Category: Albany

  • Kung Fu lights up Red Square for a knock out

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    Albany got a high dose of funk on October 3rd at Red Square thanks to the funk professionals in Kung Fu. The quintet packs a supergroup punch with talented musicians from various bands – Tim Palmieri (The Breakfast, guitar), Todd Stoops (RAQ, keyboards), Rob Somerville (Deep Banana Blackout, sax), David Livolsi (Jazz Is Dead, bass) and Adrian Tramontano (The Breakfast, drums). Needless to say, these guys have plenty of experience on how to start a killer party, even on a weekday night. Often booked for the late night slots on festival schedules, it was refreshing to watch Kung Fu perform at an earlier time (10pm), giving concertgoers a stirring chance to soak up the lethal levels of musical fusion.

    With no opening act, the fans went wild as Kung Fu took the stage, eager to feel the funk. The sound came blaring out of the speakers and the groove hit via highlights including “God Made Me Funky”, with its simple chorus which the grateful crowd sang back to the band. Somerville blasted his horn with great enthusiasm that almost chipped the paint off the walls. It was a unique treat for the Red Square venue to have the Kung Fu lighting rigs that heightened the musical experience with the nonstop waves of bright neon. Guests were given the warning from the band, “Just because we stop playing, doesn’t mean we want to stop partying.” One of the best things about playing in the Upstate New York area for Kung Fu is the late night cut off time, usually much earlier in Connecticut.

    The second set brought the crowd to the dark side of the funk, as the band displayed a captivating chemistry of Sly & the Family Stone meets The Funky Meters, turned upside down and mixed with harder electronic rock. Kung Fu created a heavier rock vibe mixed with a slow groove, resulting in a hair-raising boogie. Stoops surrendered to the keyboards as he played with his eyes closed, feeling the music that he was feeding to the crowd. Livolsi hit deep notes on his bass in a steady rhythm of sinister delight.

    Kung Fu has a jammed packed fall tour with stops at the New York Harvest Fest in Monticello, a Post Phish show at The Palladium in Worcester, MA, a Halloween show at The Gramercy Theater in NYC and the Bear Creek Festival in Live Oak, Florida.

  • The Hollow welcomed back The Heavy Pets with Mister F on September 26th

    As the summer has finally come to an end, taking with it festival season, music lovers can settle into their favorite local venues. The popular bar and restaurant, The Hollow, in Albany, welcomed local newcomers to the stage, Mister F, and returning jam band The Heavy Pets on September 26th. Familiar faces were found on the dance floor as friends exchanged tales of the summer and plans for the upcoming fall shows.

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    The four piece band Mister F performed over an hour in a set of nonstop, high energetic fusion of electronic rock and futuristic jazz. Drummer Matt Pickering kept a fast tempo beat throughout the night, keeping the crowd on their toes and focused on the energy from the band. Scott Hannay wasted no hammering his keys, delivering the same intensity as he switched to the guitar and bass during the set. “This One Goes to 11” had an upbeat melody with heavy bass bombs raining in from Ben Pickering while Andrew Chamberlaine was congratulated for his beard and skillful guitar licks. The crowd cheered as Mister F briefly teased Phish’s “Stash” during the rollercoaster “Jump the Shark.” Mister F has a fresh sound with an unpredictable flow that keeps the audience eager for the surprise hiding inside each song. They have intertwined their individual talents and designed a powerful music machine that concert goers become programmed to dance to. Mister F has a busy Fall Tour lined up with stops in Plattsburgh, Syracuse, NYC, Glens Falls and Lake George’s Jungle Boogie Music Festival.

    Setlist: Intro, Answer the Dog, Deal Breaker, Everything You Say, This One Goes to 11, Treadmill, Jump the Shark, Eye Level
    Encore: Hedgehog w/Jim Wuest from The Heavy Pets on keys

    The show is available for free stream or download here.

    The Heavy Pets are an unexpected tropical storm, slowing starting out a song, then morphing into a rough, wavy mixture of funk and rock, then suddenly, you get a smooth reggae vibe to relax to. Jeff Lloyd and Mike Garulli both scale their guitars with intensity and mind melting solos. Their harmonies on “Last Babies” are eerie and hypnotizing as the music soon takes over to lift you up with a whirlwind of shredding beats. Drummer Jamie Newitt and bassist Tony D’Amato laid a thick groove over the evening, helping to spread the rhythm out for a dance heavy set. One of the highlights of the night was the quick cover of “Don’t Look Back in Anger” by Oasis. Jim Wuest is a mastermind behind the keys as he electrifies the crowd with every key change of techno delight. They will tour around the southern states on their Fall Tour before returning to New York in November, showcasing their latest release of the A/B single Two Horses. The Heavy Pets bring a much needed change in longitude to Upstate with their hot and humid jams.

    Photos By Bryan Lasky

  • Michael Franti and Spearhead Bring Peace, Love and Music to Clifton Park

    On the same day a naval shipyard in our nation’s capital was ravaged by senseless violence, Michael Franti and Spearhead came to Upstate Concert Hall in Clifton Park on September, 16th to deliver their ongoing message of love, peace, harmony, and equality. Although for just a few hours, Franti was determined to help his fans escape the sometimes vicious world in which they live.

    As with most Michael Franti and Spearhead shows, the lead singer spent more time in the crowd than he did on the actual stage. Many songs were performed from the middle of the audience on a makeshift 4’x4’ “stage” including an energetic version of “Hey, Hey, Hey” which broke into a reggae version of Daft Punk’s “Get Lucky”. Franti also performed a moving rendition of “Closer to You” while dancing with a wheelchair-bound fan and then allowing her to remain on yet another elevated platform for the remainder of the evening so that her view was unobstructed.

    Throughout the evening, Franti took his audience on an emotional rollercoaster ride. By way of both his unique style of storytelling and his moving vocal performance, Franti had them cheering and dancing one minute, and near tears the next. One particularly moving performance was “Goodbye”, sung mostly in a Nigerian dialectic by Spearhead drummer, Manas Itiene, which somehow crossed all language barriers and relayed a message of hopelessness and despair. A much brighter moment was a “crowd-participation” version of the hit single “Sound of Sunshine”, enhanced by giant yellow balloons volleyed through the air and Franti performing on top of the venue bar!

    Indie-rock band, The Kopecky Family Band, kicked off the evening. Highlights from their set included their hit single “Heartbeat” and a great rendition of Fleetwood Mac’s “Tusk”.

    Setlist: I Don’t Wanna Go, Yes I Will/Stay Human, Yell Fire, Do It for the Love, All I Want is You, Sound of Sunshine, 11.59, Closer to You, Life is Better with You, Gangsta Girl, Hey World, All People, Say Goodbye, Hey Hey Hey
    Encore: Let it Go, Long Ride Home, I’m Alive, Say Hey

  • The John Scofield Überjam Band Thrills The Massry Center

    On a cold September Sunday evening, John Scofield brought his Überjam Band, consisting of Andy Hess, Tony Mason, and Avi Bortnick, to the Massry Center on the campus of The College of Saint Rose.  The small crowd was rewarded by a show they were in complete awe of, as all of the musicians were on fire the entire evening.  This band has been on the road for the majority of the summer and it showed in the way that all of the jamming seemed to come so easy.

    John Scofield was in great spirits all night, joking with the crowd between songs about the music, but also about the hit television series Breaking Bad, asking the crowd what they were doing at the concert and not watching the third to last show of the series, as he is a fan of the show as well.  He seemed to be awestruck by the rapturous response he got from the crowd after every song.  Andy’s bass playing all night was a magnificent constant thumping, while Tony’s drumming was a force to be reckoned with from the beginning of the first song until the end.  Avi’s guitar playing was tremendous, as were his loops that he set from a computer all evening.

    “Al Green Song” and “Curtis Knew” were beautiful pieces early on in the set that had wonderful solos from Scofield.  “Jungle Fiction” started off with some crazy loops and became more and more abstract as the song went on, with the rest of the music layered on top of them. “Monster Bootie” saw old hip hop breaks being used as the loops to be mixed with the rest of the music the band was playing and gave the song a different flavor from everything else played throughout the night.  The show was pure fire and the band could be seen having a great time throughout the performance.

  • The Rascals to Bring “Once Upon A Dream” to the Upstate Region This Fall

    Coming to the Upstate Region this fall is a show that is part concert and part Broadway production.  The The Rascals, the legendary group from the 60’s, will be coming to Binghamton, Rochester, Buffalo, Syracuse, and Albany during the third week of November.   The show, which is produced by Steven Van Zandt, goes through their tumultuous history with newsreels, old concert footage, and filmed segments playing behind the band both during and between songs.  Van Zandt had been trying to get the group back together for many years, but the members did not want to do it.  Finally, with this show, he convinced them to agree to come together and they have been playing shows since December 2012 when the show premiered at The Capitol Theatre. 1001456_10151628431272052_1554064091_n The group was a major force in the music scene in the 60s, starting out as The Young Rascals.  They were one of the few American Bands that thrived during the British Invasion.  Their brand of rock ranged from blue eyed soul to folk rock to protest songs, even dabbling in civil rights issues.  Some of their bigger hits include “Beautiful Morning”, “Good Lovin’”, and “Groovin”.  In the early 70’s they went their separate ways until they were inducted into the Rock and Roll Hall of Fame for a one night only performance until now.  The original members, Felix Cavaliere, Gene Cornish, Eddie Brigati, and Dino Danelli, are all here for these shows and these are can’t-miss events.  The Rascals are back and they are ready to bring a spectacular show to the Upstate Region.  For more information on ticket availability check here.

    Upstate New York dates

    November 19 – Broome County Veterans Memorial Arena, Binghamton, NY

    November 20 – Auditorium Theatre, Rochester, NY

    November 22 – Shea’s Performing Arts Center, Buffalo, NY

    November 23 – Landmark Theatre – Syracuse, NY

    November 24 – Palace Theatre, Albany, NY

  • The Last Conspirators Album Review: A Celebration of Fury

    Upstate New York’s bad boys, The Last Conspirators have released their third album A Celebration of Fury, a follow up to their critically acclaimed Warparty and When It All Comes Down releases.  The punk rock and rollers are set to perform at this year’s Larkfest in Albany, the state’s largest one day street fair. Songwriter and front man Tim Livingston performed at the very first Larkfest with his pioneering Albany punk band, The Morons, and still continues to keep the edgy grunge scene alive today.

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    A Celebration of Fury consists of seven songs that get you amped up and angry, encouraging you to embrace the frustration that everyone can relate to in today’s world. It’s a wake up to society, giving the people a voice and relaying the message that “United We Stand”. The album goes through the multiple emotional levels of rebellion and protest, with powerful lyrics that make you question authority and classic punk angst that can start mosh pits in any location. The Last Conspirators have broken their silence and have encourage a musical political revolution, reminding the listener that they have the power for change. Their new album will be available for sale at Larkfest or on Compact Disc and as Digital Downloads from CD Baby, and also digitally on iTunes and Amazon.

    “Last Ones Standing” bring the listener back to their youth with lyrics full of wild rebellion and asks you to remember what it was we were rebelling against in the first place. Al Kash has a pounding drum rhythm that gets the heart racing and fired up. “Radio Warfare” has a desperado/outlaw feel from Terry Plunkett’s sliding and strumming steady guitar chords.  “Powerful Friends” has echoing cymbals and long lasting guitar riffs with Livingston singing about how change can happen but in the end, it’s all about who you know. “Somewhere Tonight in America” has the classic American defiant rock groove that people of any decade can relate to.  “No Time For Egos” has Livingston reminding the listener that we might not like each other, but it’s time to put our differences behind us and do what’s best for our future with lyrics such as, “divide and conquer we shall fall, stand our ground together with our backs against the wall.” “Desperate Skies” is one of the darker punk songs on the album with deep bass playing from Bisanz and for the first time lyrics of loneliness. Throughout the album, there is a theme for the masses to join together for change, but it is in this song that we hear words of personal desperation and fear. The last song, “A Celebration of Fury” has a dramatic ending of harsh whispers and heavy drum beats with the repeating line, “Time to celebrate the fury of our power.”

    The Last Conspirators are bassist Nick Bisanz, guitarist Terry Plunkett, drummer Al Kash and lead vocalist Tim Livingston.

    Key Tracks: Somewhere Tonight in America, Desperate Skies, A Celebration of Fury

  • Ghost of a Saber Tooth Tiger Live at the BSP Lounge Kingston September 28

    Sean Lennon and Charlotte Kemp Muhl are the eclectic duo the make up the Ghost of a Saber Tooth Tiger, also known as’ Goastt’.  The pair’s 2010 debut LP Acoustic Sessions emphasized atmospheric and well arranged songs, spectral harmonies, and diverse instrumentation. The alchemy induced by  the combination of Lennon’s inherent gift for melody, and Muhl’s multinstrumental and literary abilities is mysterious and alluring. While their music is rooted in the wooden realm, their 2012 LP Le Carotte Bleue spotlighted an electric side of the couple, accented with a funky, out of sight cover of Serge Gainsbourg’s ‘Comic Strip’.

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    The ‘Goastt’ will be performing an intimate concert at the BSP Lounge in Kingston, NY on Saturday September 28th. The performance comes in the midst of their tour opening for the Flaming Lips, and finds the pair playing a smaller room than the larger venues they are visiting with the Lips. This will be a great opportunity to witness a penetrating performance in an environment conducive to the detailed music being performed.

    The evenings concert will also feature special musical guests Brother JT and Parakeet. Grateful Dead lyricist John Perry Barlow who composed a bio for the ‘Goastt’, I believe said it best when he stated about the duo’s music, ‘It is beautiful and strange and new. Let us watch it grow together’.

    Ticket prices for the Saturday September 28th show are $12 advance or $15 at the door and are available at Outdated Cafe in Kingston and Jack’s Rhythms in New Paltz. The show begins at 9:00.

  • Michael Franti and Spearhead Coming to Upstate Concert Hall, Monday September 16th

    Through his music, Michael Franti delivers a message of hope, justice, and peace. That message will ring loud and clear Monday, September 16th as Michael Franti and Spearhead bring their unique blend of hip hop, reggae, jazz, and funk to the Upstate Concert Hall (Clifton Park, NY). Special guest The Kopecky Family Band, will open the show.

    Michael Franti and Spearhead continue to enjoy the success of their 2010 album release, The Sound of Sunshine, which reached the number 17 spot on The Billboard 200 list. It features 12 tracks including four hit singles, “Shake It”, “The Sound of Sunshine”, “Hey, Hey, Hey”, and “I’m Alive”. In July 2013, Franti released his eighth studio album entitled All People.

    Ticket prices for Monday’s event are $25 in advance or $28 at the door and are available through Ticketmaster, the Northern Lights Smoke Shop (518-453-3402), or at the Upstate Concert Hall box office. Show time is 8:00PM.

  • Bella Terra Brings Beauty and the Beats to Upstate New York

    Driving through the winding back roads of Upstate New York, it was apparent that it would be a beautiful weekend for a festival. This would be Bella Terra’s fifth year, and fourth year at it’s current location on Gardner’s Farm in Stephentown, New York. The venue is home to people, plants and animals, and the name Bella Terra (beautiful earth) could not possibly embody a more perfect location for an upstate New York festival, and it definitely adds to the charm and allure of this late summer gathering.

    The music was spot on all weekend. The moment your campsite was set up you were drawn to the Red Bull MXT stage residing on the edge of the woods. One of the best sets of the weekend was the back to back performance of Mentally Ill and Leila Harrison. The moment they took the stage, drum and bass reverberated throughout the campgrounds, drawing people out of their sites to dance in the cool August evening. Throughout the weekend the Red Bull truck stage pumped out a variety of different music spanning from early morning dub to late night dubstep. It was an excellent addition and created a balance between the campgrounds and the main concert area.

    This year there were two main stages, much like most other quickly-growing festivals. It certainly makes it easier for the crew and it also eliminates the wait time in between sets. All of the headliners that played the festival absolutely blew the crowd away. The highlights of the weekend were definitely The Manhattan Project, Ghost Face Killah, and Robokop. The crowd did not seem to mind Ghostface Killah’s hour delay when he took stage and delivered an insanely high energy set. Ghostface Killah spoke in regards to the festival’s overall vibe saying, “It’s insane to be on stage and see the people singing your songs, knowing you, loving you, and you really can’t ask for anything else. I used to read about some of these places in text books and now I’m performing in front of them. It’s really a blessing.” That energy and that vibe permeated throughout the festival as each artist that took stage was met with so much love and admiration from the crowd. The overwhelming amount of appreciation and respect for music and art is very evident at Bella Terra. Robokop was especially an interesting act to bring to the Bella Terra stage; Clay Parnell of Brother’s Past and Allen Aucoin of The Disco Biscuits come together in an explosive collaboration creating something in the electronic music world that has not been seen before. Emancipator was another amazing and different act that stood out among the other talent. The smooth, ambient samples layered with live violin and down tempo beats made the crowd move in rhythmic waves within the hot tent packed with people.

    Datsik took the stage drawing a huge crowd, in part because there were no other artists playing during his time slot, but also due to his huge following in the Upstate region. Although it was a great performance, another act was definitely needed because variety is the key to success at a festival. On the other hand, it is apparent why they chose to exclude any other acts during Datsik with the huge turnout for main stage during his performance. His set introduced hard womping beats that pulsated through the crowd and made the main stage area come alive. Turkuaz delivered a mind-blowing funk-filled set at the late night tent that had everyone moving in throngs from their sites to witness this erratic display of sonic-explosions. The stage was packed with a wide array of instruments Turkuaz brings to their signature sounds. The most interesting site within the tent was a festival goer who had casually fallen asleep atop a table ten feet from the stage using a volley ball as his head support. Interesting things can always be seen in late night tents at a festival, but this was surely a first. How one could take a cat nap during such a loud, energetic and funktastic set is a feat unto itself.

    Cinder Block Hustle, true to fashion, had a large area near main stage filled with art installations. Scattered about were giant wooden cutouts of legendary figures that needless to say would tempt you to take some embarrassing pictures with that you would most likely find on your cellphone weeks later. Fantastic and vibrant displays of art were at every turn, adding even more beauty to the layout of the land. The installations also offered some shade and a place to rest during the hot afternoons. The festival also stayed true to nature with it’s eight foot Bella Terra Festival art installation created by some of the best graffiti artists in the game. Each year the amount of intricate detail only grows in this mind blowing centerpiece of the festival. Another spectacular aspect of the festival is the degree of effort put into making sure all of the children and families throughout the weekend are occupied. At one point a full troupe of larger than life puppets came strolling through the campsites riding on the tiny shoulders of the festival inhabiting children. It was certainly quite the sight to see.

    Throughout the festival you could catch live painting and live graffiti from some of the best artists in the game. Bella Terra does a phenomenal job fusing the two worlds of music and art and bringing them together to be appreciated and respected in a community that promotes a wide array of talents. It was not strange at all to wake up in the morning and pass a group of jugglers, or unicyclists or even puppeteer- and that is the beautiful essence of Bella Terra. Taking a casual and slow stroll through the festival was a giant tortoise who visited camp sites and brought vast amounts of entertainment to the weekend. Only at Bella Terra would it be common place to see a tortoise wander through the camp grounds. If that was not enough diversity for you, there was also a field of grazing cattle all but a stones throw from the camp’s showers. These are the kinds of things you can only see at a festival in Upstate New York. Overall, Bella Terra was another great success and it is evident that with the growth and popularity this festival has already achieved this festival has become a staple for the East Coast Festival and music scene.

  • Mayoral Candidates in Albany Share Their Views on the Arts in the State Capital

    This past March, two business owners in Albany looked to open up a music venue in the Warehouse District, an area away from residences and perfect for a music venue. The Zoning Variance was denied in part due to concerns about parking (which were overstated by local bar owners) and complaints from one bar owner who now lives in the district. This venue was a great need in Albany, as there are venues for 100-300 fans (Valentines, Red Square, The Hollow), 1000 (The Egg) and up to 3000 (The Palace) as well as the Times Union Center (it’s still The Knick to us) for larger shows. There is a gap between the 300-1000 crowd sizes, and that stifles the growth of bands and groups, as well as limits the music that can come to Albany – once you outgrow a venue, you cant play here unless you become big enough for The Palace.

    mayoral candidates albanyThis leads to a lack of income that stays in Albany, sending bands to Clifton Park, Saratoga, Western Mass and Central NY, as well as Burlington, VT and NYC. It makes no sense that local bands should suffer because of a lack of a venue, and a zoning board that won’t allow for simple variances when all things are in order.

    We reached out to all 5 Mayoral candidates in Albany, asking them to share their thoughts on this issue, on the arts in general, as well as how they each hope to contribute to improving the arts in Albany. Covering music and arts across Upstate NY, takes this rare opportunity in a race for Mayor of Albany (that doesn’t involve a candidate named Corning or Jennings) to be a perfect time to enlighten our readers on an issue near and dear to their hearts.

    We reached out to all 5 candidates on the ballot, and Jesse Calhoun (R) Alex Poretti (L) and Kathy Sheehan (D) all got back to us with their thoughts, see below. Corey Ellis (D), declined to give a statement. Despite efforts to contact him, James Sullivan (C) did not get back to us with his take on this pressing issue.

    Jesse Calhoun, Republican Candidate for Mayor

    As both a musician and a candidate for mayor, this issue hits very close to home for me. It’s hard enough just being in a band. It took over a decade, to put together my band, The Ameros. It is hard to describe the feeling when you get the band that is a “perfect fit” but you know it when it happens. Due to the ever increasing legal restrictions on freedom and the oppressive bureaucracy here in Albany, two of my band mates are leaving the state. In addition, many of the venues we used to play have either picked up shop, or have been forced out of the area. The only thing that stands between Albany and a thriving nightlife is Bureaucracy. There are five local colleges. You guys reported in 2012 Albany had 154 musical acts per every 10,000 people. Let awesome places exist. Let the natural, young, musical environment that Albany is, thrive.

    Alex Portelli, Libertarian Candidate for Mayor

    I ran for mayor back in October because I grew up in this city and have seen what they’ve done to the nightlife. The libertarian philosophy is about live and let live, and families I grew up with made a living off of the bars and clubs. I want to abolish residential and commercial Zoning laws, throw out many permits that are hindering growth, and even abolish last call in a section of the city, essentially making a nightlife district. Though the “kegs and eggs” riot is most well known as causing a crackdown on the city nightlife, the city started the crackdown on the nightlife in around 2007 when a couple of women who had left a bar crashed their car going in the opposite direction on the thruway. After that happened, the city began to shut down a number of bars, sort of causing a ripple effect on the nightlife. A lot of young people turned to underground house parties, and the neighborhood known as the “student ghetto” became such an underground nightlife scene, drunken parties ended up rioting one St. Paddys day. But if the bars were never getting shut down and people had a place to go, there would be none of these problems.

    Kathy Sheehan, Democratic Candidate for Mayor

    “It would be premature for me to comment on a specific project, but I am an active board member of a large arts organization and a strong supporter of the arts. As Mayor, I will move quickly to create and implement a cohesive arts strategy. We must ensure that we have venues in our city that meet the needs of our diverse population. By engaging all of the stakeholders in our unique neighborhoods, I’m confident we can build vibrant entertainment districts that will improve quality of life and provide economic benefits to our City.”