Category: Special

  • Review: OTHERWISE hits the Northeast

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    The crew began setting up the small stage before the crowd, as they began to pile in closer and closer. Band members, Corky Gainsford (drums) and Vassilios Metropoulos (bass) stepped on the stage, preparing their instruments for the exciting night ahead of us. The testing of the instruments and mics had the crowd itching for the band to start playing. Some of the girls cheered and squealed excitedly as Adrian Patrick (lead vocals) passed through the crowd, his hood up, darkening his face, heading towards the bar room, pacing, prepping himself to blow us away with his powerful pipes. Both the other Patrick brother, Ryan (lead guitar), and Andrew Pugh (guitar) stepped upon the testing his guitar, the anticipation rising with every waking second.

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    Finally, the moment everyone was waiting for, the lights to dim and the familiar sound of the very first track on their record, True Love Never Dies, filled the ears of the concertgoers, letting the crowd know the crazy night was to begin. Adrian made his way through the crowd yet again and used two fans (or in Otherwise terms, “Wise Onez”) as support as he stepped upon the stage. The familiar guitar riff began to the tune; “Die For You” got the whole crowd pumping their fists and bouncing to the rhythm, some whipping their hair in a wild manner. Adrian began to sing the lyrics with the voice the crowd all knew and loved. Needless to say, his primal scream blew everybody away. After the performance of the first song and “Lighthouse”, the crowd was really ready to rock to what Adrian said was their “party anthem”, “Vegas Girl”. The catchy guitar riffs played by the incredible Ryan bounced off the walls of the tiny venue, the some of the women in cheered drunkenly as they raised their drinks in the air and moved their bodies to the rhythm of the song. Adrian’s moves on the stage had the ladies cheering louder, whipping their hair crazily. The energy in the room whilst the song was playing was insane; this band knew how to get their fellow Wise Onez going. The next song to play was their latest single, “I Don’t Apologize (1000 Pictures)”, to which the whole crowd sang along to the words heard on the radio. Adrian moved closer to the fans, reached out to them, grabbing their hands, giving them a sense of the connection between the band and their ever-adoring fans.

    The setlist changed to a slower song off their album, dedicated to lost loved ones, “Heaven”. It definitely was a beautiful, heartfelt song that tugged the heartstrings. Some fans pulled out their phones, using the backlight as a lighter and some used their lighter app, they all waved them to the tempo of the song. What was really touching was the passion and emotion in Adrian’s eyes. He then proceeded to tell the fans about their songs coming from the heart, that their music speaks the truth. He also talked about very eerie topics that gave the crowd a bit of the chills including how they have been in car accidents that they shouldn’t have walked away from. The band then played two back-to-back songs, “Shapes of Metal” and “Stop, Drop, and Roll”, both amazing songs that will haunt the back of the fans minds for quite sometime; those songs brought the high-energy vibe. After playing “Crimson”, Adrian took the liberty in introducing his amazing band mates, then Adrian encouraged the fans to scream for the opening bands, to scream for Otherwise and to scream for themselves, introducing, “Scream Now”. His ever-chilling scream had the hairs on the back of everyone’s neck stand. The crowd jumped to the beat of the drums.

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    Soon enough, the crowd got the hint the final act was coming to a close. Adrian stood tall, as did the rest of the band, as he encouraged the Wise Onez to pound their heart with their fist to the following the recognizable beat that Corky was playing. The pounding turned to clapping as Adrian sang the lyrics to the song that helped them become well known, “Soldiers”. He harmonized with the fans and continued to reach out to them, grabbing a fan by the hair, bringing him close and brought the mic to his face for him to sing with him. The connection in the room as the crowd sang along was unbelievable; it was such a strong feeling of engagement, it was almost very chilling. Adrian then jumped into the crowd, continuing to perform and bond with the fans. It was then really shown that this is a band that is passionate about their music; this is a band that is passionate about their fans. The band before the Wise Onez, they are a band of brothers, they are soldiers.

    The night left the crowd in such a buzz. Wild, enthusiastic grins were plastered upon their faces. They got to meet the band, took pictures with them and received autographs. The brisk, cold air washed over the faces of the fans as they left the venue, their ears rang with the incredible setlist played before them. This was a night that will never be forgotten, a night where the spotlight revealed the true soldiers of music.

  • In This Moment releases new video for “Adrenalize”

    In-This-Moment-BloodGreat news from the music world today- your favorite female-fronted band and mine, In This Moment have just released the official music video for their second ‘Blood’ album single “Adrenalize.” Watch it below!

    Since the debut of their fourth studio album Blood back in August, In This Moment have risen even higher in fame to the point of having their shows sold out, as such was the case at their March 30 show in Clifton Park. So far, two singles have been featured from the album- the title track and “Adrenalize,” which revisits some of the popular sexy, sultry themes and some of Maria’s favorite motifs that have appeared in past works. Watch it below and tell us what you think!

  • The Heavy Pets’ Spring Tour Heads Through Upstate in mid-April

    The Heavy Pets have their sight’s set on the North East in April, giving fans not one but five funky opportunities to boogie deep into the night whilst taking in the sounds of their unique blend of jazz-funk and rock-and-roll deliciousness.

    In an interview by NYS Music’s Johnny Goff, with guitarist Jeff Lloyd and Syracuse University grad, Jeff explained why the Heavy Pets enjoy touring through the Upstate area while on tour,

    “NY has always been our home and our home away from home at the same time. When we are here, we get to see our families and when we are on the road, it’s always nice to be able to look forward to our east coast swings where we know we’ll be able to see our families and friends.”

    Check out the entire interview here

    heavypetsThe band will first hit the famous Nectar’s in Burlington, VT on April 17th.  Jamie Kent and the Options are the opening band that night. Admission is $7/$10 Ages:18+. The show starts at 9:00pm and tickets are available by visiting Nectar’s website here or calling 802-658-4771.

    Next up is The Java Barn in Canton, N.Y. Show starts at 9:00pm, Admission is FREE and all ages are welcome. Check out their FaceBook page for more info and upcoming events.

    The band is extra excited to be joining Conspirator & Break Science in taking over one of their favorite venues, The Westcott in Syracuse, NY April 19th! Doors open at 7:00pm and the show starts at 8:00pm. Admission is $20, all ages are welcome at this show too. Pick up your tickets online here.

    An appearance at Nietzsche’s in Buffalo, NY will continue their journey through New York on April 20th. Special guests will be the Family Funktion and The Sitar Jams. Doors open at 8:00pm show starts at 9:00pm. Admission is $10/$12 ages 21+. You can get your tickets at the venue box office. View Nietzsche’s website for all their live music listings here.

    The Pet’s will wrap up their travels through Upstate at the Bayou Cafe in Albany, N.Y. on April 23rd. Opening up for the night is the Kollectiv. Show starts at 9:00pm and admission is $10 ages 21+. Tickets can be purchased via the Bayou website here.

    With so many opportunities to see this band you really have no excuses not to get out there and support live music!

    Links: www.TheHeavyPets.com | www.facebook.com/TheHeavyPets | Twitter: @TheHeavyPets

  • Kung Fu | Upstate Shows April 11th & 12th

    Connecticut’s nu-funk quintet, Kung Fu, are returning to the Upstate region this spring with a huge festival season approaching with main stage and late night shows at Rock N’ Roll Resort, Mountain Jam, Gathering of the Vibes and The Big UP. Kung Fu is ready to get funky on their Spring tour.Kung Fu_pressphoto

    The band will first hit one of NYS Music’s favorite venues, The Westcott on April 11th in Syracuse, N.Y. Doors open at 8:00pm and the show starts at 9:00pm. Admission is $12/$15 and this is an all ages show. Get your tickets online here or by calling (315) 299 – 8886.

    Next up is Nietzche’s in Buffalo, N.Y. on April 12th. Show starts at 8:00pm, Admission is $13/$15 Ages: 21+ for this one folks. Pick up tickets at the venue or by phone at 716-886-8539.

    Look for their second full-length album Tsar Bomba due out in June 2013. Check out the first single “Do the Right Thing”

     

    Links: www.KungFuMusic.com | FaceBook | Twitter @KungFuTunes

  • EVERYONE DIES IN UTAH Coming to The Lost Horizon with Local Support From REDFIELD, MEIRA, TURN THE TIDE, and More

    Up-and-coming post-hardcore sextet Everyone Dies In Utah is making a stop at The Lost Horizon in Syracuse on Saturday, April 6th as part of their Dark Hearts & Open Eyes Tour. Featured on the tour with them are pop-punk/rockers Bleach Blonde and hardcore powerhouse The Overseer. Joining them, and representing the Upstate metal scene very well, are local acts RedfieldMeira, and Turn the Tide. This show promises to be an exciting mix of metal and rock that features many hot new acts with promising futures. If you want to see some promising talent before everyone else has heard of them, here’s your chance.

    EVERYONE DIES IN UTAH:

    Signed to Tragic Hero Records and with two albums released, Everyone Dies In Utah is starting to gain some ground. This band features solid, heavy verses and melodic, catchy choruses, balancing the two very well and keeping their musical doors open to experimentation. Killer riffs, pounding drums, powerful bass lines, strong vocals, and electronic dabbling all contribute to this band’s signature sound. If the humor in many of their song titles is any indication (e.g. “Bed, Bath & Beyonce”), then EDIU promises to put on a fun show that will get the energy going in the crowd.

    THE OVERSEER:

    To support the heavier side of the headlining act, The Overseer can definitely relate. Having just released their debut LP, We Search, We Dig, this band is ready to start making a splash. With their experimental metalcore sound, which many people compare to Underoath, they serve as a more than appropriate supporting act. Something tells me that these guys won’t continue to be a supporting act forever.

    BLEACH BLONDE:

    When it comes to making a splash, these guys have just started to get their feet wet. Yet to release an EP or LP, they have three songs on iTunes in a single. And you know what? It’s enough to get to know these guys. Bleach Blonde is undoubtedly the least heavy band on this tour, appealing more to the catchy side of EDIU. They have a light, fun, pop-punk sound that is a definite standout and they certainly have the potential to draw a much larger audience.

    REDFIELD:

    Upstate New York’s premier partycore band, Redfield is ready to take the stage again to support their upcoming EP. Having recently released two of the songs from it, these guys are certainly generating more buzz than ever before. Their electrifying stage presence and groovy metalcore sound will certainly bring the energy at this show, as they always promise to do.

    MEIRA:

    Brutal metalcore hopefuls Meira are going to unleash havoc on the Lost Horizon at this show. Their debut EP, Closure, released in September of last year, was one of the best local releases of the year. Their live show is nothing short of the brutality they demonstrate on the EP, either. This is yet another band that ideally represents the Upstate metal scene with these national bands.

    TURN THE TIDE:

    By far one of the fastest rising local bands of the last year, Turn the Tide are an excellent opening band to set the mood for the rest of the show. Yet, they have much more promise than to just be openers forever, and have already headlined a few shows in the short time they’ve been together. They are a hard-working band whose talent is only exceeded by their determination, planning to bring that to their debut EP this summer.

    This show is going to be, without a doubt, a showcase for rising stars. The best time to see a band live is when they are still relatively unknown, because they have to work the hardest to make themselves known, and make fans out of the people who happen to be at their shows. Many of these bands are still trying to get their names out there to get more fans, and every one of them deserves it. If you want to see a show with high energy, a mix of sounds, and top-notch Upstate representation, then this is going to be the best way you could spend this Saturday.

  • Another Fantastic snoe.down with moe., Strangefolk, Eastbound Jesus, Tauk and more, March 21st-24th, Rutland, VT

    Upstate New York favorite ‘local’ band, moe., hosted their 5th annual snoe.down Music Festival over March 21st-24th in Rutland, Vermont at both Killington Resort and Spartan Arena. The weekend was full of moe., who gave an outdoor performance at Bear Mountain on Saturday to fans and winter sports enthusiasts, while performing Friday and Saturday evening in Rutland, as well as a special acoustic Sunday show for the VIP crowd at the Wobbly Barn at Killington. Throughout the weekend, guests had a wide array of musical acts to enjoy such as Marco Benevento, Ivan Neville’s Dumpstaphunk and Strangefolk.

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    There was no better way to kick off the first weekend of Spring and the start of festival season than with a weekend dedicated to winter sports and talented musicians. The weekend started for me on Friday at the K1 lodge at Killington. The lodge was packed with tons of skiers and boarders, loading up on food and checking out the first act of the day, Tauk. The electronic rockin’ sound soon filled up the room and brought in plenty of people off the slopes. Matt Jalbert was on fire with funky guitar riffs and Charlie Dolan was unstoppable providing steady, groovy bass lines. Alric “A.C.” Carter went wild on his keys during “I Want You (She’s so Heavy)”, causing the audience to cheer while Isaac Teel kept the pop and jazzy rhythm going strong on drums. Throughout the entire set, the four-piece band was smiling and grooving just as much as the crowd was. My favorite part was how each song escalated into the next song, with great transitions. When asked about the show and weekend, Charlie Dolan reported, “We thought the set went very well! It was our first time playing a show since we finished up our CD, always refreshing to play in front of a good crowd. It was definitely our first time playing in a ski lodge, hopefully not the last. The rest of the weekend was great! Obviously, since we got to see moe. play.”

    Before their music even started, I was excited to see what would come out of The Primate Fiasco, just from the array of instruments they had. The band took the stage with a banjo, clarinet, sousaphone, saxophone and the classic drum set, all of which I have never seen together at one time on one stage. Best described as a psychedelic Dixieland jam band, The Primate Fiasco quickly drew a dance crowd just with their soundcheck alone. Their vast musical arrangements flowed from original works to covers such as Ween’s “Roses are Free”, John Williams’ great score from Star Wars and various genres of tunes that anyone can enjoy dancing to. The energy was at a constant high with each band member being a driving force of talent and sound. The lodge was turned into a Mardi Gras party from the bellowing of the brass section, the fast finger pickings of the banjo and jazzy beats. It was my favorite act of the entire snoe.down weekend.

    The scenic drive from Killington to Rutland wove around the mountain side and river’s edge, leading to the main drag in Rutland where there was plenty of food options as well as hotels, all a quick walk to the Spartan Arena. Inside the venue were multiple stands set up that you could find at any parking lot scene, offering shirts, stickers and various other merchandise. The ice-hockey-rink-turned-concert-hall provided great sound throughout the venue. Dumpstaphunk hit the stage and unleashed the groove as everybody started to get down. The New Orleans band plays with the great soul of classic funk and mixes it with modern twist. Ivan Neville, the master of the keys, wears a permanent smile while he pours his heart all over the organ. The wide range of vocals that the musicians sing propelled all to shout out in unison. The newest member of Dumpstaphunk, Nikki Glaspie, is a no joke and a true female drumming machine. I couldn’t get enough of the bass bombs being dropped by Nick Daniels and Tony Hall and the intense guitar jamming from Ian Neville

    Following the funk filled set, moe. started their set with “Captain America” creating an explosive response from the fans. The Upstate New York band eased into a flawless “Recreational Chemistry” and shared the stage with Ivan Neville for “Happy Hour Hero” and a cover of The Meters’ “Cissy Strut”. Said Al, “I can’t stop smiling. It’s fantastic” sharing his feelings during Al.nouncements at the conclusion of the set. The night ended with “St. Augustine”, a groovy, light-hearted song that left the crowd in anticipation for the rest of the weekend.

    moe. setlist:

    Set 1: Captain America > Recreational Chemistry, Bring It Back Home, Happy Hour Hero*, Cissy Strut*, Bullet >Kyle’s Song  (* w/ Ivan Neville on keys)

    Set 2: Billy Goat > Tailspin, Opium, Faker > Tubing The River Styx > The Pit > Wind It Up

    Encore: Augustine

    Saturday’s festival goers were greeted with sunshine and snow showers as they geared up for the outdoor shows at Bear Mountain in Killington. The stage was set up at the bottom of the slopes and right next to the lodge, whose massive outdoor deck was full of people lined up to watch the show.  The wooden deck was surrounded by snowboards and skis of all sizes and colors. Fans also had the option of standing in the beer tent area, located closer to the right of the stage. Bear Mountain was ablaze with all the brightly colored jackets, not to mention all the hats, scarfs, helmets and sunglasses. It was true sensory overload at its best.

    I was most excited to see Eastbound Jesus, one of my favorite local bands from Albany. Despite the chill in the air, EBJ easily heated up the crowd with their high energy, bluegrass rock songs that echoed off the ski slopes. Loaded with steady drum beats and fast guitar, as well as banjo strumming all fed the foot stomping fans, which made the entire mountain shake. It was so much fun to dance in the snow and sing along with everyone to “Here’s to You” and “Holy Smokes.” Eastbound Jesus was happy to play requests from the audience, who couldn’t get enough of the fast buildups that erupted into a pure hillbilly bash. Carl Anderson the drummer had this to say, “It was cool to play outside, especially with the snow coming down. The heaters worked well on the stage though and we’re pretty used to playing while cold. It was cool to open for moe.; it was a fun weekend.”

    moe. took the stage and wasted no time getting the party going by starting with “Stranger Than Fiction” straight into “Spaz Medicine.” The snow started to fall, and when mixed with the music, it created a whirlwind of sound that got stuck on my coat and melted into my beer.  “Waiting For The Punchline” provided serious drum banging with relentless guitar riffs.  As the snow fell harder and harder, the band joked at how ironic it was to have indoor shows cancelled from weather like this, yet we are all outside having a good time.  They ended the set with one of my favorite moe. songs, “Spine Of A Dog” known for its absurd lyrics and light hearted jamming.

    Setlist: Stranger Than Fiction >Spaz Medicine, Blue Jeans Pizza > Waiting For The Punchline, Jazz Wank > Akimbo, Okayalright

    Encore: Spine Of A Dog

    After fans drove back from the mountain, got some rest and food in them, the music continued at Spartan Arena with Strangefolk, formed in Burlington in the early 1990s and reunited as their original lineup only last year. Having only played 10 shows since last March, the quartet sounded like they had never stopped performing, moving through a set of classic tunes and rarities. Opening with “Elixer”, off Weightless in Water, the vibe became one that swayed hips and moved lips as fans sang along to the catchy tune, a common occurrence when you listen to Strangefolk’s combination of dual guitars and well written lyrics. “Dance” started out quiet and subdued, but slowly built up into a frenzy, compelling the crowd with lyrics such as “When you’re dancin’, dancin’, move your feet and lose your mind”, to which the arena obliged. A heavier “Chasing Away” had an edge to it, plus sandwiched inside of the song the rare “Pooh Bear’s Mistress”. Crowd favorite “Reuben’s Place” was supposed to close the set, but a misreading of time led Reid to conclude there were 25, then 10, minutes left in their set, leading to an onstage encore of “Stout Hearted Man”. Once again, Strangefolk were given a rousing ovation by a Vermont crowd, something the quartet were quite familiar with throughout the 1990s.

    moe.s sets this evening led to a great deal of potential, because aside from the acoustic VIP set on Sunday, this was going to be the last set most would see until the band’s next shows in May. Opening with a scorching  “32 things”, Chuck shredde guitar sections with Al, who was sporting one of the finest beards in the state (there are a lot of beards in Vermont). “Haze”, a relatively new song for moe. was a huge highlight of the night, with Al and Rob giving intense emotion to the refrain “Hey, Let’s go. I don’t care as long as you are there; Hey, Let’s go, Doesn’t really matter when or where”. Jon Trafton and Reid Genauer from Strangefolk joined the band for two extensive versions of The Band’s “Up on Cripple Creek” and moe.’s “Mexico”; Jon stood near Chuck smiling ear to ear as they tore up the song while Reid stood centerstage, grinning and playing intensely on his acoustic. After the setbreak, moe. opeend with crowd favorite “Buster” and segued quickly into “Runaway Overlude”. After a 16 minute “Puebla”, the band moved into an extended sandwich: Brent Black > Mar-DeMa > Brent Black > Meat > Brent Black, an incredible combination of song after song that wrapped up more than the last 30 minutes of their set. “That Country Tune” and “Godzilla” wrapped up the encore and a huge Saturday of music.

    This weekend in Vermont with moe. and company was an incredible experience. Add in the skiing, beautiful scenery, late night revelry and sore muscles from dancing all weekend, and you know its the start of music festival season in the Northeast!

    moe. Setlist:

    Set 1: 32 Things, Shoot First, Haze, Y.O.Y., Up On Cripple Creek*^, Mexico* (* with Reid Genauer and Jon Trafton on guitar, ^Reid and Jon on vocals)

    Set 2: Buster > Runaway Overlude, Where Does The Time Go?, Puebla > Brent Black > Mar-DeMa > Brent Black > meat > Brent Black

    Encore: That Country Tune, Godzilla^ (^ Immigrant Song (Led Zeppelin) teases)

  • Marco Benevento at the BSP Lounge in Kingston, March 30th

    To close out March, the BSP Lounge had a fantastic night of music filled with creativity and improvisation and Marco Benevento.

    The night started with Home Body, the wonderful music of Eric Hnatow and Haley Morgan. Their sound was just as unique as their look.  Eric has a way of looping his keys around Haley’s soaring vocals that fuse the two together into one beautiful wall of sound.  With dance moves that go along with the beat of their songs, Home Body is very entertaining.  Another interesting part of their show is that they have lights arranged around them that meld perfectly with their music.  It is one of the best do-it-yourself lightshows I have ever seen.  Home Body is not to be missed when they come to your area if you are looking for interesting, creative, and experimental music to dance to.

    Marco Benevento came to the stage next and slayed the crowd from the get-go with “Fireworks” that got the room moving immediately.  There is a freedom to how Marco moves up and down the keys that forces the audience to guess what is coming next.  He has become very comfortable leading the band into anything from his repertoire.  The recent addition of vocals has added another layer to his music adding a beautiful new instrument to the mix for him to play with.  The vocals are often manipulated by one of Marco’s toys on top of his piano and this makes it seem as if there is a hidden robot on stage that knows how to sing.  This is just the beginning of a new way for Marco to experiment on stage in broadening his sound.

    The talented Dave Dreiwitz on bass and Andy Borger on drums backed him throughout the evening and made it feel like a nonstop jam.  Since the release of Tigerface, these three have been touring hard and the way they play off one another shows how confident this band is right now.  All three are masters of their instruments and any song is possible for them, as was highlighted by the teases of The Bangles’ “Walk Like an Egyptian” and LCD Soundsystem’s “Someone Great,” both of which occurred as tangents in the middle of original music. The night also saw the debut of new music that the three of them have been collaborating on and the direction that Marco’s music is going is great.

    Though the crowd was not large, they were more than ready to show as much love as they could for what was happening on stage.  They helped count off the beginning to “The Real Morning Party” and danced and shouted throughout the songs as though nothing else in the world mattered.  The great “Limbs of a Pine” followed soon after and the jamming went wild as the tiger head Marco has on his piano was passed around for each musician to wear as they got their individual moment to shine.  This is a trio not to miss as they are the top of their game and constantly looking to improve by trying out new ideas.  They push one another to new musical heights that seem to have no limit.  Marco Benevento can be seen at the Brooklyn Bowl on April 20th.

  • Meg and Laura Get Lost in Austin: Secret Shows, Cutout Couture and Mass Appeal

    Before taking on Day 4 of SxSW in Austin, Meg and Laura headed to the hotel cafe with the SxSW Bible and a highlighter. As they spent all the money they do not have on pancakes, they went over their plans for the day. They took their last sips of coffee and fought against time to make it to the Day Party at The Tap Room to interview David Wax Museum. To their annoyance , the venue turned out to be +21 and the band’s publicist did not put the eighteen year olds down for media passes.

    Heads down low, the two marched down Colorado Street in an attempt to shake off their collective disappointment. They hailed a bus to the Hampton Inn for their next appointment, an interview with the Estonian singer-songwriter, Kerli. As the two reached the hotel, they were ushered up to Kerli’s hotel room by her manager, Bruce. “Kerli’s getting ready for her show, so if you girls don’t mind coming up for the interview, that would be great”. Meg and Laura happily agreed, knowing it would be a great experience actually watching the performer prep for her show. “Watching Kerli get dressed is sort of like watching a cartoon explode”, explained Bruce. Intrigued, the duo, stepped inside expecting to find the synthetic made up Kerli who could easily pass off as one of Gwen Stefani’s harajuku girls in her videos but instead found a real person: a barely 5’1″ blond girl with her face clear of makeup and her wet hair in a messy bun. Baroque shaped styrofoam cutouts outlined with neon shoelaces were strewn all around the couch and coffee table. A pair of astounding 7″ platform shoes with the same pattern stood on top of the bureau. On the floor was the singer herself, putting the outfit together as she answered their questions. The Estonian native came across little and belittled as she talked about her childhood experiences and her transition to the U.S.. She discussed how young love was nearly was the death of her and how she used it as a motivator to strive harder for her dreams. “You know how hard it is being 18”, to which the duo chimed in in response, “Oh yes, do we know.” Kerli then stepped out of her role as an interviewee and bonded with the girls over well, being girls. She commended them on their perseverance, giving them props for sticking together in the midst of a catty jungle where women hide behind their oversized shades and fake smiles stuck in lipstick. “Just wait till you turn 25 and hit the quarter-life crisis. You start examining all your accomplishments and wonder if you’re successful enough,” joked the singer. The duo wished her luck on her preparations for the show and made an exit.

    As Meg and Laura watched the sun set on their bus ride back to the convention center, they agreed that this recent experience was one of the more interesting adventures they’ve had, and for those of you who don’t know, these two don’t embark on your average everyday adventures. Back on Chavez, the happening ladies were faced with the daily challenge: which show to go tonight? As they made their way across downtown Austin, en route to the venue walk-through before shows started, a distinctive synth-y noise surfaced in the air. They stopped and exchanged enchanted looks. Could it be? They crossed over to the Myspace Showcase and interrogated the bouncer; “Is that Sleigh Bells?” And of course, it was. There was no way these audiophiles could confuse the sound of Infinity Guitars for any other. The bouncer let them in on the fact that they were soundchecking and told them to be back at the venue to line up at 7pm if they wanted to get in. They took the tip but since it was still early they continued to venture around the wild Chavez until then.

    Dodging drunk  bullets and catching some talented street performers along the way, when the clock struck 6:30pm they headed back to the line outside the Myspace Showcase where they found that a swarm of Austin Sheriffs armed at the doors of the venue had replaced the friendly bouncer. Nervous that they wouldn’t be able to work their wits through this one and that they’d miss another great show in the process, the duo decided to resort to plan B: The Mass Appeal Ice Cream Official SXSW Social Showcase at the Austin Music Hall. Despite their doubts, this show was far less guarded and the two made it right in. In the day and age of incessant social media updates and overworked iPhones, the girls took some time to charge their cells while opening rappers Rockie Fresh and Roc Marciano took to the stage. With 100% battery they hit the floor and squeezed their way to the best spot in the house: The front of the stage near the VIP entrance where they caught glimpses of Hip Hop legend Pharrell while they waited for the one and only Kendrick Lamar to take the stage. When he finally appeared, the wild crowd he opened with “Hol’ Up” and followed with “ADHD” and kept up the energy with “Bitch Don’t Kill My Vibe”. Just when everyone thought it couldn’t get better, he brought Ab-Soul onstage for the track “Terrorist Threats” and later blew minds when he brought out not only ScHoolboyQ but T.I. as well. The show ended with a performance by Wu-Tang Clan’s Raekwon and the duo walked home in a musical stupor. So out of their minds that Laura drew parallels between Destiny’s Child and Wu Tang.

  • Turkuaz and Giant Panda, Water Street Music Hall, Rochester, March 29th

    On Friday, March 29th, Turkuaz and Giant Panda Guerilla Dub Squad jump-started the weekend playing at The Water Street Music Hall in Rochester. While the doors were said to open at 8 with a prompt show starting at 9, we found ourselves still waiting in a long stagnant line at 945. By the time it struck 10 an explosion of sound echoed through the venue as Turkuaz kicked off the night with “Chatte Lunatic”, a song from their new album Zerbert. The crowd danced their way inside and those there for Giant Panda were pleasantly surprised by an upbeat crowd-moving funk band with colorful jumpsuits and a boisterous sound.

    water street music hallI have only been afforded the opportunity to see Turkuaz twice before, once at Strangecreek in a late night cabin and once at Red Square in Albany, so seeing them in a venue this size did them much justice. The crowd exploded as guitarist Craig Brodhead went into an impressive jiving guitar solo during “Lookin’ Good Feelin’ Tough” which was equally matched by Michelangelo Carubba with a loud Bonham-strong drum solo.

    The set included some noteworthy covers such as Joe Crocker’s “Feelin’ Alright” sang by saxophonist Josh Schwartz whose soulful voice and killer moves encouraged many of the audience members to sing along, and “Trampled Underfoot” by Led Zepplin which was lead by vocalist Geneva Williams whose golden locks and bright yellow jumpsuit created a picturesque vision of soulful 70’s and keyboardist Stephen Malinowski wrapped it up and brought it home with an equally epic solo.

    The crowd applauded as Giant Panda took the stage, playing for the last time with keyboardist Aaron Lipp in their hometown. The energy shifted from upright funk to a low smooth reggae with a hard undertone and an untouchable beat. There was an emotional feel to the night as Giant Panda played crowd favorites such as “Missing You More”, “Undermove” and “Seasons Change”. Mixes of trance jam and low tempo groove carried the night away and the audience was dancing alongside of them every step of the way.

    As the band came back from the encore, guitarist James Searl referenced Aaron Lipp’s departure and they touched back to their acoustic routes and played a song from their newest album Country. Switching back, Giant Panda threw down another long set carrying the crowd into a sea of smooth beats and funky bass lines and ended the night of truly dance worthy music.

  • Meg and Laura Get Lost in Austin: Ego Tripping at the Gates of the Austin Convention Center

    There is something about SxSW that makes Meg and Laura want to hold hands and skip together and slide down a banister of razor blades into a pool of alcohol at the same time. By day three, the two of them were holding their heads in their hands, running on nothing but caffeine and two hours of sleep. After complaining about the nonexistence of cloning machines that would allow them to attend every amazing showcase at once over one, two, then three pots of coffee, they make peace with the fact that they just would have to prioritize.

    That been said, Meg and Laura headed on over to the VH1 Cafe and tried to keep it cool as they weave their way around tables of celebrities to make their way to minimalist rapper, Zebra Katz. Laura suppressed the urge to point out that David Guetta just walked in as they sit down for the interview. The fashion-forward Zebra Katz shared the experiences that got him where he is today. He talked about growing up in New York City and how working as a staff manager at a catering company helped him in his rapping career. The graceful rapper rose out of  the stereotype as he talked about the meaning behind the lyrics of “Ima Read” and the importance of education in society.

    After the interview, Laura rushed to the Austin Convention Center and charmed her way to the front of the line for the SxSW interactive interview with Clive Davis. Bill Werde opened the interview with the question, “What do you do as the head of Columbia?” to which Clive Davis subtly responds, “You watch and you listen”. Though this industry executive has made enough contributions to the music industry for his work to speak for itself, he graciously tells all the stories behind the music. Werde tucks in controversy in his questions, asking the music mogul about his bisexuality, the on-going conflict with Kelly Clarkson and his reaction to Whitney Houston’s death. In the words of Werde “when you interview Clive Davis, you’re kind of just along for the ride”. This statement really couldn’t hold more true.

    After the interview, Laura got her copy of “The Soundtrack to My Life” signed and lined up with Meg for the next panel.  The two were ready to check off one major to-do off their bucket lists: seeing Stevie Nicks in person. And as the black dress donned Bella Donna herself took the stage, every empty night the duo spent singing along on the top of their lungs to “Edge of Seventeen” felt suddenly redeemed. Stevie Nicks dished on her experience with Fleetwood Mac and her decision to pursue her solo career along the way. She claimed that she just had so much music inside of her that not expressing it was not an option. “Yeah, Lindsay can go ahead and lock himself in a room, recording songs that no one will ever listen to but I had to put mine out there”. The singer-songwriter certainly doesn’t hold herself back at any point throughout the interview. Just like her music, her voice is raw and uncensored but lovable to say the least. “Some moments in life are sad but they make for a beautiful song”, says Nicks. She injected a sense of humor as she comes clean about the origin of the title “Edge of Seventeen”; she heard her friends say, “age of seventeen” but heard it wrong. “It sounded great so I decided to go with it”, professed the poet. The two left the panel covered in goosebumps, fueled by inspiration.

    As the day turns into night, the girls decided to part their ways. Laura headed over to the Warner showcase at The Belmont to watch the incredible lineup of Joy Formidable, alt-J, and The Flaming Lips while Meg decided to head to Republic Live for Adrian Lux, Congorock and Benny Bennassi and then back to La Zona Rosa to catch Zedd, Krewella, and Wolfgang Gartner.

    As she waited in line outside the red bricked Republic Live, Meg is filled with awe as she’s taken back to the moment in 10th grade when she first fell in love with EDM upon hearing Benny Bennassi’s track “Come Fly Away”. She then realized that she is about to finally see him perform. She could already hear EDM star Congorock’s blasting his track “Ivory” from the street and when she finally got through the usual gang of bouncers, she was handed a pair of raver shades and a giant glow stick.  The nightclub is polarized by dueling stages where Congorock and Adrian Lux trade off their DJ sets, making the drunk music industry executives and geeks dance.

    As amazing as The Joy Formidable sounded, Laura was willing to bet that it would have been a far better experience from inside the venue, rather than waiting in line outside. However, alt-J and The Flaming Lips make the two-hour-long wait more than worthwhile with their stage presence. It is true, alt-J really makes indie rock feel sexy. Between all the neon balloons, glow sticks and the inexplicable monster mascots, the venue is ablaze with energy. Though the Flaming Lips do not play Laura’s favorite, “Chewin the Apple of My Eye”, the set consisted of all the songs from Yoshimi Battles The Pink Robots. The opener, “Fight Test”, set in itself was a guarantee for the night, nothing bad could possibly happen at this show. Wayne Coyne talked about the story behind “Ego Tripping at the Gates of Hell”, mentioning how they lost the original demo but decided to write a new song for the title. Their lush performance was enough to get Laura successfully through the night.

    At a little past 2 AM, Laura casually witnesses a street fight as she marches past Lavaca and Colorado to catch the bus back to her hotel with Meg. Guess it’s just another night in Austin.