NYS Music 20​13

Author: Susan Rice

  • Mind was D’Melted thanks to Club D’Elf and Marco Benevento at Red Square

    One of the best ways to cool down after a disgustingly humid Saturday is with cold drinks at Albany’s Red Square, and on June 1st, it was even cooler with Boston’s Club D’Elf and the infamous Marco Benevento. Club D’Elf is notorious for having a jazz –infused, progressive rock, Moroccan sound which was enough to sell me on seeing their show for the first time while Marco Benevento is no stranger to me or Red Square.

    The evening got off with a mellow and slow start with “Bass Beatbox”, gentle bells, easy beats from Dean Johnston and echoing riffs with each musician getting a feel for the crowd and space.  I lingered in the back of the crowd to take in the sound of the music clashing beautifully together. I could hear Marco pounding on his keys while Club D’Elf sent out waves of creepy Middle Eastern flair. I was pulled closer to the stage by the hypnotizing electric guitar riffs in “13/Gijro” and strong rhythm of the drum set plus ever growing bongos in “Hegue”.

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    Being closer to the action gave me a deeper appreciation for the artists who kept a constant exchange of smiles between themselves and the audience, plus a better look at instruments, some of which I have never seen before. Danny Blume takes credit for playing the biggest guitar I have ever seen and shredded the life out of it. While Mike Rivard handled the skinniest stand-up bass, switching back and forth to an electric blue guitar, giving the music a heavy dub/reggae sound. Benevento played what must have been every note on his piano and keyboard, all with great fire and recklessness throughout the night. “I Wish I Was in Heaven” and “Sidi Rabi” as the encore, brought out intense vocals from Brahim Fribgane and exotic sounds from his stringed Lutar.

    The sound of the evening could be summed up as a “Bob Marley meets crooked Arabian Nights meets downtown Jazz club” mixture. With everyone playing together, it was true Frankenstein of a band, complete with bizarre instruments and monstrous songs that left me with confused, delighted terror and amazement.

    The show is available for a free listen and/or free download, thanks to Ed Guidry. Remember to tip your tapers folks and to catch Club D’Elf at the Disc Jam music festival and The Lizard Lounge in MA on July 12th and 26th. Marco Benevento can be seen at Equifunk festival on August 17th Upstate New York.

    Setlist: Bass Beatbox, 13/Gojiro, Hegue, As Above, Mogador, Zeed Al Maal, I Wish I Was in Heaven Sitting Down, Instar,

    Encore: Sidi Rabi

  • Gather Yourself and Feel the Vibes: Gathering of the Vibes Festival is Coming!

    In less than 50 days, Bridgeport, Connecticut will host one of the biggest parties on the east coast, best known as Gathering of the Vibes four day festival, once again taking place at Seaside Park on July 25th-28th, for its 18th year of music, arts and camping. Vibes has already announced the first batch of headliners to include Phil Lesh and Friends featuring Jon Scofield, John Medeski, Joe Russo and John Kadlecik, Gov’t Mule, The Black Crowes, Tedeschi Trucks Band, The Roots, Grace Potter and the Nocturnals, Dark Star Orchestra, John Butler Trio, the funky METERS, Railroad Earth, John Scofield, Fishbone, Lukas Nelson and the Promise of the Real, Ryan Montbleau Band, Deep Banana Blackout, plus many more talented musicians and more artist announcements to be released in just a few short days on June 10th.

    Gathering of the Vibes started with Ken Hays, a Grateful Deadhead and business man, who got a few friends together in 1996 on the SUNY Purchase campus to share in the memory of Jerry Garcia by hosting a small music filled weekend.  Each year since, the festival has continued to grow with gifted musicians and artists, with attendees coming from all over to share in the fun times and heady vibes. Past headliners have included moe., The Allman Brothers, James Brown, Primus, Les Claypool and all founding members of the Grateful Dead.

    Gathering of the Vibes offers single day tickets, VIP single day tickets, full Weekend Camping passes, VIP tickets, RV passes and Kids tickets, but children under 12 years old get in for free.  The single day tickets do not give include access to the campgrounds or the late night sets, so if you don’t want to miss DJ sets from James Murphy, Kung Fu and Thievery Corporation’s Rob Garza, as well as Silent Disco, you should consider just buying the Weekend Camping pass.  The gates open on Thursday, July 25th at 8am and the party is over once the last band performs on Sunday after 8pm. For those looking to get an early start, there is a $20 Early-Entry Parking Fee on Thursday anytime before midnight.

    Gathering of the Vibes has also launched a “Road to the Vibes” contest which gives fans the chance to vote for who they’d like to see play at the festival this year. Fans can vote once a day until June 14th to get their favorite band on the last remaining spot on the Green Vibes Stage. Upstate NY bands Positive Mental Trip, Blind Owl Band, Funktional Flow, Formula 5, Project Weather Machine, Sassafras Jenkins, Cosmic Dust Bunnies, The Assortment of Crayons, Aqueous, The Chronicles, Haewa and Digital Dharma are ALL in the running for this last spot, so show some love to your favorite Upstate band!

  • Bound for Great Music: Dan Johnson and the Expert Sidemen Album Release Party

    Last Thursday night was filled with string picking, bow strumming and warm bluegrass music at Valentine’s in Albany in celebration of Dan Johnson and the Expert Sidemen second album, Bound for Abiquiu release party. The hosts were joined by their friends, The Grassroots Rebels and Driftwood, two Upstate New York bands that combine Americana and bluegrass with plenty of attitude and flair. With Memorial Day weekend upon us, the show was a great way to relax with simple songs and prepare for the sunny days ahead.

    Driftwood

    I have a good amount of friends that hail from Binghamton, who are obsessed with Driftwood and now I can understand why. The four piece stringed band took the stage and wasted no time by starting a musical ruckus. Claire Byrne is a furious fiddle player, who shakes the ground with heart as she played all night with the biggest smile I’ve ever seen.  “Ooh keep it down for the banjo solo” yelled guitarist, Dan Forsyth, hushing the crowd and cranking up the banjo picking by Joe Kollar. The band has fantastic chemistry as there is constant communication on stage with words and instruments, everyone holding their own but still blending perfectly together. It isn’t until a few songs in that the crowd finally hears vocals and they were worth the wait. Driftwood has impeccable harmonies that give their melodies and lyrics a more heartfelt joy. The tunes had attention grabbing, sharp ends with steady, heart racing crescendos. Joey Arcuri brought out the bow on his standup bass giving the songs a new sound with darky, heavy notes.  As the set went on, Driftwood gave respects to Dan Johnson by repeatedly dedicating multiple songs to him as well as the venue.  Kollar joked that it was their best Albany crowd ever, considering they haven’t played the area in over a year and Claire added, “I like Valentine’s and Dan Johnson.”  My favorite song of the night was “Brother” which had a slight Celtic sound, complete with light, airy, long bow strokes.  Driftwood are touring all over the East Coast this summer and are most excited for a new album in the works, set to drop in this fall. Be sure to catch them at such festivals as Taste of Syracuse, The Great Blue Heron and Grassroots.

    DanJohnson&ExpertSidemen

    Dan Johnson and the Expert Sidemen gently opened their CD release party with their newest hit “Bound for Abiquiu,” and the venue was mesmerized. Johnson’s voice is mature and soothing, with a country twang that made the show feel like a warm summer night. “Garden Below” had some of my favorite lyrics of the night such as, “Sometimes I feel like an ocean looking for a river that I can’t find.” Brian Elsenbeck demonstrated his musical skills by alternating between the accordion and the banjo all night with great enthusiasm, and as Dan puts it, he is nicknamed “The Wizard of Accordion Mountain.”  Roger Noyes, on the pedal steel guitar, kept the crowd lingering on every easy going note with a laid back, southern vibe. Fans got a treat when Claire Byrne of Driftwood joined the boys on stage for their classic hit, “Baton Rouge,” adding an angelic vocal twist. One of my favorite moments of the night was during the song, “Dancing Fool,” a new romantic tune with guitar strumming so sweet it caused a few couples to slow dance around the venue.  Dan Johnson’s lyrics break your heart one moment and build you up with loving hope the next, a classic bluegrass rollercoaster. The former Albany local who now calls Vermont home, anticipates more visits to Upstate New York to share his newest album at such festivals as Rhythm on the Ridge on June 8th and Bellstock 20 on July 18th.

    Setlist: Bound for Abiquiu, Come on in My Kitchen, Adam and the Snake Oil Salesman, The Garden Below, My Three Friends, Baton Rouge*, Dancing Fool, Out of the Shade, Off on the Tide, Utica Blues, Another Good Thing is Come and Gone, Someone New, Sid Purple

    *with Claire Byrne of Driftwood

    Pick up Dan’s new album and great merch at his Bandcamp!

  • moe.down 14 Announces Final Lineup for August Festival in Turin

    moe.down 14 has announced their final lineup for their 3 day music festival in Turin, NY for August 9th– 11th, at Snow Ridge Ski Resort, located in Upstate New York’s beautiful north country.  Joining moe this year will be Dr. Dog, Del McCoury Band, Karl Denson’s Tiny Universe, RAQ, Eastbound Jesus, Wolf! and The Stepkids. Earlier band announcements included Steve Kimock Band, Mike Dillon Band, Conehead Buddha, Pennyshine, Conspirator, Stanley Jordan Trio, Savoy and Floodwood.

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    Early bird tickets are still available for only $110 and for the first time, moe.down will be offering VIP tickets for $310. Guests can also purchase single day tickets for Sunday only. The festival offers camping, RV camping and a separate family-tenting area.

  • Albany knows how to MOVE – recap of MOVE Music Festival, April 27th

    The second annual MOVE Music Festival was held April 27th in Albany, bringing 100 bands  to play in 10 venues across the city, catering to a wide array of musical genres. People are always looking for the next big thing and wanting to be a part of something, especially from the beginning. Some bands catch big breaks and it’s fun to be a fan who can say, “I saw them before they were famous.”  Albany’s MOVE Music Fest gave concert goers the opportunity to experience new acts from all over the state and country, promoting the cities’ ever growing music scene. I barely knew 5 out of 100 bands on the lineup and was expecting really amateur music from bands who I thought were getting their first gig out of their mother’s basement.  However, I was more than surprised with the talent that each group displayed and can’t wait to see their upcoming shows.

    MOVEmusicfest

    It was more than overwhelming to look at the schedule for the day and pick a place to start. With each band only getting an hour to play, my friends and I tried to strategize a route which was convenient for ourselves and would give us the chance to catch the few bands we did know in action. In the end, we decided to start at Valentines because it was the closest venue to my apartment and never fails with good music. We arrived at the venue around 4pm with plenty of people inside and out ready to catch the first of many acts to come. Party Boat kicked off my evening with wailing vocals that reminded me of the indie band GroupLove, complete with catchy lyrics and simple harmonies. I love surfer music, mostly for the unique guitar sounds that I don’t hear too often living in Upstate New York. I was excited to learn that the group is from Saratoga Springs and often play at Valentines plus other nearby venues.

    partyboat

    Next up was The Ameros, who opened with one of my favorite songs, “Ain’t No Rest for the Wicked” by Cage the Elephant. This not only pumped me up but the rest of the crowd too causing a massive surge to the front of the stage. Lead singer Jesse Calhoun belted out lyrics of freedom and rebellion with great passion and honesty, almost causing a riot on the dance floor. Charles Pope blew me away with his sharp guitar riffs especially during “New American Century.” The Ameros musical style ranges from reggae, rock, funk and explosive hip hop. This was their second time playing at the MOVE Music Festival and Calhoun said it went way better this year since they got to play at one of their favorite venues, Valentines, and were able to support their friends’ bands by catching more music too.

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    While catching some fresh air outside, my friends and I were approached by a few tie dye wearing, hairy faced dudes handing out flyers for the band, TreeHouse! It seemed legit. We headed upstairs at Valentines to check out the reggae group that had traveled all the way from the Carolinas to play here. As it was getting closer to show time, we noticed that the guys handing flyers outside were now on stage, tuning up and was actually the band TreeHouse! The band takes pride in their excessive way to self-promote themselves, such as pulling people in from out the streets. I was totally surprised by the deep vocals coming from Jeremy Anderson that echoed off the walls in the venue. Bassist Matt Link did not stop dancing and grooving the entire time they were on stage. Trey Moody laid out tasty beats throughout the set, only encouraging the band to keep pushing the reggae party vibe.

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    Barons in the Attic, the grunge rock Albany locals, took the downstairs Valentines stage and blasted into their set with “Julia.” The upbeat melody mixed with hardcore rhythm was more than enough to get the crowd in full dance mode. The Barons combine punk, garage and folk with energetic force and attitude, always making for a good show.  Matt Hamilton was unavailable for the show so fans were treated to Eric Krans from “The Parlor” who fit right in by strumming and stirring up the crowd just as loud as the rest of the boys.

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    For a change of pace, we headed towards Lark St where there would be more venues with more music. My girlfriend suggested we check out Brown Bread & Von Holt, an electronic pop band from her home town in Beacon, NY.  We cruised into Lark Tavern, a bar that after undergoing renovations, hosts routine musical acts of all genres in their back room with a small stage and plenty of table seating. The dynamic duo is Rebecca Doerfer (Brown Bread) and Colin Cheyne (Von Holt) who together make up a bone chilling dance party. Doerfer’s voice is haunting and angelic while Cheyne sends out eerie chords from his guitar. Their sound is a dark and electronic space jam full of heartbreak yet good spirits.

    Still a new festival, MOVE is off to a great start and has support next year when they want to host 100 bands in our back yard of Albany.

  • The Kollectiv and The Heavy Pets Threw Down on April 23rd at The Hollow in Albany

    A little known secret is that sometimes the best shows happen during the beginning of the week.  The Kollectiv and The Heavy Pets drew in quite a crowd on April 23rd, a Tuesday night for The Hollow Bar and Kitchen (formerly The Bayou Cafe) in Albany. I was urged by multiple friends to check out these two jam bands and at the end of the night,  it was way beyond worth going out for.

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    The Kollectiv hails from Oneonta, NY, so making it to Albany was an easy trip for dedicated fans from all over the Upstate region to catch them in action. The five-piece up and coming band wasted no time laying out a funky fresh jam with edge and attitude. Their music ranged from reggae, rock, hip hop and funk, with each song being groovy and original. The highlight of their set was the Grateful Dead’s “Fire on the Mountain”, quite possibly the best reggae remix I’ve ever heard. One of the most unique aspects about The Kollectiv is member Lars Viola on the turntables. The rhythmic record scratching surprisingly brought the jams to a new level, making them deliciously contemporary and cool. The Kollectiv’s fusion of musical styling is a game changer and a band to be on the lookout for.

    TheHeavyPets

    The Heavy Pets took the stage and sent out their own reggae jam vibe that light up the room. I was lucky to find myself right in front of Jeff Lloyd and Mike Garulli, guitarists with spark flying strumming. Bassist Tony D’Amato looked laid back throughout the night, despite his delivery of continuous heavy bass notes. Jamie Newitt hit symbols and slammed out serious beats while he and Jim Wuest on keys went back in forth sending a steady rhythm through the room all night. The entire night was filled with nonstop energy from each member, displaying tremendous talent and experience. It was a great pleasure to watch as each musician would get lost in the music, only causing more of a reaction from the crowd and elevation of jams. The band currently resides in Florida but they are always more than happy to come home to Upstate New York.

    Setlist: 3AM, Spin Round, Travel, Bibbles, Babies, Slow Down, Chevrolet, TDTSFTR, Pass it Down,

    Encore: No More Time, Jackie Bones, STYM

  • Albany Gets Ready to MOVE This Saturday April 27th

    Albany will be overrun with music this Saturday April 27th as the city hosts 100 bands at 10 venues for the annual MOVE Music Festival.  A fairly new event, MOVE aims to highlight the growing music scene in Albany by giving musician’s exposure as well as insight on conducting themselves in today’s independent music industry.

    Albany was recently ranked within the top 20 Metro Areas in the Nation in regards to musicians and music related business, making it the ideal location for the MOVE Music Festival. Concert goers can purchase wrist bands for $15 at any of the participating venues, which grants them all access to every show that day. The musical genres vary from Indie, Americana, Alternative, Rock, EDM and Fusion, catering to Albany’s widespread taste in music.

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    Besides the musical acts, the festival will host a merchandise trade show and interactive round table sessions with music professionals at the Hotel Albany lodging and convention complex in downtown Albany. Artists will be given the opportunity to meet with various companies that will offer guidelines, strategies and vital information about furthering their music careers.

    Some of the VIPs for the meet and greet  are Lou Plaia, (Co-Founder of ReverbNation), Benji Rogers (the Founder of Pledge Music), Craig Sala (Drummer for Paranoid Social Club), Veronica Grettonfrom (401K Music) and many more.

    Hotel Albany will be offering $5 parking all day in their garage and the city has free street parking on the weekends. Albany also had a solid public transportation system with CDTA offering multiple routes that make stops at the various locations.

    With the weather scheduled to be sunny and 60s, it’s not a bad idea to even bike or walk, giving folks time to take in the sights and sounds of Albany.

  • Album Review: Keller Williams Keys in tribute to The Grateful Dead

    Keller Williams, best know as the one-man jam band, recently released his new album Keys, which focuses on only one instrument and one charity. The album is a collection of Grateful Dead songs with 100% of the proceeds going to The Rex Foundation, a charitable non-profit organization that was started by the Grateful Dead and gives grants to various causes. Keller Williams has a full schedule for this summer, making stops at festivals such as Summer Camp, All Good, Delfest and Equifunk. Keller Williams routinely uses the technique of live-phrase-looping with multiple instruments, which makes for a marvelous and unique show each time.  I was expecting to hear such a performance on the album, however, was left with only a piano.

    KW.Keys_.cover__1I discovered the jam band scene less than three years ago and therefore, my Grateful Dead knowledge is limited. Regardless, I do enjoy their music all the same and had to re-listen to some of the original songs before listening to Keller Williams’ version.  It was a great album to unwind to, with Williams’ soothing mellow voice and gentle finger playing. Keys definitely gives the songs a fresh perspective of the classic hits, but it’s not quite the same. I missed the groovy guitar riffs, pounding keyboards, familiar voices and steady rhythm that I associated with the GD. One of the best parts about listening to Keys is with the only sounds being the piano keys and Williams voice, it made the lyrics stand out so much more. Williams gave each song a new meaning by performing Robert Hunter’s psychedelic lyrics and Jerry Garcia’s melodies with a caring heart and impeccable finger playing.

    Keller’s thoughts on the album bear repeating, to show the personal connection he has with the music: “It’s no secret I have an unhealthy fascination with the Grateful Dead. Whenever I sit down at the piano its seems the only thing that comes out are Jerry ballads.  Even though these songs are not all Jerry ballads, I have sort of made them that way.  The lyrics, although I’ve been singing them most of my adult life, are not 100% perfect….like any other music I play, I’ve taken liberties.  All of the proceeds from the sale of these songs goes to support the Rex Foundation, which was started by the Grateful Dead, in the 80’s….so you can feel good about that! ”

    The album is available through iTunes currently for digital download, remember it’s for charity.

    Key Tracks: Brokedown Palace, Bird Song, Row Jimmy

  • Johnny Mathis serenades fans at The Palace Theater in Albany on April 4th

    Legendary singer Johnny Mathis performed last Thursday April 4th at the Palace Theater in Albany, NY. I was originally told about this show by my parents, who grew up listening to his classic hits and were eager to see the crooner in action.

    The Palace Theater was the ideal setting for a Johnny Mathis concert, given its rich history and architecture. The crowd slowly shuffled in with most of the fans being no younger than 55. It was an unfamiliar feeling for me to be one of the youngest concert goers at a show. I was both thrilled and surprised to see a full orchestra set up on stage.  Knowing that The Palace Theater has plenty of space for the music to travel around in, I suddenly couldn’t wait for the show to start. Luckily for me and everyone else, Johnny Mathis started the show at 8pm on the dot and was greeted with a slow-rising standing ovation. Johnny_Mathis

    The opener was “When I Fall in Love”, to which I had never heard such utter silence from a crowd. Every set of eyes and ears were locked on Mr. Mathis, giving him his much deserved attention and respect. He stated how he was “thrilled to be at The Palace” and was going to play some songs that we’ve all heard before but he loved to sing them. After a few notes, it was easy to understand why Johnny Mathis has broken the Guinness World Record for selling over 350 million of his various gold and platinum albums worldwide. Despite being 78 years old, Johnny Mathis can still sing every word as crisp and clear as on his albums, and still with great gusto. Mathis sang his classic hits such as “It’s Not For Me to Say” and my favorite, “Chances Are.” The songs were filled with charming doo-wops and sincere, long sustained notes.

    Throughout the entire show, at the start of every song, the whole audience would sigh and swoon. Johnny Mathis would sing a few notes, the crowd would sigh in admiration and I could hear the folks around me gently singing the lyrics to each other.  As humorous as it was, it was still heartwarming to be included in a nostalgic evening for concert-goers. Mathis ended the first set with an emotional cover “Yesterday” by The Beatles. There was a brief intermission where comedian Brad Upton kept guests entertained with clean cut jokes about today’s youth and their obsession with technology, the humor of getting older plus plenty of marriage/relationship advice. Mr. Upton delivered each punch line with charm that it was no surprise that he won the crowd over in just a few laughs. Brad Upton recently was the winner of the Las Vegas Comedy Festival and has appeared at Caesar’s Palace as part of the HBO Comedy Festival. bradupton2

    Johnny Mathis began the second set with the recognizable song “Pure Imagination” from the film Willy Wonka and The Chocolate Factory. One of Mathis’ signature songs, “Misty”, received plenty of cheers due to the soaring string section and tender lyrics. The second set was mellow and easy going until Johnny Mathis brought up his fellow band mate and “Dear friend of 48 years”, Gil Reigers to center stage. The crowd got antsy as this was a sure sign that the two would play “12th of Never”, a warm ballad with gentle guitar strumming from Reigers. Johnny Mathis ended the evening by serenading the crowd with the classic song “You’ll Never Know” and thanking the talented orchestra, loyal band mates, his dedicated fans and of course, the beautiful venue, The Palace Theater.

  • Another Fantastic snoe.down with moe., Strangefolk, Eastbound Jesus, Tauk and more, March 21st-24th, Rutland, VT

    Upstate New York favorite ‘local’ band, moe., hosted their 5th annual snoe.down Music Festival over March 21st-24th in Rutland, Vermont at both Killington Resort and Spartan Arena. The weekend was full of moe., who gave an outdoor performance at Bear Mountain on Saturday to fans and winter sports enthusiasts, while performing Friday and Saturday evening in Rutland, as well as a special acoustic Sunday show for the VIP crowd at the Wobbly Barn at Killington. Throughout the weekend, guests had a wide array of musical acts to enjoy such as Marco Benevento, Ivan Neville’s Dumpstaphunk and Strangefolk.

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    There was no better way to kick off the first weekend of Spring and the start of festival season than with a weekend dedicated to winter sports and talented musicians. The weekend started for me on Friday at the K1 lodge at Killington. The lodge was packed with tons of skiers and boarders, loading up on food and checking out the first act of the day, Tauk. The electronic rockin’ sound soon filled up the room and brought in plenty of people off the slopes. Matt Jalbert was on fire with funky guitar riffs and Charlie Dolan was unstoppable providing steady, groovy bass lines. Alric “A.C.” Carter went wild on his keys during “I Want You (She’s so Heavy)”, causing the audience to cheer while Isaac Teel kept the pop and jazzy rhythm going strong on drums. Throughout the entire set, the four-piece band was smiling and grooving just as much as the crowd was. My favorite part was how each song escalated into the next song, with great transitions. When asked about the show and weekend, Charlie Dolan reported, “We thought the set went very well! It was our first time playing a show since we finished up our CD, always refreshing to play in front of a good crowd. It was definitely our first time playing in a ski lodge, hopefully not the last. The rest of the weekend was great! Obviously, since we got to see moe. play.”

    Before their music even started, I was excited to see what would come out of The Primate Fiasco, just from the array of instruments they had. The band took the stage with a banjo, clarinet, sousaphone, saxophone and the classic drum set, all of which I have never seen together at one time on one stage. Best described as a psychedelic Dixieland jam band, The Primate Fiasco quickly drew a dance crowd just with their soundcheck alone. Their vast musical arrangements flowed from original works to covers such as Ween’s “Roses are Free”, John Williams’ great score from Star Wars and various genres of tunes that anyone can enjoy dancing to. The energy was at a constant high with each band member being a driving force of talent and sound. The lodge was turned into a Mardi Gras party from the bellowing of the brass section, the fast finger pickings of the banjo and jazzy beats. It was my favorite act of the entire snoe.down weekend.

    The scenic drive from Killington to Rutland wove around the mountain side and river’s edge, leading to the main drag in Rutland where there was plenty of food options as well as hotels, all a quick walk to the Spartan Arena. Inside the venue were multiple stands set up that you could find at any parking lot scene, offering shirts, stickers and various other merchandise. The ice-hockey-rink-turned-concert-hall provided great sound throughout the venue. Dumpstaphunk hit the stage and unleashed the groove as everybody started to get down. The New Orleans band plays with the great soul of classic funk and mixes it with modern twist. Ivan Neville, the master of the keys, wears a permanent smile while he pours his heart all over the organ. The wide range of vocals that the musicians sing propelled all to shout out in unison. The newest member of Dumpstaphunk, Nikki Glaspie, is a no joke and a true female drumming machine. I couldn’t get enough of the bass bombs being dropped by Nick Daniels and Tony Hall and the intense guitar jamming from Ian Neville

    Following the funk filled set, moe. started their set with “Captain America” creating an explosive response from the fans. The Upstate New York band eased into a flawless “Recreational Chemistry” and shared the stage with Ivan Neville for “Happy Hour Hero” and a cover of The Meters’ “Cissy Strut”. Said Al, “I can’t stop smiling. It’s fantastic” sharing his feelings during Al.nouncements at the conclusion of the set. The night ended with “St. Augustine”, a groovy, light-hearted song that left the crowd in anticipation for the rest of the weekend.

    moe. setlist:

    Set 1: Captain America > Recreational Chemistry, Bring It Back Home, Happy Hour Hero*, Cissy Strut*, Bullet >Kyle’s Song  (* w/ Ivan Neville on keys)

    Set 2: Billy Goat > Tailspin, Opium, Faker > Tubing The River Styx > The Pit > Wind It Up

    Encore: Augustine

    Saturday’s festival goers were greeted with sunshine and snow showers as they geared up for the outdoor shows at Bear Mountain in Killington. The stage was set up at the bottom of the slopes and right next to the lodge, whose massive outdoor deck was full of people lined up to watch the show.  The wooden deck was surrounded by snowboards and skis of all sizes and colors. Fans also had the option of standing in the beer tent area, located closer to the right of the stage. Bear Mountain was ablaze with all the brightly colored jackets, not to mention all the hats, scarfs, helmets and sunglasses. It was true sensory overload at its best.

    I was most excited to see Eastbound Jesus, one of my favorite local bands from Albany. Despite the chill in the air, EBJ easily heated up the crowd with their high energy, bluegrass rock songs that echoed off the ski slopes. Loaded with steady drum beats and fast guitar, as well as banjo strumming all fed the foot stomping fans, which made the entire mountain shake. It was so much fun to dance in the snow and sing along with everyone to “Here’s to You” and “Holy Smokes.” Eastbound Jesus was happy to play requests from the audience, who couldn’t get enough of the fast buildups that erupted into a pure hillbilly bash. Carl Anderson the drummer had this to say, “It was cool to play outside, especially with the snow coming down. The heaters worked well on the stage though and we’re pretty used to playing while cold. It was cool to open for moe.; it was a fun weekend.”

    moe. took the stage and wasted no time getting the party going by starting with “Stranger Than Fiction” straight into “Spaz Medicine.” The snow started to fall, and when mixed with the music, it created a whirlwind of sound that got stuck on my coat and melted into my beer.  “Waiting For The Punchline” provided serious drum banging with relentless guitar riffs.  As the snow fell harder and harder, the band joked at how ironic it was to have indoor shows cancelled from weather like this, yet we are all outside having a good time.  They ended the set with one of my favorite moe. songs, “Spine Of A Dog” known for its absurd lyrics and light hearted jamming.

    Setlist: Stranger Than Fiction >Spaz Medicine, Blue Jeans Pizza > Waiting For The Punchline, Jazz Wank > Akimbo, Okayalright

    Encore: Spine Of A Dog

    After fans drove back from the mountain, got some rest and food in them, the music continued at Spartan Arena with Strangefolk, formed in Burlington in the early 1990s and reunited as their original lineup only last year. Having only played 10 shows since last March, the quartet sounded like they had never stopped performing, moving through a set of classic tunes and rarities. Opening with “Elixer”, off Weightless in Water, the vibe became one that swayed hips and moved lips as fans sang along to the catchy tune, a common occurrence when you listen to Strangefolk’s combination of dual guitars and well written lyrics. “Dance” started out quiet and subdued, but slowly built up into a frenzy, compelling the crowd with lyrics such as “When you’re dancin’, dancin’, move your feet and lose your mind”, to which the arena obliged. A heavier “Chasing Away” had an edge to it, plus sandwiched inside of the song the rare “Pooh Bear’s Mistress”. Crowd favorite “Reuben’s Place” was supposed to close the set, but a misreading of time led Reid to conclude there were 25, then 10, minutes left in their set, leading to an onstage encore of “Stout Hearted Man”. Once again, Strangefolk were given a rousing ovation by a Vermont crowd, something the quartet were quite familiar with throughout the 1990s.

    moe.s sets this evening led to a great deal of potential, because aside from the acoustic VIP set on Sunday, this was going to be the last set most would see until the band’s next shows in May. Opening with a scorching  “32 things”, Chuck shredde guitar sections with Al, who was sporting one of the finest beards in the state (there are a lot of beards in Vermont). “Haze”, a relatively new song for moe. was a huge highlight of the night, with Al and Rob giving intense emotion to the refrain “Hey, Let’s go. I don’t care as long as you are there; Hey, Let’s go, Doesn’t really matter when or where”. Jon Trafton and Reid Genauer from Strangefolk joined the band for two extensive versions of The Band’s “Up on Cripple Creek” and moe.’s “Mexico”; Jon stood near Chuck smiling ear to ear as they tore up the song while Reid stood centerstage, grinning and playing intensely on his acoustic. After the setbreak, moe. opeend with crowd favorite “Buster” and segued quickly into “Runaway Overlude”. After a 16 minute “Puebla”, the band moved into an extended sandwich: Brent Black > Mar-DeMa > Brent Black > Meat > Brent Black, an incredible combination of song after song that wrapped up more than the last 30 minutes of their set. “That Country Tune” and “Godzilla” wrapped up the encore and a huge Saturday of music.

    This weekend in Vermont with moe. and company was an incredible experience. Add in the skiing, beautiful scenery, late night revelry and sore muscles from dancing all weekend, and you know its the start of music festival season in the Northeast!

    moe. Setlist:

    Set 1: 32 Things, Shoot First, Haze, Y.O.Y., Up On Cripple Creek*^, Mexico* (* with Reid Genauer and Jon Trafton on guitar, ^Reid and Jon on vocals)

    Set 2: Buster > Runaway Overlude, Where Does The Time Go?, Puebla > Brent Black > Mar-DeMa > Brent Black > meat > Brent Black

    Encore: That Country Tune, Godzilla^ (^ Immigrant Song (Led Zeppelin) teases)