NYS Music 20​13

Category: Capital Region

  • Trivium and DevilDriver Slayed on Black Friday

    An Upstate Concert Hall crowd of 300-plus decided taking in a show – instead of shopping and burning off Thanksgiving food throughout all of Albany – was the appropriate thing to do on Black Friday. Trivium headlined a 60-minute set to promote their new album Vengeance Falls with DevilDriver co-headlining a 60-minute set of their own to promote Winter Kills – In my opinion  one of the best metal releases of 2013.

    Fans were also treated to a killer 30-minute set from After The Burial and a small set from Thy Will Be Done, who’s garnering recognition from the likes of Metallica, Shadows Fall, and DevilDriver.

    Reminiscent of Lamb of God, Thy Will Be Done’s sound is thrashy and groovy, with a wee-bit of metalcore thrown in. Unfortunately, the early crowd comprised of only a third of the ultimate total.  Nonetheless, I got the vibe that the crowd really dug them. These rockers out of Providence, R.I. moved through their set quicker than I would have hoped. However, they’re a relatively new band that doesn’t have a huge catalog to go through.  Still, as they promote their new EP Temple they’re receiving exposure both on the road, as well as plenty of air play on Liquid Metal (Sirus/XM). They will be a dominant force in Metal very soon. When I spoke to frontman, Jay Costa, he expressed how much fun they have had while on tour.

    ​After The Burial graced the stage with a 30-minute set. This was my first taste of this prog-death metal group out of Minneapolis, M.N., and I was really impressed. They have a flavor to them. They were the first band to get the crowd jumping. Very energetic. They treated the Clifton Park fans to four songs off of their upcoming album, Wolves Within, due sometime this month.

    The “California Groove Machine” was up next.

    After what seemed to be a long wait (well for me anyways because I am a die hard fan) DevilDriver came and wiped the floor with the crowd. My only complaint would be that the band was so loud on most songs it was hard to hear Dez’s vocals. I’ve seen DevilDriver play at Upstate Music Hall twice in the past. Back in 2011 opening for Danzig, and last year opening for Gwar. This time it seemed they had a slightly longer set and a bigger light show than they have in the past. Opening with “End of the Line”, DevilDriver’s set consisted of a few songs from their early collection like “I Could Care Less” and “Clouds Over California” but most of their set had a lot of material from their new album Winter Kills.

    Here’s what made the whole night memorable: Midway through the set you had a small group chanting out song names, which – let’s just say, Dez did not take kindly to that.  Anyone who knows the history of Dez on stage, whether it’s from Coal Chamber or DevilDriver, knows his reputation for his aggressive stage persona. Calling out the group, Dez yelled, “We play whatever fucking song we want!”

    (Laugh.) Some people never learn.

    Which then led to a rant about people who are not open to other genres of music. Which served as an appropriate segue to an Awolnation cover of “Sail.” Totally blew my mind when they played that. Throughout the entire set, body surfers were nonstop and the energy was very high. Security at Upstate Music Hall had their hands full. DevilDriver is the kind of band that would start a moshpit in a nursing home.
    ​So after a full hour set from DevilDriver, Trivium gave the crowd an extra jolt of adrenaline. This was my third time seeing Trivium. I caught them during the mess that was Trespass America tour when it stopped at Oswego Speedway last summer, and few years back during Mayhem Fest. But this time it was a totally different setting.

    To be able to see Trivium at such an intimate venue like Upstate Music Hall made it so much better than the typical outdoor arenas. Another thing I find fascinating about Trivium is they’re a relatively young band with a catalogue of songs a decade deep, and they show no signs of slowing down anytime soon. Trivium started their set with “Throes of Perdition” and “Down from the Sky” familiar to UFC fans as the introductory music for Mauricio “Shogun” Rau. Their sound was flawless. Props to the sound guy. Everything was clean sounding. Also all those guys have great chemistry on stage. You can tell they absolutely love what they do. They continued to play a couple more of Shogun before taking it back a almost decade ago by playing “A Gunshot to the Head of Trepidation” which I will say was the highlight of the set. Finally, they closed it out with “In Waves” and “Pull Harder on the Strings of Your Martyr.”

    Overall it was a fantastic show. Shame on anyone who didn’t bother going because every band delivered. We are obviously approaching a slower touring season so I suggest getting to any metal show that’s out there right now and be sure to pick up all the new albums from Thy Will Be Done, After The Burial, DevilDriver, and Trivium.

    Stay metal.

  • All the Fun and All the Thanks at Valentine’s Final Funsgiving

    Valentine’s of Albany hosted the 6th annual B3nson Funsgiving event for the last time on Saturday, November 22nd. The night consisted of seven diverse Upstate New York bands, alternating on the stages of the two story venue with familiar faces around every corner. With Valentine’s set to close and relocate by the end of this year, it was only proper to gather with friends to make a few more memories at the music hall and beer joint one last time.

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    Hammer Hawk was the first on the lineup, a trio of musical muscle who greeted the venue with edgy rock angst. Bear Grass had a consistent growing sound with pleasant echoes of Indie folk throughout the set. Lead female singer, Katie Hammon, is a great compliment to the harmonies of the five piece band as their music was an easy listen with relaxing melodies and joyous tempos. Rival Galaxies was an intergalactic experience with their high energy robotic futuristic rock and one of the highlights of the night. Rival Galaxies has a familiar sound to Daft Punk, especially with their disco dueling keyboards. Confetti rained down on the audience along with the steady beats, mighty guitar riffs and lyrics being sang via megaphone.

    The Parlor performed some of the best dance music with their Indie Jazz sound complete with a solid horn section and funky bass line. The Parlor introduced new songs to the crowd with vocalist Jen O’Connor singing soft lyrics to Eric Krans’ smooth guitar licks. The carefree duo of Scientific Maps joked with the audience that it’s been years since they’ve practiced but you wouldn’t have known without them saying so. Aaron Smith plays with a nerdy and slightly rebellious grandeur as he strums with a carefree tone.

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    The night ended with the annual Beard contest with categories for both men and women, making for some interesting facial hair and accessories. Sgt Dunbar and the Hobo Banned was unofficially the winner of the best/most beards in a band category. They have a gypsy sound with the accordion and powerful guitar strumming, giving off a sincere bohemian madness that they crowd couldn’t get enough of. Barons in the Attic concluded the event with their usual wild and riot starting music, making for a serious floor shaking set. Valentine’s has given the B3nson Funsgiving family a place to call home for the past few years and for that, we are all grateful. Be sure to visit Valentines before it’s too late!

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    wants to hear what your favorite memories are from any of the past B3nson’s Funsgiving’s at Valentine’s. Please comment below for your chance to win a poster from this year’s Funsgiving with signatures from members of each band! A winner will be chosen on December 20th.

  • Thanks be for Timbre Coup and Solaris at Red Square

    The jamtronica trio Solaris finally returned to Albany on Thanksgiving Ever, after a summer full of festivals and shows all over the East Coast. The boys hit Red Square with a blast of energetic beats and melodies to a small dedicated crowd.

    Their sound gives you the feeling as if you are soaring through outer space with the top down in a Jaguar F-TYPE as you blast a fusion of  rock n roll, 80s techno and metal at top volume. They are one of the few bands where you can appreciate their sound individually and in unison as it makes for an unforgettable show every time. One of the highlights of the night was when guitarist Dan Gerken from Timbre Coup joined them on stage, adding raw attitude and explosive dance party. Solaris has big shows lined up in their hometown of Ithaca, including opening for the international dance punk band, !!! (Chk Chk Chk) on Saturday, December 14th at the Haunt and ringing in the New Year at The Gates December 31st.

    After Solaris’ long opening set, Timbre Coup took their turn and played well into the night. A regular treat in Albany, Timbre Coup gave a powerful performance on Thanksgiving Eve, heavy on improvisation. After a hypnotic synth jam and “55” to open the show, fan favorites “August” and “June” came early in the two hour set, with Matt Pickering’s vocals on “June” a fine pairing with the entrancing beat had a 1980s Nintendo game feel via Andrew Chamberlain, while Steve Mink, guitarist for Digital Dharma, sat in. The heavy improv night was rounded out with two of the band’s more popular improve vehicles – ‘How to Fly a Kite’ and ‘Arnold Schwarzenegger’. Timbre Coup show the influence of prog-rock bands like Umphrey’s McGee, but convert this into their own sound, a defining characteristic of the rising tide of bands making their own mark on the scene. Satisfied and hungry for turkey, the crowd dispersed back to their families, another Thanksgiving Eve of partying and dancing at Red Square in the books.

  • The Rascals Brought Broadway to The Palace Theatre

    The Rascals pulled into The Palace Theatre on Sunday, November 24th with their beautifully orchestrated Broadway concert to an ecstatic crowd to end their four night run of Upstate New York cities.  Playing 31 songs over a span of over two hours, the band showed why they were one of the most influential bands of the 1960s.DSC05558 (1) copy

    “Once Upon A Dream” is not your usual concert.  Throughout the show, the history of the band is told on a gigantic video screen between songs by both the band and actors playing younger versions of the band.  To be able to see all of these hits and get the group’s history all at once is amazing.  Little Steven, best known as one of the guitarists in The E Street Band, helped bring the group back together for this show.  It had been his dream for years to see these four great musicians play together again.  He is also a history buff when it comes to music, so he made sure that the two were paired together, and it really could not have been better.

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    The show was split into two sets with the first set getting more of the history of the band from song to song.  By the end of the set the band is getting into the big hits, playing “I Ain’t Gonna Eat Out My Heart Anymore” right into “Good Lovin’ ” to close out the show.  The audience showed their appreciation for Felix Cavaliere, Eddie Brigati, Dino Danelli, and Gene Cornish, giving the group a standing ovation at the conclusion of the set as well as at the beginning of the second one.DSC05681 (1) copy

    The second set saw less video interruption and more musical performance.  A major highlight was “How Can I Be Sure” which let Eddie shine on lead vocals.  He looked to have been taken aback by the ovation from the crowd.  Each member had a chance to shine with Gene doing great guitar work all night, Dino pounding on the drums like a machine, and Felix sounding great vocally and laying down perfection on the keys.  They all seemed very excited to be in Albany as they got quite the ovation after their last song “People Got to Be Free (reprise).”  They thanked everyone, including those who help put the show on, and then sent the crowd home with “See” capping off a great evening.

    The show was supposed to return to Broadway in a few weeks, but it has been cancelled.  The band is hoping to reschedule it sometime next year.  Once the dates are announced, you would be wise to make sure you get tickets as this show is not to be missed.  They may be getting up there in age, but the music is still vibrant and the band is in high spirits throughout the show.

    Setlist: Set 1 – It’s Wonderful, I’ve Been Lonely Too Long, What is the Reason, You Better Run, Carry Me Back, Slow Down, Mickey’s Monkey>Turn On Your Lovelight>Mickey’s Monkey (Reprise), Come On Up, Baby Let’s Wait, Too Many Fish in the Sea, If You Knew, Hold On, I Ain’t Gonna Eat Out My Heart Anymore, Good Lovin’

    Set 2 – Good Lovin’ (Reprise), Love is a Beautiful Thing, Groovin’, Do You Feel It, Away Away, It’s a Beautiful Morning, Sueno, Find Somebody, A Girl Like You, It’s Love, How Can I Be Sure, People Got to Be Free, Heaven, A Ray of Hope, People Got to Be Free (Reprise)

    Encore – See

  • Blues Traveler Brings Nostalgia and Fresh Jams to Upstate Concert Hall

    Blues Traveler brought an energetic and phenomenal show to Upstate Concert Hall on November 21, 2013. Blues Traveler has come back with a vengence, tossing away their reputation as a 90’s pop band and truly exploring their capabilities within their jams through each facet of their ensemble.

    John Popper has always brought a fresh and eccentric level of talent that extends the complexities of each song far beyond any 90’s pop band ever could. The band opened with an absolutely mind blowing take on the Charlie Daniels’ Band’s original “The Devil Went Down to Georgia.” John Popper mimicked the explosive fiddle solos with his collection of harmonicas which he played furiously along with the rest of the band.

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    The band played off of each other all night, slipping into more folky, slow jams and moving back into full on rock and roll solos carried by guitar. At one point they busted into a rendition of Sublime’s “What I Got” which had the packed venue singing and dancing with the classic tune. Of course the night was also filled with Blues Traveler’s classics such as “But Anyway,” “Hook” and “Run Around” all of which were almost perfectly performed and had the crowd dancing and singing along to every word. “But Anyway” held a mind-blowing drum solo that showed that the capabilities of Blues Traveler as a band were expansive. From start to finish, Blues Traveler kept the energy high and the crowd dancing. Upstate New York is definitely looking forward to the return of this timeless and talented band.

  • An Interview with John Medeski

    John Medeski, mostly known for his work in Medeski Martin & Wood, will be playing an intimate solo piano show on Saturday, December 7 at the Massry Center for the Arts on The College of Saint Rose campus.  Having played shows this past summer with Phil Lesh and Friends, The M&M’s, John Scofield, John Zorn, as well as other sit-ins and solo shows, he has had a lot on his plate in the past year. John sat down for an interview with us ahead of the show.

    Medeski has been playing more solo shows as of late, but he still does not perform solo often, so the Capital Region is very happy to have the chance to witness this master of the keys in such a cozy setting.  His beautiful work on piano, keyboards and the like brings smiles to people’s faces no matter the group he is with.  The concert is scheduled to start at 7:30 P.M. so make sure to get there on time as you don’t want to miss a second of it.

    john medeski interviewPete Mason: With your upcoming solo show at the MassryCenter on December 7th, what can fans expect from seeing you perform without Billy Martin, Chris Wood, or any other collaborators? Perhaps songs from your new solo piano album A Different Time?

    John Medeski: Generally my solo shows are getting the picture, the unadulterated picture, of just me. (laughs) I can go wherever I want at any time – jazz, tunes of mine, the new record, it goes all over the place; there’s a lot of improvisation, dealing with what’s happening in the moment and feeding off of that and one thing leads to another.

    PM: The Word (Medeski, Robert Randolph, Luther and Cody Dickinson) has been a treat when they play at Bonnaroo and select venues. How do you treat the venture into gospel music?

    JM: The Word came about because of my long term love of gospel music. Luther and I had talked for years about doing an instrumental gospel album, without the words. The Hammond organ is just a natural part of playing gospel music so it’s a great opportunity to do something fun that I love. It’s another side of me, we all have many sides. It’s a way to get deeper into the music I love.  By playing the music and being ourselves, we put our own stamp on it. It’s a great band.

    PM: How did the occasional supergroup, The M&M’s, a lineup that includes (in different forms) yourself, Marco Benevento, Maceo Parker, Stanton Moore, Mike Dillon, Papa Mali and Rob Mercurio, first come together?

    JM: It all started as a promoter’s idea and we did a show in New York City with Stanton, Papa Mali and Mike Mercurio. It was easy and felt great, so we ended up doing another gig with Marco and Maceo, and we are now starting to work on a record. A lot of the time these groups don’t work, and I’ve done a lot of them. They’re always interesting, but this one has a life of its own and taken off on its own and you can’t go against that. We have a single out, “Melts in Your Mind”, and we plan to finish up the record sometime in the next few months and it should come out next summer.

    PM: What brand of pianos/organs/keyboards do you play and do you have a preferred model to use in performance?

    JM: I’m endorsed by Steinway, I like Bs or Ds or Greats. I seem to always go for Hamburgs, but every piano is different – Yamaha, Bechstein … a lot of factors work into the pianos. There are a lot of great pianos. There could be one with the same model number but sound completely different. For keyboards I use Hammond B3 or A100 organ,  I have a Wurlitzer 140 that I love. I use an electric piano, a Minimoog is important for me. I usually have an organ, clavinet and electric piano around me, plus an auxiliary keyboard as well.

    PM: Shortly after your show at The Massry Center, Marco Benevento performs just down the street at Red Square in Albany. If you’re not headed out of town right away, any potential stop in for a sit in with Marco?

    JM: Well, you never know. It’s very possible.

    A presentation of Premiere Performances, tickets are $25 ($12.50 for students) and may be purchased online at www.massrycenter.org

  • moe. Rocks The Palace Theatre & Rings In The New Year With Special Guests

    Albany’s Palace Theatre welcomes rock band moe. for a two night New Year’s Eve run! Eastbound Jesus, a northern rock band from Greenwich, New York, will accompany them on December 30th, and the talented horn section of 90’s jam band Conehead Buddha will join them on stage for a full set on the 31st.

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    The members of Conehead Buddha are long-time friends of moe. and joined them at their festival in Turin, NY this past August. This band has been around since the 90’s, when ska became popular in the U.S. For anyone who does not know them, their album Rockets is well known among ska fans, putting them in the same realm as Sublime musically. After taking a small break from touring, this band has found their second wind, and has again been taking crowds in the North East on a ride. No set list necessary, this band “feels out the scene” and plays a show that is well-suited for almost any kind of crowd. The horn section consists of Shaun Bazylewicz on trombone, Terry Lynch on trumpet, Shannon Lynch on saxophone and flute. These musicians have an upbeat, talented style that allows them to sit in successfully with bands over a multitude of genres.

    New Year’s Eve with moe. is sure to be a lively, rockin’ way to spend the New Year. Check out the energy in our state’s capital and celebrate the New Year with the talents of New York’s finest. Come get down with the moe.rons!

  • An Interview with Marco Benevento, Coming to Red Square in Albany on December 7th

    Keyboardist Marco Benevento has been a creative force for quite some time.  From playing with Joe Russo in “The Duo” to playing with Mike Gordon, Trey Anastasio, and Russo in GRAB, and sitting in with many legends over the years, Marco is no stranger to impressing audiences with his signature sound.  Playing his Hammond B3 and Wurlitzer electric piano, he has made a name for himself as one of the best keyboardists around today.  This tour he is changing it up though and using a 63 key acoustic piano and a Synth to make endless loops that are sure to wow the crowd. His latest release Tigerface has been getting rave reviews throughout the year as he has been touring non-stop behind it.  I had a chance to Interview with Marco Benevento about the upcoming Albany show as well as other topics:

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    Bryan Lasky: Looking back on the year as a whole,  it seems like you have played everywhere under the sun. Do you have a favorite moment from a festival or a show?

    Marco Benevento: Pickathon was a great festival out in Oregon just outside of Portland.  There was a wide varitey of music. In the same weekend I saw Feist, Andrew Bird, some band that led a huge square dance and a great band that played some old 70’s soul music. And our band wound up in the new Pixies video because the film maker loved our set!

    BL: What has it meant to your music to be able to play with Dave Dreiwitz and Andy Borger for a long time now?  Has it changed your writing process? Is it more collaborative?

    MB: We really just have a band vibe now. The live show is unstoppable right now too.  I feel like we can throw curve balls left and right at each other and wind up with some nice surprises in our show.  I’ve been doing the all of the songwriting, but everyone chimes in with there own unique taste and approach to the songs.

    BL: You also played with many other artists and groups, such as The M & M’s at Equifunk, Joe Russo’s Almost Dead (JRAD), Bustle in your Hedgerow a number of time celebrating the 10th anniversary of playing together, and various other projects.  How does working with all of these other musicians shape your current work?

    MB: It’s just nice to have variety.  It’s also nice to dive into specific bands and learn a lot of their music.  Because of JRAD I now know about 20 or more Dead tunes and because of Bustle I know about 40 Zep tunes and with all of the Levon tributes I know about 40 Band tunes too!  It’s important to learn those timeless tunes and to find out what the formula is that makes it timeless!

    BL:  Lately it seems you’ve been incorporating more lyrics into your songs.  What made you go into that direction?

    MB:  Good question….I have no idea!  Although, I can say that it feels like a very natural progression for me. It started with syllable singing to some of the melodies that I wrote.  “This Is How It Goes” from TigerFace was a tune that really brought it out I think.  At first my wife, myself and some friends sang and recorded the melody to “This Is How It Goes,” then months later I thought I should have one person sing it and Kal (Traver, of Rubblebucket) came to mind because I’ve always loved the sound of her voice. After actually hearing my tune with a vocalist singing the melody instead of the piano playing the melody I feel like a new door opened.

    BL: Have you, Andy, and Dave been recording as a band? Can we expect a release in the coming year?

    MB: We are recording in March with an incredible engineer and musician named Richard Swift.  He’s now the keyboardist in The Shins and has recorded and collaborated with some incredible musicians that have been inspiring me lately such as Dan Auerbach and Foxygen.  Hopefully we’ll have a new record out in the Fall of 2014.

    BL:  At Red Square in Albany this past June, you said you love the room and would like to do a month residency there at some point. Any news on that front?

    MB: Yes!!! The news is that we’re going to do it!!!!!!!!  We’re going to take a vote at our gig (on Dec. 7th) and see which month wins!!!

    BL:  Scott Metzger is opening for you with WOLF! on December 7. What can you tell the fans about them

    MB: Incredibly tasteful!!!!!!!!!!  I love touring with those guys I feel like it’s a great musical pairing for the night.

    This Saturday night is sure to be a great show.  Get there in time to see Scott Metzger with WOLF! and then be ready to dance early into the morning with Marco.  Tickets available now at Redsquare.

  • Cabinet and Rebel Darling: A Wallow at The Hollow

    A purist might not consider Cabinet a Bluegrass band.  Sure the building blocks are there, traditional instruments are there, but somehow Cabinet bellowed, thundered, resonated, hummed, and jangled from the depths of The Hollow in Albany creating a unique musical vibration. A six-piece ensemble from Pennsylvania was well received by a large and appreciative crowd. Cabinet is a no-frills type of band, at least until they pick up their instruments.

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    Cabinet moved through a set of songs of various tempos, some lyrically absent songs and tunes that engaged the crowd in what seemed to be a dance-a-thon. “Doors” switches things up within the song itself; beginning slow and steady, Todd Kopec uses his fiddle to take this song into another realm of existence. Cabinet has the ability to move a song into another space and then bring us back down to reality. Covering “Mr. Spaceman,” with their modern nuances, introduced a familiarity to the crowd, perhaps a nod of gratitude to The Byrds but even more so, a conjunction to their own music that ventures into avant-garde.  Cabinet played a lengthy set yet strategically left the crowd wanting more. Cabinet is currently on tour with dates in Pennsylvania, Virginia and Washington D.C. through the end of the year.

    Brand new local 518 band Rebel Darling opened. Singer-songwriter and Rebel Darling founder Michael Poulopoulos exclaimed, “We extended ‘Harvest Heart’ on a whim lead by a dirty blues harmonica. We felt the moment and went with it.” Rebel Darling played Cabinet’s, Pappy Biondo’s solo song “Hard to Find” from his album Pappy Time.

    Rebel Darling released Harvest the Heart this past March. will have more on Rebel Darling in January.

  • Preview: All That Remains set to return to CNY and Capital Region

    All That Remains is set to bring their heavy melodic metal-core sound back to the Capital Region on Saturday, Dec. 14, 2013 at the Westcott Theater in Syracuse, N.Y., and Sunday, Dec. 15, 2013 at Upstate Concert Hall in Clifton Park, N.Y.

    Opening for the show at both venues will be hard alternative post grunge rockers Soil.

    All That Remains:

    From Springfield, Massachusetts, Philip Labonte (vocals), Mike Martin (guitar), Oli Herbert (Guitar), Jeanne Sagen (bass), Jason Costa (drums). Formed in 1998, ATR has recorded 6 studio albums and 1 live album, in their 15 year history including Behind Silence and Solitude (2002), This Darkened Heart (2004), The Fall of  Ideals ( 2006), Overcome (2008), For We Are Many (2010) and current album A War You Cannot Win (2012).

    Soil:

    From Chicago, Illinois, Ryan McCombs (vocals), Tim King (bass), Adam Zadel (guitar). Formed in 1997, Soil has recorded 6 studio albums in their 16 year history including Throttle Junkies (1999), Scars (2001), Redefine (2004), True Self (2006), Picture Perfect ( 2009) and current album Whole (2013).  

    Original vocalist Ryan McCombs is back with Soil to make the original line-up complete. McCombs left the band in 2004 to be with his family and resurfaced in 2005 as lead vocalist for Drowning Pool.

    Other December Tour Dates:

    Dec 2 – Denver, CO @ Summit Music Hall **

    Dec 4 – Minneapolis, MN @ Mill City Nights *

    Dec 5 – Ashwaubenon, WI @ Green Bay Distillery

    Dec 6 – Pontiac, MI @ Crofoot Ballroom

    Dec 7 – Joliet, Il @ Mojoe’s

    Dec 10 – Charleston, SC @ Music Farm **

    Dec 11 – Johnson City, TN @ Capones *

    Dec 13 – Baltimore, MD @ Rams Head Live! ***

    Dec 14 – Syracuse, NY @ The Wolcott Theater

    Dec 15 – Clifton Park NY @ Upstate Concert Hall

    Dec 28 – Northampton, MA @ Pearl Street ****

    * Motionless In White

    ** Motionless In White/Soil

    *** Asking Alexandria/Devour The Day & more

    **** Jasta