NYS Music 20​13

Category: Syracuse

  • Record Store Day 2013: A Look at The Upsides and Downsides

    Record Store Day 2013 is upon us!!! On Saturday, April 20th, thousands will flock to their local independent record store in pursuit of exclusive, limited-quantity vinyl releases from their favorite artists. Record Store Day was started in 2007 by a coalition of independent record store owners as a “way to celebrate and spread the word about the unique culture surrounding over 700 independent record stores in the US and similar stores internationally.” Jack White is this year’s Record Store Day ambassador. He owns his own vinyl shop in Nashville and presses his own records, making him the perfect man for the position.

    “The List”, containing information about each and every Record Store Day exclusive release is up on RecordStoreDay.com. I took a look through and found some unbelievably awesome releases. These are the ones that caught my eye: Trey Anastasio Blue Ash and Other Suburbs” on a 7” Picture Vinyl, Dave Matthews Band Live Trax Vol. 1 4LP Blue Vinyl Box Set, Grateful Dead Rare Cuts & Oddities 1966 on 12” Vinyl, GZA/Genius Liquid Swords 12” Vinyl Chess Box Set, Page McConnell Unsung Cities and Movies Never Made on 12” Vinyl, Phish Lawn Boy Deluxe on 12” Vinyl, The xx Jamie xx edits on 12” Vinyl and The Roots Things Fall Apart on 12” Vinyl (2LP).

    Vinyl Record/LP sales have been on the rise over the last few years. From 2011 to 2012, Vinyl sales went up 17.7 percent, going from 3.9 million to 4.6 million respectively. These sales increases show that consumers are craving vinyl, and what better way to lure them into a record shop than with an exclusive day of vinyl-only releases. Record Store Day draws unbelievable support from artists, labels, record stores and passionate music fans and overall the day is in the good spirit of keeping music alive.

    However, Record Store Day isn’t all good. Not every independent record store can participate, and the ones that do aren’t always able to stock all of the releases. For example, Last Vestige is an independent record store in Albany, NY that has been around since 1986. Owner Jim Furlong has issues with getting some of the releases because he can’t compete with bigger stores that have major connections with distributors. Furlong says, “This has become a big deal where every year, a bunch of different labels, in conglomeration with Record Store Day, manufacture these limited edition pieces and the bigger chains that do business with these labels throughout the year or with the bigger distributors, get first crack or get the majority.” In addition, Furlong encounters problems with people complaining that he doesn’t stock enough of the Record Store Day releases. He adds, “It is annoying and if you don’t have enough, people start badmouthing you on Facebook. I’ve seen some other stores get grief because either they didn’t get it when they thought they would and somebody waited in line and they had to jump in their car and run to Newbury Comics and hope they could find it there. And it just seems that it takes away from the whole joy of it all, having this big friendly competition.” Furlong goes on to say, “The topper is, within a couple weeks after they’re sold, you see on eBay all of a sudden, this stuff’s going for crazy money.” Overall, Jim Furlong and Last Vestige have a frustrating time trying to make happy everyone that comes in to shop on Record Store Day. Without strong distributor relationships, small-scale independent shops don’t have the means to stock all the releases that people are looking for. If people can’t get they want, they get angry and take to the Internet, causing frustration and annoyance for owners.

    On the other hand, The Sound Garden in Syracuse, NY, really thrives on Record Store Day. The Sound Garden is an independent record store that has one other location in Baltimore, MD (this location was ranked #2 on Rolling Stone’s list of The Best Record Stores in the USA). When I asked Eric Brush, the General Manager of the Syracuse location, about what releases he stocks for Record Store Day, he said, “We stock at least one of every release on ‘The List.’” He goes on to add, “Since record store day started, we’ve almost doubled the quantity of releases we order.” Brush had mentioned earlier that The Sound Garden was part of the original group of independent record stores that banded together to start Record Store Day. When I asked Eric Brush about how a smaller store can get involved he responded, “They have to have a relationship with some of the vendors that are putting out the merchandise and we have a relationship with every single one. But [if you don’t], there are other avenues that you can get into throughout the industry. There are one-stop distributors that carry every release from every label and manufacturer all in one place, but they charge you a little bit more. They are a part of Record Store Day and they get a very limited quantity to offer to their customers. This works against smaller stores because they just don’t have access to the quantities that we do.” Brush also talked about criteria that you must follow to be a participating record store for Record Store Day. He said that stores must sign an agreement saying that they won’t sell the releases online at all (to prevent price gauging). Brush confirms, “One thing I do know is that if you get caught selling that stuff online, you’re exempt. They just don’t take kindly to that.” Overall, The Sound Garden does well with Record Store Day because they have the relationships to stock every release so that their customers can get exactly what they want.

    Overall, Record Store Day is a great event for some, in that it helps raise awareness about independent record stores and give recorded music sales a little bump. However, it is unfortunate that some independent record stores are too small to compete with larger stores for their desired quantity of titles. Whether it’s Record Store Day or not, these independent record stores will always have competition. This event advocates for people to go out to their local brick and mortar record store, which is a huge step in the right direction. There’s no doubt that Record Store Day is an awesome way to for these independent stores to gain customers and ultimately make record collecting cool again.

  • Mandate Of Heaven releases their 10th CD, “Mark Music”

    Syracuse multi-instrumentalist/singer/songwriter Greg Pier and his vehicle, “Mandate of Heaven” have released their latest CD, “Mark Music” and are preparing for several shows in May and June.

    Pier could certainly be considered one of the area’s most prolific writers as MofH reaches double-digit numbered releases. MofH is not only a band, but also the moniker for Pier’s solo performances and recordings. “Mark Music” is the tenth release on Pier’s “Neon Witch” label. Jason “Jocko” Randall engineers and mixes at More Sound with additional tracking done at Neon Witch, Randall and Pier co-produce this release which was recorded between 2009 and 2012. All songs were written by Pier except “Scrapper’s Blues”, written with Ethan Jenks.

    MOH-1-web
    photo by Robyn Stockdale

    The current band features FLASHING ASTONISHER veterans Bob Kane on Drums, who plays on all tracks here besides “High Dragonfly” and Chuck Gwynn who contributes bass on “Bedroom In The Sky”. Bob gave me a great quote while we discussed this review, “What bums me out is that my favorite tune has Greg on drums, “High Dragonfly”. I laid down a track, but I was more Wilco than Crazy Horse, just too many grace notes, so he played it himself. Someday I’ll learn!” Jason “Jocko” Randall on second guitar and six string monster John Hanus plays the slide solos on “Bedroom In The Sky” and “Cruel, Cruel Aristocrats”. All other instruments and all vocals are performed by Pier, much the same as previous MofH releases.

    The CD opens with “Baby Electron”, a straight-up power-pop monster, setting the bar high for the rest of the disc. Super melodic, the ringing harmonic guitar parts swirl around the vocal harmonies ‘til the chorus hits with a crunch and bite! Hopelessness and lack of control, such a romantically pretty place to start and an appropriate lead in to “Bedroom In The Sky”. John Hanus’ dripping slide part supports Pier’s melancholic reading. The guitar parts individually read with a R.E.M. feel, the rhythm, the slide. Gwynn’s bass line is solid and flowing, just the right feel to work with Kane completing the section. “Scrapper’s Blues” is like a postcard from the front porch, written by Yorke and sung by a Matt Bellamy/Bono lovechild. The syncopation in the guitar line with Kane’s drive close at hand pushes the pace in an almost twirling dance. The first listen of “High Dragonfly” illustrates Kane’s previous quote, while the vocal line belies the almost woodsy feel of the tune, Pier’s vocal twists from his heart like the removal of a similar knife-blade. There’s a “dEUS” quality to one guitar line that echoes a “Beefheartish” influence and influences the vocal meter. The minimalist feel allows the words to bite and release, hard. “From The Center” releases the heavy side of Pier, while he allows the melodic vocal duality to layer deep. Kane’s strength reminds me of QOTSA Grohl, along with a vocal intonation that is rhythmically British in a Foo kinda way, again, back to Kane’s quote.

    There’s an edgy, crispy quality to the whole recording, maybe it’s in the compression. It’s a bit haunting and a bit halting, kinda like T-Rex at times vocally and that ain’t bad!

    Note: We just clicked on cdbaby to the “if you like this artist try” section. Hahahaha! Perfect!

    “Cruel, Cruel Aristocrats” brings Hanus back in the mix to accentuate the fast pace of Pier’s guitar line. Thematically Pier takes another bite at the expected and entitled, spitting at the standard while embracing the outsider. Check out the video here, it’s very well done.

    “If Twenty” jumps out of the gate heavy, its layered guitar riffs punctuating Greg’s quasi-pastoral, pleading vocals. Kane, once again is so strong, yet thoughtful, right down to the bell ride on his cymbal signaling the crunch along. Pier’s disaffected poetry is wrenching when it reaches its apex, circling and re-examining to the ultimate goal, the ultimately isolated self.

    “Parable” is like a theme that runs in my head everyday. Listen to what the self-proclaimed decide you like and let them pick your enemies while they’re at it. It spits at the standard and what is foisted upon us daily. Almost a updated “Iron Man” hidden in there for familiarity, with the classic percussive break only to bring you back with slowed down big-rock ending.

    “Riverbed” has a cool wilting pedal steel line playing against the semi-San Franciscan guitars, whether they’re para-psychedelic or more semi-symbionic. There’s a root in the Appalachians and a mind in Berkeley, woeful, but trust-fund hopeful. Cue up Yo La Tengo – “Sugarcube” and stress the droning vacuum cleaner sound.

    “Hand The Bottle From The Tree” is classic indie-power pop, it rocks, the vocals soar and the end kills. It times in at 3:08, just like a single that will never get airtime. It’s a pity really. At first listen a few months ago I stated that this release alone was reason for a “Album Of The Year” category in our local SAMMY Awards. Did I mention that this won “Best Modern Rock” album this year? I truly believe this work toasts many Grammy winners, it truly is that good! A taste of The Black Keys, maybe some spice from The Raconteurs, all deftly dialed in by Jocko and Greg.

    The closer, “Song Of The Halfway Point” lays it all on the table for digestion. Influences blended with personal vision, forethought and hindsight mixed with the slightest twang. It’s powerful, it exceeds its environment, it stretches reality beyond the norm if only just in wanting. It’s brilliant. Go buy it right now.

    Find Mandate Of Heaven online at Bandcamp and Facebook.

  • NYS Music’s 4/20 Show Roundup

    April 20th has evolved into a counterculture holiday, with ties to Deadheads and hippies and just about every person you probably know or will know. Music venues all over Upstate New York are using this as another reason to see live music! Here is our compiled list of 4/20 shows around the state.

    Lower Hudson

    Bethel Woods -Felice Brothers with Driftwood

    4/20 showsBinghamton

    Fitzie’s – Mantraverse, Inner Mission, The Benjamin Raubinsons, Hung Like Horses, The Quantum, Amber Martin

    Buffalo

    Nietzsche’s – Family FUNKtion and the Sitar Jams, The Heavy Pets

    Town Ballroom– Hellzapoppin

    The Tralf – The Maniacs

    U of B – Aqueous, Haewa, The Assortment of Crayons

    Canandaigua

    V Pub – 34 Feet Deep, In The Box, Fire Wheel

    Oneida

    The Madison House – Project Weather Machine

    Rochester

    Water Street Music Hall -The Manhattan Project

    Montage Music Hall – Groove Fest

    Lovin’Cup – 4/20 Bash

    Featuring: Hollands, Extended Family, The Filthy McNastys and The Buddhahood

    Syracuse

    Tipperary Square – Hot Day at the Zoo, Tim Herron Corp, and more

    Saranac Lake

    Waterhole – Cabinet w/ The Blind Owl Band

    Utica

    The Uptown Theatre– Childhoods’ End

    Downstate

    Port Chester – The Capitol Theatre– Furthur

    Burlington, VT

    Higher Ground Ballroom – Kung Fu, Twiddle

    Nectars – Touch Pants, Jon Fishman

  • The Machine, April 6th, Westcott Theater

    This past Saturday Night I got the chance to experience The Machine at the Westcott Theater in Syracuse.

    The Machine started the set with thumping of a heart beat  from “Speak to me”, then segued into “Breathe”, followed by “Time”, just as on Dark Side of the Moon, drawing everyone to the front of the stage. The entire show was accompanied by a spectacular light and fog show that set the atmosphere for the entire evening. From there, the band played “What do you want from me” and “Happiest Days of our lives”, then took a short setbreak before returning with “Pigs on the Wing” and “Dogs”.

    Later in the show, renditions of “Wish you were Here” and “Comfortably Numb” led to the crowd singing along in unison. There was an eerie circus sound made when the band moved into “Waiting for the Worms” and the “Trial”, off the soundtrack to The Wall. The crowd reciprocated by holding up their arm’s in X’s, just as in The Wall.  The Machine finished with an encore of “Outside of the Wall”, a spectacular way to end the night.

    For more information on The Machine, visit their Facebook and MySpace pages

  • The Heavy Pets’ Spring Tour Heads Through Upstate in mid-April

    The Heavy Pets have their sight’s set on the North East in April, giving fans not one but five funky opportunities to boogie deep into the night whilst taking in the sounds of their unique blend of jazz-funk and rock-and-roll deliciousness.

    In an interview by NYS Music’s Johnny Goff, with guitarist Jeff Lloyd and Syracuse University grad, Jeff explained why the Heavy Pets enjoy touring through the Upstate area while on tour,

    “NY has always been our home and our home away from home at the same time. When we are here, we get to see our families and when we are on the road, it’s always nice to be able to look forward to our east coast swings where we know we’ll be able to see our families and friends.”

    Check out the entire interview here

    heavypetsThe band will first hit the famous Nectar’s in Burlington, VT on April 17th.  Jamie Kent and the Options are the opening band that night. Admission is $7/$10 Ages:18+. The show starts at 9:00pm and tickets are available by visiting Nectar’s website here or calling 802-658-4771.

    Next up is The Java Barn in Canton, N.Y. Show starts at 9:00pm, Admission is FREE and all ages are welcome. Check out their FaceBook page for more info and upcoming events.

    The band is extra excited to be joining Conspirator & Break Science in taking over one of their favorite venues, The Westcott in Syracuse, NY April 19th! Doors open at 7:00pm and the show starts at 8:00pm. Admission is $20, all ages are welcome at this show too. Pick up your tickets online here.

    An appearance at Nietzsche’s in Buffalo, NY will continue their journey through New York on April 20th. Special guests will be the Family Funktion and The Sitar Jams. Doors open at 8:00pm show starts at 9:00pm. Admission is $10/$12 ages 21+. You can get your tickets at the venue box office. View Nietzsche’s website for all their live music listings here.

    The Pet’s will wrap up their travels through Upstate at the Bayou Cafe in Albany, N.Y. on April 23rd. Opening up for the night is the Kollectiv. Show starts at 9:00pm and admission is $10 ages 21+. Tickets can be purchased via the Bayou website here.

    With so many opportunities to see this band you really have no excuses not to get out there and support live music!

    Links: www.TheHeavyPets.com | www.facebook.com/TheHeavyPets | Twitter: @TheHeavyPets

  • Kung Fu | Upstate Shows April 11th & 12th

    Connecticut’s nu-funk quintet, Kung Fu, are returning to the Upstate region this spring with a huge festival season approaching with main stage and late night shows at Rock N’ Roll Resort, Mountain Jam, Gathering of the Vibes and The Big UP. Kung Fu is ready to get funky on their Spring tour.Kung Fu_pressphoto

    The band will first hit one of NYS Music’s favorite venues, The Westcott on April 11th in Syracuse, N.Y. Doors open at 8:00pm and the show starts at 9:00pm. Admission is $12/$15 and this is an all ages show. Get your tickets online here or by calling (315) 299 – 8886.

    Next up is Nietzche’s in Buffalo, N.Y. on April 12th. Show starts at 8:00pm, Admission is $13/$15 Ages: 21+ for this one folks. Pick up tickets at the venue or by phone at 716-886-8539.

    Look for their second full-length album Tsar Bomba due out in June 2013. Check out the first single “Do the Right Thing”

     

    Links: www.KungFuMusic.com | FaceBook | Twitter @KungFuTunes

  • Don’t Miss The Machine at The Westcott Theater on 4/6 and UCH 4/20

    Missed Roger Waters on tour? Well, you’re in luck–The Machine is coming to town! The New York based cover band bring back Barrett’s creativity, Water’s compassionate songwriting, Gilmour’s simplicity, Wright’s compositional talent and Mason’s resourcefulness to stage.

    The MachineSelling out theaters and large clubs across North and Central America, Europe, and Asia and performing at music festivals such as Bonnaroo, Riverbend, Gathering of the Vibes and Rock of Ages, they have earned worldwide recognition and the original members’ seal of approval. Receiving accolades from the likes of Spin magazine, The Machine are notorious for “sounding exactly like Pink Floyd.”

    “The shows are different every night”, drummer and founding member Tahrah Cohen told NYS Music. “It really depends on the age of the crowd and the city. We get a feel for who’s in the audience and tailor a set list for each show.”

    Make sure to catch The Machine live on their 2013 Spring Tour in Upstate New York!

    The Machine plays the Seneca Niagara Casino in Niagara Falls on April 5th, The Westcott Theater in Syracuse on April 6th, Upstate Concert Hall in Clifton Park on April 20th and BB King’s, New York on May 11th.

  • Alan Evans Trio play Syracuse, Buffalo and Albany, April 17th, 18th, 19th

    Alan Evans Trio head to Upstate New York in mid-April for a trio of shows in Syracuse, Buffalo and Albany, April 17-19. The band, which features Alan Evans from the legendary soul jazz trio Soulive, brings their refined blend of rock, blues, R&B/soul and funk grooves that send the listener on a cosmic journey. Music fans of all types will be rewarded with an experience that embodies the record-producing, drum-playing Alan Evans’ personal musical vision.

    Alan Evans Trio features Alan Evans on drums, Beau Sasser on organ and Danny Mayer on guitar. The tour continues to Buffalo, Albany and then head to North Carolina for four dates and closes with a date in Atlanta, GA.

    Get tickets for the show here and visit The Westcott Theater’s website here for more information on upcoming shows in Syracuse!  The Monk, a 5-piece band from Syracuse, NY will be opening the Westcott show, a dynamic group with a fusion of Funk, Rock, R&B/Soul, Latin, Hip-Hop and Dance music.

    Tickets for the Buffalo and Albany shows can be picked up here.

    Alan Evans Trio also performs at Rock n Roll Resort on April 13th in Kerhonksen, NY. You can check out more about the festival here.  

  • Album Review – The Vanderbuilts ‘What We Forget’

    Every second of  The Vanderbuilts What We Forget is worth remembering. The Syracuse based baroque-rock band captures the warm, encompassing sound of early Velvet Underground and pairs it with the conceptual intricacy of The Acorn’s Glory Hope Mountain.

    the vanderbuiltsFrom the haunting intro “Sometime After 43” to the closer “Had A Hat”, it becomes evident that this album fits the description of an all-killer-no-filler, falling perfectly in line with their leading single, “I Wish I Was A Saber Toothed Tiger”. Entrancingly sincere songs like “Near and Far” suck the air out of the room when played. The album is produced by the Grammy Award Winning mixer and engineer Jay Newland, channeling a rather organic sound that pleads for the return of nature, capturing a vivid, live sound as a result.

    The Vanderbuilts are Sam Kogon, Dave Riddell, Max Newland, Aya Yamamoto and Grennan Milliken. What We Forget is engineered, mixed and produced by Jay Newland and features Finnegan Shanahan on Violin; string arrangements by Aya Yamamoto and Finnegan Shanahan.

    Key Tracks: I Wish I Was A Saber Toothed Tiger, Near and Far, Gypsy, Moscow

    The Vanderbuilts Website Twitter Facebook Youtube

  • Three Takes: Dopapod at Red Square in Albany, February 28th, The Westcott in Syracuse, March 1st and Water Street Music Hall in Rochester, March 2nd

    Dopapod is in the midst of a huge tour and made three stops in Upstate New York last weekend including at Red Square. Here are recaps, videos and photos of shows in Albany, Syracuse and Rochester.

    Red Square, Albany, February 28th

    Review by Pete Mason

    Red Square in Albany kicked off the first of three incredible nights of music as Dopapod swung through Upstate New York with Big Something from Burlington, NC in support. The opener was a new sextet to visit the region and slayed with a great cover of Peter Gabriel’s “Sledgehammer” and uniquely incorporated an instrument I had never seen before, an EWI (an acronym for electric wind instrument), into the show without overshadowing the rest of the music. These guys are worth finding at a festival this summer or the next time they make it to Upstate NY.

    Having played with Dopapod at The Big What Festival in North Carolina, the two bands found solid support and kinship on the road. They have a good core sound and layer each instrument on top of one another, leading to thick and complicated jams that ignite the dance fuel in the crowd.

    It has been great to see Dopapod grow and develop in the past few years, exciting fanbase no matter where and when they play. With a new lighting setup, Dopapod played to a packed house, tearing through old songs and a pair of new tunes, including “Like a Ball”.

    “Braindead”, off Redivider ,was hit with the industrial stick and spiced up a notch. The crowd, 20s-30s for the most part, was full of folks getting down to the set, especially when songs meandered off into the oblivion of improvisational bliss. “Carolina”, a slow rumba if I ever heard one, filled in nicely before the debut of “Priorities”.

    Dopapod also announced that night that they would be playing Saturday May 11th at The Spring Revival in Lyons NY, hosted by ‘s own HerbyOne and State Wide Music. There are other area festival appearances this summer, some still yet to be named, but one that is announced is one of ’s favorite’s, Backwoods Pondfest, located in Peru, NY near the Ausable Chasm. Catching Dopapod is entering another world of jam music, one that combined the best of progressive rock and electronic beats for some heavy duty performances. They are one you don’t want to regret missing.

    Setlist: FABA, Like A Ball, French Bowling, New James, Sonic > Braindead, Off The Cuff, Ellemenno > The Chocolate Drum Machine > Carolina, Priorities > Tequila* > Priorities, Bahbi
    E: Nuggy Jawson, Trapper Keeper^
    *impromptu cover; Rob quoted the first Ninja Turtles movie twice
    ^dedicated to Jason Gibbs for becoming the new Pope… No one thought it was funny.

    Photos by Andy Hill

    The Westcott Theater, Syracuse, March 1st

    review by Quinn Donnell, photos by Kevin Burke

    As Dopapod spent their weekend touring through Albany, Syracuse, and Rochester, the four-piece experimental funk-rock group surely experienced a number of similarities associated with playing shows in Upstate New York. On Friday night in Syracuse, however, an audience dominated by Syracuse University students provided a unique experience for the band. Joined for the first time this tour by The Manhattan Project, a Rochester-based duo whose synth-led jams put the Westcott Theater’s crowd in the perfect mood for a night of groovin’, Dopapod headlined an evening of great jams and great times.

    As the Manhattan Project concluded their opening set, audience members who had spent the beginning portion of their evening either at the bar or hula hooping away from the dance-designated pit came together in front of the stage for a performance from their favorite electro-jam band. After a nearly ten minute intro involving beams of light and slow, monotonous bells, Dopapod took the Westcott’s stage. Juxtaposed with their mellow introduction, the band’s opening song, “Bubblebrain,” involved delay-heavy guitar riffs and a booming, tribal-like drumbeat. As Dopapod’s set progressed, their experience as performers who have played over 150 shows every year for the last three years, became apparent. The crowd found its groove and danced under flashing lights with glow-in-the-dark accessories. Playing a cover of Alanis Morissette’s “You Oughta Know,” Dopapod concluded their set to appreciative applause from the audience. As Dopapod continues to tour throughout the country, a future stop back in Syracuse would be greatly appreciated. Check them out in Ithaca on April 23rd.

    Setlist: Bubblebrain, Roid Rage, Present Ghosts, Jam > Onionhead, Turnin’ Knobs, Drum Machine > STADA, Trapper Keeper, Weird Charlie, Indian Grits > Psycho Nature

    Encore: You Oughta Know

    Water Street Music Hall, Rochester, March 2nd

    Review by Darren Kemp

    The Upstate NY Dopapod run continued Saturday with a nearly sold out show at Water Street Music Hall in Rochester. Local band Haewa opened with a scorcher of a set that showed they would not be an opener for long. Dopapod hit the stage around 11 pm for a long two-hour set filled with a nicely selected mix of new material, old songs and a spot on cover of Soundgarden’s Black Hole Sun complete with organ vocals.

    Highlights included the aforementioned cover and an absolutely mind-bending “French Bowling” > “Brain Dead” pairing. The band left the stage around 1:15 am to an ear deafening roar and came back to reward the audience with a “Off the Cuff” cover with Fleet Foxes teases. An excellent performance by two bands with bright futures.

    Setlist: Priorities, Black and White. French Bowling > Braindead, Black Hole Sun* > Present Ghosts, Sonic > My Elephant Vs. Your Elephant, Vol. 3 #86^, We Are Not Alone > Give It A Name
    Encore: Off The Cuff%

    *Soundgarden,  ^contained “Rondo Alla Turka” tease (Mozart) %contained “Ragged Wood” tease (Fleet Foxes)