Category: Special

  • Interview: YOUNG BLOOD

    The lights begin to dim and the mixed chatter amongst the crowd turned into screams and cheers of excitement. A familiar drumbeat fills the room and the people begin to clap with the rhythm. Concert attendees sing along to the classic rock song “We Will Rock You”, famously performed by Queen. The new faces on the stage continue to encourage the audience to sing along. They then begin to play what they had in store for their elated fans. Entrancing melodies transfer from instruments to fans and fill ears and souls with the unique sound of Young Blood, a band that emerged from the shadows and captured the hearts of many music lovers. As fans surmounted, intrigue arose regarding the band and its origin. Who is this band? Where did it come from?young blood

    Young Blood is a rock/alternative band from Rochester, New York, that recently toured with pop punk/alternative band Yellowcard. Together the five members, Ben Dean (lead vocals), Joey Arena (guitar), Chris Klumpp (guitar), Corey Baiera (bass), and Bryan Struczewski (drums), have released two singles on their YouTube account (“Little Vices” and “Chemicals”).

    Upstate Metal’s Kate Drexel had the opportunity to interview the band’s guitarist and founder of the band, Joey Arena.

    Upstate Metal: How did you come up with your band name?

    Joey Arena: I came up with the name years ago, actually. I’ve always been young at heart, you know, and everybody wants to live forever, and be young, and I think I fear may grow old, but I want to choose to stay young as possible on the inside…so kind of having that young blood.

    UM: How did you meet each other?

    JA: Chris [Klumpp] and I have played together before, and all the other kids were just people we kind of knew through friends of friends or in passing. We wanted to play with fresh faces that we’ve never played with before and everybody was a friend of a friend of each other, and we were kind of random about it, picked a bunch of random talented dudes.

    UM: How long have you been together?

    JA: Chris and I have been together for about five months of planning this and the approach we wanted to take on this, like having Ben [Dean] in the band. Bryan [Struczewski] got into it about three months ago and Ben got into it about two months ago, and Corey [Baiera] is the newest, he came in about a month ago. This is the original lineup so we kind of just pieced this puzzle together with no rush because we wanted to find the right people for the right job. As this lineup, I guess I would say a month and a half. The idea of the band had been brewing for about five months.

    UM: Who are your inspirations?

    JA: That’s such a difficult answer because we have tons of inspirations. We grew up from different backgrounds, which is cool. Ben is a very indie person; he likes a lot of weird music. Bryan used to play in a lot of hardcore bands, stuff like that. Chris is like…I don’t know…we all just come from really different backgrounds. Then we all come together and like the same bands, like we love, like stuff that we grew up on through high school heartbreak, like Garbage, Taking Back Sunday, Berlin, and 30 Seconds to Mars, and all of these awesome bands. But individually we come from different places. I love 80’s music; I’m a huge 80’s rock person. My mom raised me on Bruce Springsteen and stuff like that. I picked up a guitar because of Nirvana, because of Kurt Cobain. I have a sick obsession with Kurt Cobain.

    UM: How did you manage to be a part of the Yellowcard tour?

    JA: We knew they were going to be taking on another band and our manager is friends with their booking agent. We gave them our new music that was unreleased, and everybody dug it, and that was like, “yeah, come on tour with us.”

    UM: When do you think the album will be out?

    JA: We are currently in the studio, finishing up the rest of the tracks. We’re hoping to get it finalized no later than early summer but we are shooting for the spring, but that can go anytime because we just got bunch of choices that fell into our laps. We wanted to take the rest of February off to finish getting the demos organized so we can finish recording those. At the same time, we can’t pass up tours; we are a very tour hungry band, we love to live on the road.

    UM: Where do your song ideas come from?

    JA: Musically, I do most of the songwriting. Like I’ll structure out a song and the band will put like two sentences to it, like once we bring it into the studio. Whatever emotion I’m feeling, I will put it through the guitar, which is kind of weird to say that, like how; obviously, singers whatever they’re feeling emotionally will be put in lyrically. Well, I do that with guitar; if I want a more aggressive song because I’m feeling aggressive or I’m feeling anxious or if I feel like I want to write a love song. It goes as far as what I am feeling musically. Lyrically, like “Little Vices” is really cool as far as what Ben put out, like his experiences…he can explain it a lot better than I can because his lyrics are like crazy. Lyrically, its kind of like he wants to have this relationship with this girl no matter who can stop him, like if fate isn’t bringing them together, he’s not going to believe in fate- that type of thing. It’s not going to stop these two people from willing to be together. A lot of people blame the Devil or God for things not happening. This song is like “you control your own life, you control your own actions. If you want something bad enough, just do it yourself. You’re the only one who can get in the way.” Then there’s “Chemicals”…it’s along the same line as the other song but it’s really about this person who is possibly the worst individual we have ever met in our entire life. It makes for a good song.

    UM: What does your music reflect about you guys?

    JA: When we write how we want our music to portray us, we are all over the wall, we are rock and roll, no genre, no sub-genre, we are just music. We don’t want anyone to put a title on us or put us in a category. We push the envelope in certain spots but we bring it back, to common grounds, to the common listener. We are really just writing for ourselves, we play music because it’s what makes us happy. And if there are fans that understand that and there are fans that can relate to our lyrics, relate to that feeling because everybody feels love, hate, sadness, happiness, everything, and we just want to put that into our music so that when someone puts our record on its literally an emotional roller coaster. We want something for everybody and because not everybody wakes up happy, not everybody wakes up sad, not everybody wakes up angry, there’s some kind of feeling for everybody.

  • PIERCE THE VEIL Return to Upstate Concert Hall with MEMPHIS MAY FIRE and More

    After an explosive tour with a deadly lineup, Pierce the Veil are returning to the Upstate Concert Hall in Clifton Park on March 24th with some equally impressive support. On Halloween of 2012, PTV came to Clifton Park with the help of Sleeping With Sirens, Tonight Alive, and Hands Like Houses. Now they’re coming back with the help of Memphis May Fire, letlive., and Issues. This promises to be an incredible show that mixes some very different styles of music. It’ll be a night of high energy and killer performances, all covered by us here at Upstate Metal.

    ptv

    Pierce the Veil:

    After the massive success of their third album, Collide With the Sky, on Fearless Records, Pierce the Veil has been on the road non-stop and traveled across the world in support of the album. Known for their high vocals, experimental alt/rock-metal style (which they refer to as “Mexicore”), and high-energy live shows, they are bringing it all back to Upstate New York for the second time in six months. They’ve been both praised and criticized for the direction they’ve taken on this new record, as it has evolved from the sound of the first two. Either way, bad reviews of their live shows are hard to come by, and they are a worthy headliner for this powerhouse show.

    Memphis May Fire:

    Rise Records veterans Memphis May Fire were just at the Upstate Concert Hall on January 29th and The Lost Horizon in Syracuse on February 2nd with For Today and others on the Fight the Silence Tour. They’re coming back to continue supporting their third album, Challenger, as one of the heavier bands of the bunch. With their melodic metalcore sound, MMF are ready to blow it up again on stage with what promises to be an explosive performance.

    letlive.:

    After being signed to Epitaph Records in 2011, longtime prog/post-hardcore veterans letlive. are touring all over the country. They’re playing some shows with up-and-coming band Issues around the area, and this is one of them. This is an exciting addition to the show, as they provide a blend of heavy postcore with slightly pop punk hooks and pure metal riffs. Their unique sound will complement the rest of the bands well, but are definitely standouts on their own.

    Issues:

    Tyler Carter’s (in)famous new rapcore/metalcore band, Issues, is opening the show. After leaving the band Woe, Is Me as their clean vocalist, Carter’s new project has been met with praise as well as criticism from fans of Woe, Is Me. This band is much different from Carter’s previous band, and is an interesting  departure from it. Combining rap beats and metalcore sound, Issues brings an eccentric sound to the table for the wide array of styles for this show. Love them, hate them, or undecided, they are definitely worth seeing to determine how you feel about this controversial and unique band.

    With a variety of sounds and styles, this concert is going to have something for everyone. Make sure you don’t miss your chance to see four great bands all under the same roof!

  • FORSWORN Continue Their Sound Evolution with “Repercussions”

    Over the years, Forsworn have gone through a lot of changes. Originally As The Sky Falls, they have underwent numerous shifts in the lineup, and have evolved in sound every time they’ve went into the studio. However, one thing has stayed the same throughout the years, and that is their undying anger, attitude, and passion. Honing a new sound on their latest single, “Repercussions”, Forsworn demonstrate that they are still as angsty as ever. This song definitely presents the band in a whole new light, and their style has adapted as well.Forsworn

    Rating: ***1/2

    This new single displays a transition into a slow, heavy, metalcore style with punk-metal influence. It is stripped down to basic power chords that ring out with dominance and power. They come out swinging with this song, delivering angry lyrics with powerful vocals. Just when you think it’s going to do one thing, it changes. In the middle of the song, the guitar comes in with some Tom Morello-style riffing. This was a very healthy addition to the song, adding some variety and even more excitement to the sound. The breakdowns in the song aren’t really breakdowns, but more of a slower run-through of the verse. In a sense, the whole song is almost like one big breakdown, but with more melody and even more anger.

    http://www.youtube.com/watch?feature=player_embedded&v=bbZvrao5ypQ#!

    Some may be disappointed in their new sound, clinging to the sound of their popular sophomore EP, Here’s To Your Failure. Others are embracing this new sound and are welcoming the new stage of Forsworn’s growth as a band. Those who have gotten the chance to see them perform their new set live have given them positive feedback. I think some of their fans are having a hard time with this new style because they haven’t seen them perform it live yet. Having seen it twice, I can honestly say that these guys sell it up there and own the stage, as they always have. Of course, they’ve recently lost three of the original members of the band, and things must be very different now. However, they show no intention of stopping.

    Love it or hate it, Forsworn demonstrate with their new song that they are going to do what they want. If you like what they are doing, they can promise you a killer show. They are loyal to their fans, but will not be told what to do and what songs to play. They have shown, as they have many times, that they will not be stopped on their path of musical destruction. Whatever you think of their new style, you can’t deny that Forsworn are a passionate, talented band that will continue to drive themselves to greatness.

    Check out Forsworn here: https://www.facebook.com/forswornband

  • Album review: Edge of Attack

    white

    Son, we live in a world that has heavy metal, and heavy metal has to be played by men and women with passion. Who’s gonna do it? You? I have a greater responsibility (as a reviewer) than you could possibly fathom. You weep over the death of hair bands, and you curse the Edge of Attack. You have that luxury. You have the luxury of not knowing what I know. You don’t want the truth because deep down in places you don’t talk about at parties, you want guitar solos, you need marathon drum solos. We use words like old-school, thrash, power. Edge of Attack uses these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain them to someone who rises and sleeps under the blanket of awesomeness that Edge of Attack provides, and then questions the manner in which they provide it. I would rather you just said thank you, and went on your way.

    Edge of Attack isn’t about to apologize for the nostalgic sound that harkens back to acid washed jeans and teased out hair that was ever-present in the 1980s. (Nor am I apologetic for invoking Jack Nicholson’s iconic Col. Jessup from “A Few Good Men”. Both have a time and a place, and when that all comes together, it sounds pretty awesome.) The crew from Grande Prairie, Alberta, Canada only recently released their third installment (February 19th), a self-titled CD that makes good on their promise to provide old-school metal “with a modern edge.” It’s a formula that’s dangerous to handle, as nostalgic metal certainly has an appeal to an older demographic, but to be attractive to everyone, you have to provide something different.

    Edge of Attack has ten, of what I call, war anthems. Each song portrays a battle being fought, from “In the Night,” (To fight or die, is your fate.) to “Set The World Aflame”. The CD’s opening song, “In Hell” has an Icelandic Folk Metal influence akin to Korpiklanni, but the vocals are sincerely their own. Their work has an eclectic blend of sounds interwoven within this CD. That’s aided by the fact that three of the songs feature vocals from outside the band – Ivan Giannini, Ryan Bovaird (Hallows Die, out of Ontario) and PelleK (Damnation Angels, out of England) – which enhances the overall experience. An awkwardly-placed “howler monkey”, three-minutes into the song nearly taints what, otherwise, is a refreshing lyrical experience provided to the listener by lead vocalist, Roxanne Gordy.

    [A howler monkey describes the occurrence of lyrics being barked, grunted and bellowed, rendering the song incoherent; nonetheless, it has become commonplace in metal today.]

    The signature track on the CD would have to be, “Set The World Aflame,” Timing in at nearly eight-and-a-half minutes, it presents a bombastic display of heavy metal goodness, showcasing Trevor Swain’s machine gun drums to the feverish guitar work of Jurekk Whipple (lead), Dallas Dyck (rhythm) and Denver Whipple (bass).

    Not to take away from the band’s abundance of talent, or this CD to which I find to be a joyous experience, Edge of Attack works the nostalgic metal formula just well enough to be good. So much so, whatever it is preventing them from catapulting into the stratosphere, is somewhere in the night. And, it can be certain, they will be fighting. Otherwise, you want this CD. You need this CD.

    Available on iTunes, here.

  • His Only Star (A Novella) – Christopher Stocking

    Front_Cover

    “Do you ever look at the stars and wish you could snatch them out of the sky?” Oliver asked. “You know, to keep in a box all for yourself?” “What would you do with a box of stars, Oli?” Trista asked. Oliver shrugged. “I don’t know, change the world?” When fifteen-year-old Oliver sneaks away on a train with his friend, Trista, he discovers that life has more to it than the small world he is trapped in. It’s full of sex, drugs, and danger. But, before Oliver can come to terms with these, he must first learn that everyone has their demons, and he must come to accept them. But what if it’s too late?

    Buy Christopher Stocking‘s book today and support Upstate New York writers.  Find it at Amazon at http://goo.gl/BmnI2.

    Chris Stocking is a self-published Science-Fiction/Fantasy Author. He grew up in Wayland, is currently attending The College at Brockport–majoring in print journalism–and plans to attend graduate school for Creative Writing. He lives in Dansville, New York, with his wife, Casey.  He is also a contributor to Upstate Metal and the author of several short dark fiction stories that can be found on the site.

  • Blood on my Hands (Short Story)

    BloodOnMyHands

    I heard the front door burst open and already knew what to expect—Pa was home from the saloon. Ma was already crying, and I could hear the powerful thwack as Pa’s fists struck her. The screams and cries were terrible, almost unbearable. “Why?” Ma screamed. I pressed my ear to my bedroom door to listen closer. Pa mumbled something about a “cheatin’ whore,” and a “good for nothin’ bitch.” Nothing out of the ordinary.

    I opened the door and crept into the common room. Ma’s crimson blood stained the floor, and the front of her white dress. She lay in front of the couch in the fetal position as Pa flung powerful kicks at her midsection. His spurs rang loudly with each blow.

    “Git away from her,” another voice said sternly. I turned and saw my older brother, Sam, come charging out of his room. Pa looked at Sam and laughed. His eyes were dull and blood from Ma’s broken nose dripped from his knuckles onto the wooden floor. “I won’t let you keep doin’ this to Ma,” Sam said through clenched teeth. “How long is this gonna go on for?”

    “Shut up, boy,” Pa snapped. “You have no business interferin’ here. This is between me,” he looked back at Ma, “and your whore mother.” He looked back at Sam and then flicked his eyes over to me. “What are you doin’ here girl?” he asked. He approached me and put a bloody hand on my shoulder. He reeked of whiskey. “You git back to bed now, Sarah, you hear me? Go on, git.”

    I looked at Ma. Tears flooded down her cheeks and mixed with the blood on the floor. “Go on Sarah,” she whispered.

    Pa’s face twisted with rage and he looked back at her over his shoulder. “You shut your mouth,” he screamed. “You have no place talkin’ with your whore mouth.” He spun me around and patted me on the behind, forcing me to step toward my room. What choice did I have? A fifteen-year-old girl against my drunken Pa? I’d be lying next to Ma, bleeding just as badly.

    I stopped in my doorway and glanced back. Sam charged at Pa and wrapped his strong arms around Pa’s waist. He pulled as hard as he could and dragged Pa backward. Pa roared and ripped Sam’s hands from his body, and then picked Sam up by the shoulders and threw him into the kitchen. I winced as I heard the table and chairs scatter across the room, followed by Sam’s groans. Pa looked at me and pointed. “Git in your room, now,” he said darkly.

    I stepped inside and slammed the door. I didn’t know what to do. He’d been doing this for so long and I didn’t know how I could make it stop. I couldn’t think of a time when he didn’t come home drunk and swinging. I didn’t even respect the bastard. I had no feelings or emotion toward him.

    Ever since I can remember he’d always smelled of whiskey. Ma told Sam and me stories of how she met him at the saloon. She was struggling to survive. They brought the railroad out here to the west, and led everyone right past our little town. Ma relied on Pa to bring home what money he could. After I was born, Pa started using most of what little money he earned at the saloon. Ma learned the hard way that whiskey turned Pa into a raging lunatic. She couldn’t leave him, though. She needed him for the money.

    So, now, here we are, dealing with Pa’s anger and rage when he comes home blind drunk. Sam tried when Pa went too far with Ma; but, that never worked. The sound of Pa’s last strike on Ma seemed to hang in the air for a moment. Then Pa grumbled and stormed off to bed.

    Now, like every other time, I had to go out and make sure Ma was still alive. Every time I wondered what I would do if I came out and she was dead. I always assumed I would just stare at her for a long while, unsure of what to do.

    I opened my door and cautiously entered the common room. I made sure to check the hall leading to Ma and Pa’s room, to make sure Pa had fully retreated to bed. I approached Ma and helped Sam lift her up onto the couch.

    Blood poured from Ma’s broken nose, along with several cuts on her cheeks and chin. Both of her eyes were already bruised, and tears streamed down her bloody face. “Ma, we can’t keep doin’ this,” Sam said. His tone and face were stern. He pulled a red handkerchief from his back pocket and gently dabbed her gashes.

    “What choice do we have?” Ma asked. “We can’t survive without him.”

    “Sure we can, Ma,” Sam answered. “I can git a job. I’m plenty old enough. Or we can run to Mexico.”

    “Git a job where?” Ma asked. She winced as the handkerchief touched her wounds. “The railroad took all the jobs from us. And, you know we can’t afford three train tickets.”

    “I’ll bet he does it on purpose,” I said. Ma and Sam looked at me as if I were a mute speaking for the first time. “Goes to the saloon, I mean. He spends all that money on whiskey, just to keep us here. I don’t know how much longer I can take it, Ma.”

    “Sarah…” Ma began. She paused and looked at me for a moment. “You may be right. But, there’s still nothin’ we can do. I reckon you should run along to bed. Everything will be fine in the mornin’, like always.”

    “Until Pa comes home ragin’ drunk again tomorrow night,” I protested. “He’s gonna kill you one of these times, Ma.”

    “Git goin’ to bed, Sarah. That’s an order.”

    I stared at her, and then looked at Sam. His face was still stern and grave. I could tell he was doing his best to hold back from crying.

    “Just do what Ma says,” Sam ordered. A sing tear streaked down his face, and rage built up inside me. Never before had I seen Sam cry. He’d always been the tough older brother. The one who was never phased by anything. He was the strong one, the brave one; the one who could handle anything. But, now Pa had gone too far. Something had to be done. I surely wasn’t gonna sit around any longer while Pa ruined my family. I kissed Ma on the cheek and made my way back to my room. I tasted her blood on my lips, and clenched my hands into fists. I slammed the door behind me and the flaking metal hinges nearly broke off.

    As I climbed into bed I could hear Ma and Sam talking about protecting me, and making sure I was safe from Pa. But, Pa had never hit me. Not yet, at least. Why where they so worried about me? They were the ones constantly getting beat.

    My eyes closed and I drifted to sleep. Most nights, I would have been haunted by nightmares of Pa chasing after me—liquor bottle in one hand and his shining silver Colt revolver in the other.

    The revolver. The beautiful, gleaming six-shooter he kept on his nightstand. The week before he bought it was one of the best weeks of my life. He hadn’t gone to the saloon one day that week so he could save up to buy his prized gun. He almost named it after me, too. Almost. It was that week that I heard the coyotes howl at night, instead of Ma’s screams. I miss the coyotes.

    On this night, though, I wasn’t haunted by the nightmare. In fact, I didn’t dream at all. I can only remember darkness. Just an empty, blank night of sleep.

    I awoke the next morning to Pa telling Ma she had to go to the general store in the next town and pick up a few things, and to watch out for Big Bill Waterson, the bandit who had been wanted by every lawman in the west. I never heard him apologize. Not once. Although, he never apologized to her any other time, so why should this time be different?

    I slid out of bed and walked into the common room. Pa was polishing his revolver while Sam tended to the cattle. Pa looked at me and smiled. “Git dressed,” he said excitedly. I narrowed my eyes at him. “Don’t look at me like that, girl,” he snapped. “I said git dressed, we’re goin’ to the range. Unless you don’t wanna go shootin’?”

    I stared at him. Never before had he allowed any of us to go near his revolver. Now he wanted to take us shooting? Maybe this was his apology. Maybe this was his way of saying sorry for all the years of senseless abuse. Surely a day of shooting out on the range would make all of us feel better. “This is your last warnin’, girl.”

    I sprinted into my room and frantically put on a pair of brown trousers and a black shirt. Not traditional for a lady; but, I certainly didn’t want to go shooting in a bulky dress. As I walked back into the common room I heard the whinny of a horse from down the road. Ma was back from the general store. Good, that meant we could leave for the range sooner.

    I heard the wagon pull up to the front of our ranch house, followed by a loud snap of cracking wood. Pa looked out the window. “Son of a bitch,” he roared. He charged outside and Ma shrieked as he grabbed her by the hair. “What did you do?” he yelled.

    “I didn’t do anything,” Ma answered through her tears. She grabbed Pa’s hand and tried to pull it away.

    “Liar,” Pa yelled. He breathed heavily and spit shot from his mouth. “We can’t even afford to have this fixed. What are we gonna do now? Huh? How are we gonna fix this?”

    “Let her go,” I screamed. Pa looked at me with wide eyes.

    “What did you say?” he asked quietly. Sam jumped the cattle corral fence and glared at Pa.

    “Let her go, Pa,” he said. Anger was present in his voice.

    “Or what? Huh?” Pa answered. “What are you gonna do?” he laughed. “Git back to the cattle, boy.”

    I stepped closer to him and reached a hand out. Pa held the revolver to Ma’s forehead and I froze. “Pa, put the gun down,” I said calmly.

    “No,” Pa answered. “Your mother has cost me far too much anger and money. She doesn’t do a damn thing but sit at home all day while I make all the money.”

    “You mean the money you piss away at the saloon every night?” Sam asked.

    “I told you to git back to the cattle,” Pa screamed.

    Sam stepped toward Pa, and there was a loud bang. I felt the warmth of Ma’s blood as it sprayed on my face, and watched as Ma fell to the ground. Blood flooded from the wound in her forehead and pooled around her.

    I stared at her. Ma’s eyes were wide in a dull, lifeless stare.

    “No,” Sam screamed. Tears ran down his face as he charged at Pa.

    Pa turned and squeezed the trigger. The bang from the revolver echoed off the distant mountains, and I watched as Sam stopped and clutched his stomach. He raised his hands and stared at the blood that stained them. Pa squeezed the trigger again and Sam fell over backward. The bullet pierced him directly between the eyes and he crashed to the ground.

    I flicked my eyes between Ma and Sam. They both stared up at the sky as the crimson blood flowed from their bodies.

    Pa looked at me for a moment, and then stepped closer. He put a hand on my shoulder and smiled. I felt a light pressure on my lower stomach and gazed down at it. The blood-covered barrel was pressed against my body. I looked back up at Pa.

    “It’s not your fault,” he said.

    “I never blamed myself,” I answered calmly.

    The smile faded from Pa’s face and twisted into a look of anger. “We both know who’s to blame here,” he said grimly. He looked back at Ma’s body, and then back at me.

    I smiled. “Yes we do.” Pa blinked and I snatched the gun from his hand. Before he could move I pressed the barrel against his head and squeezed the trigger. The gun flashed and I looked at Pa’s corpse as it lay at my feet. I knelt down by his head and reached down to close his eyes. No, he didn’t deserve it.

    I looked at him a moment longer, and then approached Ma. I closed her eyes and kissed her on the forehead. I tasted the familiar taste of her blood, and knelt next to my brother. I closed his eyes, and kissed his forehead. The taste of his blood was foreign and I wiped it from my lips.

    The horse whinnied behind me and I turned around and looked at the magnificent black stallion—Pa’s prized horse. I knew what I had to do now. I had no other options. I ran into my parent’s bedroom and opened the top drawer of Pa’s nightstand. I grabbed the box of revolver rounds and returned out front where I detached the horse from the cart and mounted the beast.

    I had to survive on my own now. I had no family left and no idea where fate would take me. But, I was sure there was no way I would let anyone put me down like Pa put Ma down. I fought to save my family, and failed.

    I remembered what Pa told Ma earlier. Big Bill Waterson. I had nowhere else to go, so why shouldn’t I try my luck with him? I was already a murderer, so I deserved to run with one. The only proof I would need was the blood on my hands.

  • An Interview with Bela Fleck, playing his Banjo Concerto at Kleinhans Music Hall with the Buffalo Philharmonic Orchestra, March 16-17

    Bela Fleck will be performing his first every concerto for the banjo with the Buffalo Philharmonic Orchestra on March 16th and 17th at Kleinhans Music Hall. Fleck talked to Pete Mason about “The Imposter Concerto”, his recent trip to India and Oman, his banjo documentary ‘Throw Down Your Heart’, as well as bluegrass in Upstate New York.

    Pete Mason: Why make a documentary about the banjo?

    Bela Fleck: I felt there was a lot about the banjo that had been forgotten and distorted. The banjo came from the slaves, but southern white banjo music had wiped all evidence of that off the face of the earth, if it weren’t for Earl Scruggs. But the story of the banjo is a lot deeper than that and you can play different styles with it – there was a banjo player in the Louis Armstrong Band – it’s originally made for African music, and that wasn’t coming out so bringing the banjo in its modern form seemed like an opportunity that was very special. Kinda precious.

    Bela FleckPM: Had you done research on the banjo earlier in your life, or just before you headed to Africa?

    BF: The idea came from knowing the history of the banjo, but it didn’t really have that much to do with me, until I found myself passionate about traditional African music. It was sort of connecting the dots and going there and interacting with African musicians and the remainders of banjo music there, and that was a good opportunity for me. The documentary doesn’t have a stiff tone, but it captures those honest interactions and while there we did some research, but that’s not the fundamental point of the movie.

    PM: What is that?

    BF: I don’t know, but it’s not that (laughs).

    PM: Were you expecting, or at least familiar with, the variety of instruments you encountered in Africa, such as the finger piano, various percussion instruments, versions/variations of banjos and other stringed instruments? Anything new?

    BF: Pretty much everything we saw were things that I was expecting to find. I knew we were very well researched on what we were going for and had a crew that necessitated doing research in advance. I knew we were going after the giant marimba, and there were a few surprises but everything was a phenomenal experience.

    PM: How has the recent violence in Mali affected you and any musicians seen in the film?

    BF: Well, I was on tour with Oumou Sangare and when I was in Mali, a musician I stayed with had to leave his home, so there are a lot of musicians in the Mali scene that are impacted by the violence. I’m glad that France has gotten in there and that we are helping somewhat. They made it a law that Africans can’t play music, and that is so oppressive, that you can’t even breathe. This is one of the most unique places in the world and it’s as criminal as anything else in the world.

    PM: When did the idea arise to go to India and play music over there?

    BF: Zakir Hussain, an Indian percussionist and musician who has played with John McLaughlin, and whose father played with Ravi Shankar, he offered to bring myself and (classical bassist) Edgar Meyer to India, playing big concerts with huge crowds. Zakir is the best tabla (an Indian drum) player of the last couple decades, a genius musician. He even lined us up to play with a symphony.

    PM: Where did you play?

    BF: Bangledesh, India, Dubai, Muscat in Oman, and now I’m back. It was a great trip and learning experience. Now that I’m back I have a pile of things including a film based on the banjo concerto I’m writing, meeting up with Edgar and Zakir in San Francisco for a show and playing the concerto in Buffalo. Two weeks playing with four different groups, that’s what I like.

    PM: What was the reception like from audiences?

    BF: Great. We’re playing with one of their bigger stars and we’re a wonderful surprise. We were new information.

    PM: Tell me about the Banjo Concerto you will be performing with the Buffalo Philharmonic Orchestra.

    BF: Well the Banjo Concerto was something I wanted to do for a long time and after seeing Edgar Meyer and Mark O’Conner doing pieces for their instruments with an orchestra, I knew it was something I was going to do one day. The National Symphony offered me a chance in 2010 and I took it seriously and after a year, I came up with a piece I am very proud of. A lot of people said I wouldn’t get bookings but it’s seeming to get some unique opportunities, such as with the Cleveland Orchestra, Philadelphia Orchestra and Buffalo, which I’m told has a wonderful symphony.

    I actually titled it “The Imposter Concerto”, with the banjo sneaking into the orchestra as an instrument, which sounds funny to me. The first part could be titled “Infiltration”, where the banjo sneak in, the second part “Integration”, where the banjo works into the orchestra, and “The Truth Comes Out” for the third part, which has a ‘Scruggs’ breakdown.

    It was an opportunity to write for all 80 instruments and I’ve never written for them myself; I’ve done it with Edgar but never did it on my own. I had to take the responsibility for how it turned out, good or bad, based on the listener’s decision. Gramophone is putting it out so I’m glad they thought it was good.

    PM: Did playing with Edgar on Music for Two presage the writing of this concerto?

    BF: He’s my best friend in the classical world, and watching what he’s been doing has been very inspiring. He’s always the first to teach me Bach pieces, how to work equipment, the first to show me how to edit audio, and in a weird way, even though he’s younger than me, he’s almost like a big brother. His compositional skills are immense. After studying him informally and being around him a lot and watching him, writing two concertos with him – they were sort of master classes for me and I contributed what I could – then I had to walk away and do something on my own to establish my own point of view. We have different strengths and points of view and I wanted to see what I could do on my own. I felt I had a little to prove – a lot of people would presume Edgar wrote it all, and he wrote a lot but I did as well – now that I’ve seen how one of the greats does it, how would I do it?. I used it as a strength, that I had never orchestrated before.

    PM: How did growing up in New York City influence your musical inclination and upbringing?

    BF: Well I think the main thing of growing up in New York is that I didn’t approach the banjo as having a southern heritage. I love that part of the banjo but I’m interested in all parts of the project. There was incredible music in New York City – salsa, rock n roll, The Beatles were kickin’. I think I was very open in my New York upbringing, in a way someone from North Carolina may not have been. I wasn’t stuck on context and I was open to anything else.

    A lot of great banjo players come out of New York State and New York City and they bring something that the folks down south don’t.

    PM: We do have one of the bigger bluegrass festivals in the country with Grey Fox.

    BF: Every festival you went to back then was because of the parking lot pickin’ and to see the bands on the stage. Good festivals drew good parking lot pickers.

    PM: Did you have any adventures in Upstate New York when you were younger?

    BF: Before it was Grey Fox, it was Winterhawk, and before that Berkshire Mountain Bluegrass Festival. There was a great one in Corinth. I went to all of them in high school, and then I started getting to perform there after high school. There’s a great deal of New York bluegrass musicians, more than people know.

    PM: Looking back on a long line of bands you have played with, which memories stand out the strongest among them all?

    BF: There’s been some pretty incredible ones. That’s tough because there’s so many great experiences, I wouldn’t want to reduce it to any one. It’s great how often I get to play with great people. When you play with people who are heroes of yours personally, that’s something special. When I played with Tony Rice the first time it was a mindboggling experience; (playing with) Chick Corea, I couldn’t have conceived that could ever happen. With Jerry Garcia, the three times we played together were amazing; playing with people in their musical environment, like the musicians in Africa, those are pretty awesome. I’ll have to plead the fifth. I’ve had more than my share of mindboggling experiences and I am incredibly fortunate that these kinds of things can happen regularly.

    Catch Bela Fleck with the Buffalo Philharmonic Orchestra performing “The Imposter Concerto” on March 16th and 17th at Kleinhans Music Hall. Get tickets here.

  • Snoe.down releases schedule for music and sports festival for March 22nd-24th

    Snoe.down has released their weekend schedule for the all ages Music and Sports Festival being held in Killington Resort in Killington, and Spartan Arena in neighboring Rutland, Vermont on March 22nd – 24th.

    snoe.down

    Concert goers will have the opportunity to choose between two different lodges on Friday the 22nd, all while enjoying great music and the scenery. Located at the bottom of Killington, the snoe.shed lodge will host progressive string band Floodwood and electro-rock band Jimkata, whereas further up the mountain, the K1 lodge will host, Brooklyn-based jazz/funk/pop quartet, Tauk and Brasstronica quintet, The Primate Fiasco. From my first snoe.down experience, it was surreal to be inside the lodge, dancing to music while watching snowboarders and skiers hurl down the mountain side.

    moe2.

    Saturday afternoon guests get a treat of a show from Upstate bluegrass rockers Eastbound Jesus and moe. on the Bear Mountain outdoor stage, located on the other side of Killington. It’s remarkable to hear the music echo off the mountains and to have more than enough space to groove in. Another perk of the performances outside is for the winter sports fans, who after a great run down are rewarded with music at the bottom of the hill.

    For Friday and Saturday evening, the venue is located at the Spartan Arena in Rutland, Vermont, a 30 minute drive down the road from Killington. This venue reminds me much of the Washington Armory in Albany, NY, given its wide open space, wooden floors and surrounding bench seating. There will be a private viewing section for VIPs as well as an under 21 viewing area behind the sound board and the right side bleachers. Doors open both nights at 6pm with New Orleans funk band Ivan Neville’s Dumpstaphunk performing on Friday and the reunion of Vermont’s Strangefolk on Saturday. Both evenings will feature moe. scheduled to start at 9pm.

    Sunday concludes the winter fun weekend for VIP ticket holders at the Wobbly barn for a brunch with an acoustic performance by moe. Plus a special performance by Sonic birds contest winners, The Mallet Brothers Band, at 1:30pm at the K1 Lodge.

    FRIDAY

    K1 Lodge: Tauk (12:30-2:00pm)

    K1 Lodge: The Primate Fiasco (3:30-5:00pm)

    Snoe.Shed Lodge: Floodwood (12:30-2:00pm)

    Snoe.Shed Lodge: Jimkata (3:30-5:00pm)

    Spartan Arena: 6pm doors, Dumpstaphunk (7:00pm), moe. (9pm)

    SATURDAY

    Bear Mtn outdoor stage: Eastbound Jesus (Noon-12:45pm), moe. (1pm)

    Spartan Arena: 6pm doors, Strangefolk (7:00pm), moe. (9pm)

    SUNDAY

    Wobbly Barn: VIP Brunch

    K1 Lodge: Sonicbids Contest Winner – The Mallett Brothers Band (1:30pm-3:30pm)

    Currently heading into its fifth season, snoe.down is one of the top winter music festivals to catch on the east coast. Taking place at Vermont’s most popular ski and snowboard resort, Killington offers festival goers a special Snoe.down Learn to Ski/Ride program. Fans can purchase reduced price lift tickets to Killington Resort with their Snoe.down ticket plus a variety of discounted lodging options. Weekend tickets are available as well as single day or for the serious concert goer, VIP.  All tickets are on sale and available at FlynnTix box office in Burlington, VT or by phone at 802.863.5966. A portion of all ticket purchases are being donated to Vermont Adaptive, the only year round sports and recreation organization in the state empowering individuals with disabilities.

    The Snoe.down VIP tickets include an official Snoe.down 2013 festival poster, private entrance and fast lane to both Spartan Arena shows on Friday and Saturday, admission to the Thursday night kickoff shows and more.

    The weekend starts early on Thursday evening, March 24th in Killington for the special, separately ticketed kick-off parties. The Wobbly Barn will host Marco Benevento with special guest Mike Pederson and the jam-heavy, Dead Sessions at the Pickle Barrel. Free admission is included in the VIP package for both shows.

    It doesn’t hurt to have a copy of the Killington Trail Guide handy so that fans can easily locate all their favorite bands without missing a musical beat.

  • The Big Up 2013 – August 8th-10th at a new home in Claverack, NY

    There was an immense amount of disappointment voiced when Shireworks Productions announced the one year hiatus of The Big Up festival in 2012. The mass letdown only fueled the excitement when they announced that they would be back Summer 2013. This year, however, the festival will be held in Claverack, NY which is just a quick 45 minutes from Albany.

    The time has come to start planning your summer festival schedule and it seems like The Big Up is at the top of many festie-goers list this year. The dates are Thursday August 8th – Saturday August 10th

    “Wow! Tickets are flying out the door!”, they posted just hours after tickets went on sale. The first string of artists released for the lineup include  Holy Fuck, Escort, the world premiere of Abakus live band, a DJ set from Chris Keating of Yeasayer, Jojo Mayer & Nerve, the host band Higher Organix, Kung Fu, Dopapod, Brothers Past, Normal Instruments and Party Supplies.  Their second announcement included Beats Antique,  GAUDI, The Egg , Kung Fu,  DrFameus, The Indobox , Consider The Source, Timbre Coup , lespecial, SOUNDUO, Greenhouse Lounge, Cosmic Dust Bunnies, Business Casual Disco,  Former Champions, Jeff Bujak, Blacklight Rukus,  Ian Stewart, The Edd, FiKus, King Holiday, Horizon Wireless, Speakerbot, Richard James & The Name Changers, Formula 5, Color Channel, ConnetICON, Interlopers, Galaxy Dynamite, Laser Sex, Hot Jambalaya, Mister F, Rizzo’s Dilemma, Stokeswood, The Blue Goddess, Aqueous, Spundose, Arpetrio, DJ Adam Amrod, Narkatta, ShwizZ , Sojourner, and SOLARiS..
    Phase three of the lineup announcement  unveiled a huge add on to the list of artists including AN-TEN-NAE, Orchard Lounge

    Kung Fu Prince Tribute set ft. The Motet’s Jans Ingber, Space Jesus Live, IMANGELES, Elephant Wrecking Ball, Jahman Brahman, Dynamo and Badnutbeats, Izahead, I Yahn I Arkestra, Operation Dankstar, Lost Optical, Beat Machine, Baam Bada, People’s Blues of Richmond and Jammin Toast
    Judging by the huge response from social media, if you are planning on getting tickets; buy them soon.

    Also follow The Big Up for more updates on Twitter and Facebook.

  • Camp Bisco 12: Back with a Vengeance

    It’s about that time of year again when the social media feeds fill with people’s excitement and let downs about their up coming festival season. Every year I find myself in a mad dash to acquire the funds to support my undying love for live music. It seems everyone is in agreement over this past week’s Camp Bisco 12 lineup release. The best thing about Camp Bisco is you never know what to expect. Within the past six or seven years of my own attendance I’ve been able to see such a wide spectrum of music acts all so close to home.

    The past years have included major acts such as Shpongle live, (including Simon Posford, Raja Ramm and the rest of their psychedelic entourage) LCD Soundystem, The Disco Biscuits (of course), Cut Copy, Thievery Corporation, Snoop Dogg (when he wasn’t quite a lion yet), Pretty Lights,  Sound Tribe Sector 9, The New Deal, Girl Talk, and many, many more. Over the past years we have seen Camp Bisco grow from the one stage local festival into a national phenomena attracting individuals from all across America for the longest weekend of their lives. It has been amazing to watch the growth of such an amazing festival over the past few years. This will be the twelfth Camp Bisco and the seventh of which will be hosted at the Indian Lookout Country Club in Mariaville, New York.

    Two weeks ago when the lineup was released the excitement slowly began to build, and will continue to do so until the day we all wait in line in the hot July sun to enter the world of Bisco. “126 days until Camp Bisco”- the banner reads, ticking down every second on CampBisco.net. This years lineup so far includes The Disco Biscuits, Bassnectar, Passion Pit, STS9, Animal Collective, Umphrey’s McGee, Flux Pavillion, Macklemore & Ryan Lewis, Lotus, Boys Noize, Wolfgang Gartner, Tommy Trash, Dillion Francis, UZ, Aeroplane, Alvin Risk, Audrey Napoleon, Baauer, Bear Mountain, Boombox, Break Science, Cherub, Chris Malinchak, Clockwork, Com Truise, Congorock, Cosby Sweater, Crizzly, Dan Deacon, Designer Drugs, Dirtyphonics (Live), El-P, Eskmo, Flosstradamus, Free Energy, Gigamesh, Govinda, Gramatik, Grandtheft, Green Lantern, HeRobust, Heroes x Villians, Indobox, Killer Mike, Koan Sound, Manic Focus, M | O | D, Nadis Warriors, Nick Thayer, Paper Diamond, Party Supplies, Popeska, Project 46, RL Grime, Rubblebucket, Ryan Hemsworth, The Werks, Toro y Moi, Twiddle, Vacationer, VHS or Beta, Wick-It the Instigator, and Zoogma.

    Second leg announcement includes Destroid (Feat. Excision, Downlink and KJ Sawka), Madeon, Danny Brown, Seven Lions, Digital Tape Machine, Bondax, Strip Steve, Moon boots, Perseus, Alpha Data, Autobody and The Manhattan Project. PLUS: Curated tents by Owsla Vs. BoyzNoise Records, French Express and ThisSongIsSick.Com

    Last years lineup included artists such as Bassnectar, Crystal Castles, Amon Tobin, Big Boi and Atmosphere. Just when you think that Camp Bisco cannot out do themselves, they do.

    If you would like to listen to some of the scheduled artists check out Baxstar’s playlist on soundcloud:
    https://soundcloud.com/soulryder-princess/sets/get-pumped-for-bisco-carla-d

    The latest announcements are centered around the highly speculated and exciting performance by Zeds Dead. The festival also welcomed LTJ Bukem, Destructo, Samo Sound Boy and Gravity A for the upcoming festival. The announcement also included the famous Camp Bisco ferris wheel, a Bisco Air Bag, yoga and hooping workshops, greening initiatives and a brand new Hammock Lounge by the Lake. This year there will be increased water stations, new showers and refresh stations with power outlets for all you folks who need to charge up those cellphones. New and exciting things are heading our way for this upcoming festival which is just a few short weeks away.

    Tickets are still on sale at Campbisco.net, stay tuned for more updates