Category: Reviews

  • Album Review: The Chronicles self-titled debut

    The Chronicles released a self-titled disc back in December, but worthy of a few accolades especially with follow-up,  Live from the Massry Center for the Arts, out this week.

    A mostly instrumental exploration of various jazz concepts infused with hip-hop and funk, The Chronicles bring us a soul soup that hits the spot. All the spots.  The Chronicles is a unique blend of highs and lows, sometimes frightening, sometimes joyful, sometimes serious and, at other times, playful.  The Chronicles is a disc fitting for just about every occasion in the amalgamation of life.

    The disc opens with someone flipping through the channels and lands on “Purple Diesel.” An attention grabbing blast of sassy horns gives way to a quieter rhythm, then back around to the horns. Throughout the disc, this six man ensemble successfully fuse their various artistic backgrounds into a tangible form that magically seeps into the mind, body and soul. Bryan Brundige (trombone), Jeff Nania (saxophonist), Andrae Surgick (drums), Daniel Lawson (bass), and Justin Henricks (guitar) marvelously compliment each other’s musical style ultimately playing out on an eight-song disc that will warm you from the inside out.

    If that doesn’t hit the spot (yet it will) then surely occasional guest vocalist Kendra Jones will do just that in “Rain Drops.” Composed by trumpeter and guest player, Phil Chow, the song starts out one way but subtly changes over the duration of about eight minutes; it’s unrecognizable by the end.  Jones’ vocals are layered and the horn is somewhere in the back, giving us a sense of a forlorn soul walking the beat of row houses in the rain.  Jones shows up again on “I Wanna Sing,” and “Music Comes Alive.”

    Closing the disc with New Orleans flavored wah-wah-wah and weighted down in an ironic and amusing song titled “Triumph.” One could only imagine trudging-down-the-street-ho-hum emotion this song provokes.  No matter the pleasure (or the pain) there is a comfort brought about in listening from start to finish.

    Key Tracks: Purple Diesel, Rain Drops, Triump

  • Video: Shmeeans and The Expanded Consciousness at Red Square, February 22nd

    This past Friday, Adam ‘Shmeeans’ Smirnoff of Lettuce brought his Expanded Consciousness to Red Square in Albany for what was a very-anticipated show for many, to say the least. The crowd was deep and focused on Smirnoff, Craig “Butter” Glanville on drums, bassist Chris Loftlin and Blind Boys of Alabama keyboardist Pete Levin, and got progressively louder as the jams grew and grew.

    Shmeeans
    Adam “Shmeeans” Smirnoff

    What started out as small aural-seedlings from the band grew in to fully formed jams that were mostly improvised pieces that lasted 10-15 minutes at times. This was a treat for 90 minutes or so, with Shmeeans leading the others into jazzy explorations that meandered all about the jam-session spectrum. Check out eight separate tracks from the night, and be sure to check out Shmeeans and The Expanded Consciousness at The Putnam Den on February 28th, plus an  interview with Shmeeans.

  • An Interview with Aaron Carter, Making a Comeback at The Westcott on February 24

    A surge of nostalgia washes over the gaggle of sorority sisters in the front row as Aaron Carter jumps out of a black bag (yes, that’s right) and takes center stage. Armed with red plastic cups in hand, everyone is ready to. well, come and get it. The lights dim and before you know it, he tears up the Westcott Theater stage, bouncing from corner to corner, staring into souls and dodging bras being flung at him. Obviously, we all know better than to expect the subtle from Aaron, who looks for any excuse to lift off his shirt to flaunt his newly ripped abs. The good news is his dance routine kept the indulgent, drunk crowd entertained enough to keep their attention off of the pitchy vocals and off-key runs. I mean, who’s to blame? I know my teenage hopes came right back knocking on the door within the first ten seconds into “That’s How I Beat Shaq”. And though nobody remembered, “Do You Remember?”, we ought to give the devil his due for getting the whole crowd on the floor to dance to “I Want Candy” as if it weren’t a day past 2000.

    Before embarking on his tour, Aaron Carters gets straight on the phone with Morgan and Gauraa from after his rehearsal in New York City to discuss his new album and tour, The After Party. He might be dripping a sweat, but he claims there’s nothing else he’d rather be doing.

    Aaron Carter: What’s up guys? Girls?

    Mary Morgan Craig: It’s so nice to get the chance to talk with you.

    Gauraa Shekhar: Yeah, finally!

    MMC: We really appreciate it.

    aaron carterAC: Sorry if I’m a little quiet right now, I just got out of rehearsal so I’m like really tired right now…

    MMC: No problem! So you’re currently working on a new studio album and you’re busy with an upcoming play on Broadway, “The Fantasticks”, and now you’re also going on tour. How do you manage everything?

    AC: Oh well, I just go with the flow, I mean, I don’t really try to manage anything really, I just kind of do what I’ve got to do, you know? I love performing so much that, you know, anything I can get to perform I’m just, I’m going to do it. It’s not really something that’s like an inconvenience, you know, I mean, but… I mean logistically what it comes down to is I have a manager, you know that. It helps keep my life simple and, you know, takes care of all the business, so I can, you know, have fun and perform.

    GS: Yeah, that’s the spirit. You’re working on a new album. How is that going for you? Could you tell us a little bit more about it?

    AC: Oh yeah! I’m kind of taking it a little more, I mean, I’m taking it a lot more seriously this time around. Um, you know, I’ve been growing up so, it feels kind of hard for me to pick a sound that I really like, want to stick with, so um, I think there are quite a few songs that other people produced and wrote for my album. It’s going to be like a dance sound. The kind of music that all my fans grew up with, you know.

    GS: Sounds exciting!

    MMC: Yeah we’re excited!

    MMC: Yeah totally. Do you think you’re going to put any EDM influences into it?

    AC: Sorry?

    MMC: Any EDM influences in the new album? Like electronic dance music?

    AC: I mean, there will be a little bit, but I’ll do little hybrids with my dancers like hip hop, but like pop music.

    GS: Yeah, sounds good! What inspired the title of your tour, “The After Party”?

    AC: I was just sitting there one day, and it just came to me that the theme for the next album should be, “The After Party”. And I came up with it because, you know, “Aaron’s Party” was a huge success and uh, literally the beginning of my career, you know, was “Aaron’s Party”. I wanted to embrace that, you know, I love all the songs that I’ve got.

    GS: So do we!

    AC: Yeah, I’ve performed them and toured them and toured them all around the world and, you know, thousands of times I’ve performed the songs, and I was like, it would be cool to bring them back.

    MMC: That’s really cool, I’m glad you’re embracing that! I thought it was really clever.

    AC: Why thank you.

    MMC: A lot of people are really excited to see you on tour again. What made you decide to tour this year?

    AC: Well, uh, it’s just been so long and, I mean, I guess after doing Broadway and so many consistent shows over and over and over, I just felt like my endurance, my, you know, my performance had just gotten a lot better and so has my craft. So it was nice to get out there and I can’t even tell you guys how happy I am, you know, that I get to be able to go back out on tour and do what I love, you know?  You know, it’s really cool.

    MMC: That’s awesome. What was your Broadway experience like, playing Matt the Boy and all?

    AC: Oh it’s been amazing! It’s been exhausting and exhilarating, ha. I don’t know I have all kinds of feelings about it. It’s hard work! It’s hard work. I mean,  I did “Seussical the Musical” when I was 15 years old for 6 months and you know, it was tough! It was really tough. And I remembered it. And out of all the tours and things I did, you know, it was probably the hardest thing I ever did. You know, the experience, I mean, I learned more from the actors that I’ve worked with, you know, I’m a sponge and I kind of absorb what everybody does. It’s tough, but it’s been good. I like it, but it’s tough. I like feeling exhausted like I am now.

    MMC: We want to know what the typical day in the life of Aaron Carter is.

    AC: Well, there’s no typical day per se, I mean it varies. I mean, I wake up and reach out to my phone and get right on twitter to talk to my fans immediately.

    MMC: That’s great!

    AC: Yeah, that’s pretty much what I do. I go get ready to perform and I go chat up with my dancers and those people who are opening up for me. It’s kind of like a party. We just have a lot of fun!

    GS: Well, speaking of dancers, we saw that you tweeted yesterday: “By the way, if you recognize some of my dancers from ABDC (America’s Best Dance Crew), that’s because they were on the show”. Are these back-up dancers touring with you?

    AC: Yes! They were in The Funkadelics. They’re actually brothers, Nico Rich and Trey Rich. They bring a lot to the table and they challenge each other. They’re really amazing.

    MMC: What is the weirdest fan experience you’ve ever had?

    AC: Oooooh! Well, I’ve had a fan climb up, like, thirty balconies once. I was actually started throwing paper airplanes with my autograph on them to the crowd of three thousand girls in the parking lot. And then this one girl was just out of her mind, I guess she really wanted an autograph so she really climbed thirty flight of stairs. In the end, she finally made it and ran up to me and started squealing, “Oh my god, It’s Aaron Carter!”.

    MMC: Wow! Well, you were definitely my first crush so I can totally relate. I’m sure you get that all the time, though. I was totally one of those girls! Ha, not chasing-you-crazy, though, so don’t get creeped out!

    AC: Well, I like hearing that!

    GS: Okay, well, a lot of people still look at you as if you’re still that kid who kissed Lizzie McGuire under the mistletoe. What has it been like trying to grow out of that image?

    AC: Well, a few million people probably know me from that, but I don’t know, I’m proud of everything I’ve done. People still come up to me today and recognize me from all the different things that I have done. It does kind of annoy me to hear that though because she’s my ex-girlfriend, you know; she was kind of my first love so it pulls on my heartstrings a little bit but that’s about it.

    MMC: We interviewed your opening act, singer-songwriter Justin Levinson. What do you think of his music?

    AC: I actually haven’t had a chance to check him out as yet. But I’m going to, so good call.

    GS: Well, he’s great. So, what was the last record you bought?

    AC: Um, I don’t know. I haven’t actually bought a record in a year to be honest! I think it’s probably Aaron’s Party!

    MMC: It seems like you’ve been on the receiving end of a lot of scrutiny from the media since such a young age. Obviously, you’ve handled it so well. We were just wondering what was it like growing up under the public eye?

    AC: I kind of just, like, bottle my life. I try not to immerse myself in all of this stuff, you know. I just try to be the person that I am and that kind of helps me stay sane.

    GS: Your on stage routine is pretty demanding. How do you manage to stay fit on tour?

    AC: I don’t know, I just do my performance routine. I try to eat as much as I can and rehearse. That’s the only way to stay fit, really.

    Morgan: So what’s your favorite song to perform?

    AC: Right now, it’s probably “Leave it Up to Me”.

    MMC: Cool!

    GS: You’re starting off your tour on the East Coast this time around. But what’s your favorite place to tour otherwise?

    AC: Um, that would be Malaysia, South America, and the Philippines. They have a great crowd.

    GS: Oh, sweet. You should definitely hit up Indonesia sometime also. I’m from there so I know they have a dedicated following. Really great energy, really.

    AC: Oh, really? Will do. I mean, my whole goal with this tour really is to tour the whole year and kind of introduce the fans to my new music.

    GS: Sounds like a plan!

    MMC: So, do you have a Valentine this year?

    AC: Sadly, no!

    GS: Well, you have a bunch of fans regardless so it’s not half as bad for you I’m sure!

    AC: I mean it’s hard to have one Valentine, you know. I have multiple, ha!

    GS: Who’s your favorite artist right now and why?

    AC: Bruno Mars. I love him! Great performance at The Grammys. Also, he’s just an incredible singer.

    GS: Great choice!

    MMC: Okay, we’re going to do a Valentine’s day rapid fire, if you’re down. We’re going to say a word and then you have to say the first word that comes to your mind.

    AC: Okay!

    MMC: Okay, so the first word is Marvin Gaye.

    AC: Sexual.

    GS: Alright, next word is candy.

    AC: Lollipop.

    MMC: Candlelight.

    AC: Romance.

    GS: Taylor Swift.

    AC: Red.

    MMC: True Love.

    AC: Um, no.

    GS: Bieber.

    AC: Carter.

    MMC: Long distance.

    AC: Relationships.

    GS: Love song.

    AC: Bump and Grind.

    —–

    Who knew a trip down memory lane would only cost $14?

     

  • Formula 5 find their Groove on Debut Album

    Albany’s Formula 5 has hit the mark on their solid debut album, showcasing their sounds and skills in a tight seven tracks. Well produced and with fluid consistency, the album should be a must listen for Albany area fans, especially those who like Phish and Umphrey’s McGee – you’ll hear their influence intermittently on the album. The tracks are mostly six to eight minutes long and well worth it, giving you a clear idea of what to expect from live performances, polished songwriting skills and instrumentation that meshes together to create one solid debut album.

    Listen to the entire album here

    formula 5 album sledgehammer formula 5 debut albumThe opening track, “Hot Box”, is a perfect lead in, with all four on the ball for one of the catchiest songs I’ve heard lately. It reminded me of The Big Wu, UVHippo, early String Cheese Incident and a little bit Umphrey’s McGee. Joe Davis’ guitar has just the right amount of pedal to lead the song, with Mike McDonald’s keys building tension towards a change in tempo mid-way through, likely a launching point for jams when played live.  The chorus “Hold fast, cooking on down, cooking on down the road” is a great crowd-friendly line that is sure to be an anthem with a little time. “Coming Home” has hints of Bruce Hornsby, a fair amount of Trey and a little Kang thrown in for good measure. The number develops into a well formed jam, with Mike McDonald’s keys giving a nice faux-reggae beat to the tune. “Paella” is a progressive instrumental and gets into a nice airy groove midway, this is another one that will excel when seen live.

    “Sueno”, a minute long interlude on the album that splits the two halves of the album apart, and with “Mister Elixer”, the album picks up where it left off. This track is catchy and riffy, feeling more like Phish than any other tune on the album. You can hear Trey’s influence pouring through Joe Davis in the best way possible. “3 Ring Circus” starts with a long organ lead in, and McDonald shines on the track, establishing the groove before starting in with lyrics. The final track, “Houdini”, has a Pink Floyd-esque intro, before things get nice and funky. Bill Shattuck’s bass groove is a highlight and pairs well with Greg Marek’s drumming.  An added bonus to the track are Jeff Nania on saxophone and Bryan Brundige on trombone, both from the Albany band, The Chronicles.

    Formula 5 has a great debut album – don’t miss them on March 2nd at Red Square for their CD Release party! Funktional Flow from Buffalo opens up. Doors at 8, show at 930

    Key Tracks: Hot Box, Coming Home, Mister Elixer

  • HateBreed, Shadows Falls, and Dying Fetus Show

    Saturday I decided to venture out into Syracuse with a good buddy of mine. We had decided to stop by the Westcott Theatre in Syracuse to catch the HateBreed show. When we arrived, I realized Razor and Tie did a great job mixing it up for this particular tour – it’s not everyday you see three of the biggest influential bands from three different genres on the same tour.

    For those of you who enjoy the sometimes trippie, sometimes death metal sounds of the likes of Between the Buried and Me and Animals as Leaders, you will be truly satisfied with the band The Contortionist. These guys showed a lot of season for a bunch of guys who barely look of age to drink. Complete with synths and sub drops they definitely gave people a taste of what was to come.

    By now the hall was beginning to fill up, probably in anticipation of one of the biggest and most influential Death Metal bands out there right now. Dying Fetus has been around since the early ‘90s and certainly showed that very early on. I was just a bit skeptical at first seeing that they were only a 3 piece, but the music was well thought out and as full as any band. I also enjoyed the duel moshpits during their set.

    Next up, Shadows Falls, yes these guys know their metal. When I think of the Boston Mass. Circuit , one the first bands that comes to mind is always Shadows Fall. This was the first time I actually got to see them play live – I was like a kid in a candy store. They opened with some of their newer material, with some classics thrown in there. I was absolutely drawn to them. They are a must see band out there right now. As far as the performance goes, Brian Fair and Jason Bittner stole the show. Every time Brian did a windmill with his 4 foot long hair I got a little jealous (considering I’m way too thin on top to grow mine that long and look that good), and his voice was right-on all night. Then I was drawn to Mr. Bittner, with stellar timing all night long and him standing up behind the kit – yeah he puts on a show.

    The headliner of the night, HateBreed, was another first for me. I’m not really into hardcore. I just cant get into all the ninja kicking, trying to beat someone up in a pit, crap that those crowds do. But it’s the quintessential HateBreed, it’s a no-brainer. First off, tight as hell ( local bands should take note). Second, Jamey Jasta, their singer, had my attention from the get go. This guy knows how to control a crowd – he had everyone beat on that night for sure. They also played some of their best stuff off of Rise of Brutality. I now understand why their new album, The Divinity of Purpose, is number 1 on the hard rock charts. It was amazing to see this band, who I remember listening to in the mid ‘90’s(thinking yeah they are ok ), really knock my socks off. So, for me, HateBreed has my vote for the band of the night, and in reality they should, they are the headliner. Anyway, it was a great night of metal and hardcore at the Westcott. Don’t be afraid to check out any of these bands on their next trip through; all of them are well worth your money. Also check out the Westcott for some great up-and-coming shows. Horns Up till next time m/
    – Fred Marriott

  • Passion Pit and Matt & Kim bring music back to the RPI Houston Field House

    It’s been over two years since music filled the historic RPI Houston Field House. That all changed in a big way when Passion Pit and Matt & Kim partied with several thousand of their closest fans. We can only hope this will be the first of many great concerts returning to RPI.

    Things kicked off with the indie-pop duo of Matt (Johnson) and Kim (Schifino). The super energetic couple ripped through many of their hit singles including “Now” and “Let’s Go” off their latest album, Lightning.  Throughout their performance, Schifino climbed her drums like a child on a playground jungle gym (and even crowd surfed at one point!) while Johnson supplied a playful and upbeat keyboard accompaniment to balance out the powerful bass. Both Schifino and Johnson regularly saluted the crowd, thanking them and expressing how excited they were to be playing the Capital Region again.

    Passion Pit continued the evening’s celebration. The five-member group from Cambridge, Massachusetts consists of Michael Angelakos (lead vocals, keyboards), Ian Hultquist (keyboards, guitar), Xander Singh (synthesizer), Jeff Apruzzese (bass, synthesizer bass), and Nate Donmoyer (drums). The band performed a well-balanced mix of hits including “Sleepyhead” from their first album Manners and “Carried Away” from their recent sophomore album Gossamer. Andelakos often engaged the accommodating crowd, coaxing them to sing along. The pinnacle of the evening was a powerful and moving rendition of the hit single “Take a Walk”.

    As expected, this evening was more than just a concert, it was a revival. It was the revival of music at the RPI Houston Field House.

  • Dirty Dozen Brass Band brought Mardi Gras to Albany

    On Saturday February 9th, the legendary Dirty Dozen Brass Band brought their thirty plus years of funky syncopation to the Massry Center for the Arts at The College of Saint Rose in Albany.

    The opening band, The Chronicles, are Albany natives and I arrived in time to catch the last four songs of their opening set. Their sound made me imagine Lettuce and The Roots, canoodling in a jazz bar, full and polished with energy to spare. I’ll be hoping to see them at a venue where the space is more dance friendly.

    After a short intermission, the Dirty Dozen Brass Band took the stage. On tour promoting their newest album Twenty Dozen, they are not quite a dozen, but seven musicians. Original members Gregory Davis (trumpet/vocals), Roger Lewis (baritone sax), Kirk Joseph (sousaphone) and Kevin Harris (alto sax) were joined by three younger musicians, a trombonist, keyboardist and Terrence Higgins on drums. At 24 years old, Terrence may be younger than the band, but he holds the rhythm down.

    Starting out with “Big Chief” and continuing on into “Burn Down the Levee” and “Oo-Poo-Pah-Doo” before returning to “Big Chief”, DDBB had me wishing Massry was better suited to let loose and dance. Through fiesty solos and a hot backbeat, most of the crowd remained seated, even after prompted by Davis to stand up. “Just for tonight, it’s Mardi Gras in this 20° weather” he instructed us. “You aren’t in Albany anymore.” He had us all clapping and singing along after demanding “When I call to you, you respond!” When the power failed in some mics, they powered through it, their sound saucy and resonating in the room. Davis kept us involved, shouting out over the crowd for us to sing a long.

    During “Git Up”, again we were instructed to stand and dance, and this time it worked. Most of the audience complied and were clapping and dancing with the beat. Towards the end, Davis brought two audience members onstage to dance, which they did with enthusiasm, if nothing else.

    Not to leave the crowd unsatisfied, DDBB stitched songs into a closing medley with “Big Mamou” followed by a favorite “When The Saints Go Marching In” reprised by “My Feet Can’t Fail Me Now.” Leaving the stage to a standing ovation and much fanfare, we were graced with one last song, a duet by Davis and Lewis. They perform a very sweet and sultry “Saint James Infirmary Blues” which was a beautiful end to a very intimate show.

    Listen to “Jook” from their new album Twenty Dozen

  • Willy Moon introduces himself to Upstate NY at Dinosaur Bar-B-Que, February 15th

    Willy Moon graced the small stage at Dinosaur Bar-B-Que in Troy this past Friday night, a free show courtesy of WEQX, for a short 45 minute set that had ladies dancing on the stage, Willy dripping in sweat and the crowd shaking to each song he performed.

    willy moonWith the crowd packed up and close to the lip of the stage, playback coupled with an intense drummer and guitarist held their own while Willy glided across the stage as though he were on a Hoverboard. With a voice like Elvis, moves like Jagger (which came from Elvis) and the looks and style of Joseph Gordon Levitt, Willy sang James Brown, soul numbers off his soon to be released debut album, as well as his popular hits “Yeah Yeah” and “I Wanna Be Your Man”. At one point, Willy looked a little winded, saying “I’ve been eating too many of these ribs and I’m all fucked up”, which got him cheers of applause from a crowd who could relate.

    Check out the interview with Willy Moon. This kid will be big one day

  • Donna The Buffalo Drinks From The Waterhole at Winter Carnival 2013

    After a vibrant opening act with Driftwood to kick off Winter Carnival 2013, the well known and well loved band Donna the Buffalo took stage. They united everyone in the audience at the Waterhole Music Lounge in Saranac Lake Thursday evening, solidifying the energy left over from Driftwood. When you see them live exploring the realm of what it is they offer, you can’t help but feel at home. The folk-infused Americana band offered a common ground for everyone to dance on at a sold out show. Fans from all over the northeast traveled in disregard to warnings of record breaking snowfall to spend the evening with the band.

    Donna-the-Buffalo-NEW-Promo-e1330451730229

    Once the band was grooving, everyone was moving. They inspire rhythm within the soul and demand movement from the body. The most prevalent thing at a Donna the Buffalo show is the range of ages within the fanbase. With a country and bluegrass feel, they are able to give people what they know and love while still offering unique music that is fresh and new. When Tara Nevins, the lead vocalist, busts out the washboard or accordion, she kicks things up a notch by adding some Cajun zydeco spice to the mix. She is one of the band’s original singers and songwriters, staying true to the band for the past 21 years. The other lead musician in the band, Jeb Puryear, adds a vibrant poetic element to a Donna the Buffalo show. He is always sharing personal ideas and emotions with the audience, expressing ideas from within and subtly explaining the band’s extensive timeline. Having recently put out a new album Silverlined many new songs were played and a refreshed sense of the band was shared by all. The new songs stopped people in their two stepping and made them listen. They are masters at creating a powerful sense of love and positive energy at every show. Anybody who loves good music, genuine song writing, and an energizing rhythm loves this band.

    Donna the Buffalo represents a revitalization of an aging sentiment of the love generation. Their music offers a hash of multiple styles, perfect for satisfying the many demands of a mountain town. The sounds of the fiddle, accordion  washboard, tambourine, electric guitar and keyboard all combine to bring the audience satisfying sounds and a combination of truly loved genres. The event demanded the kicking off of boots, swirling of skirts and swilling of suds. Smiles were all around and the warm feeling of a family created was everywhere. To end the show the band finished with one of their well know ditties and what it is they stand for was chanted, “My, my, my, everybody gets high! On love, love, love, everybody gets high! My, my, my, everybody gets by Everybody gets high on love…”!

  • Start Making Sense: A Talking Heads Tribute at The Bayou in Albany, February 7th

    After what felt like eternity, Start Making Sense: A Talking Heads Tribute made their return to the Capital Region on Thursday, February 7th. The Bayou Café in Albany welcomed the musicians with open arms and fully packed the dance floor. Start Making Sense recreates the music of Talking Heads known for their funky and punk New Wave 80’s dance parties.

    The night opened up with “Thank You for Sending Me An Angel”, lots of whoops and hollers as the drums start to rally the crowd. One of the many things I love about the Talking Heads music is the constant roller coaster volume of the lyrics. Start Making Sense is always a loud show, with every word being screamed at the top of everyone’s lungs such as “Pulled Up” and “Slippery People.” At one moment, you are yelling and stomping, giving way to your rebellious urges. The next you are gently grooving to “And She Was” and being swayed by “Air.”

    Start Making Sense performs the vast music styling’s of the Talking Heads with skilled ease and pure appreciation.  Lead man Jon Braun recreating David Byrne is spot on, including his clothes, crazy facial expressions and legendary vocals. Braun and the band have great flow with their dance moves, always a crowd pleaser. Before set break, Braun announced how “Thankful and happy the band was to be back in Upstate New York” and listed a few of their upcoming shows.

    The crowd does its best to keep up with Start Making Sense’s nonstop fireball energy being hurled throughout the second set. It’s a treat to watch the musicians laughing to each other and having just as much fun as we are. I personally enjoyed the second set better because I knew more of the songs. “Nothing but Flowers” followed by “Cities” was the best way to resume the dance party. “Burning Down the House” was electrifying. The show ended with wild keyboard ranges from “Girlfriend Is Better” into a mellow yet enthusiastic “Crosseyed and Painless.” Start Making Sense will lightly tour around the east coast, making stops in Maine, Vermont and Delaware, before returning to their home state of Pennsylvania. As the lights came on and the band started to pack up, my friends and I already were planning our next show to see them.

    Setlist:

    Set 1: Thank You For Sending Me an Angel, Pulled Up, Slippery People, And She Was, Air, Uh Oh Love Comes to Town, Psycho Killer, Drugs, Born Under Punches, Animals, Found A Job, Mind, What A Day That Was, Naïve Melody

    Set 2: Nothing But Flowers, Cities, Life During Wartime, Not In Love, Stay Hungry, Big Business/I Zimbra, Once In A Lifetime, Making Flippy Floppy, Burning Down the House, Girlfriend Is Better, Crosseyed and Painless