The Great Blue Heron, more widely known for their annual festival over the Fourth of July weekend, played host to the third annual Night Lights Music Festival September 13th and 14th. The sprawling acreage nestled in the Amish countryside of Western New York, was transformed into an interactive playground, tucking light displays along the wooded pathways, adding depth and interest to the already full weekend of music.
Over two dozen bands, many hailing from or with roots in Central and Western New York, drew a large local fan base and with that a community atmosphere missing at many larger festivals. The festival grounds and camping areas were full of surprises; drum circles, pop up campfires, jam sessions, and plenty of folks looking for adventures. Nationally touring bands The Heavy Pets, Jimkata and Marco Benevento provided a punch of energy to the already excited crowds, and more regional acts, Aqueous, Space Junk, Lazlo Hollyfeld, The Manhattan Project and Schleigho gave performances not easily forgotten.
The two stages kept music running at a steady pace, a credit to the hard-working volunteers, lighting folks, and sound techs, allowing for little lapse between acts. Set far enough apart, the walk to and from each stage gave the audience the opportunity to wander through the lighting displays. The participation of the observer whether it be playing a drum, or simply watching the bonfire as it flickered and grew, was essential to the overall experience. Night Lights Fall Music Festival with its multifaceted entertainment, peaceful and well-organized camping and clean and friendly atmosphere should be on everyone’s fall festival schedule.
The Catskill Chill celebrated its 4th annual music festival weekend on September 6th-8th at the scenic review of Camp Minglewood of Hancock, NY, located in the heart of the Catskills. The festival brought together another year of great music with a talented lineup and loving community known as the Chill Fam. What was once a summer sleep away camp gave festival goers the ultimate end to the summer party with the rustic and wooden stages, laid back staff and fun seeking friends that brought back memories of childhood and past Chill weekends. Guests had the option of renting cabins, complete with bunk beds, bathrooms and showers as well as plenty of tent camping for those seeking a view of the clear star filled skies at night while vendors were set up near the stages offering a variety of foods, clothes and odd ends at all hours of the weekend, complete with an Ice Cream Silent Disco Truck.
American Babies, kicked off the festival weekend on the Main Stage with a gentle rock vibe with slight southern twang. Keyboardist Adam Flicker kept a very close ear to his organ almost as if he was resting his head on every note. “Blue Skies” brought an enchanting melody of endless sunshine while their rendition of The Grateful Dead’s “New Speedway Boogie” helped the crowd stretch out their singing chops and dancing muscles. Spiritual Rez is a reggae ska band that can dance harder than you and they aren’t afraid to show it. Toft Willingham is a total talented nutcase as he sings and rocks on guitar all over the stage, encouraging the crowd to join in on a massive primal scream. Drummer Ian Miller, having recently broken his right arm, still managed to beat the hell out of the drums left handed and Mohamed Araki took a break from his keyboards to excite the crowd with a stage shaking keytar solo. Making their third appearance at The Chill, the four piece electronic rock band, Particle sent the crowd rocketing with their “Launchpad” opener into Eddy Grant’s “Electric Avenue.” It was an unusual, somewhat early (5pm) set for the group but that didn’t stop the Chill Fam from packing out the Main Stage area for their spacy dance jams. The band congratulated the crowd on making the right choice to attend this year’s Catskill Chill as it is one of their favorite festivals to perform at and went on to cover Paul Simon’s “You Can Call Me Al.”
Jimkata had the crowd grooving in a beautiful unison with angelic yet robotic synthesizers and hard hitting guitar riffs. Drummer Packy Lunn slams relentlessly on the cymbals throughout “Die Digital” as Evan Friedell’s vocals cascade around the dance floor. Capital Zen, the progressive funk rock band from Upstate New York had music going in every direction. Their lyrics are fast spitting poetry that hits you at warp speed as their electronic tunes mix with hardcore rock and eventually into a cover of Primus’ “My Name is Mud.” Lotus brought the sound of lasers to life as they blasted the Main Stage to pieces with “Uffi” into “Golden Ghost”. Big electronic build ups throughout the set with heavy beats and intense guitar shredding provided a never-ending dance groove for the Chill Fam. The set got kicked up a notch as Particle keyboardist, Steve Molitz, joined the band for “Greet the Mind” for the ultimate get down. “Alright, we are pretty lite up” jokedAlan Evans after their set opener, “They Call Me Velvet.” Given only an hour and a few minutes to play on Stage B, the Alan Evans trio didn’t waste a minute of pure funk explosion. Keyboardist Beau Sasser could barely sit down as he shook the keys and Guitarist Danny Mayer’s riffs were so sharp, they could cut right through you.
Primate Fiasco, newcomers to the Chill this year, scored one set Friday and Saturday night on the Acoustic Junction stage. The modern day ragtime band was a refreshing and fun surprise to folks who found themselves dancing in no time. J Witbeck’s deep sousaphone notes kept the music hot while Dave Russo picked on the banjo with fire. The true highlight of Friday night came from the 10 piece party machine, Lettuce, who threw down the funk on the Main Stage and never picked it up. Their high energy horn section blasted the groove so even folks all away across the lake could get down. It was an old school, disco dance party with plenty of soul to spare. The crowd screamed with excitement as the band played the infamous “Apache’ by Jerry Lordan. Alecia Shakour had smooth sensual vocals as she sat in for “Do Your Thing.” Kung Fu ended the night on the Main Stage with a dirty funky groove full of serious attitude. The hard core electronic beats and ripping saxophone from Robert Somerville are things not to be messed with. John Durkin and Nigel Hall joined in for the far out funk of “Steppin in It.”
check out Bryan Lasky’s photos below and keep reading for more of Catskill Chill from Saturday and Sunday
A brief early Saturday morning storm passed through, making way for blue skies with sunshine and a jam packed day of music scheduled. Twiddle had a surprisingly large crowd at the Main Stage for their noon set plus multiple musician sit ins. 13 year-old guitar hero Bobby Paltauf sat in for “Mamunes the Fawn” and Todd Stoops from Kung Fu sat in for “Brown Chicken, Brown Cow” > “Funky Town.” Twiddle’s music mixes with all the best flavors of music such as funk, jazz, and rock causing a delicious start to Saturday. The Z3, a three piece funk band dedicated to music of Frank Zappa consists of Zappa lovers Beau Sasser, Tim Palmieri and Bill Carbone. The trio appealed to more than just Frank Zappa fans on the B Stage with their funky twist tributes of his original experimental rock songs. After last year’s late night cabin set, Solaris, Ithaca’s electronic trio rocked the comfortably crowded Club Chill. The all instrumental group fed off the wild energy in the room and threw it right back with a higher dosage of funk jazz fusion. Jared Raphel couldn’t be stopped as he gyrated back and forth, crushing his keys with atomic awesomeness.
One of the more diverse bands of the weekend was Shwizz. One moment they are raging 80s German techno then suddenly it’s a light and soft lullaby jam. The band had so much love for the Chill Fam that it rained on the crowd and mixed with the cloud of glitter that was continuously being shot out of a cannon. One of the highlights of the set was the “Theme from Jurassic Park” closer, possibly the best cover of the weekend; Shwizz slowed down the piece and gently brought it up to a mountainous climactic peak. Quite the tear jerker. Aqueous delivered tight jams with improvisational grooves that kept the audience in nonstop motion. The big highlight and surprise of the set was their cover of “The Kids Aren’t Alright” by The Offspring, which brought out the teenage rebel in everyone, leading to a moshing sing along.
Galactic gave The Chill a taste of New Orleans soul shakin funk music as well as a modern twist with speedy lyrics especially during “Move Fast.” The five piece band brought the Mardi Gras jazz and groove with their horn section and a resilient rhythm from Carter Burgess and Aaron Hagele. Fikus, best described as an electro funk rock, fused together a combo of hip hop attitude with piano solos and classic rock guitar riffs that turned Club Chill upside down. Brothers Past crushed it for over an on the B Stage for an hour set, with the highlight being a smooth and exhilarating “Squeeze” going just over 17 minutes. The dangerously fun headliner, Conspirator, was proud to return to Catskill Chll this year as they dominated the Main Stage. The band has a devoted fan base, due in part to Marc Brownstein and Aron Magner of The Disco Biscuits and for the powerful electronic rock dupstep that fans can’t get enough of. Drew Suto of Dutch Masterson Designs provided an intricate light and visual show that highlighted the unstoppable dark dance party. RAQ ended the evening with the quartet bringing an old school rock groove to the Chill Fam. The set consisted of on point jams with strong harmonies that flowed from “Cheap Sunglasses>Pushin’ Up Daisies> Bootch McGoo.”
Check out Bryan Lasky’s photos below for day two of the Catskill Chill and keep reading for a review of Sunday
On Sunday, Cabinet brought a beautiful start to Sunday with their all-string bluegrass sound. Their soft harmonies and bow playing was as fresh as the Catskill Mountain air. There were breaks in the clouds with gorgeous rays of sunshine that reflected off the lake while Cabinet’s music echoed off the breeze. It was more of a bluegrass meditation as concert goers eased into the third and final day of the Chill. More bluegrass followed as the four piece band, The Brummy Brothers, strummed on the Acoustic Junction stage. The Brummy’s introduced the song, “Cell Phone Blues”, by saying how one of the best things about the Catskill Chill is the zero cell phone service, a rare treat for today’s generation to enjoy The Chill with no technological distractions. The Brummy’s lyrics revolve around partying, the simple things in life and modern troubles, all with a jamgrass vibe that folks can both relate and “shake their brum” to. Later that day, the crowd was dancing, stomping, and singing along with the eight piece funk and soul band, Sister Sparrow and The Dirty Birds as their music flew off the Main Stage. The main songbird herself, Arleigh Kincheloe, blew minds with her stunning vocals and stage presence. The Dirty Birds know how to get down and dirty with a booming horn section, shrieking harmonica plus groovy drum and guitar solos.
The McLovin’s, with less than an hour set, took the stage wearing furry animal costumes and played their second consecutive year at the Catskill Chill. The band did a solid version of Pink Floyd’s “Run like Hell” before bringing up the Horn Section from Grant’s Tomb, New York’s top jazz jamband for a few songs, adding an extra party element. Legendary musician George Porter Jr. joined the animals on stage for a surprise cover of “Rappers Delight” by The Sugarhill Gang resulting in a massive dance breakout. Traveling all the way from Boulder, Colorado and one of the most anticipated sets for Sunday was The Motet playing a Funk is Dead set, a tribute to The Grateful Dead. The Motet performed the classic Grateful Dead songs such as “Scarlet Begonias”, “Fire on the Mountain”, “New Speedway Boogie” and “Shakedown Street” but with a funky fresh and exotic groove that was contagious. It was almost like hearing the Dead for the first time.
The Meter Men got the crowd jiving with a steady beat from the “Hand Clapping Song” opener which helped the musicians stretch out their groove muscles. The set was an easy flowing funk session with the Meter Men constantly feeding off each other’s vibes. Page McConnell took a moment to share with the crowd how he was reeling at the fact that he was playing with his musical heroes resulting in a roaring cheer. One of the highlights of the set was when George Porter Jr. invited Bobby Paltauf, the aforementioned 13 year old guitarist, to join them on stage and introduced him as one of the up and coming musicians to watch out for. Paltauf held his own among the music legends as he had Porter Jr. and McConnell laughing as he went note for note with Nocetelli. The crowd couldn’t get enough as they cheered on the musical magic that was happening before their eyes. After The Meter Man capped off their set with “Just Kissed My Baby”, Turkuaz blew up the B Stage with their high energy funk explosion of a performance. Geneva Williams and Sammi Garett bumped in perfect unison with their tambourines, taking turns with their own killer vocal solos. The horn section didn’t miss a chance to blow fans away as the set got wilder by each second. David Brandwein was front and center with his hard hitting vocals and nasty guitar shredding. Turkuaz doesn’t stop from the second they step foot on the stage to the second they get off, be prepared to dance your shoes off.
For the most dedicated of the music festival fans, there was the climactic late Sunday night trio of Dopapod, Papadosio and a collaboration of the two to form, Dopadosio. As the evening temperatures dropped into the low 40s, the crowd was more than eager for the music to start as the bands took time setting up the gear on stage. New York City experimentalists Dopapod treated fans to an uplifting fusion of rock meets techno meets improvisational jam, something akin to an outer space back yard party. The four piece band isn’t afraid to push their music or fans out of their comfort zone with their genre mixing testing. Papadosio have a more relaxed sound as they started with a spacey “Hippie Babysitter” only to take an electronic turn and add haunting vocals for “Method of Control.” The quintet combined psychedelic rock with a techno jazz composition that kept people hot on the dance floor. The final act of the Catskill Chill weekend came when members of Dopadosio closed down the Main Stage with a three song tribute to RadioHead with “Airbag”, “Paranoid Android” and “Optimistic.” From the first tent set up to the last car leaving the lot, smiles could be seen all weekend. There was a constant feeling of appreciation as friends gathered to celebrate each other, the talented musicians and hardworking staff that helped make the weekend all that it could be and even better. With more than enough music and positive energy, The Catskill Chill lived up to their motto, “All Love, All the Time.”
The final set of pictures from the Catskill Chill from Bryan Lasky.
Saratoga Springs may be known for its natural springs or its historic racetrack, but it’s time to talk about the annual Rockstar Energy Drink Mayhem Festival that invaded the Saratoga Performing Arts Center (SPAC) July 20, 2013. What a perfect day for an outdoor music festival.
With 15 bands, autograph stations, all the free Rockstar drinks you can handle and the other free stuff they give away, it’s definitely worth the price of admission to this one-time-a-year event.
This was my first time attending the Mayhem Festival and also my first time seeing some of these bands live, so I was kind of excited.
Kicking things off on the Musician’s Institute (MI) stage was Thrown Into Exile. They opened the show with great energy and front man, Evan, was really good on the mic, and set the tone for the rest of the show. After their set make sure to drop by the MI tent and meet the band. Some really cool dudes there.
Next up kicking things off on the Jagermeister stage was Huntress. Jill Janus is just awesome. Her facial expressions are just priceless. She’s a metal throwback for those of you who don’t like the current direction of this genre.
Back on the MI stage was Attika 7. Not part of the original Mayhem lineup replacing Behemoth, Attika 7 still kicked some @$$. Former front man of Biohazard, Evan Seinfeld, was pretty funny when he asked the crowed if they have ever seen them before. He said “bull$#!^, we have never been here,” when the crowd responded with cheers of yes. Believe me, it was funny.
Battlecross was up next on the Jager Stage. This was my second time seeing them perform, and they just keep getting better. Tons of energy and a great bunch of guys, so make sure you go and check them out at their merch tent after their set.
Motionless In White were performing next on the MI stage and had the younger crowd eating out of their hands. A fan dressed like MIW was holding a sign wanting to be brought on stage because it was his birthday, and Chris not only had him come up on stage for the second to last song, but he even gave him a mic and they sang the song together. After the song, Chris said “ask and you shall receive.” I thought that was some pretty cool $#!^!
Next up on the Jager stage was the Butcher Babies. Nothing like some hot @$$ rocking out! Tons of energy! Heidi and Carla had the crowd going nuts. This was my first time seeing BB, and I was not disappointed at all.
Born Of Osiris was next on the MI stage. I personally am not familiar with this band, but the crowd liked them and I thought they were good.
Job For A Cowboy is now up on the Jager stage. They brought a whole different attitude to this show. They did nothing but kick @$$. I thought Jonny Davy was going to jump of the stage and into the pit he was so hyped.
It’s time now for Emmure on the MI stage. Tons of energy and drive in their set. I don’t usually listen to them, but I enjoyed them live.
Closing things on the Jagermeister stage is Machine Head. Machine Head was really over with the crowd. I only like a few of their songs, but they put on a great live set.
Closing things on the Musician’s Institute stage was Children Of Bodem. They were over with the crowd as well. CoB is another band I don’t listen to that much, but I enjoyed their live set.
First up on the main stage is Amon Amarth. I just love their Viking ship stage prop that they had on stage. Amon was pretty damn good and should have had another 15 minutes added to their set time. Here’s a question I have, though: how the hell does Johan not spill one drop of liquid out of his Roordahuizum drinking horn?
Mastodon was next on the main stage. Now, I don’t know if the heat was finally getting to me or if I was having an energy drink crash but I wanted to fall asleep during their set. Don’t get me wrong, they are great musicians, I just didn’t feel their set at all. The black wig Brent Hinds was wearing was pretty funny though.
Five Finger Death Punch now takes the main stage, and they just bring it like no one else can. This was my third time seeing 5FDP, and the only thing I did not like was that their set was not long enough. Ivan and the boys are just so good live. The crowd was nuts for them. Ivan wasn’t as energetic as I’ve seen him before, but he still kicked @$$.
It’s now time for Rob Zombie to close the show out. This was my first time seeing Zombie live, and I must tell you that I cannot wait until I get to see him again. What a show Rob puts on. With all of the different props and costumes it’s a show within a show. John 5 has two of the most bad@$$ guitar’s I’ve ever seen. One was totally transparent with an anti-freeze looking liquid inside it and the other one was made up of a couple hundred white L.E.D lights. Rob even left the stage and ran a lap around the inside of amphitheater. This was a really good show all in all. F’in awesome job, Rockstar, I’ll see you next year.
The Syracuse Irish Festival has once again outdone themselves in providing a wonderful experience to all that attended this Friday and Saturday, September 6-7 2013. From social media posts galore, the evenings performances did not disappoint.
Performances Saturday continued to meet and exceed expectations for festival goers. Tom Dooley Choraliers in their dapper kelly green jackets began the day while Attractive Nuisance, a local band who brought their own flair to Syracuse of Celtic Rock made their festival debut this year on the Magner’s Main State. The Moxie Strings joined Syracuse Irish Festival this year all the way from Ann Arbor, Michigan with a new vibe using traditional instruments. The much loved and adored Blarney Rebel Band also did not disappoint in their Celtic mix of ballads, folk songs, jigs and reels. As much as the music they play rocks, their playful banter between band members is just as entertaining to the audience. Rounding out the early hours of the main storage was another local group, The Causeway Giants, who began the windup for the night with their high energy and fun flair and made Syracuse proud. In between sets traditional Irish Dancers performed and wowed the crowd making years of practices and performances look as though it was as easy as can be.
At every festival, there is a breakout group that wows the audience with something new. This year was no different. !!!ToTs!!! and The Pale Green Stars were this years WOW factor. Michael John Heagerty, self proclaimed rapper of all things spuds, totally took the crowd by storm rapping “Twice Baked” and a few other tunes all about potatoes, while Jeff Jones, Brian Coyne and Jeff Tripoli accompanied on bass, drums, and guitar. If you weren’t a potato lover in the beginning, you definitely were by the end.
As GaelicStorm began to get closer to their performance, the sky began to set the stage for an upcoming show of its own. In the meantime though our favorite Canadians, Searson, took the stage and began to whip the crowd once again into a frenzy as they had the night before. Erin and Colleen Searson, sisters and musical and step dancing partners since childhood, along with Danno O’Shea on drums and newcomer Oriana Barbato Guerrero on bass won the crowd over time and again with their performances. Playing tunes such as “Footstomp”, that lived up to its name, and “Highway of Heroes”, which pays tribute and tradition to those that have served their country proud. Syracuse favorites and regular performers at the local Kitty Hoynes Pub, Searson exclaimed that “Once again the Syracuse Irish Festival 2013 was an amazing festival to perform for! Energetic crowds, welcoming fans and fantastic production. We absolutely love Syracuse and it always feels like coming home.” Searson, Syracuse and Central NY love you too and this will always be a home away from home for you.
Rounding out the night and gearing up for the final act was return Syracuse Irish Festival performers from Annapolis Maryland, Dublin 5, formerly known as The Rovers. The festival could not have chosen a better band to go up against mother nature, because the moment they took the stage, the skies opened up and down came the rain. But the crowds, they loved them and no where did they go. And why would they when the Dublin 5 were playing up a storm? Fronted by Ray Murphy on lead guitar and vocals, Jenn Garman on fiddle and vocals, Eddie McGown on bass, bagpipes and vocals, Jim Martin percussion and Kevin Shook on drums, they played crowd favorites like “Galway Girl” and “Devil Went Down to Georgia”, but it was numbers such as “Raggle Taggle Gypsy” and “Nancy Whiskey”, and finishing off the set with “Tell Me Ma” that brought the crowds to their feet stomping and dancing in puddles. By the end of the performance the crowd had been won over by the Dublin 5; they had them at hello. The most memorable number was “Back Home in Derry” that sealed the fate of those yet unconvinced. The reminiscent tune from Gordon Lightfoot, “The Wreck of Edmund Fitzgerald” the story behind the tune written by Bobby Sands while imprisoned was a beautiful ballad and sealed any uncertainty that may remain. Well played Dublin 5, well played.
As the Dublin 5 ended their set and the clouds took a break, the stages were set for the final act of the night. And how fitting that in these storms, Gaelic Storm would be finishing out the 2013 Syracuse Irish Festival. From the moment he began his banter, Patrick Murphy charmed the crowd. So witty and expressive, his ability to engage was apparent. Steve Twigger was the hell raiser on stage. Living up to this title with vocals and guitar jamming, he convinced you if there was no one out in the audience, he would still be doing the same thing because he is a true rocker. Walking around back stage with hands taped up, anyone noticing Ryan Lacey would wonder if he had injured himself. Within the next hour though he proved that this was the farthest thing from the truth. His amazing ability to tap out a beat on anything would amaze and incite the audience into a roar. Pete Purvis, introduced to everyone as “The Canadian” brings to the table so much more than beer and hockey, as he plays a multitude of instruments such as the Highland pipes, Uilleann pipes, Irish whistle, bass and the occasional tambourine. This piper is not just a bunch of hot air. He totally rocked the crowd with each instrument he played. Finally rounding out Gaelic Storm was the beautiful and talented Kiana June Weber. The newest member of the group, Kiana balances out these gentlemen with amazing strings and steps that win over the audiences hearts and souls the moment she takes the stage.
From the moment they began, Syracuse crowded the stage and screamed and hollered as though they were teenage girls watching The Beatles at Shea Stadium in 1965. Their choices for their setlist were a perfect flow to keep this crowd engaged. And engaged is even too calm a word for the reaction they displayed. True performers, they included the crowd as part of their show with two young ladies dueling a dance to “Darcy’s Donkey”, and when the crowd insisted on one more song, they began pulling a multitude of concert goers on stage for the final number. There were two numbers that stood out though, “Me & the Moon” and “Blind Monkey”. As they began to play “Me & The Moon”, the crowd was divided down the center to chant along as they sang and held up lighters/cell phones as though the moon was right there. “Blind Monkey” was the most entertaining Celtic jam session ever witnessed. Each performer showcased their ultimate talents together and individually. It was here that Ryan Lacey became an ultimate hero as he played a wooden box, while Patrick and Kiana waged a Celtic step session battle of sorts. Gaelic Storm proved once again, as the storm blows through, they were the fiercest of all storms and played through to the end with full crowds despite the conditions.
What makes the Syracuse Irish Festival so outstanding? The volunteers, the collaborative efforts with the City of Syracuse, the local businesses that sponsor the event and the attendees. It is one local festival that doesn’t charge for admission because all they want to do is share the music, the food, the fun and make you part of their Irish family. Irish fans are a different breed; there’s something about those that gather to celebrate Irish music, for the events bind them together as though they’ve known each other forever. They’re a family of sorts and through thick and thin, they push through the adversity to celebrate life, love, and traditions each year at all the festivals they attend, and Saturday’s crowd outdid themselves. They endured the pouring rain to cheer on and partake in a party celebration of traditions of centuries from some of the best entertainment around. What makes Central New Yorkers special? Well since the 1960’s at Woodstock, we have proven that no matter how much rain…for good music they’ll stay for the duration.
As the dog days of summer are coming to an end, there’s still time for one last big bash to complete the 2013 festival season. The 4th annual Catskill Chill Festival is set to kick off next week, September 6th-8th, at the scenic Camp Minglewood in Hancock and we’ve got a preview for you!
This camp was made for a music festival, given its secluded location with beautiful views of the Catskill Mountains overlooking a crisp blue lake with plenty of tent space and cabin rentals. One of the many ways the Chill manages to keep a cool and relaxed vibe is keeping the capacity under 5,000, creating an intimate festival experience for fans as well as the musicians.
One of the newest additions to the Chill after last year’s positive feedback includes a bigger Acoustic Junction stage featuring returning acts Consider the Source, Brock Butler, The Brummy Brothers , Dan Collins, and new comers Tom Hamilton & Friends, Primate Fiasco and MUN. There will also be a new campsite DJ stage playing host to such acts as Outlet, Horizon Wireless, and Speakerbot. Club Chill has an extended schedule this year giving fans longer sets and dance sessions with artists such as Solaris, Fikus, Shwizz, Aqueous, Spiritual Rez, and Lucid.
There will also be additional yoga sessions with expanded classes, some of which will be accompanied by live music from Cosmal and a Local Farmer’s market serving fresh and local produce in Vendor Village. Returning guests, known as The Chill Fam, can look forward to the free parking and camping, the 3 covered main stages and 2 outdoor stages, live art, and on stage-open mic sessions.
The Catskill Chill recently announced the festival closing act will be “Dopadosio” a collaboration featuring all members of Papadosio and Dopadod together, performing Sunday night at 2am. Guests have until Monday September 9th at 3pm to leave the campgrounds. Tickets are still available for $150 but will go up to $175 at the gate with VIP prices set at $235 which includes private viewing sections, commemorative gear, VIP Mimosa Brunches plus much more.
It’s hard to believe that with a jam packed weekend schedule featuring a variety of talented musical acts and a limitless activities list, the last thing concert goers will be able to do is chill. However, the festival is going strong with a dedicated Chill Fam that continues to spread peace and love, knowing that when there is a will to Chill, there’s a way.
It’s around 10:30pm at the debut edition of the Buffalove festival and 3/4’s of Aqueous have taken the stage. Skins wizard Nick Sonricker is standing backstage enjoying a beer. Noticing the odd look on this reporters face, he offers “No worries man, they won’t need me for a while.” The rest of the band starts playing the familiar intro to Pink Floyd’s “Shine On (You Crazy Diamond)”. The crowd delivers a deafening roar and Nick finally makes his way to the drum set. What followed was one of the most spot on, goose bump inducing covers one could imagine. Simply perfect. (Check it out here)
This was just one of dozens of unforgettable experiences that this festival delivered over two days in late June at the Willow Creek Winery in Silver Springs, NY. From Aqueous’s top notch Friday night headlining set, to the sick Buffalove jam featuring musicians from multiple bands, to the one two punch of Funktional Flow’s “Wappy Spayberry” (Umphrey’s McGee) into Phish’s “Sand”, there was nary a dull moment to be found. Partners Richard Zanghi and Cody Conway’s Buffalojams festival could not have had a more spectacular introduction. The staff and grounds of the winery were perfect, the sounds of board wizard Ryan Nogle were spot on, and the weather … given the apocalyptic nature of most every festival this year, the beautiful conditions could not have been dreamed of beforehand. But fear not, if you’re feeling some regret having missed this stunner, Buffalove 2 will be back next year!
Equifunk: The All-Inclusive Music Festival, by all accounts, was the greatest weekend of the year. From the music to the Saturday Pool Party to an epic late night campfire set by Marco Benevento to the incredible weather, everything worked out perfectly all weekend long. Set in the beautiful Pocono Mountains at a functional summer camp, Equifunk gave a weekend to festival attendees that drew smiles for all three days of music from every face that could be seen.
Sunset
This festival originally was just a bachelor party for about 50 friends with a couple of bands, but has swelled to three days of music, with multiple stages, and about 1500 attendees. One aspect of the weekend was how small everything felt. Multiple people over the weekend said they felt like they crashed a private party. Artists could be seen walking around the grounds, dancing with the crowds to the music, and chatting up music lovers. Everything seemed very accessible to all attendees and gave the festival a leg-up on all other festivals in the Northeast Region.
Basketball Tournament Winners
The music kicked off Friday with The Woody Brown Project at The Tee Pee Stage and their disco-laced funk. Having two percussionists and two horns solidified this sound and had those who arrived early enough to catch the first act of the festival dancing under the trees. A great cover of “Billie Jean” finished their set just as The Weeks were getting started on The Equifunk Pool Stage. The Weeks play southern rock with a bit of soul mixed in for good measure. The band has a lot of energy on stage and the small crowd that saw them appreciated it and got up and danced. Next was the first major highlight of the festival, 13 year old Bobby Paltauf and his band. Bobby has such amazing control over the guitar. Covering Jimi Hendrix, Warren Haynes and The Grateful Dead, he and the band showed off how much talent they have. Bobby directs the band with ease as to where he wants the music to go. This kid is not to be missed if he comes around to your area. He finished his set with “Tweezer Reprise,” much to the crowd’s delight.
Marco Benevento
King Lincoln brought their brand of rock to the stage and it was perfect music to have the daytime wind down prior to the first night of the festival starting up. Festival goers got their first free meal of the weekend as the beer started flowing while the sun went down. The all-inclusive model is really a great thing and makes Equifunk very unique. To start off The E-Rena, The Main Squeeze came on and brought the funk to the festival. These guys have a great chemistry after only being a five piece for about a year and they owned every second they had on the stage. The crowd was electric throughout their set. Their cover of “No Quarter” had lead singer Corey Frye and guitarist Max Newman showing off their skills, much to the crowd’s excitement. Artist in Residence for the weekend, Sister Sparrow came out to join the band on Stevie Wonder’s “Higher Ground” and blew the roof off of the E-Rena.
The Equifunk All-Stars
JJ Grey and Mofro were out to keep the energy level high. JJ is a great front man and engaged the crowd during the entire set that felt like a rock, funk, and soul revue. “99 Shades of Crazy” as well as “Slow Hot Sweaty” were standouts of the set. The New Mastersounds were the headliners for night one and for this set they had James Casey, another Artist in Residence for the weekend, joined them for a good part of the set. These Englishmen know their funk and from the moment they hit the stage they showed the crowd a good time. Their non-stop hour and a half set oozed with energy that the crowd gave back to them just as hard. Each member of the band is so skilled at their respective instrument, it lets them take each song in any direction they want. When James came out, the addition of the saxophone increased the funk levels exponentially. The set was excellent and afterwards many people went to their cabins or tents, while some faithful stayed up for Boombox and their looping beats with beautiful guitar licks mixed in over them.
The Equifunk All-Stars
Day two of Equifunk started with breakfast and a 3-on-3 basketball tournament. The food was good and the games were competitive. The Main Squeeze had three of their five members involved in the tournament as well, which was fun to watch. I’ll Be John Brown started the music and their country rock was a perfect way to start the all-day pool party that went down, especially their cover of “Ophelia”. People could be seen rocking out in the pool throughout the day, as well as going down a water slide, while all the bands threw down great music. Superhuman Happiness and their funky disco rock took turns towards spacey jams at times, and it was very noticeable that some of their influences include LCD Soundsytem, The Talking Head and TV on the Radio, and Stuart Bogie confirmed this after their set saying that all three of those were among his favorite bands. Their songs are very complex with two keyboards and two guitars going all at once, and all of it being heavily distorted from song to song, yet the grooves are easy to dance to. These guys are very talented and are a group not to miss. The Monophonics made use of a great horn section to showcase their version of funk and soul. Their set was heavy on the covers but it was the back to back of “Gimme Shelter” and “Bang, Bang” that really made an impression on everyone. With a sound deeply rooted in the ’70s, these guys did a great job of honoring the classic Motown and Stax funk sound in their set.
The Pool Party
Keller Williams & More Than A Little took over The Pool Stage and saw the biggest crowd gathered yet. A set mixed of covers and originals from their forthcoming album made for a very enjoyable set. Keller controlled the audience with ease, not only during the songs, but also during his in between song banter that was very funny. “Samson and Delilah” as well as “Once in a Lifetime” were two great highlights from his set. Keller is never one to be missed and this goes double if he has this band with him. The Heavy Pets had James Casey out to assist them on a fantastic “Help Me Help You”; having James up there pushed the band to a new level and they kept the energy of the sit-in for the rest of their set. They are no strangers to us here at and their set was, as expected, another great one. Marco Benevento closed The Pool Stage down and did it in grand fashion. Wearing American flag jeans and his trademark tiger mask for “Limbs of a Pine,” Marco brought the sun down and got us ready for the nighttime. His high energy set was a definite highlight of the weekend and everyone started to move to the main stage with nothing but smiles after he was done.
The M&M’s
Nigel Hall Band was tasked with opening the evening. James Casey was there to help out as well as Eric Krasno on bass for the whole set. Nigel is a great front man and the smooth funky soul that the band produced was a wonderful start to the evening. Anders Osborne with John Medeski thenwowed the crowd from the moment they all hit the stage. Anders is an amazing guitarist with tons of energy, obvious in every ripping solo that he took. Medeski was laying down beautiful key work throughout the set. The highlight was a very long and absolutely rocking “Going Down the Road Feeling Bad” early in the set that had the E-Rena yelling in approval. Near the end of the set there was also a “Wilson” tease that got the crowd going as well.
Pork Tornado
Soulivewith The Shady Horns and Maceo Parker were the headliners for night two and the set was as outstanding as one would expect. Everyone on stage was a virtuoso at their instrument and the music coming from the stage was jaw dropping. Once Maceo hit the stage a few songs into the set, the crowd ate up every second. Sister Sparrow and Nigel Hall came out to help with Ray Charles’s “Night Time is the Right Time” that had the crowd in a frenzy. Maceo was perfect throughout the set both on saxophone and on vocals. Marco Benevento then had a campfire set, in what hopefully will be a yearly tradition. Playing in the round and having audience participation throughout, Marco ran through originals and covers in what many people thought was the moment of the festival. From “Bennie and the Jets” to “The Real Morning Party” to “9 to 5,” Marco had the crowd in his hand the whole time. The New Mastersounds second set of the weekend started around 3 AM and they had many guests throughout the set, including Maceo. They rolled through rock, funk, and soul, just as they had the previous night and again showed their brilliant work on their instruments. The music coming from the stage was beautiful and no one watching could help but dance. As their set ended around 5 AM many people packed it in, but Marco started up an unannounced second campfire set and played until 9 AM. (Author note: I did not see this as I was calling it a day, but I was told from everyone who saw it that it was amazing and guest filled and the highlight of the festival.)
The New Mastersounds with Maceo Parker
This year the festival decided to add Sunday music to the festival and it made for an incredible day. The FrankStalloners started the day with tons of energy and covers that set the tone for the day. Frank has a Joe Cocker vibe to him and rocked the stage hard. “Turn on Your Lovelight” and “Crosstown Traffic” were played great by him and the band. Following his set Papa Mali came out and had Bobby Paltauf as well as Joe Tatton from The New Mastersounds on guitar and keys respectively. Lots of blues came from the stage throughout the set and it was wonderful watching Papa and Bobby trade guitar licks. Mike Dillon Band was next and brought a wild energy that had not been seen the rest of the weekend. Mike’s instrument was so different than most percussionists’ instruments: a mix of a xylophone and a drum kit. Carly Meyers, who plays the whistle, trombone, and vocals in the band, was a ball of energy not only on stage, but in the crowd as well. The whole band had an energy to them that set them apart from every other band at the festival. After the set I asked Dillon where the music comes from, as it is different from anything I had ever seen, saying “It comes from the head and the heart, what can I say”, with a smile. Carly also said “We usually play until we get kicked off the stage, which is three hours sometimes.” This is a band not to miss.
The M&M’s
The London Souls brought their music to the stage and showcased their brand of funk via rock throughout their set. Their cover of “Apostrophe” by Frank Zappa was a clear highlight letting each member of the three piece band some air to show their talents. The Equifunk All-Stars made up of Eddie Roberts and Pete Shand of The New Mastersounds, Nigel Hall, and Stanton Moore were up next. Mike Dillon, James Casey, Carly Meyers, Tash Neal of The London Souls, and Joe Tatton helped out as well throughout the set. The talent on stage was amazing. It was an hour of straight improv that saw every person on stage trying to one-up the energy of another member of the band. Each musician could be seen having a great time with smiles all around on stage, but the smiles were also in the crowd as members of the audience were constantly stunned with joy over the music coming to them from all of this talent. To close out the Pool Stage for the weekend, The Main Squeeze were back up for their second set of the festival. Talking with Corey prior to the set, I asked how it felt to not only open up the main stage at the festival, but also close the pool stage and he said, “It’s been nice growing together with the festival and it was important for them (the festival) to have us do both.” This was third year that The Main Squeeze has played the festival and it seems they will be there every year as both they and the festival have been gaining momentum in the past few years. Their second set was just as beautiful as their first set of the weekend. Corey worked the crowd perfectly again, while Bob “Smiley” Silverstein donned a keytar and tore the stage down near the end of the set. Their version of “Papa was a Rolling Stone” was filled with so much funk; the audience couldn’t help but scream their approval.
The Revivalists and their high energy show opened the E-Rena stage. David Shaw can easily command a crowd like few front man know how to anymore. The moment he stepped on the stage he was a magnet for attention. Ed Williams’ pedal steel playing is great and you can see that everyone on stage is enjoying their time up there as they all interact with one another regularly to bring the energy up even higher than it already is. Pork Tornado headlined the evening and brought their country-rock to the stage in glorious fashion. Jon Fishman is the big draw here, but everyone else in the band holds their own. Joe Moore’s saxophone playing and vocals were wonderful as was his interaction with the crowd, especially during the Divinyls cover “I Touch Myself”. The band was all over the place musically going from Frank Zappa to Frank Sinatra, but it all sounded perfect. This was only their second performance in the last ten years yet it seemed as if they had been together constantly over that time. The set drew one of the loudest ovations from the crowd throughout the whole festival, but it was the final set of the weekend that may have had the best music of the weekend. The M&M’s, a super group made specifically for the festival consisted of Maceo Parker, Papa Mali, Rob Mercurio, Stanton Moore, Marco Benevento and John Medeski; this group had enough talent on stage for an army. As an added bonus, Mike Dillon came out a few songs into the set and stayed for the remainder. The set had loads of covers including, “The Harder They Come,” “Walk On,” but it was “Eminence Front” that brought the funk to the stage. Throughout the song every member of the band had a chance to show why they were on stage at that moment. The band could have just jammed on this one song for an hour and everyone in attendance would have been happy, but there was more music to be heard from this great group of musicians. They closed their set, and the festival, with Led Zeppelin’s “How Many More Times” and then it was all over.
As everyone began to leave it felt very much like summer camp with new friends saying goodbye to one another and people making promises to stay in touch and to see one another again next year. Equifunk was managed great all weekend and the sky is the limit for this festival. This year was the biggest yet and it’s only going to get bigger. Another great aspect of the festival is that they raffled off a poster signed by every artist for The Mockingbird Foundation. Hopefully something like this can be an annual thing and a bonus for festival goers to get involved in a great cause and have the chance to win a cool prize. Being so close to the Upstate Region, this is a festival not to miss for music lovers. Do yourself a favor and go to the Poconos next year to take in the mountains, the people, and the funk at Equifunk.
The 2013 Night Lights Festival returns September 13th and 14th to Sherman, NY. The festival, in its third year, is held at the Great Blue Heron festival grounds. A component of a larger effort, Night Lights at the Heron, the two day music festival plays off of the light installation set up thoughout the woods creating a unique mash up, touted to be “mind blowing” by many.
The Festival continues to add bench strength in their third year, bringing in both regional and nationally touring acts, including Marco Benevento, The Heavy Pets and Jimkata. Lazlo Hollyfeld, and Smackdab were both part of the original Night Lights lineup are joined by veterans Schleigho, Aqueous, Aircraft, DJ Cutler and John E. Old School , and new this year, Family Funktion and the Sitar Jams, Funktional Flow, Universe Shark, Haewa, On Beta and Space Junk.
The festival aims to please offering a choice of woods or car camping, as well as RV and family camping options. Single day passes are also available for both Friday and Saturday. Pick up tickets in advance here
The Aura Music Festival has just released their biggest line-up yet for the fifth annual festival at the Spirit of Suwanee Music Park in Live Oak, Florida. The festival will be taking place February 14-16. The eclectic lineup will include two nights of Lotus, two nights of Papadosio, Conspirator, Zoogma, two sets of the Werks, Mike Dillon Band, two sets of Kung Fu, two sets of Dopapod, The Heavy Pets, Superhuman Happiness, Brock Butler, Jimkata, and many more. There are a limited number of tickets now available for $125 and can be purchased online.
Since its humble beginnings in Brooksville, FL, AURA has become one of the premiere multi-day boutique music events in the Southeast US, attracting fans from around the country. Now comfortably at home at the famed SOSMP, AURA comes to life in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River and utilizes one of the most beautiful natural amphitheaters in the country only made more awe-inspiring by AURA’s attention to sound and lighting production. True to nature, AURA 5 will feature live painters, an interactive arts village, craft and food vendors, yoga & meditation, and inspiring transformational workshops. Stay tuned for additional details and artist announcements.
The foothills of the Adirondacks are a perfect location for camping, hiking, kayaking and fishing, especially in these dog days of summer as the sun sets a little earlier each day. Oak Mountain in Speculator has been an all-seasons destination for years, but in the summer they have begun to attract a crowd for an annual event, Oak Mountain Bluegrass and Arts Festival. Smaller than Snow Ridge (moe.down) and Hunter (Mountain Jam), Oak Mountain has gentle sloping hills that lead to a comfortable base where music fans can set up tents, canopies and chairs and bask in the warm sunny Northern New York days and feel the chill come down the mountain once the sun sets.
With locally made arts and photography of the Adirondacks for sale, the crowd was very relaxed on this warm day, some hooping, others chatting with friends but all focused on the music and tapping their feet to the five bluegrass bands from Upstate New York that graced the stage. Birdseed Bandits got things kicked off with Lumineers-style bluegrass, paced and inviting, including “Wagon Wheel”, a popular cover by Old Crow Medicine Show. Pocket Change played tunes from Steve Miller Band, Justin Earle Townes, The Grateful Dead, Marshall Tucker Band and Neil Young, as well as original spread out in between these wonderful renditions of classic songs. Blind Owl Band performed more frenetic bluegrass tunes, notably “Missing my Home”, eliciting cheers with a shoutout to Eastbound Jesus. A gorgeous cover of Led Zeppelin’s “Thank You” had Christian Cardiello swap his upright bass for electric one, while the strings of Eric Munley, James Ford and Arthur Buezo were in sync in a Greensky Bluegrass type of connectedness. Their high intensity and fast paced play for the full set is proof that Upstate NY bluegrass is its own subgenre.
Two bands from the Utica area, The Rusty Doves and Remsen Social Club, closed out the night as the sun began to set, giving way to pink and purple hues in the sky. The Rusty Doves started off with a cover of Patsy Cline’s “After Midnight”, an intense “Rock of Ages” and a beautiful “Pretty Fair Maid”, by Tim O’Brien. Remsen Social Club polished off a splendid day with the campfire crackling nearby, playing “Over You Darling”, “Mountain Top Love Song” and “Gorge Road Blues”. Campers enjoyed the brisk Adirondack night and locals ventured back to town once night fell, setting up a perfect night in that area between the Mohawk Valley and the North Country, a perfect place for a music festival in August.
Over two dozen bands, many hailing from or with roots in Central and Western New York, drew a large local fan base and with that a community atmosphere missing at many larger festivals. The festival grounds and camping areas were full of surprises; drum circles, pop up campfires, jam sessions, and plenty of folks looking for adventures. Nationally touring bands The Heavy Pets, Jimkata and Marco Benevento provided a punch of energy to the already excited crowds, and more regional acts, Aqueous, Space Junk, Lazlo Hollyfeld, The Manhattan Project and Schleigho gave performances not easily forgotten.
The Festival continues to add bench strength in their third year, bringing in both regional and nationally touring acts, including 
With locally made arts and photography of the