Author: Neil Benjamin Jr.

  • Mickey Hart, Approaching 70, Keeping the Spirit Alive with Evolving Group

    When Hurricane Sandy devastated the east coast last year, drummer Mickey Hart sat around watching the news, saddened but inspired by the resiliency shown.

    “It was heart-wrenching,” Hart, one of the four living members of the Grateful Dead, said in a recent phone interview. “I saw Bon Jovi on NBC News and all of a sudden the song just popped into my head.”

    The song he is referring to is titled “JerseyShore,” and is available for free download at mickeyhart.net. Hart said he wanted to give back to the people affected by asking for donations from those who download the song. You can download it for free, but the site encourages you to donate whatever amount you can. Hart is giving 100 percent of the proceeds to the Sandy Relief Fund.

    mickey hartHart said that he and his group, the Mickey Hart Band, collaborated to come up with the song. He gave credit to bassist DaveSchools, also of Widespread Panic, in helping the song develop.

    “It was my idea for the song, but the entire band contributed,” Hart said. “It just popped out, but everyone in the band lent a voice to it. … To me, music is many things, and one of those is that it helps to heal, to sing about what hurts and to illuminate pain. It’s like medicine and it boosts confidence.”

    Hart’s band has been going strong for three years now, with an ever-changing cast of musicians. For a guy who is about to hit his 70th birthday, Hart said he is as inspired as ever to write new music – he disclosed that a new album should be released by the end of the summer – while keeping the Grateful Dead spirit alive by putting a new take on old classics. The album does not have a title yet, but Hart said that he and long-time Dead lyricist Robert Hunter have collaborated on it, and that Hunter is rejuvenated.

    “Hunter is writing at the top of his game,” Mickey Hart said. “He’s still chock-full of ideas for great songs, and we’re gonna play those songs on this tour.”

    Hart joined the Grateful Dead in 1967, right around the time Hunter moved into the famed house at 710 Ashbury St. in San Francisco. Hart said his relationship with Hunter is just as strong as it was 46 years ago.

    “There’s no one like him,” Hart said. “He has an egoless style.”

    The band recently wrapped up the first leg of the Worlds Within Tour and announced a second leg, which focuses mainly on the northeast. The tour starts May 8 in Charlotte, N.C., and concludes May 24 at the Dark Star Jubilee in Ohio. In between are stops in Virginia, New York City, Pennsylvania, Maryland, Washington, D.C., Delaware, Connecticut, New Hampshire, Boston and Burlington, Vt.

    On May 22, Hart brings his band, which comprises vocalist Crystal Monee Hall, keyboardist Joe Bagale, guitarist Gawain Matthews, percussionist Sikiru Adepoju, with whom Hart won a Grammy in their Planet Drum project in the 1990s, drummer Greg Schutte and multi-instrumentalist Jonah Sharp to the Westcott Theater in Syracuse. The following night, the band will perform at the WaterStreetMusic Hall in Rochester.

    Schools will not be involved with this tour, as he has previous commitments. Schools said he is prepping for Widespread Panic’s upcoming summer tour. Schools joined the band in late 2011, and has toured with band ever since.

    “He’s got a day job, man,” Mickey Hart said. “But I can say that ‘BassMountain’ is still a big part of the band. He and I have a great dynamic in working together.”

    Filling in for Schools on the Worlds Within Tour is Adam Theis, who will also play trombone, according to Hart.

    On Jan. 6, 2012, the band performed at the Westcott, throwing down some amazingly brilliant and completely different takes on the Dead’s repertoire. Hall’s voice adds a layer of depth the Dead didn’t have vocally. Prior to joining Hart’s team, Hall was a part of the Tony Award-winning musical RENT.

    Before that show, Hart talked about his plans for taking light waves captured from outer space by scientists from Lawrence Berkeley Labs in California and turning them into sound bytes. From there, Hart used those sounds as either inspiration, or built a song or rhythm around them.

    To Dead fans, this may bring up the “Drums>Space” segment that happened at almost every show, but Hart cautioned otherwise, saying: “This is not space like (the Dead) used to do; we’re not interpreting what space is. This is us using the source material, the sounds of space, to play with our sound. This band can do that.”

    The conversation then turned toward the obvious: Will the living members of the Dead ever tour again? Was 2009’s tour the last?

    “I can’t answer that,” Hart said. “I look forward to any reunion of any kind, but it has to feel good.”

    Hart concluded the conversation by connecting the fans and the band.

    “These shows are gonna throb,” he said. “Fans will experience it with us. We need the audience, and they need us. Each night will be three hours of powerful music, and I consider it a privilege that I continue to do this. I might not be able to do some of the things I was capable of in my 20s, but I can say I am focused. I’m almost 70 and I don’t see myself retiring.”

    For more information on the tour, please visit mickeyhart.net for shows and ticketing information.

  • Bela Fleck and The Marcus Roberts Trio Play The Westcott May 8th

    Tomorrow, May 8 at 7 p.m., banjo extraordinaire Bela Fleck will bring his masterful sound to the Westcott Theater in Syracuse with the Marcus Roberts Trio for an evening full of musical virtuosity. Except the four men will come together to display their sound together.

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    Chances are you know of Fleck as the man who revolutionized the banjo through relentless touring with his band the Flecktones, who are currently on hiatus. He has sat in with countless musicians spanning his career, which began when his father gifted him a banjo at age 15. The Marcus Roberts Trio is led by its namesake. The ever-changing cast of musicians currently features founder Roberts, who grew up in Florida with a gospel style background, on piano. Tennessee native Rodney Jordan will be playing the upright bass, while Jason Marsalis, nephew of legendary musician Wynton Marsalis, will be playing drums.
    The show is sure to be a fun, yet intimate, time. The Westcott has a history of hosting some of the most famous musical acts while providing fans with an up-close, and very personal view of the men and women on stage.
    Tickets for the show are on sale now at thewestcotttheater.com for $35 advance, and $40 the day of.

  • Umphrey’s McGee at The Landmark Theater, Syracuse, January 17, 2013

    I won’t lie — I went into Umphrey’s McGee’s show at the Landmark Theater in Syracuse on January 17, 2013, with almost no high expectations. I had seen them nine times and not once was I blown away. It always seemed stale, like the music was a moldy piece of bread. Just guitar solos and crazy lights, which always made for a fun show, but UM never made the cut to my iPod. That has since changed.

    So it came as a huge surprise to me when I walked out of the venue with a smile on my face, slapping hands and chatting about how great of a show it was. And it was! Not being familiar with a band’s full catalog can have serious consequences if you are reviewing a show. Luckily for me, I knew every song and had just enough UM experience to understand what was going on.

    First, let’s talk lights. Jeff Waful, the band’s lighting director, is insane. Not the committed-to-asylum insane, but lights-in-your-face crazy. I am so used to Chris Kuroda of Phish that I never really thought lights for any music could be as powerful as they are for Trey and Co. Waful puts on more of a psychedelic feeling show, with lasers and rotating bulbs. The Landmark is a small theater and to fit a rig in there has to be difficult and cannot compare to playing a large festival or outdoor arena. Waful manages to weave in perfect diversions from Jake Cinninger and Brendan Bayliss’ wicked guitar mania. Those two guys, who just so happen to put on a real guitar clinic every summer, are two of the most talented players going today. My only gripe is that the lights were so blinding that I couldn’t hone in on watching their fingers. As a guitarist, I try to take something from every guitarist I see play. I need to see them again, standing on the stage again, listening to them shred again.

    “Cummins Lies” bled ever so thrashingly into “Miss Tinkle’s Overture” before a brief breath. “Walletsworth”, “Der Bluten Kat” segued into an instrumental of Springsteen’s “I’m On Fire” back into “Der Bluten Kat”, “Through the Cracks”, “Smell the Mitten” and “The Floor” made for a rocking set. The second set was where I got “it”, as in understanding the band. “Prowler” > “In The Kitchen” > “Deeper” > “#5” > “In The Kitchen” was a full-on dance-a-thon, It just kept heating up with “Let’s Dance”, “Utopian Fir” > “Cemetery Walk” lit the rafters ablaze with fiery soloing. An encore of “Miami Virtue” > “Glory” sent the almost-full theater home with a happy ending.

    Setlist

    Set 1: Cummins Lies > Miss Tinkle’s Overture, Walletsworth, Der Bluten Kat > I’m On Fire > Der Bluten Kat, Through the Cracks, Smell the Mitten, The Floor

    Set 2: Prowler > In The Kitchen > Deeper > #5 > In The Kitchen, Let’s Dance, Utopian Fir > Cemetery Walk

    Encore: Miami Virtue > Glory

    Download the show here

    Show Poster by Dan Grzeca