NYS Music 20​13

Category: Features

  • Album Review: George Kilby Jr. serves up a Six Pack

    George Kilby Jr., a singer-songwriter originally from Alabama, has released the album Six Pack, a collection of songs demonstrating his wide range of bluegrass, folk, blues and classic Americana music. He is accompanied by his long time band members, Neil Thomas (keyboard, accordion), Eric Halvorson (drums) and Arturo Baguer (bass). Kilby Jr. is also joined by Jono Manson on guitar and vocals for “When the People Sang” with Railroad Earth member Tim Carbone on fiddle. Andy Goessling, also of Railroad Earth, joins in on “Sunshine of Your Love.”

    sixpackforGeorge

    George Kilby Jr. credits Pinetop Perkins, the famous blues pianist, for teaching him almost everything he knows about playing the blues. With his influence, Kilby pours soul into his music and has his own rocker attitude of never regretting saying and playing it how it really is. The entire album is laid back and an easy listen. Each song carries lyrics meant to make you stop and think of the past, present and future. Kilby’s album reminded me that music can be used as one of the strongest weapons we have, more often than none; all you can do is sing and play.

    The album kicks off with “When the People Sang” a gentle, country vibe with simple strumming and soaring fiddle. The song is a helpful reminder that the 60’s are still alive and well.  The low, vocal notes Kilby Jr sings during “I Love You in Brooklyn”, a ballad in tribute to New York’s boroughs was sublime, plus it helps that I’m a sucker for love songs. Neil Thomas’ accordion gives the song a vintage charm. “Something I Can’t Find” is what Kilby describes as “bluesy rocker with a trippy side” and it’s easy to see why with all the strong, multiple guitar riffs. Kilby takes a break from his original songs to put a fresh bluegrass spin on Cream’s “Sunshine of Your Love”. He delivers the lyrics with a smooth and slow croon while sharp guitar and banjo picking is added for a great pick me up. I hate to say it but I might love this version better than Cream’s. The final song on the album, “You Never See the Hand Throw the Stone”, a haunting, blues melody from Kilby and a killer harmonica thanks to Phil Wiggins.

    Key Tracks: When The People Sang, Sunshine of Your Love, Something I Can’t Find

  • Gathering of the Vibes Announces Festival Lineup

    Gathering of the Vibes, a four day music, arts and camping festival, will celebrate its 18th year with some serious music this summer. Vibes today announces a lineup with headliners that include: Phil Lesh and Friends featuring Jon Scofield, John Medeski, Joe Russo and John Kadlecik, The Black Crowes, Tedeschi Trucks Band, The Roots, Grace Potter and the Nocturnals, Dark Star Orchestra,  John Butler Trio, the funky METERS, Railroad Earth, John Scofield, Fishbone, Lukas Nelson and the Promise of the Real, Ryan Montbleau Band, Deep Banana Blackout, plus many more talented musicians and more artist announcements still to come. The festival will also feature late-night DJ sets from James Murphy and Thievery Corporation’s Rob Garza as well as a Silent Disco.

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    Gathering of the Vibes has called Seaside Park in Bridgeport, CT home for the past nine years and has become one of the leading music festivals in the Northeast. With roots inspired from the Grateful Dead era, Gathering of the Vibes continues to spread music, peace, and love to concert-goers year after year.

    “Our 2013 lineup is a result of sorting through thousands of comments and surveys responses; we hope to deliver an experience that keeps our core fans happy while remaining diverse and current,” commented Ken Hays, festival founder. “It’s a model and approach that works for us.”

    Tickets are still available at a discounted price for Way Advance Weekend Camping Passes, as well as Single Day, VIP, Kids and RV camping. Weekend, VIP and Kids Passes include the four days of music and three nights of camping from Thursday morning, July 25th until Sunday night, July 28th. For those who wish to get a head start for the weekend, there is a $20 Thursday Early-Entry Parking Fee if you plan on arriving on Thursday before midnight.

  • FORFEITURE Explode onto the Scene with Debut EP

    Forfeiture

    Rating: ****

    With not even 300 “likes” on their Facebook page to date, Forfeiture is stepping out into the Syracuse metal scene with an explosive new EP that promises to attract a lot of positive attention. Their self-titled EP is full of metal riffs, vocal variations, and brutal rhythm, exposing the band to numerous metal/post-hardcore avenues to experiment with. The music is excellently crafted and tightly performed, and the production highlights its brilliance by giving it a nice atmospheric sheen. No two songs on this four-song EP sound the same, and it is as exciting to listen to as you can tell it is for them to play.

    The EP opens up with the incredibly brutal and creepy “Reanimated”, mixing very low and shrieking high screams into one excellent harmony. The vocals match the intensity of the rhythm, which is so fast and brutal that it almost hurts your hands just to listen to. However, it opens up into a melodic chorus and shows some soft moments as well; making it a diverse song that is a good indicator of the variety provided on the rest of the record. The next song, “Brooklyn Rage”, does this even better, as it is like a journey through the different styles of metal, all compiled into one song that is appealing to any type of metal fan. Also, the vocals change a bit from the last song to this, and do so once again in “Salvation Song”. The EP ends with the humorously-titled “How to Succeed in Metal Without Really Trying” which rounds out the collection well, leaving you dying for more.

    Forfeiture‘s diversity is their key aspect. One minute they could be getting into a heavy breakdown, the next they could be playing melodic grooves. Their guitar work is fantastic, and their riffs are unmistakably metal. However, they also dabble in the realms of rock and postcore a little, and their rhythm section never misses a beat. It’s important to have a drummer that can play anything you throw at him, and with all the different styles worked in, their drummer certainly keeps it together and has room to show off a bit. Their vocals are also very distinct, and never really have any soft moments. Although, with all the variations in vocal style, they occasionally seem to get lost in it, and some vocal performances are stronger than others. This sounds harsher than it is; it’s the only aspect that could use a little improvement, and not much at all. As a band, they sound balanced, structured, creative, and overall excellent at what they do. The very professional-sounding production of the EP showcases their talents and makes the whole record come together as one work.

    Forfeiture should be very proud of themselves; they have put together an impressive debut that will easily get you hooked. This is exactly the kind of first impression you want to make on potential fans and listeners, and they have certainly made one out of me. Do they have some growing to do? Yes, but who doesn’t at this stage? Most bands around here would kill to have their first EP sound this good, both musically and in production. They are as groovy as they are powerful, and show endless creative possibilities for their future. Recording such a vast style in such a short EP was a good idea, because it gives them room to expand and explore, not being held to the expectations of any one particular style. The only expectation you should have for Forfeiture is that they be good.

    Go “like” Forfeiture here and download their debut, self-titled EP for FREE:

    https://www.facebook.com/forfeitureband

  • Interview: They Exist

    Funny yet with a serious appetite to make music,  They Exist is a three-piece progressive metal band hailing from the Syracuse/Oswego area.

    Once a quartet they came across line-up changes like most musicians; losing a drummer and a guitarist. Zach switched to bass then back to guitar. However, even with losing a few members they decided to stay strong and stick with it. Fortunately, the remaining three members came across Jarod.  Jarod joined the band after talking to one of the current member’s brothers and seeing them play. Upstate Metal’s Steve Strader was able to talk to Dan (bassist) a bit and he said they might be adding a keyboardist which will give them more opportunity to expand their sound.  When you go to a show expect your ear drums to explode cause they hit you from all angles with their diverse sound which ranges from jazz to jam – all in one song.  They Exist doesn’t let genre labels stop them, they have a fun, “can do” attitude, and the willingness to expand. You can find them on Facebook and they are currently accepting new bookings. You won’t be disappointed with their presence. The 315 Street Team will be out promoting them and other great local artists, too.  You can find upcoming local acts at their Facebook page (link below).

    They Exist Facebook: http://www.facebook.com/TheyExistTheBand?ref=ts&fref=ts

    315 Street Team Facebook: http://www.facebook.com/browse/page_fans/?page_id=179384965535463&ref=notif&notif_t=page_new_likes

    Steve Strader‘s Youtube account for live vids and other interviews: https://www.youtube.com/user/rundownmaggot666

  • Formula 5 and The Assortment of Crayons at Oasis Cafe in New Paltz

    A cold wet day in New York didn’t keep the people of New Paltz from coming to check out a great night of live music at the Oasis Cafe, located on Main Street in town. It’s an easy venue to get to from the Thruway, with friendly staff and the place to go for those who like intimate shows with the bands who are playing.

    oasis cafeThe night started out with The Assortment of Crayons, hometown favorites from New Paltz and the crowd really showed up in force for their hour long set. Their funk came out immediately in full force and elicited a feel for Shakedown-era Dead. Matt Richards’ keys kept the music moving along nicely bringing it back and forth between funk and space. Erik and Sean Hill not only play guitar and bass, but also switched during the set, each holding their own on either instrument and Batu Attila’s drumming kept a steady groove for the others to layer over. A great opening set that had two covers, “Signed, Sealed, Delivered I’m Yours” and “Crazy”, with help from some lovely female vocals and great segues between songs and a tease of “2001”.

    Albany’s own Formula 5 came on next and slayed the crowd. Their two hour set had no lulls, keeping the energy high at all times. The crowd, although it had become a little thin near the 2:30 A.M. end, danced all night long. They opened with “Perch” and came firing on all cylinders, with great jamming where no member stepped on another’s notes and let each person shine for a bit. Then “Epiphany” hit and the funk oozed throughout Oasis. The dance party really got going here and never let up for a moment. This one had a great Dead vibe to it and it segued into “Uh-Oh”, which led to a noticeable Phish vibe. Joe Davis was hitting beautiful bright and lively chords, Bill Shattuck kept a mean rhythm going with Greg Marek, and Mike McDonald played the keys to match what Joe was doing. This is a band that knows how to jam.

    oasis cafeThe night continued and soon the night seemed like one long jam. Around 1:50 A.M., Joe mentioned Phish had announced their tour dates and maybe a little celebration should go down. With that, the band started up Phish’s “Ghost”. Formula 5’s take on the Phish classic was fantastic, funky, dirty and a little bit of rock thrown in. They did the song justice and followed it up with moe.’s “Happy Hour Hero”. These covers back to back showed who they are influenced by, but also how great their musicianship is to give both songs their due. They ended with a bluegrass tune “Catch Me” and followed it up with the space funk of “Houdini” to end the night. Both of these songs showed how diverse this band can be at any given moment. If you have a chance, make sure you see these guys when they come to your town.

    Formula 5 Setlist: Perch, Epiphany, Uh-Oh, The Ride > This Place > 3 Ring Circus, Ghost*, Happy Hour Hero^, Pedro

    Encore: Catch Me>Houdini

    * Phish Cover, ^ moe. Cover

  • Meg and Laura Get Lost in Austin: Take Two

    Two girls, one from Boston the other from Jakarta, Indonesia, sit down at a cafe in Austin with a Swedish synth-pop duo and their British PR agent, discussing a song remixed by a Spanish DJ in Syracuse. It’s safe to say that SXSW really crosses borders.

    But before divulging any more details, let’s go back to the start. It’s 9 AM on a Wednesday morning, three hours of sleep and ten outfit changes into the day, when Meg and Laura head out to take on the first of four interviews they have scheduled for the day. They head downtown to the Hilton Garden Suites to interview Ioanna Gika of I O Echo. Once in the lobby, which is bustling with the voices and ringing phones of busy band managers and artists, they find Ioanna and bandmate Leopold Ross waiting in line for some coffee at the hotel Starbucks. Ioanna donning a comfy blue smiley faced crew-neck sweatshirt and silky pink kimono graces us with her presence. There is something about her warmth that permeates the morning, setting a bright tone for the day.

    A surge of nostalgia fills the room as she takes the duo back to the bar where she first met Leo. “Neither of us knew that the other made music, but we bonded over the song “Venus in Furs” and clicked immediately”, spills Ionna. Over the course of an hour, Ioanna dished on the inspiration behind her edgy fashion choices, laser harps and growing up in South East Asia. The gracious singer songwriter talks about her upcoming projects and her collaboration with fashion designers on holographic I O Echo kimonos. After learning the intimate details behind the eccentric artists creativity the two packed up their mic and ventured across the street to hear about another’s.

    Next on agenda: an interview with the Stockholm/London based co-ed duo K.I.D.S. As Meg and Laura set up their equipment on the porch of the Moonshine Grill and Patio, they are interrupted by paparazzis shouting from across the street: “K.I.D.S. are the next big thing! Keep an eye out for them!” The girls sit down with the band to listen to backyard tales from their childhood. They learn that despite the duo’s polarizing taste in music – as diverse as Kendrick Lamar and Yoko Ono – they bring a refreshing twist to the musical table and share one of their music making secrets which is, “Don’t take yourself too seriously.” Just like a couple of kids, with hearts warmed by the bands take on music and life and with two interviews down, Meg and Laura move from the porch to a table on the Moonshine patio for a third interview.

    You would think that any artist with a single sitting on top of the charts for as long as Icona Pop’s hit “I Love It” would have big egos.  As Meg and Laura sit down to have lunch with the duo, they’re pleasantly surprised to find their feet on the ground and their hearts still very much into the music. There was a certain sincerity in the advice they had to offer which made Meg and Laura feel like they were listening to their own story. “We find ourselves constantly trying to create chaos in our lives so that we can rise up above it.”, claims Aino. The co-hosts exchange bewildered looks – an undeniable and almost tangible synergy is shared at this table for four along with the compulsive need to keep the adrenaline pumping.

    Only hours later, the two put their life motto into practice as they marched purposefully to each and every +21 venue determined to get in. Five rejections and failed attempts at pulling the we-know-the-manager card later, the two did what any two girls would do to get in (and no, they didn’t pull up their shirts to get in if that’s what you’re thinking). They took the road less traveled, i.e. the dark alleyway that led to the back door. Let’s just say they pulled a G.I. Jane but got to keep their hair. As it turns out, La Zona Rosa is much more fun when you’re inside, falling victim to Rudimental’s jazzed out drum and bass Meg, being the heavy bass line fiend that she is, decides to stay backstage at the venue to watch 12th Planet, UZ, and Baauer do the real-live Harlem Shake while Laura gets religiously overpowered by her Faith…Paloma Faith, that is. She decides to head over to Eighth Street to the Central Presbyterian Church to catch the British songstress in person.

    Though being chased down four blocks by a homeless man while navigating her GPS was a little more than Laura had bargained for, it was well worth seeing the performer take the altar in her all her glittering glory. The church resonated with hits like “Agony” and the singer got hearts racing as she raced down the pews in her Christian Louboutins with the grace of a goddess and a Chelsea Handler-esque sense of humor.

    The best part about SXSW is never knowing whats in store! Stay tuned for tales from day 3 of #LostinAustin. For more details, follow @themegandlaura  

  • Preview: IN THIS MOMENT with LOVE AND DEATH, ALL HAIL THE YETI, and OWL

    After their tour in the UK with Grammy-winning band, Halestorm, In This Moment is performing at the Upstate Concert Hall in Clifton Park, NY on March 30. This will be the band’s first time performing at the venue since before the release of their new record, Blood. Opening for them is Love and Death, All Hail the Yeti, and Owl. This promises to be a killer show filled with high energy, excitement, and the familiar soothing sound of metal screaming.

    IN THIS MOMENT:

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    After the successful release of their fourth record, Blood, In This Moment began touring throughout the west coast as well as Australia with Adelitas Way. Known for her chilling death-metal scream, Maria Brink will most certainly give the onlookers the chills and excitement they’ve all been waiting for. Her voice will be haunting our dreams for the rest of the evening after giving a kick-ass performance. Band members consist of Chris Howorth (lead guitar), Travis Johnson (bass), Randy Weitzel (guitar), and Tom Hane (drums). This will be the main event that everyone will be buzzing about after ITM’s performance.

    LOVE AND DEATH:

    Korn’s ex-guitarist, Brian “Head” Welch, formed this hard rock band in February 2012 with a familiar metal twist. According to Welch, the band title “symbolizes everything we’ve been through as a band over the last few years. We love this band so much and we’ll go through hell to connect with our fans.” In 2009, Welch held band tryouts through YouTube, finally resulting with JR Bareis (lead guitar), Michael Valentine (bass), and Dan Johnson (drums). Love and Death signed with the label Tooth and Nails Record/EMI, and they are touring to support their debut record, Between Here & Lost, which was released January 22 of this year. This band is most definitely ready to share their new material with the ever-adoring fans.

    ALL HAIL THE YETI:

    This is the band that has forsaken their hometown to become something more, to revive metal. Lead vocalist Connor Garritty formed the band in 2006 with ex-guitarist K.J. Duval. After 2010, this band was no longer just a “local” band, they had transformed into something bigger. Garritty took action instead of waiting for the music industry to notice their success in music, and began recording their full-length debut record. Current band members, Nicholas Diltz (bass) and Craw NeQuent (guitar), joined the group in 2011. August 28, 2012, the band released their self-titled debut record. When asked to describe what AHTY’s sound was like, Connor described it as “capturing how it makes each individual feel…our songs touch on topics of death, life, love, love lost, the paranormal, crypto zoology, mythical creatures, partying, etc.” Fans look forward to what the band has in store for us.

    OWL:

    A band that strives to find the answer to an intriguing question: “Are we doing the right thing?” Through the music, the band has nothing to worry about because of their beneficial amount of experimentation and instrumental obscurity, as well as remarkable hooks and exciting delivery. Band members consist of Chris Wyse (lead vocals and bass), Jason Achilles Mezilis (guitar and vocals), and Dan Dinsmore (drums). After the 2009 release of their self-titled debut record, Wyse promises that the second one will be “more engaging and exhilarating on various levels.” Fans may either be haters or lovers of this band; it will be up to them to decide once Saturday night arrives.

    With the diversity of sounds that will surround the venue, this concert has just what we need: the energy to rock out!

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  • Meg and Laura Get Lost in Austin: Deadmau5

    Being at South by Southwest is kind of like being a kid at Disney World. Between the sun and the millions of rides to choose from, you’re left delirious to make your decision. Meg and Laura weren’t any different. Well, except for the fact that they had press passes hanging from around their neck this time.

    The duo kicked off Monday by sharing the bus with The X Factor Contestants to the Austin Convention Center, where all the conferences were taking place. The ACC was bustling with people from every corner of the world talking about music.  Being thousands of miles away from home, there was something easing about being surrounded by chatter about music that made feel like they belong.

    deadmau5After getting their bearings straight (a.k.a. capitalizing on the abundance of free food), the pair decided to take on the big panel challenge that had been surfacing the air – getting into room 12AB for Richie Hawtin’s interview with deadmau5. So they did what any other fan girls would do: they decided to line up three hours before the panel. “You could probably go to the Building Movements panel before deadmau5 so all you can just stay in the room for the next one”, suggested one of the staff members. And so that’s what they did.

    Not to say that watching Andy Ross talk about another life threatening concept idea for the next OK Go music video wasn’t enjoyable, but if only Meg and Laura knew about the last-minute room change for deadmau5, they would’ve stayed in line outside. When Meg’s Twitter feed updated her on the room change, the two headed for the door and found themselves to be the last ones in a long and winding line, surrounded by people pronouncing the DJ’s name as “dead-mau-five”.  It wasn’t long till the co-hosts charmed their way to the front with their radio personality (a.k.a. they spewed sarcastic remarks at everything that moved, until the people in front of them budged). Cut to: two seats, five feet away from deadmau5. The wait was definitely worth it. Though it took Laura a second to recognize the DJ without his headgear and Meg to well, keep her composure, the wait was well worth it. deadmau5 addressed a lot of the difficult points concerning EDM that most DJs prefer not to discuss. He advocates “throwing away being a purist”, specifically talking about how style isn’t something that can be taught. There are many institutions today that focus on teaching people the art of EDM. Instead of teaching students how to think, they teach them what to think, pigeonholing their creativity in the mold of preset sub-genres. The DJ also comments on how the industry has homogenized EDM, saying, “it seems like all the mainstream EDM artists are making the same cookie-cutter tracks, and then I wonder why the people at the labels don’t just go home and try to make the music themselves. I mean, why not just cut of the bands?”. Although Hawtin and deadmau5 are glad that EDM has appealed to the masses, they reminisce the two percent days back when it wasn’t so homogenous.

    With less than two hours of sleep from the night before, and a truckload of work to do, obviously the only sensible solution was to go out.  The two knew that it would be impossible not to spend the night out on the town when they were in the live music capital of the world. Meg and Laura took the streets of Austin, scouting from venue to venue, in search of good-time. After being turned down at The Warner Sound, The Belmont, and Maggie’s, the two realized that they had a hook-up: The North Door. Nicolas Jaar, minimal house DJ, was spinning a set and they knew his manager Alastar Dunkin. At 1 AM, the ambitious duo walked over about a million and one blocks over to Brushy St. in the unwelcoming windy weather (I guess Syracuse isn’t the only place with bipolar weather), and pulled the press card from under the sleeve. There was no way they were going back without getting in to a show.

    Jaar played Meg’s favorite track, “The Ego”, putting the lyrics, “the ego is the most expensive thing” on loop. Jaar really did speak the truth with his minimalist beat that took us on a tempo roller coaster. Unlike the typical female vocals that DJs sample, Jaar used a voice modulator to sample his own soulful vocals, giving the track a jazzier feel and filling up the entirety of the room with sophistication.

    All in all, adventures and glitches accounted for, there really couldn’t be a better start to South by Southwest for Meg and Laura. As it turns out, everything really is bigger in Texas.

    Continue following the #lostinaustin for more updates of Meg and Laura’s SXSW antics on Twitter!

  • Album Review: NERO DI MARTE

    Nero di Marte is an experimental metal band based in Bologna, Italy. Formerly known under the name “Murder Therapy” since 2007, the band released their debut album Symmetry of Delirium in 2009 and the EP Molochian in 2011.

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    Michael: Forgive me, Father, for I have sinned.  This is my first confessional in the Church of Metal.

    Father Ozzy: What is it?

    Michael: I was assigned the task of reviewing Nero Di Marte’s self titled, debut CD.  Well, technically it’s their third CD, but they changed their name from Murder Therapy recently, and this is the first CD under their new name.

    Father Ozzy: Stop bloody wanking and get on with it.

    Michael: Uh, right. Anyway, I got the CD, and I listened to it.

    Father Ozzy: Are you asking me? How am I supposed to bloody know you listened to it?

    Michael: I mean, I listened to it, but…(pause)

    Father Ozzy: Yes?

    Michael: Well, you see. It’s…(pause)

    Father Ozzy: Will you come on with it, already!

    Michael: Father. I didn’t like it….(pause)

    Father Ozzy: Where’s the sin in that?

    Michael: I only listened to it once.  I couldn’t stand to listen to it anymore.

    Nero Di Marte is a quartet out of Italy.  They have a world release out of Prosthetic Records in a few days (March 18th in the United Kingdom, March 19th in the United States and March 22nd in Eurpoe), and I don’t want to pick it up anymore.  It scares me.

    Father Ozzy: You’re talking to the Prince of bloody Darkness, how is this CD scary?

    Michael: I know the band likes to experiment with their sound, but everything was off. The guitars drowned the vocals. The guitars were out of synch with everything. And, don’t get me wrong, I’m a fan of drums, but the drums overpowered everything.  Not only that, the cadence was off at times. It sounded like the guitars were playing to a different song than the drums! It was bedlam!

    Father Ozzy: (pause)

    Michael: Father?

    Father Ozzy: What else can you say?

    Michael: Lead singer, Sean Worrell is a howler monkey?

    Father Ozzy: Stop with the bloody howler monkey thing! It’s metal!

    Michael: You didn’t do it!

    Father Ozzy: Don’t you think I’m challenged enough with my speech?

    Michael: What’s my penance, Father?

    Father Ozzy: Listen to the CD again. Ask people not to take your judgments into mind, but let them decide for themselves the quality of this work.

    For more information, please go to www.nerodimarte.com

  • Spotlight: ACIDIC

    Spotlight on a small killer band from Southern California by the name of Acidic. They’ve toured with major bands such as Hinder, Trapt, and Hawthrone Heights.

    The band consist of Mike Gossard (lead vocals/guitar), Ted Dubrawski (bass), and Matt Whitaker (drums), with a special guest guitarist; in this case on the Hinder tour it was Josh Bennett. Their first record, Chronic Satisfaction, produced by John Ryan of Chicago Kid Productions, a platinum award-winner (produced Styx, Santana, Lynyrd Skynyrd, Badfinger, and the Allman Brothers. As of recently, the band signed with SONY/RED through a special arrangement with MegaForce Records. Acidic’s latest record, Copper Man, is expected to be released March 19, 2013. The leading single, “Copper Man”, was picked by Motley Crue’s Nikki Sixx on his nationally-syndicated radio, “Side Show” to kick off February. Upstate Metal’s staff, Kate Drexel, was lucky enough to do an interview with the band’s front man, Mike Gossard.

     acidic_web

    UM: How did you come up with your band name?

    MG: We went out to Joshua Tree for a weekend with a…you ever see that movie where Johnny Depp goes to Las Vegas and has a crazy weekend? Yeah, well it was kind of like that, and we came back and we didn’t know what the fuck had happened but saw that we had written on a little piece of paper the name “ACIDIC” and we were like, “what?” That must be the band name we decided…kinda catchy, y’know, unknown. There was a lot of ‘shrooms involved probably, we’re not really sure. But we had a good weekend; we know that, we came back safe.

    UM: What’s your favorite song off of your record?

    MG: Off our new record? Well, I’ll just do it from the new record, which is out March 19th; it’s going to be released by SONY/RED. My favorite song off that record is called “Copper Man” and I know we sound like total douchebags right now but we wrote it in jail. So yeah we got arrested the first day of our tour for Fuel, for being a “rock ‘n’ roll” band and I’m not going to go into any more detail than that. And we decided we were going to write a kickass song about being on the road. And so we wrote a song about the chronicles of this guy going across the country, getting into all sorts of shenanigans and partying with people and having a great time and everywhere he goes, he’s the life of the party…he’s the Copper Man. And he’s just all around the country, and when they let us out, we had a full song and we played it that night and it was pretty cool. We’ve never done anything like that since. We’ve only been arrested twice last year so it’s all-good.

    UM: How did you become a part of the Hinder tour?

    MG: Actually, our management is good friends with their management and they hooked us up and I have to say…Hinder, they are the nicest bunch of dudes on the face of the planet, I mean seriously, they have taken such good care of us. We are so grateful about that. So yeah, mutual friends.

    UM: What’s the story behind “Satellite”?

    MG: Okay, I went through a bunch of crazy stuff last year, right? And usually, it revolves around a girl and so I went through a bunch of stuff with a girl and I ended up getting sober and that was the first song I had written sober in years. I wrote it about always feeling like you can’t quite connect with somebody. I mean, everybody’s had that feeling where they’re just like, the one person they really want but can never say the right thing to or can’t connect with, it’s all about that. It’s the idea of being a satellite and they’re being a fucking planet.

    UM: What does music mean to you?

    MG: Everything. I try to think “Could I be a lawyer?” and then I realize, when I’m not on stage, I’m always listening to music, or when I’m watching a show, all I pay attention to is the music in the background. If you watch a TV show, there is never more than 30 seconds of that music, and if it’s done, it’s done on purpose to get attention…but it’s everything and it’s everywhere you go. You cannot escape from music. So it’s my life.

    UM: What does your music reflect about you guys?

    MG: Our general attitude and our transgressions on the road. Seriously, we write everything about experience, things that have happened to us…oh god, people we’ve known, people we’ve had drinks with, people we’ve had smokes with, people we’ve had sex with, y’know that’s the classic thing. It’s great, it’s honest…may not be very polite, but it’s honest.