Category: Special

  • AVATAR opens for SEVENDUST at Upstate Concert Hall Feb 6th

    When Sevendust comes to upstate it is guaranteed to be a great time.  Combine their powerful sound with the Italian Gothic metal sensation Lacuna Coil and Swedish-based melodic death metal band Avatar doing their first U.S. tour – be prepared to have your face melted.

    When Avatar came onto the stage, the audience didn’t know what to think of this five piece ensemble.  Upstate Metal ran into the founder and drummer, John Alfredsson, an hour or so before the show at Pizza Hut of all places and got the lowdown on the set.  The plan was  for 30-40 minutes of in your face metal, a little theatrics, and hopefully to impress the American crowd.  Well, I think they undersold the “little” theatrics, but they definitely impressed the American crowd.  When John founded the band in 2001 with singer, Christian Rimmi, it took the duo 2 years to get settled in and find the rest of the permanent members.  So, with almost 10 years of touring Europe under their belt it was time for them to break into the states.  Being on a Sevendust & Lacuna Coil tour guaranteed Avatar a lot of metal heads will see their music for the first time.  Were they ready? Absolutely.

    Christian’s theatrics proved to entice and excite the crowd at Upstate Concert Hall.  Guitars shredded and drums pounded but all eyes were on the frontman to see what the hell was he going to do next.  Coming out in a black executioner style mask for the first song, he then headed backstage to change it up a bit.  When Christian reappeared for the second song, a friend of mine and Upstate Metal editing master, Chris Fleischmann accurately described him as the result of Alice Cooper and Freddy Kruger having a love child.  A demented love child that fronted a band of Swedish misfits.  In a good way.  The set played out and Avatar won themselves some fans.  They hung out at the merchandise table for most of the night and was even seen at the bar a time or two.  I’d say run out and buy their new album, Black Waltz, but who am I kidding.  Go over to iTunes and give it a listen.

    Important Links:

  • CLUTCH Release “Earth Rocker” Lyric Video – Set to play Syracuse in April

    CLUTCH’s first ever lyric video for the song “Earth Rocker” is in and can be viewed here. The video was created by Ramon Boutviseth and his team at Studio RB Films.

    The sold-out and extremely successful European leg of the Earth Rocker world tour is coming to a close. A recent review from Metal Hammer UK from their gig at KOKO can be viewed here.

    CLUTCH’s new album Earth Rocker is available for pre-order exclusively at http://www.clutchmerch.com. Fans can pre-order the record individually or partake in the special fan-friendly bundle packages that are being offered. WEATHERMAKER MUSIC has confirmed a March 19, 2013 North American release date for theCLUTCH Earth Rocker CD and Vinyl.

    CLUTCH will kick off the first leg of the Earth Rocker North American tour March 8th in Cincinnati, OH and it runs through April 20th in Baltimore, MD. CLUTCH will be Upstate New York at the Westcott in Syracuse on April 15th.  Support on the tour will come from Orange Goblin, and Lionize. Unfortunately our friends Kyng will not be able to be with us on this tour. Please visit their website for additional information.

    Fans can keep up on the progress of Earth Rocker by visiting the new website www.earthrocker.com. The website is a hub dedicated to all things Earth Rocker. Fans can expect to see frequent updates including photos, videos from the studio, song title announcements and samples of new songs.

    Earth Rocker North American Tour

    • 3/8: Cincinnati, OH @ Bogart’s – Tickets
    • 3/9: Nashville, TN @ Marathon Music Works – Tickets
    • 3/10: Sauget, IL @ Pop’s – Tickets
    • 3/11: Little Rock, AR @ Juanita’s Cantina Ballroom – Tickets
    • 3/12: Tulsa, OK @ Cain’s Ballroom – Tickets
    • 3/14: Dallas, TX @ Palladium Ballroom – Tickets
    • 3/15: Austin, TX @ SXSW
    • 3/16: Austin, TX @ SXSW
    • 3/18: Colorado Springs, CO @ The Black Sheep – Tickets
    • 3/19: Salt Lake City, UT @ The Depot – Tickets
    • 3/21: Los Angeles, CA @ House of Blues – Tickets
    • 3/22: Tempe, AZ @ The Marquee – Tickets
    • 3/23: Las Vegas, NV @ Hard Rock Café Las Vegas Strip – Tickets
    • 3/24: Anaheim, CA @ House of Blues – Tickets
    • 3/26: San Francisco, CA @ The Regency Ballroom – Tickets
    • 3/27: Reno, NV @ Knitting Factory – Tickets
    • 3/29: Seattle, WA @ Showbox at the Market – Tickets
    • 3/30: Portland, OR @ Roseland Theater – Tickets
    • 3/31: Boise, ID @ Knitting Factory Concert House – Tickets
    • 4/1: Missoula, MT @ The Wilma Theater – Tickets
    • 4/2: Spokane, WA @ Knitting Factory Concert House – Tickets
    • 4/3: Vancouver, BC @ Commodore Ballroom – Tickets
    • 4/5: Calgary, AB @ Flames Central – Tickets
    • 4/6: Saskatoon, SK @ Odeon Events Centre – Tickets
    • 4/7: Edmonton, AB @ Union Hall – Tickets
    • 4/9: Winnipeg, MB @ The Garrick Centre – Tickets
    • 4/10: Minneapolis, MN @ First Avenue – Tickets
    • 4/11: Des Moines, IA @ Wooly’s – Tickets
    • 4/12: Chicago, IL @ House of Blues – Tickets
    • 4/13: Grand Rapids, MI @ The Orbit Room – Tickets
    • 4/15: Syracuse, NY @ Westcott Theater – Tickets 
    • 4/16: New Haven, CT @ Toad’s Place – Tickets
    • 4/18: Toronto, ON @ Sound Academy – Tickets
    • 4/19: Pittsburgh, PA @ Stage AE – Indoor – Tickets
    • 4/20: Baltimore, MD @ Rams Head Live – Tickets

    Follow CLUTCH on Twitter @ClutchOfficial

    Like CLUTCH on Facebook

  • Danny Avila at The Westcott Theater, February 4th

    After a set chock-full of massive club bangers from the  tattooed Mikael Weermets, 17- year old DJ Danny Avila emerged from backstage at The Westcott Theater last Monday night with an edgy new haircut (literally edgy, it was quite spiky) and a pair of Studio Pro Beats by Dre around his neck. Once the crowd recognized him they went absolutely nuts despite having been pretty wild already. Mikael Weermets had already gotten people to form dance circles and at that point I had already seen two 28 year-old men booty drop, which is two more than anyone should ever see. Weermets suavely transitioned into “Snapbacks & Tattoos” by Driicky Graham while he did the equipment switcheroo with Avila.

    When Danny finally got situated at the table with his three Pioneer players and mixer he faded out of “Snapbacks” and the crowd really got ready to jump. Avila has been playing a residency at Pacha in Ibiza so it came as no surprise that he knew how to put hands in the air, but what sets him apart from other DJs is his energy. Throughout the show you could see how much he truly loves making people dance. It shined right through his Bieberesque smile. He was literally glowing with passion, and it had nothing to do with his Spanish tan or the crazy light show. The light show was pretty impressive though and in addition DJ DBerrie, Krill was in the house along with Mikael Weermets who hung out on the stage to throw stickers and shower the crowd in champagne.

    During the set he dropped a handful of massive tracks by Knife Party, including “Rage Valley”, “Power Glove” and an interesting  trap remix of “Internet Friends” which he got everyone hyped up for by transitioning in with the intro guitar riff of Nirvana’s “Smells Like Teen Spirit”. A few other songs he used for epic transitions  were Deadmau5’s “What The Fuck”, where he slyly mixed  in the vocals, “They know what is what but they don’t know what is what” during  the track,and the infamous “1, 2, Woop, Woop!” from the track “WARP” by The Bloody Beetroots and Steve Aoki which was a huge crowd-pleaser.  What I appreciated most about his set was its versatility.  In addition to surprising the crowd with classics like “Jump Around” by House of Pain and “Zombie Nation” by Kernkraft 400, he showcased every spectrum of EDM, from Dubstep to Trap to Moombahton and Dance to House. I really feel bad for anyone who missed this show.

    Some tracks he played that I strongly suggest for your listening/download pleasure include: “Say My Name” by Porter Robinson, “Raise Your Weapon” by Deadmau5, “Goin in’” (Skrillex Goin in’ Hard Mix) by Birdy Nam Nam, “Go Deep” by Neoteric & Wax Motif, “Rukus” by Valentino Khan & Will Bailey, “Animal Rights” by Deadmau5 & Wolfgang Gartner, “Atom” by Nari & Milani, “Pursuit of Happiness” (Steve Aoki remix) by Kid Cudi, and “Heads Will Roll” (A-Trak Remix) by the Yeah Yeah Yeahs.

    Danny Avila TwitterWebsite and Soundcloud

    Check out his bangin new single “Breaking Your Fall”

    [youtube http://www.youtube.com/watch?v=iftO6DYT1_E&w=420&h=315]

  • An Interview with Jeremy Salken of Big Gigantic

    The first time I saw Big Gigantic, I was floored by the amount of energy exuding from the stage to the crowd. They have all the aspects of any amazing electronic show: the mind blowing light show, the high energy and the improv jams, but also the jazz stylings that you would only find in a classically trained saxophonist. Dominic Lalli (sax and production) and Jeremy Salken (drums) have pioneered their own genre of music fusing together electronic, bass-centered music with smooth jazz and acoustic drums.  Their sound is truly one of a kind and they have made their presence well known in the electronic scene. I had the pleasure of chatting on the phone with Jeremy just days before their show in Clifton Park at Upstate Concert Hall.

    Jenni Wilson: Alright, we’ll start off with a little history behind Big G. When and how did you two meet?

    Jeremy Salken: We met through the Boulder, Colorado music scene. We both were playing in funk and jazz bands, any gig we could get and we kind of met through that and ended up moving in together. Dom found a computer and started making some beats and it all kind of progressed from there.

    JW: Who would you say are some of your biggest influences?

    JS: Everything. Herbie Hancock, John Coltrane, all jazz music. Radiohead, a bunch of new stuff like Skrillex and Bassnectar. We get influences from everywhere. We are always looking to push ourselves. Dom’s always trying to push the way we make music and the angles its coming from.

    JW: You have clearly forged your own path in the electronic music scene, but being that what you play is still so different from other acts, how would you go about defining your music  to someone who has no connection to the electronic music scene?

    JS: It’s really hard to explain, honestly. It’s one of those things were still kind of trying to figure out. Its really not jazz and electronic. We call it electronic dance music or live electronic music. We take so many different styles from drum and bass, hip hop, dubstep, sometimes moombahton.

    JW: What exactly inspired you to blend live sax and live drums with electronic?

    JS: Dom has been playing sax for  a while he has his masters in jazz performance. I’ve been playing drums since I was a little kid, self-taught. Naturally we wanted to bring different instruments together and we wanted to find a way to fuse electronic beats. We wanted to be able to throw a party and keep everyone dancing but still get to play our instruments and improvise and build and drop.

    JW: Your tour schedule looks jam packed. Is this busiest you guys have ever been?

    JS: It’s pretty normal, we’ve stay relatively busy since we started so it feels very natural. We have more time coming up than we ever have. Things are kind of chillin out. We have a nine-week tour in the fall, so this five-week tour is  a short one compared to that.

    JW: The last time I saw you guys was main stage at Camp Bisco and I know you guys ended up playing some of the top U.S. festivals last year. What festivals do you think you’ll be leaning towards this summer?

    JS: We’re on Summercamp and Snowball in March, but we played so many last year this year will be more mellow and we try not to repeat festivals. A lot of festivals don’t like to repeat. We’re working on our new album and doing a big tour in the fall. We’re also working on a Red Rocks gig. There are also a couple of other festivals that I can’t really announce yet.

    JW: What is your favorite part about playing a festival, and how does that compare to playing a headlining tour?

    JS: It’s definitely different. We love playing festivals because Dom and I have been going to festivals before we were in this band. We’re huge fans of the festival vibe. It’s awesome playing in front of so many people with a huge crowd and massive energy. But we also love getting indoors and containing all of that energy and playing with a more intimate crowd.

    JW: You guys have put out an album almost every year since 2009, is there any new material planned for 2013?

    JS: We’re working on an album for the fall now hopefully before our tour. And hopefully we’ll have that and ya know, that’s been kind of the main focus.

    JW: Will your show at the Upstate Concert Hall be your first trip to the Albany area, aside from Camp Bisco? What can we expect from you guys at this show?

    JS: No we’ve been to Albany a bunch, probably our third show. We played The Big Up Festival, and we’ve also played in Rochester. We played a sports bar (Jillian’s) about a year and a half ago in Albany. We try and hit that area (Buffalo, Rochester, Albany)  because we love coming to the Northeast. It’s gonna be a party. I wouldn’t miss it if I were you guys. We have a new light rig that we dropped on New Years and we’re bringing that out. We’re playing a bunch of new music, Dom’s been working on some new stuff so it’s gonna be a non-stop party.

    JW: Alright last question. There have been rumors floating around that you and Jennie Garth recently started dating. Is this true?

    JS: True. I haven’t been asked that on an interview but I’ve been asked it more and more since Jam Cruise. Our story broke in the National Enquirer with a bunch of false information. It said I was 41, which I wouldn’t mind if it was true but it’s not. It was funny being in the National Enquirer because obviously they don’t have reputable news. They called every member of my family and Dom trying to get all of this information and obviously nobody gave them anything so they ended up making everything up.  They said we met at Coachella and have been dating for a really long time. That isn’t true. We didn’t meet at Coachella, we met in October so it’s impossible. It’s pretty nuts what kind of information they’ll print. Even with no information they will print whatever they want.

    You can catch Big Gigantic at Upstate Concert Hall in Clifton Park on February 12th  and at Water Street Music Hall in Rochester on February 17th.

  • Listen to the new Formula 5 album

    Formula 5, one of the fastest up and coming acts in the Capital District are about to release their debut, self-titled album, and has your first listen to these tracks. If you don’t know about Formula 5, here’s a primer from an interview with the band last fall.

    formula 5 albumAs for the tracks, take a listen below. We’ll have a full review later this month, so take a listen to a solid debut album from Formula 5, and catch them for their CD Release show on March 2nd at Red Square in Albany with Funktional Flow from Buffalo supporting. They are also playing on February 15th with Vasudo at Acoustic Cafe in Bridgeport, CT; March 1st with Funktional Flow at The Monopole in Plattsburgh; March 12th with Assortment of Crayons at Oasis Cafe in New Paltz; March 22nd at The Waterhole in Saranac Lake with Project Weather Machine; and May 11th at Upstate NY’s first BIG outdoor event of the year – The Upstate Spring Revival in Lyons, NY

  • The Garcia Project brought Good Vibes to the Putnam Den on February 1st

    As soon as The Garcia Project took the stage at the Putnam Den on February 1st, you knew it was going to be a mystical evening.  The crowd was a mix of old hippies and new hipsters, from dreadlocks to backward hats, from women in long skirts twirling as they danced to men in jeans and suspenders, it was an eclectic mix. There were bikers, office workers, students and retirees.  It didn’t matter who was enjoying the groove – they were smiling and taking in the good vibes.  And who could blame them, the music of Jerry Garcia is timeless, and The Garcia Project has taken the time, energy, and their talents to master that sound.

    From the first notes of the night, “Sugaree”, the dance floor was full and people were singing along.  The set went on and songs went off to spectacular jams, only to be pulled back into the pleasing duo of Mik Brody and Kat Walkerson on vocals.  In math, there is a theory that the sum of two parts can not be greater than the whole.  Thankfully in music, that logic is thrown out – because while Mik and Kat are great singers on their own, they are better together.

    When you looked to the stage and you weren’t noticing Mik intently staring down at his guitar, much like Jerry used to do, or Kat’s exaggerated facial expressions as she sang her heart out, you noticed the light show.  The Garcia Project brought along a Macbook, a projector, and a light guy (Dutch Masterson)- a perfect combination to set the mood.  The psychedelic scenery covered the large stage and then some. Intricate designs and other visual effects graced the backdrop as the band played on.

    The Garcia Project is obviously a tribute band to Jerry Garcia Band.  A tribute band is quite different than a cover band because they don’t merely mimic the songs, but rather the whole sound and feel of the band.  That can mean using the same brand of instruments, similar amps and modifiers, and even looking like the original band.  As a fan of the original band, you go and enjoy the show knowing that this is the closest you are going to get to the real thing.  It transports you into the past and into an atmosphere that is reminiscent of an historic vibe.  Luckily that vibe is still alive in those like minded individuals around you at a show like this one at the Putnam Den.  In order for a tribute band to be successful, fans need to look at them as the authority on the artist they are emulating.  The Garcia Project pulls it off effortlessly.  Don’t believe it?  Go see them live and then go check out old YouTube footage of The Jerry Garcia Band.  Listen to how Jerry plays off Gloria Jones and Jackie LaBranch and compare that to Mik Brody and Kat Walkerson.  Listen to the jazz influenced bass of the legendary John Kahn and feel the similarities of The Garcia Project’s own Dan Crea.

    The Garcia Project is the whole package starting with the incredibly talented Scott Guberman on the Hammond B3 organ and Leslie speaker.  Aaron Martin sets the pace on drums.  The masterful guitar work of Mik Brody, himself, fills the role of Jerry on guitars and vocals.    The night was song after song of a delightful mix of Garcia classics and a few covers – some made famous by the Grateful Dead, and some lesser known but carrying that same Garcia vibe.  The dance floor stayed packed all night, especially during the livelier tunes and the long jams that took you to another time.

    The Putnam Den pulled out another great night of music and Grateful Dead and Jerry Garcia fans, both young and old, had a great experience that took them into the night.

    Setlist:
    Set 1: Sugaree, Tore Up, They Love Each Other, He Ain’t Give You None, Tough Mama, Evangeline, Strugglin’ Man, Second That Emotion
    Set 2: Lonesome and a Long Way From Home, Mission In the Rain, Breadbox, Positively 4th Street, Don’t Let Go, Midnight Moonlight, Sisters and Brothers, Tangled Up in Blue, Deal
    Encore/Grateful Dead Set: Half Step, Shakedown Street, Eyes of the World, Cumberland Blues

  • Solid Sound Music and Arts Festival returns to MASS MoCA June 21-23

    After a one-year hiatus, Grammy Award-winning Chicago-based rockers Wilco return to North Adams, Massachusetts, this summer to host their Solid Sound Music and Arts Festival at the Massachusetts Museum of Contemporary Art (Mass Moca) over June 21-23, 2013.

    Now in its third year, Solid Sound is a three-day celebration of music, comedy, and art located on the MASS MoCA campus. Although the musical lineup and interactive exhibits have not yet been announced, but we’re guaranteed a couple nights of Wilco and a handful of Wilco-related side projects of individual members.

    Always entertaining, the comedy stage will make a return and will be curated by John Hodgman (The Daily Show and celebrated podcasts are among his funny exploits.) The stage will feature Jen Kirkman (Chelsea Lately, Funny or Die), Reggie Watts (Conan, Fallon, College Humor) and Al Madrigal (The Daily Show).

    Previous years have included multiple nights of Wilco, along with The Levon Helm Band, Thurston Moore, Mavis Staples, and Avi Buffalo. Also performing were Wilco-related side projects The Autumn Defense, Pronto, On Fillmore and The Nels Cline Singers.

    The $99 Early Worm tickets have already sold out, but a limited number of $124 Early Bird passes are still available, after which a three-day pass will set you back $149. Ticket prices include access to the exhibits at MASS MoCA, so if you haven’t yet made the trip, this is an excellent opportunity to catch what is arguably the most eclectic collection of modern art in the Northeast. And, it’s only a 90-minute scenic drive from Albany!

    Below are scenes from the first-annual Solid Sound Festival in 2010.

  • Willy Moon playing Dinosaur Bar-B-Que in Troy on Friday, February 15th

    Every so often, a random musician plays in Upstate New York that scratches heads. One might ask, “Isn’t this guy bigger than playing a small venue for free?” or “How did they get these guys here?” – this can be said for The Lumineers playing a free show at Upstate Concert Hall in December, or Spanish DJ Danny Avila, who will be headlining Coachella and Ultra Music Festivals, playing The Westcott Theater on February 4th. Upstate New York being so accessible to New York City, it’s easy for acts to stretch out and get to the smaller locales and venues, and for that, Upstate New York is truly blessed.

    willy moonFor your consideration, another ‘Wow, HE’S playing up here?!’ is heading to the Dinosaur Bar-B-Que in Troy pm on Friday, February 15th. New Zealand-born and London-based singer Willy Moon. This is a free show that is part of the WEQX Miller Lite Concert Series. The show will start at 10pm. Get there early and eat some GREAT Bar-B-Que!

    Now, you may be wondering, “Who the hell is Willy Moon?” Well, you have probably heard one of his songs from a recent iPod ‘Bounce’ commercial. With just a few songs under his belt, his first album comes out later this year, aptly titled Here’s Willy Moon. He has a couple other tunes, particularly his debut “I Wanna be Your Man” and “Yeah, Yeah”. Willy sounds like he has a little Buddy Holly and Jerry Lee Lewis influences in his music, plus some slick footwork based on his moves in the videos below. Check them out below and don’t miss this treat at Dinosaur Bar-B-Que on February 15th

    One of those ‘stick in your head all day tunes, in a good way’ – “Yeah Yeah”

  • Band Profile: LOWKEY

    I had the opportunity to sit down with Lowkey (Newark, NY) this weekend at Fusion in Syracuse, and got down and dirty with them. For those of you who don’t know them, where have you been? They got together in 2003 when metal was making its triumphant comeback. They have not changed their style, nor succumbed to big management… yet. Through many line-up changes, these guys have not stopped pushing one bit. The changes they say “were for the better of the band”, which I would have to agree with. They always impress, and out of a fluke of chance encounters, they have formed a solid metal orchestra.

    image

    The thing I enjoy about the metal scene is the realism of it. You say to a band “Hey, I’d like to interview you for a feature”, and they say “come on out to our van, we will smoke, drink some beers and talk”. That, to me is the brotherhood the other scenes are lacking right now.

    The band currently consists of Sean Augustus, “Pickles” (Brian Belcher), Jay, and Matt Huff. The members are spread out over Upstate New York. As Matt explained, “the professionalism of the band is what has kept them together over the years, they have all done side projects in other bands that didn’t work out, but they are all very passionate about this band.” Lowkey has a little bit of thrash, “stoner” metal, and death metal mixed into one bag. What else is stashed away in the bag, I’m not saying. Among their influences are Lamb Of God, Godsmack, In Flames, Led Zeppelin, Deftones and even The Grateful Dead.

    When they write a new song, it starts with a simple jam, and they build off it. Each of their members write their own parts in the process. The band mates also own Hage Entertainment together, which brings bands from the neighboring states to Upstate NY every summer to celebrate Hage Fest. This coming summer marks the 7th year in a row that they have at least 100 submissions to play. They started the festival for the sake of the scene. They wanted to help the other bands in the metal/hardcore scene to have some place and a crowd to play in front of and gain exposure. During the interview, they continued to let their very loyal fans into their van, to witness the interview, along with sharing a few beers and good times. I asked them about their upcoming release, Forward. With two albums already under their belts, Backstabber and Red Moon, Forward promises to be their most brutal release to date. They record at Nitro Blast Studios with the respected Jeff Barrett engineering and producing the albums. They have known Jeff for most of their careers in music. He has a knack for being able to capture the “Lowkey” sound. The Studio is located in Geneva NY, a backroom studio, described by the members of Lowkey as being “one of the best recording studios in the state.”

    The boys in Lowkey shared with me some of the highlights of their last tour in 2012, as Sean said “crashin’ and ridin’”. With great support by fans, letting them crash at their homes and feeding them so they didn’t starve. But the most memorable moment was probably when Pickles crashed their brand “new” 1979 van. Luckily, no one was hurt, and they look back and laugh about the incident now. During their 2010 tour in Texas, a bartender after a gig gave them a case of vitamin water to help them survive on the road for a couple of days. Along the way they’ve meet some of their personal heroes, too. They genuinely appreciate their fans that sometimes send money on tours, and radio stations like The Metallic Onslaught that give them playtime. They’ve tried big management, but have found they like having complete control over what they do and how they do it. However for the right price they might think about making another deal. Jay says “he does this for the fun.”
    Lowkey is a very tight-knit family that helps each other during the tough times and celebrates the good times. Be on the lookout for Forward to be released between March and April. They really strived to make the album as close as you can get to catching them live. If you haven’t checked them out yet, you can find them at www.facebook.com/lowkeyny and www.reverbnation.com/lowkeyny. For booking info go to www.facebook.com/hageentertainment.

  • Lotus Interview and Review: January 30th at the Westcott Theater

    Lotus, the notorious EDM act-turned-jamband played a solid sold-out show at The Westcott Theater on a Wednesday, January 30th, making quite the comeback with their tenth album, The Build. The band continues to enchant listeners as they genre-bend their way into an idiosyncratic combination of funk and EDM, proving to be more relevant now than ever.

     

    Before the show, I got the chance to talk to Jesse Miller, the bassist and sampler for the band.

    Gauraa Shekhar: Your new record The Build is recorded live to analog. How did that come along considering the wide range of instrumentation?

    Jesse Miller: We have been following the process over the last few years. It is a classic 70s thing, you know—with basic tracks and everything.

    GS: That’s really cool. In The Build the rich texture really comes through, especially in songs like “Middle Road”. How do you guys produce music within a budget without compromising the quality?

    Jesse Miller: Most of it was done by myself and Luke. We rehearsed the process before we went into the studio and relied on a lot of software to help us. So we didn’t waste time and money on extra studio hours.

    GS: That’s very practical. What kind of a demographic are you catering to with such genre-bending music? Is it easier to find the venue that matches your sound or do you have to pay special attention to it?

    JM: I don’t think there is a specific demographic that we cater to but venues are definitely important. We aim for high-energy shows. Sometimes, we play for a younger crowd but there really is no specific age.

    GS: Performing live is obviously a great aspect of your music. How do you mix it up on stage to keep the audience entranced . . . I mean, besides the lights of course.

    JM: Improvisation, for sure. We try to mix it up by changing the instruments and arranging the songs a little differently.

    GS: Since you guys incorporate a lot of computer generated digital sounds in your music, how do you put a different spin on it whilst performing live?

    JM: There are certain things that are important to pull out of line…sometimes, we play around with the melody and sometimes we change up the instruments. We also trigger samples on stage.

    GS: Oh, wow! Well, what is it like having a 47 days tour?

    JM: 47 days in a tour can be hectic. But it allows us to develop a sound and a rapport.

    GS: I’m sure. Bands have issues but you guys seem to stuck together as a band through all these years. What are some of the main things that glue you guys together?

    JM: Well, it’s mostly the work ethic and the drive. We’ve been at this for such a long time and we’re really passionate about the music.

    GS: As are we! Looking forward to seeing you in ’Cuse on the 30th, Jesse!

    JM: Looking forward to the show!

    [youtube http://www.youtube.com/watch?v=Mg8giAkXJjA]

    As promised, Lotus gave those looking to get a high-energy head start to their weekend more than what they had bargained for. As I walked straight off the campus to their venue, I couldn’t help but wonder if I had walked straight into a Tim Burton set with all its entailing paraphernalia. I watched inebriated girls in princess costumes flail their way to the front row and men leaping out of crumbling bathroom doors with glowing light sabers. The night was fecund with possibilities  as if anything could happen. Excited fans drove in all the way from Rochester and Watertown, yelling out to anybody willing to listen: “This is the fourth time I’m seeing them perform”, “I just watched their show in New York last week” and “They just keep getting better each time”.  It was more than evident that Lotus’ electronica sound sustained their fan base over a span of fourteen years. And let me tell you, the infamous interplay of stage lights was only the beginning. Only a band like Lotus could turn a dance party into a religious experience. Lotus fueled the room with time-transcending energy and a motley crowd checked their baggage at the door, walked in, simply wrapped their heads around the music— and let their hair down.

    [youtube http://www.youtube.com/watch?v=Q2r7NY_Ra3s]