Category: News Desk

  • Op-ed: A New Music Venue for Albany won’t open because of two local businessmen

    The city of Albany has a thriving arts scene, from The Palace to Capital Repertory Theater, from Alive at Five to the Albany Symphony, as well as the incredible art found on the Empire State Plaza and inside the concourse below. In recent studies, Albany ranks #9 in Top Metro Areas based on Musical Acts per 10,000 and Rochester and Albany both rank among top music scenes in country in Metro Music Index. But two local businessmen are opposed to the new music venue.

    We have the music, we have the population who go see live music in the Albany area (and beyond) but one thing we do not have is a music venue for acts to graduate to from the smaller clubs and bars, such as Valentine’s and Red Square. We had Revolution Hall, but that venue closed because Brown’s management felt it was better empty than having occasional shows. Musicians and music fans need a venue of comparable size and there has been a gap since the venue closed in 2010.

    music venue businessmen

    Currently, we have venues of 100-300 (Valentine’s, Red Square), of 1.000 (The Egg) up to 2,500 (The Palace) and of course, The Times Union Center (20,000). Note the size that is missing – between 300 and 1,000. Recently, that gap looked to be filled as local businessmen Chris Pratt andAlessio Depoli applied for a Zoning Variance to change the warehouse at 28 Thatcher Street, in the Warehouse District of Albany (one block north of Wolfe’s Biergarten), into a music venue. The venue would have held up to 800 patrons, only open for shows, one hour before and one hour after shows, shuttered otherwise but providing a venue for musicians, acts and bands that cannot fill The Egg or The Palace, but already grown out of Red Square and Valentine’s. This move was a wise one – a non-residential area with a couple bars nearby that would be open until the late hours of the night and give patrons a place to convene following a concert on Thatcher Street.

    This variance was recently denied because two local business owners, Mike Graney (owner of Stout) and Matt Baumgartner (owner of Wolfe’s, Scortino’s Olde English, and Bombers – soon to open a third location in Troy) voiced their concerns at the recent Zoning Board meeting in March (Graney in person, Baumgartner through his lawyer) citing two things – a lack of parking and the underage crowd that would be at these shows (the venue can have fans 16 and older). Baumgartner went further in his Friday Puppy blog, flat out saying “I don’t want this in my backyard”. Of course, it was Matt who decided to move to a Warehouse district with industries right around the corner and trucks driving in and out on a regular basis, rather than a residential area. So NIMBY has become half the battle cry for this owner. This is an industrial area, not a residential neighborhood and is the perfect place for a venue of this size, one that Albany desperately needs.

    It boggles the mind that an Albany business owner who has found success throughout the city, and now in Schenectady soon in Troy, will not allow others to find the same success with a new music venue. This is hypocrisy at its finest and stifles the music scene in Albany, which benefits all in the long run.

    Lets look at the two issues that were brought up in resistance to the new music venue, the underage crowd that will be at these shows, and parking.

    There is not a great deal of parking lots in this part of town, because it is an industrial district. Even though I have had trouble parking when I have gone to The Barrel, Baumgartner’s Wolfe’s or  Graney’s Stout, I find a spot on the street a block or two away and make a short walk – not the worst thing in the world. To have businessmen complain about there being too much traffic in their neck of the woods had shades of elitism. Traffic means patrons and patrons lead to good business for all. Graney and Baumgartner are essentially saying they don’t want anymore patrons beyond what they have already. When it rains, it pours, but only the amount they want it to pour.

    Consider this: 800 people are not going to drive to music venue singly. Double up each car and there may be 400 cars. Factor in some who take the bus (the 22+23 run right past these bars on Broadway), plus some will get dropped off or take a cab. Let’s round down to 250-300 cars. People will find a place to park. They find places now for Graney’s Stout, The Barrel and Baumgartner’s Wolfe’s, especially on the days the latter blocks off the street for Oktoberfest and recently, World Cup games, so how hard will it be to find parking? Not much more difficult, but it will also encourage people to get dropped off and picked up, staving off drunk driving as a side-effect, one that everyone can support.

    The 16-20  age group comprises five ages that cannot drink in bars. But what about the 21 and older crowd? Fans up to age 60 (and above, depending on the show) will be happy to stop by for a drink following a show on Thatcher. That’s a range of 40+ years that Graney and Baumgartner are shorting themselves on, all because they don’t want to deal with the risk of the younger crowd coming into their bars. Talk about missing the forest for the trees. Inform your doormen to keep an extra cautious eye on show nights and the problem is solved.

    Of course, there is the benefit these local bar owners would have, in that they will get business following shows for those looking to continue their night. I can think of many nights at Revolution Hall where I went to Brown’s, Jose Malone’s or Ryan’s Wake for a nightcap or two. The short-sightedness of these two businessmen is denying another businessman the ability to bring to Albany a music venue that is desperately needed and will give them a boost in the long run.

    With their continued opposition to the bar, it is selfish of these bar owners to put up such a resistance so that a fellow bar owner cannot open up a music venue because of a ‘not in my backyard’ attitude accompanied by a short-sighted view of business potential.

    There is no reason to support these businesses if they can’t support the music scene and fellow business owners in Albany.

  • Amy Lavere and Savannah King to play Abilene Bar and Lounge in Rochester

    Amy LavereMulti-talented entertainer Amy LaVere is a true crossover artist, able to bring exceptional skill and raw emotion into whatever she attempts. From movies (Black Snake Moan, Walk the Line) to music she pushes her ample capabilities to the max. Amy will be coming to Abilene Bar and Lounge (153 Liberty Pole Way, Rochester NY) Wednesday April 24th in support of her latest release, the critically acclaimed Stranger Me. This will be her first appearance in Rochester since she blew away fans at the 2010 Jazz Fest. She will be supported by the jazzy folk of Buffalo’s Savannah King. will be on the scene and hope you will be too. The show starts at 8:30 and tickets are very limited.

    Cover charge – $15 in advance, $20 day of show. Tickets are available at Abilene and Metro Retro (1241 Park Avenue, Rochester).

  • Aztec Two-Step brings folk-rock to The Bearsville Theater in Woodstock on April 27th

    1409

    The Bearsville Theater is bringing a great evening of folk-rock to their stage on April 27th with Aztec Two-Step.

    Formed by Rex Fowler and Neal Shulman in 1971, they have been going strong ever since.  This acoustic duo has been the talk of the music community for over 40 years with their great harmonies always being the first thing that is spoken of.  There is a great documentary that was made in 1999 called No Hit Wonder that goes through in a depth history of the band and their amazing legacy.

    Their most recent collection “Cause and Effect” is a collection of re-worked and new material that has social and political themes throughout and celebrates Rex and Neal being a band for over 40 years.  If you’re looking for a great evening of wonderful acoustic guitar playing, rich harmonies, and fantastic songwriting, then make sure to get to Bearsville this coming Saturday.  You can get tickets now at The Bearsville Theater or at The Bearsville Theater box office.

  • Greensky Bluegrass Will Play the Westcott Theater April 24th

    Greensky Bluegrass will play the Westcott Theatre, with their own brand of Newgrass band that has helped to re-invent this newer genre reminiscent of the old-timey bluegrass of Bill Monroe, but with a fresh jammy sound.

    Photo Credit: Jamie VanBuhler
    Photo Credit: Jamie VanBuhler

    The band has recently announced performances at Delfest, Telluride Bluegrass and Northwest String Summit and several more. They are also offering fans 5 of the 10 songs on their new album ‘Handguns’; Stream it for Free below or available on the Greensky Bluegrass website for anyone who wants to listen.

    As their name might suggest, Greensky Bluegrass utilizes traditional bluegrass instruments – dobro, banjo, guitar, upright bass and mandolin. However, the music that they make is anything but reversionary and the new album, Handguns is a brave expression of what separates their original music from the rest of the bluegrass genre.

    Greensky has continued to gain national momentum since they won the Telluride Bluegrass Festival’s coveted Band Competition in 2006 and have sold-out dates across the country as well as played at Bonnaroo, Bumbershoot, Hardly Strictly Bluegrass, NPR’s Mountain Stage and many more. As these diverse festivals would suggest, they’re a bluegrass band but they’re not. Bluegrass doesn’t have distortion, or horns for that matter. Greensky does.

    Greensky Bluegrass will play April 24th at the Westcott Theater in Syracuse, NY. Admission is $15 advance/$18 at the door. This is an all ages show, with 2 full sets by Greensky. Show starts at 7:00pm and you can get your tickets online or at the venue.

    Greensky Bluegrass is Anders Beck (dobro), Michael Arlen Bont (banjo), Dave Bruzza (guitar), Mike Devol (upright bass) and Paul Hoffman (mandolin).

    Stream Handguns Free!

    New Song/Video: Leap Year

  • Cabinet Brings Bluegrass to Upstate NY April 19th & 20th

    There just isn’t enough Bluegrass music here in Upstate NY. We do get a semi-acceptable amount of amazing bluegrass bands and small festivals in this area but acceptable amount to me would be relative to living in Nashville, TN.

    Cabinet

    Nestled somewhere in between Bill Monroe and John Hartford you will find Cabinet. A simple little name for a six-piece string band with deep roots in the old timey bluegrass tradition of story telling from our ancestors of the Appalachian Mountains.

    Their lyrics tell stories of family, love, and life; but most of all Cabinet has that gift of putting last night’s shenanigans and the morning afters repercussions into a neat little four minute package of an old timey moral lesson.

    “When we get drunk on wine and shine, we talk about the past and better times, I got drunk on wine and moonshine … Saturday night brings Sunday morn.”

    Tonight all my boot stompin, skirt twirrlin, bluegrass needs will be met and most likely surpassed. Cabinet is playing at Sticky Lips Juke Joint in Rochester, NY. The opening band will be the Ruckus Juice Jug Stompers. Doors are at 9:30pm and show starts at 10:30pm. Tickets: $12 advance, $15 at the door. You can also show your love in advance and RSVP to the FaceBook Event Here.

    The band is also playing at St Lawrence University’s Springfest on the Java Stage in Canton, NY the following night. Cabinet goes on at 4:00 pm and then heads to the Waterhole in Saranac Lake, NY. Admission is $10, ages 21+. Doors are at 9:00pm with opening band The Blind Owl Band. The show starts at 10:00pm.

    With the release of their most recent album Leap, Cabinet has toured most of the United States this past year. Things certainly continue to grow for these hard working musicians, this year will also be their inaugural Old Farmers Ball music festival being held Saturday May 11th featuring, Cabinet, Yarn, Holy Ghost Tent Revival, Miz,  And The Moneynotes, Pappy, Kyle Morgan and also the Coal Town Rounders. A limited amount of tickets are still available through Live Nation.

    Hope ya’all come out for this band this weekend, you will not be disappointed, in fact you will probably end sore the next day from all the dancing you will do at the show.

  • One More Time: A Daft Punk Tribute, bringing Robot Rock to Upstate NY, April 20th in Syracuse and April 27th in Clifton Park

    With Daft Punk slowly leaking the collaborators of their upcoming album Random Access Memories, anticipation is at an all time high as fans await the release of the first single, “Get Lucky”, in the coming weeks. The reclusive French duo have no plans to tour just yet and even when they tour, tickets are likely to be impossible to get and in select cities throughout the country. Fortunately, the tribute act One More Time is filling a void with an incredible live show that mimics Daft Punk’s live act, to the best degree that one can imitate such a spectacular show.

    one more time

    With two shows coming to Upstate New York – Saturday April 20th at The Westcott Theater and Saturday April 27th at Upstate Concert Hall, lucky fans are going to be in for a huge treat. Not knowing what to expect beyond Youtube videos, an interview was in order with R and B, the guys behind One More Time.

    Pete Mason: For those who have never seen a Daft Punk tribute such as One More time, how closely, if at all, does your stage show replicate that of Daft Punk?

    R & B: Our show has been perfected and grown into a FULL scale LED pyramid stage show complete with a lot of the same equipment used during the Alive tour. There are even sections in the set that replicate the same lighting cues as Daft Punk’s Alive tour. From the chromed helmets, to the light suits, and finally the encore performance, our show is as close as your going to get to the actual band. This is a project heavily researched and perfected with the help of the hardcore Daft fanbase.

    PM: What makes Daft Punk continue to be the gold standard of Electronic Music, especially since the surge of dubstep in the past few years?

    R: Daft Punk are the pioneers of modern electronic music of our generation. In the 70’s, we had Kraftwerk, In the 90’s, it’s DP. Daft Punk’s show in ’07 was the very first large scale electronic production show that paved the way for such artists and their large stage shows, i.e. Deadmau5.

    N: It’s also in their sound. For instance, Daft Punk has grown to be a successful group because of their appreciation for a “true to time” quality which has been seen on each of their albums. We intend to model our sets around that same feel by using songs and samples which fit “that” mold, instead of pushing for a contemporary sound such as dubstep, or complextro.

    PM: Is there a particular Daft Punk album, or era, that you identify with in particular, or love to play more than any other album?

    R: Our set is heavily flourished with Human After All, Since it was this era that the band had premiered their full-scale light show for the first time.

    B: It’s this kind of inspiration we kept going back to while programming our current show with the likes of the Tron soundtrack and of course our fav, Homework. There’s a little bit of everything throughout the set.

    one more time

    PM: How has the lack of Daft Punk live shows necessitated the arrival of a band such as One More Time?

    R & B: There’s such a heavy fanbase that wants to see the band perform more live. We grew from researching the Daft fanbase and are simply a living and breathing interpretation of all that work put into one. After we started this show, Daft Punk fans have continuously come up to us and thanked us for bringing our interpretation to the local and theater venues that wouldn’t be able to accommodate the real band. Our show is a presentation of material and fan requests in a new and unique way.

    PM: Have you had any contact with the reclusive duo?

    R & B- We have not.

    PM: How eager are you anticipating the new album Random Access Memories?

    R & B: We are both very excited for the release. The 10 second clip that debuted on SNL, exhibited our favorite element and style of electronic music, Disco.

    PM: What other influences have had an impact on your musical education and brought you to play electronic music?

    R: While my main influences in EDM stem from Daft Punk itself, I regularly listen to a lot of classic and indie rock. My musical taste was heavily influenced from college radio back when I was in school. This is where I got my start at as DJ for the first time.

    B: I’d say an early love for electronic music, lent itself to loving the French house sound. Artists like Underworld and The Chemical Brothers led me into harder styles of music as a child. When I originally saw Daft Punk and their costumes, I immediately fell in love with the idea of electronic artists using stage presence in a more creative way. Everyone from Aphex Twin’s dancing bears to artists like Deadmau5 have pushed the scene into more entertaining dimensions; we’re just trying to pay tribute to the guys that started it all.

  • Acoustic Guitar legend Leo Kottke coming to The Egg on April 26th

    Acoustic guitar legend Leo Kottke will perform at The Egg on Friday, April 26th at 8 PM as part of the American Roots & Branches concert series. Known as one of the fastest 6  and 12 string guitar players when he first emerged in the late 1960s, Leo Kottke has also become one of the most innovative and least musically classifiable artists of the 21st century. His one-of-a-kind picking style is matched in its uniqueness by his unusual, yet expressive vocal style and his stage shows mix instrumental virtuosity with a healthy dose of rambling stories, wit and humor.

    Tickets are $34.50 and are available at The Egg Box Office at the Empire State Plaza, by telephone – 518-473-1845 – or online at theegg.org.

    Read our review of the show here.

    acoustic guitar leo kottke

  • An Interview with Styx bassist Ricky Phillips

    Styx dominated the airwaves in the 70’s and 80’s with well-known hits such as, “Lady”, “Come Sail Away”, “Show Me The Way” and their only number one song, “Babe”.  The band did however have four consecutive multi-platinum albums and have a revolutionary sound comprised of a powerful guitars, theatrical performances and pioneering the prog-rock sound.  We were fortunate enough to interview Styx bassist and former Bad English founder, Ricky Phillips.

    The Glens Falls Civic Center is going to be host of three amazing acts on April 24th.  The “Midwest Rock ‘n Roll Express” tour featuring REO Speedwagon and Styx will be coming to the foothills of the Adirondacks to share their progressive rock stylings.

    REO Speedwagon will be sharing the headlining role of the tour with Styx.  REO Speedwagon has sold over 40 million records, including number one singles, “Keep On Loving You” and “Can’t Fight This Feeling”.  Another incestuous connection is REO Speedwagon’s lead guitarist Dave Amato used to play with Nugent before joining the band in time for their 1990 release The Earth, a Small Man, His Dog and a Chicken.  That album featured the bands last top 100 hit “Lock Is a Rock”.  Since then they have had success as a live act playing virtually non-stop around the world, the last few years with Styx.

    Ted Nugent has been getting more press for his stance on guns and support of the NRA than he has for his music lately.  Don’t forget that the Motor City Madman was all rock ‘n roll before he got political.  In the 70’s, Nugent provided us with hits like, “Strangehold”, “Wango Tango”, “Great White Buffalo” and of course, “Cat Scratch Fever”.  How does Nugent fit in with the tour?  He played with Styx’s Tommy Shaw in the super group Damn Yankees.

    Did you know Ted Nugent evaded being drafted in the 1970s by covering himself in his own feces and not showering for a few weeks? It’s true – read here from the man himself!

    When asked what we could expect at the show in Glens Falls, he said we should be prepared to be amazed.  Their goal is “to make tonight’s show better than last night’s show.  We even put together a brand new set that we are debuting on this leg of the tour.  We’ve put thousands and thousands into it and we aren’t even sure if fans will notice it the difference, but the stage performance that we put off is so important to the show.”

    Ricky actually played on Ted’s Little Miss Dangerous album, “One day I came home and Ted had left a message that he needed me to play a song for a movie that ended up on the album. So, I went down and I also set Dave Amato and Ted up together.  Now Dave is with REO. Most of the guys that are still out there have done some recording or played for everyone else at some point. A lot of the guys who are still the survivors are still carrying the torch and we are all still friends.”

    The Styx line-up hasn’t changed in 10 years, and there is a lot of rumors about grief and animosity with Dennis DeYoung.  Ricky played it off saying that “The band has been focused on growing the band over the past 10 years and getting better and better and not dwelling on the past.  Dennis is incredibly talented and if people are a Dennis DeYoung fan, I encourage them to go see him.”  Styx has a lot of modern pop culture success as well, including being in Big Daddy and South Park.  “It is something to see that the fans know all the lyrics to the songs.  Styx has a unique sound and if you hear a Styx song on the radio, you can tell it’s a Styx song with the harmonies. I think that in the 70’s and 80’s there was a lot of cookie cutter format, and Styx always had their own sound.  It’s very impressive. When I was in The Babies and first came across Styx it was obvious that their sound was really unique.”  Three generations of fans will be at the show, and all three will know the lyrics, whether they are a Guitar Hero player, a South Park fan or remember them growing up 30 years ago.

    The Rock and Roll Hall of Fame has also eluded Styx, as well as many of the progressive rock bands from that era.  You have to imagine that Styx will be inducted at some point.  Ricky’s perspective is that “When the Rock and Roll Hall of Fame started is always had more of a New York connection.  The British rock bands that started it all were being overlooked and it killed me.  So, I haven’t taken it too seriously.  It would obviously be a great honor to be recognized by the fans.  But whoever controls or makes that call, it’s up to them.  I’ve actually never even have this discussion with the other guys in the band.  Our focus is so much on the fans and making our music better and better every night.”

    Progressive rock is back on the rise, just look at any festival line-up and you will see modern prog rockers.  Styx was influential in starting that sound.  You can hear their influences on newer bands. “It’s great to hear, there is a new band that sounds like a mix between Styx and Zeppelin and you can tell what albums influenced them.  It’s nice to be part of the influencer.  I was influenced first of all by the Beatles and the song writing and arrangement.  Thank god that was my first initial impact as a kid.  There was a strong sense of song structure and melodies.  Paul McCartney’s bass solos were a huge part of me picking up bass.  I have played guitar to this day, but there is something about bass that has spoke to me.  It’s a real challenge to be a good bass player and it’s a challenge that I will always be striving for.  Listen to Paul McCartney and you can tell the percussion aspects of bass.  It’s seemingly invisible but bass can control the tempo and swing in a song.”

    Be sure to get out to the Glens Falls Civic Center  on April 24th and catch these three great bands and celebrate over 30 years of music.

  • MushroomHead Comes to The Lost Horizion April 23rd!

    Cleveland bred group MushroomHead will be taking the stage April 23rd at the Lost Horizon. Forming back in ’93, they began as a side project of various other local musicians.

    Their over the top stage performance and wild, mind-tripping sound and masks they wear caught on so they decided to take it up another level by making it an official band. Throughout the years they’ve gone through line-up changes and have a solid group now, and even downsized a bit; I bet it’s easier on the roadies! 13 years in the underground, 6 amazing studio albums, how can you not want to witness these guys live? Local bands such as Elephant Mountain, Meira, Wagner 3000, and Dear Mr. Dead are playing in support.  Show some local support and get ahold of the bands for some pre-sales priced at $15. Show starts at 6pm and doors open at 7pm be there!

    Elephant Mountain:

    A stoner-rock Syracuse native band, Elephant Mountain formed back in ’09 in a practice space with the birth of two songs that night. They’ll be returning to the stage on this night to support MushroomHead and to showcase a new drummer. There also maybe a surprise in-store so let’s see what the night may bring.

    Meria:

    This Syracuse based metal-core band released an ep back in in September titled “Closure”. You can find a digital copy in their BandCamp for free but if your feeling not so cheap in these tough times throw ’em a dollar! They’re also competing to be on the Warped Tour in Buffalo, Ny. If you want to cast a vote go to this link and show some more love:

    http://www.battleofthebands.com/u/meiraofficial

    Wagner 3000:

    One man’s sick music dream on an acid trip is all I can say about these guys.

    Dear Mr. Dead:

    A 5 piece band hailing from the ‘cuse area also not classifying themselves as anything but rock ‘n’ roll! But if you wanted to place a title on them you could go with Godsmack meets Disturbed.

  • Death to All 2013! “Celebrating the life and Music of Chuck Schuldiner”

    Death to All 2013 poster

    Attention Die Hard Death fans! Death to All tour, which celebrates “the life and music of Chuck Schuldiner” is hitting the big city next April 24th @ Irving Plaza. The tour aims to aid the Sweet Relief Charity for musicians, also in honor of Chuck, which main purpose is to” assists musicians in times of illness, disability and age related problems” .

    This year the tour will again feature members of the “Human” (album) era, and some special guests as well. Max Phelps (Cynic’s session guitarist) will have the honor to perform the vocals this year.

    Despite the issues with the Sick Drummer Magazine during the first run of the tour, Death to all was a success and once again it’s back with 12 major US dates and one Mexican date. This speaks volumes as the last tour only  featured 7 US dates. It was also motioned that this tour will feature a second leg which will include a show in Europe at the Neurotic Death Fest in the Netherlands.

    Last year’s skepticism among some fans on whether this tour will create some profit other than charity work was dismissed by Death’s manager, Eric Greif, with this statement;

    “A little word about DEATH TO ALL, people. This is NOT DEATH. I have read a few comments about money grabbing or trying to replace Chuck. Please show a little respect. DEATH TO ALL is meant to be a touring tribute to the words & music of Chuck Schuldiner, by the guys who played with him on the DEATH albums – and raising awareness of the important American charity Sweet Relief. Together we can all feel the vibe of what Chuck was all about by being together and collectively flowing to the tunes. We keep Chuck alive by keeping the music alive. It isn’t DEATH…it is DEATH TO ALL. “

    Tour dates are as follows: 

    Tickets avaiable here and vip tickets packages here.

    4/13 W. Hollywood, CA @ House Of Blues

    4/15 Denver, CO @ Gothic Theater

    4/18 Detroit, MI @ St. Andrew’s Hall

    4/19 Cleveland, OH @ House of Blues

    4/20 Cincinnati, OH @ Bogart’s

    4/21 Chicago, IL @ House of Blues

    4/23 Montreal, QC @ Club Soda

    4/24 New York, NY @ Irving Plaza

    4/25 Philadelphia, PA @ Theater For Living Arts

    4/26 Silver Springs, MD @ The Fillmore

    4/27 Worcester, MA @ Palladium

    4/28 Toronto, ON @ Phoenix Concert Theatre

    4/29 Mexico City, MX @ Circo Volador

    5/13 Tilburg, NL @ Neurotic DEATHFEST