The eager concert junkies let out the occasional yelps of excitement as the outdoor music melted into silence. It was time for Xfactor1 to rock the stage and blow everyone away with what they had in store for us. One by one, each band member appeared: Zack (drums), Jerry D (bass), CLok (guitar), Cody (guitar), and QBall Wolf (vocals). They were more than ready to get Bearfest started the right way with “Bring It On.” What they unleashed was something different. Something refreshing and new. In a way, very erratic, if you will. “An xfactor is an unpredictable intangible,” explained Wolf to Upstate Metal’s Kate Drexel. “Our name simply means we want to be the number one xfactor in all things and all situations.”
Xfactor1 continued their set with “It’s My Life” and a cover of The Rolling Stones’ “Paint It Black,” followed by “Break You.”
“Xfactor1 song writing is a group effort,” Wolf said. “Usually I will come up with a melody theme, and the guys will run with it until we add our influences. I think that influences are more than just ‘how do you sound?’ It’s attitude, passion, and ideals about life and music. Because of that, Metallica, Pantera, Korn, and other ass kickers come to mind.” These influences can definitely be heard in QBall’s unique voice as they proceeded with “You Suck.” Fans began to wave their horns in the air to the beat of the song followed by head banging.
“I’m a huge Deftones fan so that would be awesome,” said Wolf when asked if he had the opportunity to collaborate with another artist. “Five Finger Death Punch would be great as well.”
Before finishing the set, QBall had the fans gather in closer so the band could take a picture with the crowd in the background making an X with their arms in the air, a very similar moment the band shared at this year’s Rock on the Range. “We absolutely love playing the Rock on the Range festival (twice, ’09 and ’13), because it’s held in our hometown of Columbus, OH at Crew Stadium, and it’s like a huge family reunion.” Xfactor1 finished their set with “Never” and “Live Another Day,” leaving the crowd feeling warmed up, yet they wanted more from this killer band. Xfactor1 left the stage to presumably “film porn, party, play Texas Hold ‘Em poker,” according to QBall when asked what they do during their downtime.
All in all, this band was beyond words. Just an absolutely mind blowing performance filled with catchy songs, and they definitely set the mood right for the night. Be sure to check out the band on Facebook. Their record, Famous.Last.Words was release in June 2012.
Xfactor1 can put on one hell of a show. One you will not want to miss.
Equifunk: The All-Inclusive Music Festival is happening from August 16 to 18 and we have brought you over the past few weeks a preview of the bands that will be playing the festival. We are wrapping up our preview with the daily schedule announcement as well as a preview of one of the Sunday headliners, Pork Tornado.
Pork Tornado is a band co-founded by Phish drummer Jon Fishman and Dan Archer, who is a record producer and engineer and helped record Phish’s album Lawn Boy. The band plays blues, country and rock covers as well as original material. First formed in 1997, the band never really got moving until Phish’s first hiatus in 2000. By 2002 the band had an album out and was touring regularly until Phish got back together. The band does not perform much anymore so it is always a pleasure to get a chance to see them. This is their only announced date for the rest of the year, so if you are a fan of the band you do not want to miss out on this show.
Equifunk: The All-Inclusive Music Festival has been setting up some amazing events for the weekend. There will be a 3 on 3 basketball tournament with one lucky team getting a chance to take on the guys from The Main Squeeze. Tennis, kickball and softball games will also be taking place at the festival with artists joining in from time to time. All food and beer is covered from when you step on to the premises on Friday all the way through Sunday morning’s breakfast, with plenty of food available to buy throughout the remainder of the day.
The daily schedule was released yesterday and can be found here, but we would like to give you some of the highlights of each day. Friday kicks off at 3 PM with the Woody Brown Project and does not stop until 3:30 AM with a set by Boombox. Throughout Friday there are no sets scheduled to overlap with The New Mastersounds headlining the night. Saturday is the most packed day of the festival with music starting at 11 AM and going all day until a little before 4 AM. The afternoon is looking great with back to back to back sets by Keller Williams & More Than A Little, The Heavy Pets, and Marco Benevento.
The night is looking great too with Nigel Hall Band going into Anders Osborne with John Medeski followed by Soulive & The Shady Horns with Maceo Parker. A late night Marco Benevento campfire set goes into The New Mastersounds & Friends set to close the day. This will be the first time in six years that there will be music all day Sunday and the line-up for the day is great. Music will be starting a little before 11 AM and go 12 full hours until 11 PM with no sets overlapping. The day ending back to backs see The Revivalists go into Pork Tornado and the festival will close with The M&M’s, a super group made for the festival that includes Stanton Moore, Maceo Parker, Papa Mali, John Medeski, Robert Mercurio, and Marco Benevento.
This is definitely going to be a great festival that you do not want to miss. The levels of funk that will be coming from the speakers all weekend is going to be intense. Tickets are available now here. Check out our full preview of the Equifunk festival here.
This year I was able to experience one of the best music festivals this side of the country: All Good, which took place at Legend Valley in Thornville Ohio on July 18-21. I made the trek out to Ohio late Wednesday night and arrived early Thursday morning, when the madness began.
Thursday
I finally arrived in Hebron, Ohio after eight and a half hours of a musical journey. Ohio made me feel like I was in a long never ending cornfield infused tunnel. When finally arriving at the All Good grounds, only to find no one there, (the lights were on but no one was home), I sought out a spot to spend the night, and found people who were actually partying all night long in the Kroeger parking lot, which was a couple miles away from the grounds. I found a quiet spot was in the back parking lot of at the Comfort Inn, and I wasn’t the only one that had the idea, as there were about 20 other All Goodians crashing there for the night. Hebron is a quaint little farming town nestled in the heart of cornfields as far as the eye could see, the aforementioned hotel and grocery store seemed like sensible lodging, simply because I didn’t want to wake up to a reenactment of the Children of theCorn. Finally bedding down for the night, the waiting game began, which gave me some down time before the weekend festivities began. In the parking lots there was an electricity in the air, license plates from Ohio, Virginia , New York, Pennsylvania and even Colorado. Everyone traveled hundreds of miles for one of the bigger music festivals in the Midwest. I already knew that this festival would help me document some great bands, not to mention a bunch of new friends and stories. I was fortunate enough to partake in the modern melting pot of rainbow tye-dye and hoola hoops.
At 8 am the temperature was already 81 degrees, the sun shining and haze from the humidity already on the fields. This was the first festival I have been to this year with the sun actually shining on the first day, and it was a nice change of pace. Setting up camp and hanging out with all the new people I met on the way in All Good was pretty amazing, and I thought, ‘If the rest of the fest is anything like this, I am in for one hell of a time!” It was on a shady spot on a hill that I realized music festivals are an oasis for artwork and I was greatly inspired through this sensory stimuli overload. The lay of the land was pretty amazing as well, a giant hill forming a bowl shape where the stage is situated, although it offered little shade at the top which was prime real estate when the sun was out! Even though I was 500 miles away from home, I ran into people I see at local festivals in New York. Festivals are a giant family, creating bonds both with people you know and new faces you meet. Hoops and hacky sacks galore filled the natural amphitheater where everyone was waiting to see the opening act, John Scofield Uberjam Band, featuring the masterful jazz improviser whose music generally falls somewhere between post-bop, funk edged jazz and R & B. His set was a great opener for the stacked lineup of giants.
Speaking of giants I thought my eyes were playing tricks on me when I saw coming down the hill a small army of people on stilts, dressed like characters from Aladdin. The music for the rest of the day included Toubab Krewe, Papadosio and Lettuce, followed by Yonder MountainString Band and Beats Antique. Lettuce started as the sun was going down, and from my perspective, funk and photography make an insane combo; it’s tough to take photos when my feet want to move to the beat. If that wasn’t enough, Yonder Mountain String Band kept the grooves coming in the name of bluegrass. Late night with Beats Antique, was sensory overload accompanied with a belly dancing mesmerizing performance by Zoe Jakes.
Friday
I awoke to the sounds of Cabinet, a bluegrass/country group, and what a way to wake up! Following Cabinet was a band from Columbus known as Mojoflo. They definitely helped beat the heat with their soulful upbeat sounds and even had a dance off in the “Soul Train” line. Making my trek down to the Main Stage, I stumbled upon a drum circle where I saw a familiar face whom I had met in May at the Spring Revival. Three states away and I saw someone from my own back yard, what a small world. Once I reached the main stage to hear the sounds of blues, Americana and hillbilly music fill the air from Reverend Peyton’s Big Damn Band. Rev. J. Peyton, his wife Breezy and cousin Aaron “Cuz” Persinger form the trio and got people moving around, playing as a thunder storm was brewing overhead that led to an hour-long delay in the music. The brief thunderstorm didn’t deter the hard core Dark Star Orchestra fans, as one girl said to me “A little rain isn’t gonna stop us, it’s All Good!”
TheStepkids knocked it out of the park followed by legends Leftover Salmon. The surprise of the fest and one of my new favorites was Nahko and the Medicine, with a positive message in their lyrics that was truly for the people.
After they warmed the crowd up and people were sharing the love, I saw a couple gazing into each other’s eyes. They mentioned that they met at a John Butler Trio show three years ago and were getting married in September. The trio from Australia put on an incredible performance, accompanied with slide guitarist Roosevelt Collier, making for a magical combination. As the sun went down, Digital Tape Machine featuring Kris Meyers and Joel Cummins of Umphreys McGee gave a stellar light show that matched up with their video game sounding music, getting the crowd dancing to the 8-bit club jams.
Primus Sucks and started their set off with “GroundhogsDay“ and “Fisticuffs“ which gave all the costumed spectators the chance to really get into the weirdness throughout the night. There were pigs and bears and even a fan in a banana costume; it was a combination zoo and fruit salad that was welcomed by Primus. During this weirdness, cartoons were played will Primus rocked the stage. Primus ended with their popular hit “MyNameisMud”, and encored with “TommytheCat”, in which Les Claypool explained how he and Tom Waits became friends because he asked Tom to do the voice in the video. Primus definitely didn’t suck and gave everyone a show to remember. Making their once a year appearance at All Good was TheBridge, whose light show was complimented with fireworks galore. As if my eyes and camera lenses needed any more stimuli, STS9 gave not only a stellar musical production but a ridiculous visual offering.
Saturday
Just when you think you can’t take anymore, it’s Day Three of a festival and you soldier on. The day began on the Grassroots Stage with Three Legged Fox, which had a dub/reggae/ska/sound to them, a sweet way to start the day off right. On the Main Stage was a group from Africa called The African ShowBoyz, who were dressed in traditional African garb and played instruments made from gourds, and put on a pretty impressive show. One the bands who were the talk of the fest and awarded my personal best All Good Band name was Michigan’s Ultraviolet Hippotamus.
Trombone Shorty and Orleans Avenue gave me a reminder of what James Brown was once like when he led his band. Grace Potter and the Nocturnals gave a high energy performance, so much that I needed a cold shower to get my blood pressure back down. To cool things off a bit, Bob Weir of Furthur came out and did a duet with Grace Potter, singing “Friend of the Devil”. The Infamous String Dusters put on one hell of a performance and were joined by Grace Potter for “Turn on your Lovelight”. Sticking to the Grateful Dead theme of the night, Pretty Lights dropped an electronic remix of “Shakedown Street”, leading to some sensory overload from the lights and lasers, prompting fans to get a better view of things from the hill. Rochester’s own Giant Panda Guerrilla Dub Squad played for a packed field to cap off the late night.
Sunday
Sunday was a nice recovery day that allowed catching up with old and new friends alike. The Ragbirds were definitely worth a viewing. The lead singer Erin Zindle was playing her fiddle and joked about one of the camera men being a doctor; she mentioned this as she was eight and a half months pregnant, so the camera man could deliver the baby if she were to go into labor onstage. Even being pregnant she could play the fiddle like she beat the devil himself in a competition. Likewise with Keller Williams and The Traveling McCourys, Sunday’s acts had everyone jumping and dancing like they were at a good old fashioned hoedown; the only thing missing was the barn.
Furthur featuring Bob Weir and Phil Lesh headlined All Good with an already extensive line up that topped off Saturday’s lineup. The all-stars opened their set with “Dancing in the Street”, which got everyone dancin’ on the grass. They played a double set and had a March Fourth Marching Band, complete with stilt walkers perform during setbreak. They came back playing “Feel Like a Stranger”, yet by this point there weren’t any strangers, only new friends in the crowd. They closed with “Scarlet Begonias”, and a surprise sit-in of Grace Potter on “Turn on Your Love Light”. Furthur took a bow after an encore of Phil’s “Donor Rap” and “BrokedownPalace”. Furthur paved way for producer Pretty Lights who laid down an EDM cover of “Shakedown Street” in a nice little nod to The Dead.
Although I was met with a dreaded eight-hour drive home, All Good was by far the largest and most fun music festival I have been to and I can only look forward to the next. I am fortunate to have gone and even more fortunate that I got to document All Good for in words and photos.
This week, Nonpoint hits the stage with the killer opener Surrender the Fall, in support of the release of their latest self-titled record.
Nonpoint:
Founded in early 1997 by Elias Soriano (vocals) and Robb Rivera (drums) in Fort Lauderdale, FL. The rest of the band members consists of Rasheed Thomas (guitar), Dave Lizzio (guitar), and Adam Wolaszyn (bass). Over the years, the band has released a total of 9 albums and has shared the stage with Hinder, Drowning Pool, 12 Stones, Anew Revolution, Mudvayne, In This Moment, Sevendust, and Buckcherry, as well as recently making an appearance at X-Fest in Syracuse, NY.
Surrender the Fall:
Hailing from Memphis, TN, this five pieced band hits the stage to continue supporting their debut record, Burn in the Spotlight, released in September 2012. Members are Jared Cole (vocals), Anthony Pitts (guitar), Eddie Tyre (guitar), Devin Hightower (bass), and Rick Anderson (drums). This past year, Surrender the Fall rocked the stage at Rockapalooza with Candlebox, Saliva, and Mushroomhead. They have previously toured with Red Jumpsuit Apparatus, Almost Kings, Eye Empire, and My Darkest Days.
Be sure to check future tour dates on both bands’ Facebook pages. This is certainly a performance you will not want to miss.
Saturday was another beautiful blue sky summer day at Gathering of the Vibes 2013, jam packed with a diverse lineup of legendary artists. The Funky Meters started their set on the Main stage with sound troubles during the first few songs but this didn’t deter them from laying down a funky set. Bassist George Porter, Jr. wore a bright smile as he dropped the heavy beats while dancing with the crowd and his bandmates. Another legend, famous at Vibes as The Master of Ceremonies is Wavy Gravy, who was on the scene, sporting a lot of tie dye, red clown nose and chicken hand bang.
Mr. Gravy told stories from back in the glory days of Woodstock and gave advice to concert goers such as “balancing on a unicycle equals a balance life.” Rock guitarist Steve Kimock was joined by Bernie Worrell and friends such as Bill Evans and George Porter Jr., making for a super killer set early in the day. The musicians covered The Beatles “Come Together” and an epic closer of Talking Heads “Take me to the River.” Kimock mentioned in an interview later in the day that it was his son’s idea for the collaboration with Worrell and it was easy to perform with friends when they are all here at Vibes, stating, “It’s all about circumstance and convenience.”
Funky Meters
The Roots, best known for playing as Jimmy Fallon’s Band on Late Night, proved to be a bunch of jazzy, energetic, jungle, hip-hop animals, covering a wide array of genres that kept the crowd on their dancing feet through the set. The Roots hip-hop-ifyed classic hits such as “Jungle Boogie”, Guns and Roses’ “Sweet Child of Mine” and Led Zeppelin’s “Immigrant Song.” The tunes went from spacey beeps and boops containing robust rap lyrics, only to go back into a full swinging cover of Curtis Mayfield’s “Move on Up”. Keyboardist Kamal Gray went off on almost every song with hard hitting solos as the band members danced all over the stage. This was The Roots first performance at Vibes and hopefully not the last.
The Roots
Back by popular demand this year was the sensational Grace Potter and The Nocturnals. Grace took the stage, wearing a gorgeous white toga-like dress, showing off her womanly figure that was made for the spotlight. “Medicine” opened the set, proving that Potter and The Nocturnals can cure anything that ails you. Grace serenades fans with a wide range of vocals that are sincere and slightly heartbreaking. Throughout the set, Potter reminisced about her first Vibes experience, a very rainy weekend when she was 15 years old, which made for incredible memories and has made her who she is today, saying “This is what inspires us.” Paying tribute to JJ Cale, who had passed away earlier that day, GPN performed “Can’t Look at the Stars” off their newest album, The Lion The Beast The Beat, a passionate song that brought everyone close to tears. Potter never missed a beat as she switched instruments from her electric and acoustic guitars to tambourine and electric piano making her the ultimate threat in today’s music industry. To the delight of the audience, Warren Haynes made a guest appearance and the set concluded with another tribute to the late JJ Cale with an authentic performance of Eric Clapton’s “Cocaine.”
Grace Potter & The Nocturnals
Before taking the stage with Gov’t Mule, Warren Haynes took some time to chat with the press in the media tent about Gathering of the Vibes, best described to him as a “family reunion”, where people take music very seriously and it’s a great opportunity to see everyone in one spot. Fans asked about the various groups and their setlists, which he responded, “In The Allman Brothers, and The Dead and Gov’t Mule, we don’t really worry about arrangements too much. A lot of times we are doing it on the fly and sometimes where the verse begins is where you want it to begin…it’s about trying to achieve balance between your band and your friend’s band.” When asked on his thoughts about the passing of JJ Cale, he said “It’s a huge loss. He’s an amazing writer and artist and for people that don’t know, he wrote so many amazing songs that you’ll probably hear a bunch of them over the course of tonight….and I’m really sad to see him go.” Unfortunately, the duo never had the chance to perform together despite Haynes being a big fan of Cale’s. Still shaking off the previous musicians, I asked him what it was like to perform with Grace Potter and The Nocturnals. “Grace and I always have fun playing together. She’s wonderful and we’ve played together dozens of times at this point. She’s one of the guest featured vocalists on the new Gov’t Mule bonus disc that’s coming out this September and we always look forward to playing together.” Feeling recharged after the interviews, Warren took the stage with Matt Abts on Drums, Danny Louis playing Keyboards and Bassist Jorgen Carlsson, to form the last minute addition to the GOTVs ineup, Gov’t Mule. It’s understandable why this band is in high demand for shows, given their hard rock performance with a dash of blues. Not to anyone’s surprise but there were fantastic sit ins from George Porter, Jr., Bill Evans & John Scofield, individually as well as the powerhouse group encore of “After Midnight”, dedicated to JJ Cale.
Gov’t Mule
It was an “all too familiar” feeling, waiting in the crowd for the second night of Phil Lesh & Friends final set of the Gathering of the Vibes weekend. Given the wide fields at the Main Stage, half the crowd has their own setup with families lingering towards the back with blankets and chairs, leaving plenty of dance room up front for the diehard fans. Whether hustling up close to the stage or being content with the two large TV screens, concert goers were able to get an actual view of the chemistry that Phil shares with John Scofield, John Medeski, Joe Russo and John Kadlecik. Besides drifting in and out of their jams, the musicians are constantly watching each other perform for the “signals” and feeling for the vibes that they each are giving off. Bill Evans joined in on the fun during the entire second set with his saxophone and clarinet, particularly for “He’s Gone.” When asked how he felt the show went, Evans laughed, “Oh, I had no idea what was going on.” He was hearing all this music for the first time, so he had to take in the information quickly and just play, making for a fresh and innovative set, the way the Phil likes it.
With the end of the festival just around the corner, Saturday night makes for the perfect excuse to let loose and rage hard. The Green Vibes Stage kept the party going with separate DJ sets of Rob Garza from Thievery Corporation, James Murphy from LCD Soundsystem and jambanders Papadosio. Each act provided the dark dance jams that festival goers crave after midnight and still have you wanting more when you see the sun come up.
It seems that it’s over even before it started as Sunday arrived with no delay. Concert goers can be seen everywhere beginning to pack up their campsites and plan their remaining day at Gathering of the Vibes. Staying true to the old motto, “Never miss a Sunday show,” Vibes had saved for last. Blues Traveler made their debut at this year’s Vibes, showcasing their style of uncontrollable New Jersey rock. John Popper wasted no time blasting fans with his wide range of harmonica solos while Ben Wilson smoked the keys with fingers ablaze. Bassist Tad Kinchla and Brendan Hill kept a steady, light hearted rhythm of blues going with Chan Kinchla strumming solid 90’s guitar chords. Bill Evans joined Blues Traveler for a unique jazzy cover of Sublime’s “What I Got”. Blues Traveler pulled off a serious game changer when they performed a spin on the classic Charlie Daniels song “The Devil Went Down to Georgia”, by having Popper ferociously play the harmonica in place of the fiddle. The band was joined by guitarist Mihali Savoulidis from Twiddle for a ripping version of “Carolina Blues”.
Max Creek
After the show, John Popper and a few other members of Blues Traveler met with the press backstage for a brief interview. John Popper discussed how with so much traveling, each show feels like a reunion when you have friends in every city, making every night of the week a party night. He spoke of his inspirations that originated from Paul Butler, Blues Brothers and Jimi Hendrix. “On the harp there is such low expectations. On the harp you cover what you like.” When asked about Bill Evans and Mihali Savoulidis sitting in, he said, “Yea, that was fun. It was awesome. There was no warning. I just wish we had more time because both of them wanted to stretch. You just feel it…let’s just take it to a second gear but we’re just trying to cram all our songs in.” Blues Traveler is well known for establishing the H.O.R.D.E. (Horizons Of Rock Developing Everywhere) touring music festivals from the early 90s. When asked about festivals, Popper stated, “I think they made it a lot smarter making them destination festivals. When you have a giant whale carved out of a redwood tree, everyone wants to come and see it. It’s beautiful. But when you gotta load it on flatbed truck and haul it everywhere, you’ve just quadruped your price for everything…when you have a place where you know it’s going to be, you can just park the whale and it’ll be there next year. You can have big things…but it was a lot of things like that. You had to bring your attractions with you.” Naturally money plays into a big factor of putting on festivals but Blues Traveler is looking for locations for next year. “It’s a game of patience.” He brought up how major jambands like Phish and Dave Matthews Band don’t have to play major festivals since they can afford not to.” Why bother when you can throw your own? Why not just go to Disneyland? Why not just hire Disneyland to come on the road with Phish? That would be fun.” Popper compares Lollapalooza and Bonnaroo to Vibes, saying he really “digs the scene” at Seaside Park and how crucial it is for festivals to have basic amenities, not just to be located in the middle of nowhere.
Blues Traveler
The VibeTribe got a taste from Down Under as the John Butler Trio shook up the stage on Sunday with Guitarist John Butler, Drummer Nicky Bomba and Bassist Byron Luiters. The soft vocals and strumming from Butler gave way to a tribal beat from Bomba mixed with versatile notes from Luiters. JBT created a new sound of music with their Australian flair, somewhat like a Consider the Source vibes meets the Outback. They worked on their spacey build ups, holding them longer than anticipated with great intensity. As Butler thanked the colorful bunch, he said, “We’ll always come back if you’ll have us.” Hopefully the staff at the GOTV was listening. Last but not least, southern rock and roll legends The Black Crowes featuring Chris Robinson on lead vocals and harmonica, guitarist Rich Robinson, Steve Gorman on drums, Bassist Sven Pipien, Adam MacDougall on keyboards and newest member Jackie Greene on guitar, were greeted with a warm welcome after their recently ended two year hiatus. The Black Crowes have tremendous stage presence with multiple “off the wall” guitar solos, Chris Robinson’s vocals and groovy dance moves plus Gorman’s hard hitting rhythm. The band treated fans to songs from their newest album, Wiser for the Time, as well as remarkable such as The Rolling Stones “Jumping Jack Flash” and Joe Cocker’s “Feelin’ Alright.” Be sure to catch The Black Crowes in action on as the tour the country this fall.
The Black Crowes
Gathering of the Vibes continues to share a collective spirit and positive energy by honoring the music of the Grateful Dead and Jerry Garcia and with new visitors and returning VibeTribe members of all ages each year. With over 20,000 attendees this summer, Vibes proves that good music and loved ones are always worth gathering for.
Equifunk: The All-Inclusive Music Festival is happening from August 16 to 18 this year and we are happy to announce a new series on that will bring you previews and interviews with bands that will be playing the festival. The All-Inclusive Preview is happy to take a look at Marco Benevento to continue this series.
Marco is no stranger to those in the Upstate region. Living in Woodstock, he regularly visits Albany, Syracuse and Buffalo while out on tour. His mastery of the keys along with his fun-filled jam-packed set always sets the floor into a dance party regardless of what venue he is playing. Marco will be playing at least three times over the weekend with a solo set, a special late night camp fire set, and finally on Sunday he will playing with The M&M’s that also includes Maceo Parker, Stanton Moore, John Medeski, Robert Mercurio, and Papa Mali. He is no stranger to the festival as this will be his 3rd appearance.
Tickets are available now here. Check out our full preview of the Equifunk festival here.
This is Part 1 of ‘s coverage of Gathering of the Vibes 2013. Check back tomorrow for a recap of Saturday and Sunday.
Gathering of the Vibes celebrated its 18th year with its annual four day festival at Seaside Park in Bridgeport, Connecticut filled with a variety of music, food and art on July 25th-28th. Acting as one of the biggest playgrounds in the country, Vibes offers something for people of all ages with family camping, the School of Rock Teen Scene, a colorful Ferris Wheel and of course, music from every era and genre. Seaside Park was the ideal setting for the festival with its 375 acre lush greenery and endless blue shores.
Original Strangefolk
With so much planning or lack thereof that goes into preparing for festivals, the music can almost get forgotten. There is so much to do before you can actually breathe, sit back and enjoy yourself that the music takes you by surprise. One moment you’re buying tickets, the next you’re packing up the car and then suddenly find yourself in front of the Main Stage, feeding off the crowd’s anticipation for the start of the show. The weekend began with the original lineup of Strangefolk, one of the first bands to play at the first GOTV’s in 1996, making this set not worth missing with Jon Trafton, Reid Genauer, Erik Glockler and Luke Smith. Their upbeat melodies built up a great hope and reassurance that this weekend was going to be amazing as the set contained gems like “Reuben’s Place” with “Helpless” (Neil Young) vocals and guitarist Jon Trafton teasing Phish’s “Bathtub Gin” during “Paperback Book.” Strangefolk was then joined onstage by Grateful Dead Hour host David Gans for the ultimate DeadHead party starter, “Shakedown Street”.
Dark Star Orchestra headlined the Main Stage with the Grateful Dead performance from Andover, Maryland in September 1976. The evening took off with a rockin’ “Bertha” opener, a solid “Let it Grow” and darling “Sugaree” for the first set and an intense closing sequence of “Scarlet Begonias>St. Stephen>Not Fade Away>Drums>St. Stephen.” The show featured Jim Allard on bass and Jeff Mattson capturing Jerry Garcia flawlessly. With a light drizzle throughout the night, it wasn’t enough to damper the crowd’s positive spirits and added for an extra entertaining factor for the light show.
Kung Fu
Thursday night ended with Kung Fu and The Dojo Allstars lighting up the night on the Green Vibes Stage. The Connecticut based band of Tim Palmieri (guitar), Robert Somerville (tenor sax) and Todd Stoops, (keyboards) were joined by talented musicians Chris DeAngelis (bass guitar) and Adrian Tramontano (drums/percussion), Nigel Hall (vocals/keys), Nick Biello (sax), Rob Volo (trombone), Cy Madan (keys), Ryan Cavanaugh (Banjo) and 13-year-old prodigy Bobby Paltauf (guitar). Needless to say, it was a funk face-melting over load.
Friday morning brought even more people to the festival grounds. The perfect wake- up call was hearing the electronic rock music from Upstate New York’s Jimkata echoing off the Green Vibes Stage. Their light-hearted synthesizers loops mixed with indie guitar strumming was more than enough to get the crowd moving and ready for the rest of the day. Assembly of Dust eased into the Friday afternoon with an early 70s rock combined with a mellow country sound. Jason Crosby on the keys, held his notes strong especially during “Telling Sue”. Singer-songwriter Reid Genauer sang out with a true Americana charm and was joined by his four-year son for “Second Song.”
The Revivalists
One of the best things about Vibes is being introduced to new musicians that you don’t hear on the radio yet still have an incredible stage presence. Hailing from New Orleans, The Revivalists nearly tore down the Green Vibes Stage with their intense sound and energy. The musicians were literally climbing all over the stage and each other, charging the audience with a heavy dose of rock and roll mixed with southern soul. Dave Shaw screamed the lyrics with raw attitude, only to have the crowd screaming right back. Ed Williams shreds the pedal steel guitar apart and comes close to pushing it over onto the front row fans a few times. The Revivalists have made stops at more festivals this year than any other band (per Relix Magazine‘s festival guide) but what sets Vibes apart from the rest for the boys is the smell of the salt water on stage and having the longest set of almost 2 hours.
Wavy Gravy
Blue skies and sunshine greeted festival goers as the day continued, making for a terrific view, especially from a top the Wheel of Lights Ferris Wheel. The top cart was the best place to take in not only the beautiful venue of Seaside Park but for the Railroad Earth set on the Main Stage. The bluegrass jam band from New Jersey filled the air with a laid back summer time vibe with their blissful strumming and continuous flow. The crowd clapped along with the Carey Harmon steady rhythms and danced all over the field from Tim Carbone’s fiddle playing.
Tedeschi Trucks Band
Derek Trucks and Susan Tedeschi returned to Vibes this year with their 11-piece blues rock group, Tedeschi Trucks Band. Featuring Kofi Burbridge (keys, flute), Eric Krasno (from Lettuce, on bass), Tyler Greenwell (drums), J.J. Johnson (drums), Mike Mattison (harmony vocals), Mark Rivers (harmony vocals), Maurice Brown (trumpet), Kebbi Williams (sax) and Saunders Sermons (trombone), all of these artists make up a musical force to be reckoned with. Tedeschi’s strong female vocals can be heard across the festival alongside with blaring guitar riffs from Trucks. The surprise of the first set came from Bill Evans joining TTB with his saxophone, jazzing up the funky blues song “Love is Something Else.” The set continued with a gentle “Angel from Montgomery” only to flow beautifully into a bluegrassy version of the Grateful Dead’s “Sugaree.” Trucks and Tedeschi have both made strides with their separate solo careers but when performing all together, their family creates nonstop harmonies that help us appreciate the musical bonds we share, especially at Gathering of the Vibes.
Phil Lesh & Friends
To celebrate the 18th year of Gathering of the Vibes, Grateful Dead former bassist, Phil Lesh was booked for both Friday and Saturday night, joined this year with his Friends: guitarist John Scofield, keyboardist John Medeski, Joe Russo on drums and John Kadlecik on guitar/vocals. The evening got underway with a graceful and groovy “Scarlet Begonias” straight into a rockin’ “Just Like Tom Thumb Blues”. The night was filled with spacey, chaotic improvisational jams that swirled through the evening air. Each musician had their own sound going, making it difficult to focus on any singular part of it. Fans were left in awe as most of the songs were well over 10 minutes, each receiving a well-deserved jam with seemingly directionless patterns. Phil took a few minutes to thank the fans and festival for continuing to keep the Grateful Dead spirit alive and with tears in his eyes, he said, “It’s like coming home.” The highlight of the evening was pretty much the entire second set with “The Golden Road to Unlimited Devotion” opener into an almost 20-minute “Viola Lee Blues” and “Unbroken Chain.” The moon rose over the tie-dye covered field, which seemed to glow brighter when the band went into “Standing on the Moon” sending chills down my spine from the saltwater breeze and Medeski’s righteous lingering chords. The set ended with the gentle lullaby of “Ripple” causing the audience to sing and sway off into the night.
The late night party got started with Connecticut‘s own Deep Banana Blackout on the Green Vibes stage, delivering hot New Orleans inspired funk. DBB is no stranger to GOTVs as they have been invited back for the past few years now, serving up soulful contagious dance music complete with a full horn section. DBB shocked listeners, particularly Phish Phans, as they teased Phish’s “Wilson” chant, which was played that same night by Phish at The Gorge in WA, proving that good news and music travel fast.
Silent Disco
The Silent Disco was on the complete opposite side of the festival from the Main and Green Stage. It’s a long walk but definitely worth the trip. You walk up to the tent, where you are given a huge pair of headphones and given simple instructions for proper usage. As you look around, there are a few hundred people on the beach, all wearing the headphones, dancing their asses off and being surprisingly very quiet. There are two DJs that have two completely different sounds going that fans can choose to tune into. Friday night featured Conneticon and Sloedwn from 1am to 4:30am as well as Matt Haze, who sampled various European genres and beats while Saturday played host to Suspence and Cosmal. The clear crowd-pleaser was the artist MoPo, short for Motion Potion, also known as Robbie Kowal from California. He mixed 90’s jock jam with Phish with Talking Heads with Jay Z plus so much more. As the sun began to rise, creating dream like colors across the sky, MoPo remixed various Beatles covers such as, “Here Comes The Sun” and “Dear Prudence.” Silent Disco fans know how to party and with music from MoPo, it was easy to dance until dawn.
The booming introductory music to Otherwise’s setlist filled the eager ears of the Wise Ones at Bearfest, all crowding in closer and closer to the barricade, animated cheers escaping from them as one by one each band member made their appearance, Corky Gainsford (drums), Vassilios “V” Metropoulos (bass), Andrew Pugh (guitar), Ryan Patrick (guitar), then finally, Adrian Patrick (vocals) emerged from behind the crates. His deep, powerful voice washed over the crowd as he began to sing “Die for You”, the fans shouted out the rest of the chorus as he held out the mic towards them. Next was “Lighthouse” which Adrian dedicated to all the “good girls”, followed by “the song that goes out to all the bad girls”, their party anthem, “Vegas Girl”. The number of fans increased every second, eager for more of Otherwise; however, they were just getting warmed up. The next to play was “Silence Reigns” followed by their single, “I Don’t Apologize”, the fans belting out the lyrics whole-heartedly, their eyes stared in wonder as Otherwise continued to unleash their unbelievable energy.
The fun didn’t stop there; Adrian then encouraged the Wise Ones to raise their middle fingers as they began to chant, “fuck you” rapidly, starting up the next song, “Full Circle”. This was followed by “Scream Now” and from one of their earlier records, Some Kind of Alchemy, “Stop, Drop, and Roll”. The music changed abruptly to a familiar tune, “Killing in the Name Of” by Rage Against the Machine. Fans head-banged to the rhythm of the song, pumped fists and rocker horns in the air as well as mouthed the lyrics enthusiastically. To say the least, Otherwise did a killer cover. Of course, the band saved the best for last, the song that got their name out there, “Soldiers”. At the end of the song, Adrian jumped off the stage and ran towards the barricade, bringing the mic to the fans and having them harmonize with the band, and then he stood on top of the railing, one hell of a way to end an awesome setlist.
As always, Otherwise brought their game to the stage. No matter the size of the crowd, they always have a way to connect with their ever-growing fan base.
The outdoor music came to a screeching halt, bringing a moment of silence to the summer air, a strong hint that Devour the Day was ready to knock everyone out of the ballpark. The setting sun’s light hit the stage as one by one, each band member stepped out from behind; Dustin Schoenhofer (drums), Joey “Chicago” Walser (bass), Jeff James (guitar), and last but not least, Blake Allison (vocals). The band was more than eager to put the pedal to the metal as they started their set with the first track from their debut record, Time & Pressure, “Respect”, definitely the right way to begin the evening with such an explosive track. Following was “You and Not Me”, as the fellow concert junkies stared in amazement as the band rocked out like there was no tomorrow. As soon as “Get Out of My Way” started, the energy from Devour the Day combined with the fans’ was absolutely through the roof, fairly certain the residents across the Ohio border could hear and feel the band’s pulsating power. “Blackout” brought on the heavy head-banging and the drunken loud cheers of excitement. The fans watched with such a thrill as Walser rapidly spun around with his bass, jumping with such glee on his face.
It was clear that Devour the Day was way past warmed up, as evidenced by the fact that they were dripping with sweat. The summer heat didn’t stop them from continuing their set with “Reckless”, as some of the fans waved their arms in the air to the beat of the song. The pace was nowhere near slowed down as they played “Oath”, finishing the set with “Hand Shakes to Fist Fights” and their current as well as the album’s leading single, “Good Man”, the music lovers singing along very passionately, some dancing to the rhythm. It was definitely the perfect track to end a killer setlist.
Overall, no other words to describe Devour the Day’s performance except for: WOW. Absolutely mind blowing and an indescribable experience, one would have to witness these moments to get a better understanding of what a superlative show the band puts on. They will be hitting the stage at X-Fest in Syracuse this Sunday. Be sure to check out their debut record, Time & Pressure, available for digital download and to purchase at your nearest music store. Also, check their Facebook page for tour dates or visit their website (www.devourtheday.com). This is a band you will not want to miss!
The crowd moved in closer and closer to the barricade, some could no longer contain their excitement and let out the occasional overeager cheers. Finally, the moment they were all waiting for at BearfestSevendust’s arrival. The lights dimmed to a dark red hue, a very daunting setting to the outdoor stage. One by one, the band members emerged from the shadows, Morgan Rose (drums), Vince Hornsby (bass), Clint Lowery (guitar), John Connolly (guitar), and finally, the one and only, Lajon Witherspoon. The way the red and green lights hit his features gave off a very bone-chilling, terrifying view of Witherspoon. The band began their set with “Pieces” followed by a track from their latest record, Black Out the Sun, “Till Death”, the fans waving their horns in the air to the beat of the song, mouthing along to the words whole-heartedly. After playing “Denial” and “Praise”, Lajon asked some of his ever-adoring fans not to mosh but to march in a circle to the rhythm of the next song, “Waffle”, purple lights complimenting the mood of the song, a very intimate feeling. The set was then slowed down with “Got a Feeling” followed by “Angel’s Son”, the fans with their loved ones holding each other from behind and swaying along. The pace was picked back up with “Black”, “Strong Arm Broken”, and Black Out the Sun’s leading single, “Decay”. Witherspoon walked toward the front of the stage and reached out for the fans, holding some of their hands.
At the end of the song, the stage lights suddenly shut off and all of Sevendust disappeared into the darkness. The dedicated fans chanted for an encore for what seemed like a long while, every living soul hungry for more. Then the stage was lit with an orange and green-like hue as Lajon appeared on stage with the rest of the band and the familiar lyrics to “Bitch” filled the ears of the crowd, which encouraged them to roar with cheer and excitement. They all sang along loudly and some quite drunkenly. The set was then finished with “Splinter” and “Face to Face”, a great way to end the warm, lively summer evening.
All in all, it was one hell of a performance. The band broke the country silence with their powerful classics as well as new and incredibly catchy songs. In the end, Sevendust let all of West Virginia know that they have left their mark. Be sure to check out their latest record, Black Out the Sun, available at your nearest music store and for digital download. More tour dates are on their website as well as their Facebook page, if you have a chance, see where Sevendust will black out a stage near you.
“Xfactor1 song writing is a group effort,” Wolf said. “Usually I will come up with a melody theme, and the guys will run with it until we add our influences. I think that influences are more than just ‘how do you sound?’ It’s attitude, passion, and ideals about life and music. Because of that, Metallica, Pantera, Korn, and other ass kickers come to mind.” These influences can definitely be heard in QBall’s unique voice as they proceeded with “You Suck.” Fans began to wave their horns in the air to the beat of the song followed by head banging.
All in all, this band was beyond words. Just an absolutely mind blowing performance filled with catchy songs, and they definitely set the mood right for the night. Be sure to check out the band on Facebook. Their record, Famous.Last.Words was release in June 2012.
The daily schedule was released yesterday and can be found 
