Category: UpstateLIVE Archives

  • See Rubblebucket Perform at The Westcott Theater

    November drifts into December as you watch your calendar pages saunter down to the week before Thanksgiving. Now you are left bewildered, scratching your head in search of a good way to kill time before you take the train home for the annual Turkey Day festivities. Look no further—Brooklyn based post-genre Rubblebucket is notorious for pulling out horns, synths, guitars, and smile inducing harmonies out of their red bag.

    They put up raucous live shows, along with their handmade giant robot puppets and love-tunnels, to larger and larger crowds across the US, receiving love and affection from Paste, Rolling Stone, Stereogum, Wall Street Journal, SPIN and so many more. Stereogum hails the record’s “tricky arrangements, whistle solos, and disco guitar leads” and Paste Magazine calls the album “instrumentally rich but catchy enough to ass-kick Katy Perry off the pop charts (in a just world)—mega-melodic without sacrificing an ounce of atmosphere or creativity.”

    Over the past year, Rubblebucket has played several festivals, collaborated with Questlove for a Fela Kuti compilation, and made their late night TV debut on Jimmy Kimmel Live. All while writing and recording new material that will come in the form of the “Save Charlie” EP that also serves as a teaser to an album to come in 2014. So after you pack your bags, make sure to stop by the Westcott Theater this coming Wednesday to check out the line blurring seven-piece group that holds the reputation of upstaging even the jolly bearded old man when they come to town.

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  • Macklemore & Ryan Lewis Dazzle at Buffalo’s First Niagara Center

    Macklemore & Ryan Lewis hit the stage in Buffalo’s First Niagara Center with a burst of energy that burned bright throughout their nearly two hour performance.  Opening with, “Ten Thousand Miles”, they immediately ruled the stage with unbound force and excitement.  Complete with a violinist, cellist, horn, dancers and pyrotechnics, Macklemore and Lewis came prepared to blow the crowd away.

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    Playing many favorites from their newest album, The Heist kept the fans on their feet and singing along to hits such as, “Thrift Shop” and other favorites “Make the Money” and “White Walls”.  Performing to a crowd of about 5000, Macklemore, (Ben Haggerty), took a moment to reflect on their last visit to Buffalo a few short years ago where he remarked “there were about 20 people in the crowd”.

    Haggerty perfectly balanced the explosive performance with moments that felt intimate and warm.  Between powerful songs that had him jumping and throwing fists into the air, he softened when speaking of lessons learned when he struggled with addiction, which he said “Starting Over” was written about.  He also talked about the importance of accepting people as they are, before singing the hit song penned in support of gay rights, “Same Love”.  Haggerty’s keen ability to combine the liveliness of his rap songs with his soft spirit made the night’s performance dynamic and heartfelt.

    Macklemore & Lewis have come a long way, but haven’t forgotten where they came from.  Before closing with a reprise of  “Can’t Hold Us”, Haggerty expressed sincere gratitude to the audience for their support of independent artists remarking, “Without you, there is no us.”

    Setlist:  Ten Thousand Hours, Crew Cuts, Life is Cinema, Thrift Shop, Otherside (A Capella), Starting Over, Make the Money, Freestyle, Same Love (with Mary Lambert & Ed Sheeran), Can’t Hold Us, White Walls, Wing$

    Encore:  And We Danced, Irish Celebration, Can’t Hold Us (reprise)

  • Journey to China: Suck It

    Some dog mounts Nikki’s bitch

    You would think after Kid Rock got into the mix with Tommy Lee back in 2007, no one would want to bother with any of the members from Motley Crue.

    Oh, no.

    Nikki Sixx was minding his own business before some dog decided to get friendly.

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    Meanwhile, Tommy had his own battles to contend with.

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    In case you didn’t hear us before…

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    Last Tuesday marked the end of a two-week, marathon “eulogy” for Lou Reed by Rolling Stone magazine.

    Reed died on October 27th, after a long bout with liver disease.  And, the magazine was not about to let anyone forget him.  Each day, for two-weeks, they tweeted something regarding the deceased.

    After serving as guitarist, vocalist, and principal songwriter of the Velvet Underground, Reed’s solo career spanned several decades. The Velvet Underground were a commercial failure in the late 1960s, but the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era – hence Brian Eno’s famous quote that while the Velvet Underground’s debut album only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.”

    After his departure from the group, Reed began a solo career in 1972. He had a hit the following year with “Walk on the Wild Side”, but subsequently lacked the mainstream commercial success its chart status seemed to indicate.

    More than 150 people attended a memorial service in New York City’s Lincoln Center last Thursday.  Reed, himself, was a New York resident. His voice resonated through the air by means of mounted speakers speckled throughout the park. Many who speak of Reed’s talent, speak of the intimacy of his delivery; singing as if he was having a direct conversation with his audience.  Perhaps that’s why RS felt the need to stretch out this period of mourning.  But, the national attention that the magazine garners, coupled with the low-turnout for the memorial, makes one wonder whether or not such attention was in the service of his fans, or merely a few editor’s morning in public.

    Happy Birthday

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    Pearl Jam took a moment to pay tribute to one of their influences, when they wished Neil Young a happy birthday.

    Young’s time in the spotlight started as a member of Buffalo Springfield, and later playing on as a fourth member to Crosby, Stills & Nash.  But, his fame is predominately established through his own, solo work, which spans nearly 45 years. In certain circles, Young is considered the founder of the grunge sound that made Pearl Jam successful back in the early 90s, thanks in part to the heavily modulated guitar play in “Hey Hey, My My” off of Rust Never Sleeps.  He was inducted to the Rock and Roll Hall of Fame in 1995 as a solo artist, and again in 1997, as a member of Buffalo Springfield.

    Young turned 68 last Tuesday.

    Journey: “Send Her My Love”

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    Typhoon Haiyan struck the Philippine Islands on Thursday, November 7th.  It registered as a Category 5, “super” hurricane.  At it’s peak, it was recorded with sustained winds of 195 miles per hour (mph), with gusts of 235 mph.

    In its wake, nearly 11 million people were impacted directly by the storm, many of whom are believed to be homeless and deprived of food.  Climatologists and some politicians have quickly linked the strength of the storm to global warming. While politicians continue to squabble over the facts of climate change, there are some within the music industry already taking arms in providing aid to the Philippines.  One that stood out the most last week was Journey, who donated $350 thousand.

    The band announced the donation on November 15th, and it will go to the United Nations World Food Programme, which is providing Filipinos with food assistance.  The donation should provide 1.4 million meals.  Arnel Pineda, the band’s lead singer, is Filipino.

    To lend perspective on the band’s contribution, the rockers in Journey donated three times more than the country of China alone, who donated only $100,000.

  • Meet Your NYS Music Staff: Writer Johnny Goff

    “It’s better to ask for forgiveness than to ask for permission.” It’s a philosophy that has often gotten music writer Johnny Goff into some very hard-to-get areas for coverage. While that rogue attitude has occasionally got him into some snares and scowls, that brazen approach has also yielded some great interviews with some of jam / jazz / Americana / electronica and Rock icons. Those including but not limited to: Warren Haynes, Avett Brothers, Lotus, Soulive, Michael Franti, Marco Benevento and Joe Russo, Medeski, Martin and Wood and countless other up and coming bands.

    Johnny GoffWhile pursuing a degree in public relations / marketing from Finger Lakes, NY’s private liberal arts college Keuka College, Johnny began his love for music writing in his backyard by covering the Finger Lakes Grassroots Festival for several local newspapers. Later, Johnny would later work as a staff writer for Corning, NY’s The Leader newspaper for several years. When full-time journalism and his love for music combined with prose, the music-writing bug had become to blossom. In addition to local music columns and NYS Music Johnny has written for jambase.com, jambands.com, bandsthatjam.com and several other regional musical publications.

    When not writing about music, Johnny enjoys spending time with his wife and 2 daughters, attending as many Phish shows as he can manage around his full-time career as regional director of development (attended first show in 1995), hiking, fishing and golfing and counting his blessings for having so many great friends around this great country.

    Before the sandman knocks on his door, Johnny would like to attend the Isle of Wight Festival in England, get invited to Woody Harrelson’s, Willy Nelson’s and Owen Wilson’s private compound in Hawaii for a personal jam session, play guest perscussion for Donna the Buffalo at Grassroots Festival, get to see Trey Anastasio and David Byrne play together, see Rage Against the Machine play Red Rocks Ampitheatre in Colorado, and see the dubstep genre blown up in at a secret Nuclear Test Site in the South Pacific Ocean.

  • Protest the Hero’s Volition: An Exercise in Artistic Freedom

    url-3Their futures were signed away without ever putting ink to paper. Protest the Hero ventured out on their own, choosing to take matters into their own hands for the first time in their career. The path has hardly been paved for a major metal act to leave their record label, but what has transpired since the beginning of the year has left a footprint on their latest release. The determination that cuts through the appropriately named Volition is accentuated by a sense of raw, musical freedom that has been stripped of any concern. Protest the Hero has jumped in with both feet causing a historic ripple whose affect has yet to be seen.

    The band originally signed with Vagrant Records back in 2006, but upon fulfilling all contractual obligations this year, the guys chose to forgo renegotiating a new contract. The progressive metal act from Canada took a huge risk, deciding to record and release an album themselves, without any label support. Protest the Hero took to the idea of crowd-funding, where a project is financed by collecting a small amount of money from a large amount people, and used the website Indiegogo to launch the campaign to their fans. In the band’s own words, “Crowd-funding seems to be something that’s working. Whether or not this is the next thing for the music industry, it’s a way that supporters of a band can know exactly where their hard earned dollars are going. No middlemen, no commissions, no bullshit.” With everything spelled out, from the cost of gear rental to producer fees, fans literally knew where every dollar was going to be spent. The band was completely transparent, and in turn, saw a huge return for their honesty. Within thirty hours of the proposal being posted, fans had already contributed enough to meet the band’s $125K goal. The month-long drive brought in close to triple what they needed and proved the power of their loyal fan base.

    The contributed dollars have finally come full circle with the release of Volition this past Tuesday, October 29th. The eleven transcending tracks came with obvious anticipation from its investors as well as anyone who caught wind of the project. The fruit of the band’s labor couldn’t be sweeter either, with a cohesive album that demands to be listened to from start to end. The songs bleed over into one another, transitioning seamlessly in and out of heavy sections, rich melodies, complex patterns, and soaring instrumentals to keep you hooked. The band’s tight use of syncopation seems like a chase at times with a feverish pace only their rhythm section could pull off. Bassist Arif Mirabdolbaghi is one of the best in metal and continues to prove that on this album. His mix of rhythmic, pocket playing and foreground standouts show what an elite bassist can really do for a band. Even with the departure of longtime drummer, Moe Carlson, the band didn’t miss a beat. Lamb of God‘s Chris Adler was brought in to handle percussive responsibilities and couldn’t have left a more pronounced, but unobtrusive, mark if he tried. Guitarist, Luke Hoskin, describes Adler’s role saying, “Everything was written before Chris dug into it. We programmed drums and then he gave them some love to make them his own. There was some stuff that he definitely livened up, and some other stuff he just gave us the finger for assuming he would play it!” Longtime unofficial sixth member of the band, Jadea Kelly, was also featured on four tracks. Her warm vocal touch has been heard on every Protest release and blends perfectly with Rody’s voice. His range and creativity alone though are unique as they come in metal and compliment the virtuosic talent present in the music. The fact that he sings has always been a breath of fresh air and fills a void that the screaming vocals of the past decade could never fill.

    The band isn’t turning back either, as the title of the album makes quick work of summarizing their dedication to the new venture. This body of work can only be attributed to the position the guys have put themselves in. Luke describes the fan-funded album by saying, “It allowed us to take our time and not worry about how much money we were spending. It also allowed us to hire our good friends to be a part of everything. We surrounded ourselves with a very comfortable environment and one which was very close to home.” As for what the next step is in this musical evolution, Luke says, “It’s hard to say. I certainly don’t miss being tied down by a label (especially for 3+ albums like in the past). But that’s not to say that we still don’t work with our distribution labels on a daily basis. One day, I hope to fully do an album on our own and just put it online out of the blue in a ‘pay what you can’ scenario. I see younger bands doing that all over the place now – these are the ones who I want to grab by the shirt neck and say “keep ownership of your music”. But on the other hand, we never would have gotten to where we are without the help of some truly amazing record labels. I believe this “shift” in music everyone is muttering about is going to take a lot more time than we think.”

    The highly successful campaign leading up to the recording session is only being eclipsed by the quality of music that’s come as a result. The metal orchestration could only be pulled off by a band like Protest the Hero. If you listen to nothing else though, check out the three key tracks as they incorporate the dynamic and diverse tonal range covered on the release. As the album hits the coda in the final song, the band coordinates a stirring close that feels as though the ties have been cut and you’re left to drift away, sadly coming to terms with its conclusion.

    Key Tracks: Without Prejudice, Plato’s Tripartite, Skies

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  • Chicago Plays the Hits and More for Fans at Proctors

    The legendary rock and roll band with horns, Chicago, paid a visit to the Capital Region at Proctors in Schenectady on Wednesday, November 6th. Chicago has toured every year since they started back in the late ’60s and don’t show any signs of slowing down. They have achieved record breaking album sales, countless awards, their own star on the Hollywood Walk of Fame and have been voted one of the top 100 artists of all time.

    Proctors Main Stage Theater holds 2,700 seats and almost each one filled with new and old fans alike ranging in age, but predominantly middle aged. There was a giant, easily recognized Chicago logo on the backdrop of the stage upon stage setup, in front of the majestic marble columns and rich vintage colors. The crowd was surprised with opening act, acoustic guitar duo Austin Charles and Tim Stop who swooned with their soft melodies and charming harmony. One of the highlights was their rendition of Michael Jackson’s “The Way You Make Me Feel” a delightful and rebellious serenade.

    Chicago wasted no time jumping right into the music with a high energetic blast of new songs and their classic hits. The wide open and double leveled stage gave the musicians plenty of room to stretch the sound. Trumpeter Lee Loughnane expressed how excited they were to be back in Upstate New York and touched base on how they were going to have a whole spread of genres to cover tonight as well as new music. He screamed, “Don’t be afraid to like it! We’re gonna rock!” Chicago has a hard hitting rock sound with their electric guitars and steady percussion plus a heavy touch of jazz that they city of Chicago is known for itself. Jason Scheff laid down a heavy disco bass groove mixing with the boogie of the bongo drums from Wally Reyes. James Pankow was very spunky with his trombone and at one point, dove into a wailing session on the snare drums.

    chicago1. The evening indeed was filled with a wide genre as Chicago played everything from the upbeat rockin’ funk of “Saturday In The Park” to smooth jazzy ballads ala “You’re the Inspiration” and “If You Leave Me Now”. One of the highlights of the night was the sequence of “Make Me Smile” right into “Colour My World” and then very surprisingly back into “Make Me Smile.” This arrangement ended the set and energized the crowd for another hour still to come of Chicago. After the 20 minute intermission, Chicago started with their newest single “America”, a groovy song with political lyrics in great harmony. New music can be unsettling for long time fans of any band but Chicago fans greeted the new music with a respectful applause and relieved that the guys still have more music to share with them for years to come. The band took a moment at the end of the show to celebrate the fact that it was their next to last show of the year and already excited to tour next year. It was unanimous for musicians and patrons that Proctors was a beautiful venue, meant for music.

  • Family Funktion and the Sitar Jams at Abilene November, 16th

    “Family FUNKtion and the Sitar Jams is sitar, drums, and bass trio who blend Indian elements with funk, jazz, and jam to create unique psychedelic experiences.”

    Family FUNKtion and the Sitar Jams (FFSJ) is the life long excursion of the Padmanabha brothers. The funky duo got their start with funk and rock and later discovered the folk styles of their Indian roots and naturally encompassed the Sitar into their musical creation. The band has been described as ‘spacey, funk, jaxx freakouts!’

    FFSJ plays Abilene in Rochester, NY Saturday, November 16th. Show starts at 9:30PM, tickets are $5 for 21+ and $ for 18+. For more information on upcoming shows at Abilene Bar & Lounge please visit them online.

    More about the bandsitar jams

    as told on their website…

    Born into a family with roots extending from India to Ireland, the Padmanabha Brothers interests in music started at very early ages. In the beginning, the boys started playing basic Western instruments like drum set, bass, and guitar.  On these instruments, the brothers created music ranging from punk rock to folk and many places in between.

    During their teen years Ravi, Aneal and Naryan began exploring their roots by traveling to India and soon learned the styles of Classical Indian music. Through their travels, they learned to borrow concepts and styles from many world traditions.

    Family FUNKtion and the Sitar Jams have performed with and/or shared bills with Max Creek, Rob Wasserman, Toubab Krewe, The Heavy Pets, Consider the Source, Michael Kang (String Cheese Incident),  and Steve Molitz (Particle). The boys have also recorded with the world renowned North Indian Classical vocalists V.J. Kichlu and South Indian percussionist T.S. Nandakumar.  Between the 3 brothers, they appear on over 20 independently released albums.

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  • Conspirator Heads to Pittsburgh, D.C. and Philly this Weekend

    Continuing from a very successful fall tour and a recent appearance at Suwannee Hulaween, the live electronic rock band Conspirator will continue their extensive tour as winter approaches, with upcoming shows in Ohio, Pittsburgh (at the Rex Theatre) on 11/14 and at one of their favorite venues, the 930 Club in Washington DC, this Friday, November 15th. Their winter tour will continue to Philadelphia on Saturday, then branch to North Carolina from 11/21-11/24, and end up at Stage 48 in NYC on December 30, which is the final date scheduled in 2013 before they sail on Jam Cruise in early January.

    conspirator pittsburghFormed by the Disco Biscuits’ Aron Magner and Marc Brownstein, their current incarnation includes the talented guitarist Chris Michetti (RAQ) and drummer Torch. Pick up tickets to upcoming shows 

  • Fiona Apple Performs at the Beacon Theatre on her ‘Anything We Want’ Tour

    An eager crowd emerges from the Verdi Square station on 72nd & Broadway and makes its way down a couple blocks. Yellow taxicabs line 74th street and a stream of people pour through the entrance doors of the Beacon. Couples walk two by two, men loosening their ties and women touching up their lipsticks as they enter. It is, after all, a Monday night, so what better way to unwind from a hard day than to sip Pinot Noir in the orchestral seats, waiting for Fiona Apple to take you and your date completely by surprise with her antics?

    photo via Beacon Theater
    photo via Beacon Theater

    People begin to fidget in their seats as Apple is running thirty minutes behind schedule. Soft whispers begin to surface the air: “Do you think she left the venue?” It was only a week ago that Fiona Apple had a fan escorted out for calling her too skinny and unhealthy, so who knows what the singer is capable of doing next? But as the lights dim, so do the complaints and before you know it, a frail figure in a little black dress leans in against what seems like a blackboard. A sharp screech comes screaming in the concert hall, making its way row by row as the singer-songwriter scribbles “Teach me how to be free” in chalk.

    California based singer-songwriter and producer, Blake Mills, soon joins Fiona Apple on stage with his guitar, taking a seat right in front of the percussion set, and they start the show with their new song, “Tipple”. Apple amuses the audience as she playfully picks up a selection of handpicked percussive instruments in the chorus. Though the rattle struggles more than it shakes, she stirs a majority of her audience with childlike enthusiasm alone. It soon makes no difference that the rattle is inaudible. Before performing the Tidal track “The First Taste”, she attempts several times in engaging the audience with witty banter but misplaces the punch line each time. The audience laughs forgivingly and she continues to play her first single off of The Idler Wheel, “Every Single Night”. Apple, immersed into the music, strikes herself with the artisan percussion that she has in her hands. In “Regret”, her animal gestures are akin to watching Mowgli hunt with his brother wolves, only instead of removing thorns from the palms of her brothers, Apple is planting them on herself. She proceeds to tread down this intense path performing songs like “Not About Love” and “Dull Tool”, but it is not until the last couple of songs in her set when she truly sucks the air out of the room. Her performance of “Left Alone” is as eerie and angry as it sounds on record, and during her live rendition, it almost makes Apple look and sound frailer than before. It is almost like she appears noticeably smaller on stage. She ends the night with “Waltz (Better than Fine)”, which proves to be the crowd-pleaser of the night. She cheerfully preaches, “If you don’t have a date, celebrate”, winning the heart of those few people who showed up to the stage solo.

    Though Apple ends the show in a rather abrupt manner, in a way no one can tell whether it is actually over or if she is in between songs, most people walk out content, holding some form of merchandise or another, with the belief that they can be Anything They Want.

  • 2013 Jam For Tots Benefit Back for the Holiday Season

    Jam for Tots is back for the 2013 Holiday season, this time helping donate toys to the Marines Corps Reserve Toys For Tots. The event will be held at a number of different places throughout New York State, with a number of different bands and musicians that are donating their time and effort to a great cause. The event will be put on by Luke Weiler of Positive Mental Trip and this will be his sixth year combining the efforts of local talents for the sake of charity.

    “No child should go without a toy this holiday season. I hope everyone will make a special effort to come and help out. It will be a good time too,” Weiler commented. There will be 9 separate events this year, and each show will host a variety of different music genres including reggae, rock, funk and hip hop. At each event you may bring a toy worth five dollars or more, or pay a five dollar cover which will be used to buy a toy for USMC Reserve Toys for Tots program. Even if you cannot attend, stop by and drop off a toy in the donation box and make a child smile on Christmas morning.
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    Events for the 2013 Holiday season are:
    Nov 1 – Cosmic Charlie’s 7722 Main Street Hunter, NY Doors @ 8, Music @ 9
    Nov 8 The Spinning Room 5975 Main Street Tannersville, NY Doors @ 7, Music @ 7:30
    Nov 16 Cabaloosas/Oasis Cafe 58 Main Street, New Paltz , NY Doors @ 8, Music @ 9
    Nov 23 Liberty Public House 6417 Montgomery Street, Rhinebeck , NY Music @9
    Dec 7 Fuller Road House 27 Fuller Road, Albany, NY Doors @ 8, Music @ 9
    Dec 13 Trexx Nightclub 319 N. Clinton Street, Syracuse, NY Doors @ 8, Music @ 9
    Dec 14 The Columbia 500 Columbia Street, Utica, NY Doors @ 8, Music @ 9
    Dec 17 Harmony Cafe- Wok n’ Roll 52 Mill Hill Road, Woodstock, NY Doors @ 8, Music @ 9
    Dec 20 Mill Street Brews 18 Mill Street Southbridge, Mass Doors @ 8, Music @ 9

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