival was set at the tip of the North Country, only a few exits short of Canada, making for a scenic ride from any direction for dedicated music lovers. Offering weekend tickets as well as single day passes, Friday’s guests were treated with a double rainbow in the early evening after a brief rain shower. Visitors were allowed to select their own campsites with car side camping. Whether in the far off quiet area, woods or grassy field camping, any spot on the festival grounds offered plenty of cool afternoon shade with a full sky view of the bright stars at night. Bands were located either on the Main Stage next to the bright blue school bus, named Lucy (belonging to host band Lucid) or on the Tent Stage, next to the wooded camping, with a soft sandy dance floor.

    Friday

    With a name like Backwoods Pondfest, it wasn’t a surprise that the bearded quartet Blind Owl Band was one of the first bands to start the weekend on the Tent Stage. The Saranac Lake locals consist of Arthur Buezo on guitar, Eric Munley on mandolin, James Ford on banjo and Christian Cardiello on bass. Their aggressive string music mixed with rowdy harmonies greeted festival goers to their neck of the woods with open arms and dancing feet. Spiritual Rez made everyone forget that they were even in New York with their heavy reggae dance music. Toft Willingham spit out rebellious lyrics to the crowd while thrashing about his long blonde hair as Rob O’Block shredded on the guitar. Kory Stanbury on saxophone and Quinn Carson on trombone provided a strong horn section throughout the set as Mohamed Araki surprised fans everywhere with his keytar. Ian Miller kept the party going with a constant quick rhythm and Jesse Shaternick’s lighthearted bass notes. The band has great chemistry as they provide an energetic performance with never ending reggae funk magnitude. Be on the lookout this fall for their new album release, Apocalypse Whenever and upcoming shows at The Catskill Chill and Wormtown Festival.

    For the past seven years, Backwoods Pondfest has been hosted by the Adirondack “Woods Rock” band known as Lucid. Their sound is unique as it varies from classic rock to blues to funky jazz to reggae and even doo-wop, a little something for everyone. With the festival set in their neck of the woods, Lucid has a dedicated fan base that overflowed from underneath the Tent Stage on Friday night. “Whiskey Dream”, with steady beats and cymbals from Kyle Murray was a crowd favorite as Andy Deller kept the keys at a playful tone. One of the highlights of the set was Kevin Sabourin repeatedly singing out the chorus line, “Friday is the best day of the week because I don’t have to work tomorrow” resulted in a massive tent-shaking sing along. Lowell Wurster blared off on his harmonica especially during “Backwoods”, a song meant for that weekend.

    Giant Panda Guerilla Dub Squad sent out a psychedelic reggae groove that made it easy for fans to dance all night. The band, hailing from Rochester, consists of James Searl on bass, Chris O’Brian playing drums, Dylan Savage and Dan Keller on guitar and Tony Gallicchio on keys who bring a laid back vibe that relaxes and recharges listeners at the same time. The night was set ablaze from the fire spinners and jugglers from Cosmic Karma Fire located to the left of the Main Stage.

    Jimkata lit up the Tent Stage with their electrifying rock that is similar to a Mario Bros. soundtrack for adults, complete with beeps, boops and mind melting instrumental jams. It’s no wonder this up and coming Upstate New York band from Ithaca has been building up fans on their busy summer tour with big performances at Summer Camp and Gathering of the Vibes. The end of the night performance at the Main Stage was from the experimental techno funk group, Dopapod. Keyboardist Eli Winderman, drummer Neal ‘Fro’ Evans, guitarist Rob Compa and Chuck Jones on bass swirled together a set that was full of funky melodies with robotic harmonies and pure reckless rock.

    Saturday

    Few things taste better than fresh music in the morning. The Chronicles from Albany opened up the Main Stage with set full of hot hip hop and sweet jazz served best for a Saturday morning after an all night rager. The Metroland, Albany’s alternative newsweekly, acknowledged them as “Best of Jazz” in 2012 and 2013, paying tribute to their unique blend of all things jazz, funk and gospel. Tyrone Hartzog displays a cascade of notes as he glides over the keys. One of the best things about The Chronicles is their unpredictable jams, especially with the horn section of Bryan Brundige on trombone and Jeff Nania on saxophone. Daniel Lawson sneaks in the heavy bass notes and with Justin Henricks strumming along gives the way to a rockin funk wave. Andrae Surgick keeps a steady and chill rhythm that sends plenty of cymbals sparks flying.

    Rack Em Let’s Go! definitely catches your attention with their band name alone but their music will stay with you way after their show. Exploding out of Boston, the rock and roll quartet gave a high energy performance, combining old school rock with a twist of modern soul and funk. Switching up the scene on the Main Stage was Fikus, delivering an electronic rock show with complete with funky harmonies and fast paced extraterrestrial melodies. Catch Fikus this coming weekend at Bella Terra Music Festival in Stephentown, NY. The Capital District’s top jam band Formula 5 steamed up the Tent Stage with their original dance heavy tunes plus a hot rendition of Phish’s “Sand” with guest appearance by Justin Henricks of The Chronicles on guitar.

    A music festival isn’t complete without a Grateful Dead cover band these days and Backwoods Pondfest booked the best one in Upstate New York, The Garcia Project. The Saratoga Springs locals provided fans with an easy listening afternoon full of their favorite Dead songs, especially a treasured version of “Tangled up in Blue” with haunting vocals from Mik Bondy and Kat Walkerson. Capital Zen played a hard hitting set under the tent with uncontrollable beats from Rye Wylie, reckless guitar from Terry Scoville and wild bass bombs from Tony Leombruno.

    Fans were left speechless from the first few soulful notes belted out from Jennifer Hartswick and especially during an extraordinary cover of the Talking Heads’ “This Must be the Place (Naïve Melody)” and Bill Withers’ “Ain’t No Sunshine”. The Jennifer Hartswick Band overflows with musical energy that carries its own direction.

    Electronic hip hop trio Sophistafunk tore the Tent Stage to pieces with bass heavy notes from Adam Brown, groovy beats from Emanuel Washington and robust vocals from Jack Brown. Afterwards, one of the founding fathers of funk, Bernie Worrell, gave a thunderous performance on the Main Stage with his heart stopping piano solos. The Bernie Worrell Orchestra lays out the funk, one layer at time, each grooving into the next twilight zone. Later, the Vermont based quartet Twiddle carried out the party vibe onto the Tent Stage and through the crowd. Their improvisational jams can start with a heavy rock feel then blasting into a reggae melody all with a fiery passion. Keeping with tradition, Lucid ended the festival weekend with their annual second set to close the Main Stage. It was a true free for all as festival goers, staff members and musicians danced together to the unrelenting and lively music of Lucid.

    Throughout the weekend, musicians and fans alike had nothing but positive feedback about the festival given the wide range of musical talent and beautiful scenery. Amid a very chill environment where festival goers formed a close knit bond, dedicated music lovers reveled in their adventure up north to Backwoods Pondfest.

  • Songs at Mirror Lake Music Series Announces Reggae Night with Morning Sun & The Essentials on August 6th

    PineLakeMusicThe Pines Inn ‘Songs at Mirror Lake Music Series’ presented by Adirondack “By Owner” has announced the sixth performance in the seven week series, scheduled for Tuesday, August 6th, as Reggae Night with Morning Sun & The Essentials. The Mirror Lake Music Series is held at 7:00PM on seven Tuesdays throughout the summer at Mid’s Park on Main Street, Lake Placid.

    Morning Sun & The Essentials aims to create innovative yet classic sounding reggae and world music. The challenge was finding the right dynamic between the two distinct voices of Michel Aubertin and Phil Grajko. With conscious lyrics, unforgettable melodies, and two unique voices.

    These weekly performances, running from July 2 through August 13, feature local, regional and national acts in the scenic and historic setting of Mid’s Park on Main Street, Lake Placid, New York.  The series features local and regional emerging artists in a variety of musical genres and provides valuable exposure to these up and coming acts.  The music series is also an opportunity to introduce residents and visitors to a diverse range of musical genres in a scenic and relaxing setting.

    Admission to the music series is free, so grab your blanket and head on down to Mid’s Park on Tuesday’s for a fabulous time.  Parking is available at St. Agnes Church which is a short walk to Mid’s Park.  Should there be inclement weather for the performances the rain site is around the corner at the Lake Placid Center for the Arts, 17 Algonquin Drive, Lake Placid.  If you would like to volunteer to assist with the concerts please contact Bill at bill@songsatmirrorlake.org.

    July 30, 2013 Local Jam Night with Lucid
    August 6, 2013 Reggae Night with Morning Sun & The Essentials
    August 13, 2013 Funk & Soul Night with Sister Sparrow & The Dirty Birds

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  • Backwoods Pondfest 2013 Announces Band Schedule

    On August 2-3, 2013 at Twin Ponds Campsite in Peru, New York the 7th Annual Backwoods Pondfest will take place, with a weekend slate of live music, camping, art and fun. The festival includes several face-melting bands from throughout the Upstate Region featured on two stages. Performers include Dopapod, Jennifer Hartswick Band, Twiddle, The Garcia Project, Jimkata, Sophistafunk, Giant Panda Guerilla Dub Squad, Blind Owl Band, Capital Zen and Buffalo’s own Aqueous.

    Picture 8

    Backwoods Pondfest 2013 offers some things the larger festivals don’t like car-camping, campfires, and reasonably priced Saturday Only tickets ($50) for those who can’t make it both days. Fire spinners, food vendors, craft & novelty vendors and many more will be on hand throughout the weekend.

    The cost for a weekend pass is $65 in advance or $80 at the gate.  Tickets can be purchased through the Backwoods Pondfest website.

    Picture 9

    In additional to the art and entertainment, Strangers Helping Strangers will also be hosting a food drive at Backwoods Pondfest. Strangers Helping Strangers is a nonprofit organization that provides organization, support and resources to care for those less fortunate by setting up food drives at concerts and festivals. After the event they deliver the supplies to local food banks, pantries and shelters.

    To download a venue map or printable map with driving directions please visit the festival’s website www.backwoodspondfest.com/info.html

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  • Hearing Aide: This Train I Ride is Made of Wood and Steel: The Blind Owl Band

    As original as the title, The Blind Owl Band presents their sophomore disc. A distinct set of vocal accompaniment would have one wondering if Tom Waits dropped in (he didn’t) for a batch of fiery bluegrass and dirty jams.  Using traditional instrumentation, Arthur Buezo (guitar, vocals), Eric Munley (mandolin, vocals), James Ford (banjo, vocals) and Christian Cardiello (bass), all transplants to Saranac Lake, NY, draw upon their youthful influences mostly defined by their fathers’ flare for the good stuff.  This Train I Ride is Made of Wood and Steel is a testament to their past whilst forging a path where their sound is becoming uniquely their own.

    bob

    “Sailor Song,” whether intentional or not, exemplifies the magical undercurrent of the past popping up in today’s music.  The disc intro gives a nod to a “House of the Rising Sun” look alike, but only for a few seconds.  From this point forward, the disc launches into a fun-filled, fast-paced, barnburner, ho-down of a good time.  They give a breather by slowing it down in “Missing My Home,” where Eastbound Jesus’, “Holy Smokes!” is given accolades.  A bass solo introduces “Jazzy McGee,” in a tune that sounds just like its title.  A neat little contrast in The Blind Owl Band is the depth of the tenor and bass vocals and the high-pitched use of the mandolin, where a balance is met and the band is defined.

    The Blind Owl Band is quickly gaining attention by both fans and other, well known musicians. Performing around the northeastern territory, rich in roots Americana, has helped launched these bearded boys in musical stardom.  With a new disc underway, an album release tour is scheduled.  Please visit The Blind Owl Band for a list of tour dates.

    Key Tracks: Missing My Home, Cherry Tree, Rain On

  • Rusted Root to play Songs at Mirror Lake Music Series in Lake Placid

    The Pines Inn ‘Songs at Mirror Lake Music Series’ presented by Adirondack “By Owner” has announced the second performance in the seven week series, scheduled for Tuesday, July 9th, as World Rock Night with Rusted Root in Lake Placid. The Mirror Lake Music Series is held at 7:00PM on seven Tuesdays throughout the summer at Mid’s Park on Main Street.

    rusted root lake placidThese weekly performances, running from July 2 through August 13, feature local, regional and national acts in the scenic and historic setting of Mid’s Park on Main Street, Lake Placid.  The series features local and regional emerging artists in a variety of musical genres and provides valuable exposure to these up and coming acts.  The music series is also an opportunity to introduce residents and visitors to a diverse range of musical genres in a scenic and relaxing setting.

    Rusted Root’s latest album – The Movement” is a tribute to their fans. “The title itself is a testament to the community surrounding our music,” says vocalist and percussionist Liz Berlin.  Rusted Root created the Fortunate Freaks Unite! We Are Rusted Root campaign, a fan-funding campaign where fans contributed to the making of the album, while receiving some cool opportunities with the band.

    rusted root lake placidAdmission to the music series is free, so grab your blanket and head on down to Mid’s Park on Tuesday’s for a fabulous time.  Parking is available at St. Agnes Church which is a short walk to Mid’s Park.  Should there be inclement weather for the performances the rain site is around the corner at the Lake Placid Center for the Arts, 17 Algonquin Drive, Lake Placid.  If you would like to volunteer to assist with the concerts please contact Bill at bill@sonsgsatmirrorlake.org.

    I would like to reach out my hand
    I may see you, I may tell you to run (on my way, on my way)
    You know what they say about the youngWell pick me up with golden hand
    I may see you, I may tell you to run (on my way, on my way)
    You know what they say about the young

  • Classic Ominous Seapods Shows Resurface on Archive.org

    In the past few months, a group on Facebook of Ominous Seapods Fans have had the benefit of having first listen to OS shows that were, for the first time since the original performance, transferred and uploaded to Archive.org. Thanks to Rich Lemire, Taper Wayne and a lot of patience, these recordings are now free for fans of the Seapods to download or stream at their leisure.

    To get an idea of what went into this task – unearthing and uploading shows from 15-20 years ago, Publisher Pete Mason talked with Rich Lemire about the process, the history and technology behind these classic recordings of The Ominous Seapods.

    ominous seapods

    Pete Mason: Take me back – you were clearly an early Seapods fan. What were the early shows like, especially as the fan base began to grow around the state?

    Rich Lemire: The shows were always a lot of fun! From the very first time I met the guys, you could just tell that they were a lot of fun to hang with and while they were serious about their music, they were just as serious about having some fun! You could tell that they were having a great time playing together and finding their sound as a band.

    The first year or two I saw them, I only caught them in Albany and Plattsburgh, so I couldn’t really comment on any other shows they were playing elsewhere. But they were either a bit on the intimate side like they were in Albany, when they were establishing themselves after they moved here, to totally rowdy affairs when they would return to Plattsburgh, their original stomping grounds in college.

    PM: How many shows would you estimate you saw? How many would you estimate you taped?

    RL: While the band was together and a touring unit, I would estimate I saw roughly 300 shows, most of them during the four year period I was working with them. I’d say roughly seventy-five percent of those shows I saw were taped.

    PM: The tapes – currently, they are mostly from 1992 and a few from the later 1990s. Why did they only come to light now?

    RL: Most of the Seapods shows I recorded and want to archive digitally are from late 1991 when I first saw the band, through the summer of 1997, with some random shows from 1998-2001 thrown in. It’s just time for them to be digitized and shared, you know? They’ve been sitting in tape racks the entire time, some I haven’t listened to in almost 20 years. Their conversion only came to light recently after a couple of conversations I had with their former sound engineer Marty, and TaperWayne who was Conehead Buddha’s archivist while they were together during the ‘90s and early ‘00s. Marty and I had a conversation during the setbreak of a Phish show at Madison Square Garden a little while back, about the band being on indefinite hiatus now that Dana is in Australia, and that it would be really great to preserve the recorded legacy of the band.

    I had given thought to doing it for a quite a while beforehand, but it always came down having the time to deal with it. To create the digital files, it’s a real time process to play the audio cassettes and create the tracks digitally. And that’s where TaperWayne comes in!

    I need to say that Wayne’s effort has really been the key to this project, and I’m thankful he is into the project as much as he is!! He’s totally psyched to help get the shows converted and added to the Live Music Archive, just to get them out there for people to hear. We’re old friends and he’s out in Wisconsin these days, so it’s just great to just keep in regular touch while working on it. We eventually want to convert and upload more shows down the road, from other bands I was seeing and recording, like Moon Boot Lover, God Street Wine, Shockra and a bunch of others in my archives from the ‘90s. It just made the most sense to start with the Ominous Seapods archives.

    PM: How were these shows recorded, taped and transferred?

    RL: The shows were recorded mostly by just taking a feed directly from the soundboard right to the tape deck. Some of the earlier shows I taped were audience recording and some of the very early stuff I posted from the archives was passed on to me by Eric Buecken, the band’s manager at the time, when he was stepping away from handling the band’s affairs.

    The majority of the Ominous Seapods shows that I recorded were on Sony D5 or D6 cassette decks, some were recorded on a home cassette deck in instances where I was dealing with repairs on mine or another taper friend was borrowing it to run multiple decks at Grateful Dead or Phish shows they were hitting. Towards the end of recording them and for the most part taping regularly, I started dabbling in some DAT recording, either using either a Sony D3 or Sony D7.

    All of my recordings that have been posted so far have been transferred by Wayne, using a deck he has that is specifically used for archiving purposes. From the cassette playback, he extracts the audio files from the cassettes and creates the digital files in .WAV format in a program called Audacity. From there, he does some clean up or normalization to the files as needed and converts them to FLAC files in a program called CDWave. FLAC is an acronym for Free Lossless Audio Codec. It’s a format much like an MP3 or WAV file, but it’s lossless, meaning that the audio is compressed without any loss in quality. From there, one of us uploads the FLAC files to the Live Music Archive or to etree if the band is not on the Archive.

    PM: Are there any shows that have stand out among the shows you are sharing, or any shows that you have specific memories from?

    RL: As you can probably imagine a lot of those nights 15-20 years ago are a total blur now, as some of them were a blur back then! Ha ha! We’re only two batches of tapes into the conversion project, so were really just getting started. So while I can’t say anything that we’ve done yet has really stood out for me personally, what has been cool with this project so far, at least to me, is to hear the progression that some of the older songs they played made as they continued to play them through the years, maturing as musicians and as a band. I am really looking forward to re-listening to some of the shows from 1994, which is when I felt the band really became the well-oiled machine they were. This was about a year after Ted joined the band. They had evolved into a really tight unit writing some great tunes and putting on some great rock shows! I hope people are really digging checking out these shows, as much as Wayne and I have been converting them. There’s much more to come!!

    Here are the first batch of Ominous Seapods shows that have been released on Archive.org. We’ll update this list as more shows are uploaded.

    Bogie’s, Albany, 11/15/91
    Bogie’s, Albany, 12/20/91
    Bogie’s, Albany, 10/30/92
    Aiko’s, Saratoga Springs, 1/4/92
    P.B. Finnan’s, Plattsburgh, 4/24/92
    Bogie’s, Albany, 5/2/92
    Bogie’s, Albany, 6/6/92
    P.B. Finnan’s, Plattsburgh, 10/17/92
    P.B. Finnan’s, Plattsburgh, 11/7/92
    Rhinecliff Hotel, Rhinecliff, 11/20/92
    Bogie’s, Albany, 3/11/94
    Bogie’s, Albany, 2/25/95
    Bellstock, 7/27/97