Tag: The Westcott Theater

  • The Heavy Pets at The Westcott Theater, November 30

    As Syracuse greeted its familiar friend, snow, back for a season of lake-effect whiteouts and heavy winter coats, The Westcott Theater hosted the return of two performing acts, veterans of Snow City U.S.A., with nearly as much experience in Upstate New York as harsh winter weather, Sophistafunk and The Heavy Pets.

    Sophistafunk, a three-piece electric funk group opened the evening to a crowd of dancing and hula-hooping Westcott attendees. Making sure everyone in attendance left the venue considering their money well spent, the trio performed for over an hour, often lengthening their songs as instrumental groves involving solos from multi-instrumentalist Adam Gold and drummer Emanuel Washington. During the prolonged jams, lyricist/vocalist Jack Brown would bust some moves not unlike those demonstrated by audience members making the most of their Friday night. The frontman encouraged the party-like atmosphere, occasionally calling out specific concertgoers on their dancing skills and involving the crowd in mid-song shouts.

    [youtube http://www.youtube.com/watch?v=GilV6JGtBfA&w=420&h=315]

    Although the entirety of The Heavy Pets’ lineup doesn’t call Upstate New York home, the region was well represented Friday night by the band’s guitarist/singer Jeff Lloyd and keyboardist Jim Wuest. Meeting at Syracuse University over a decade ago, Lloyd and Wuest are veterans of the Upstate music scene, and the band’s reception by Westcott occupants made the Upstate appreciation for The Heavy Pets loud and clear.

    Read Johnny Goff’s interview with Jeff Lloyd

    Continuing the trend of hula hoopin’ and shoe-shufflin’ from Sophistafunk’s previous set, the crowd found themselves movin’ to The Heavy Pets’ whaling keys and funky guitar riffs. Sharing vocal responsibilities, Lloyd, Wuest and guitarist Mike Garulli, each provided leads and harmonies throughout the show, diversifying the set and demonstrating each member’s musicianship. At one point, Sophistafunk frontman, Jack Brown joined the Heavy Pets, delivering his own style of vocal accompaniment to the Pets’ jams.

    The good-time atmosphere associated with bringing friends up on stage stayed prevalent throughout the entire headlining set. As if they were back at school in Syracuse, the band took beers from friends in the crowd between songs and jammed to a venue full of dancing music lovers.

    After a band experiences the type of success The Heavy Pets have had throughout their career, a show back where it all started is something special for not only the musicians, but also the fans in attendance. Bands like The Heavy Pets and Sophistafunk represent Upstate New York as they travel all over the country and its nice to get a taste of what they’ve been up to whenever they’re back in town.

  • Dark Star Orchestra at The Westcott Theater, November 25th

    When Dark Star Orchestra made its way to the Westcott Theater this past Sunday, it was difficult for me to understand, fully, the emotion I used to have for the band.

    For years I saw them dozens of times, closing my eyes and pretending I was at a Grateful Dead show and enjoying an experience I was far too young to taste myself, as Jerry Garcia had passed away when I was just eight years old.

    But this DSO show was different. It was my first non-festival DSO show without former guitarist John Kadlecik, who made the leap from the minor leagues to the majors in joining Furthur, Bob Weir and Phil Lesh’s latest post-Jerry Dead collaboration in late 2009. In his place was a fitting man, one who even looks similar to Jerry: Jeff Mattson.

    Well, to be blunt, I still had a blast. With a rollicking “Here Comes Sunshine” to kick things off – the crowd still filling the small venue – DSO proved to me they hadn’t lost a step. In fact, I’d say they gained a little more soul with Mattson leading the group.

    “Me and my Uncle,” “Ramble on Rose” and “Looks Like Rain” had me wondering if this was an early 1970s Dead recreation, or an original setlist, which I prefer. “Deal,” “Mexicali Blues” and “They Love Each Other” told me this was definitely a recreation, which turned out to be from St. Louis on October 30, 1973. “El Paso,” “Row Jimmy” and “Jack Straw” kept the flow of upbeat tunes coming, but the band seemed a step slow. That, or I was just slow from a week of work and not Thanksgiving celebration. Who knows?

    Easily the highlight of the knight came next with my favorite pairing of “China Cat Sunflower>I Know You Rider.” Mattson took the lead, trading licks with Rob Barraco, the man who has played keyboards with countless post-Jerry bands. To close the set was a spacey, yet tight, “Playing in the Band.”

    The second set kept pace with a “Mississippi Half-Step Uptown Toodeloo,” a personal favorite, that featured the intricate song played flawlessly. “Big River” got the crowd back on its toes before the group bled into “Dark Star.” This wasn’t your average version, as the psychedelic riffs from Mattson were in perfect sync with the tribal rhythms provided by drummer Dino English.

    The rest of the set was a segue-fest, with “Dark Star” moving seamlessly into “Stella Blue>Eyes of the World>Weather Report Suite Prelude>Weather Report Part 1>Let it Grow” before the band finally took a breather. “Going Down the Road Feeling Bad>Johnny B. Goode” closed one hell of a set. For the encore, as predicted, was “One More Saturday Night,” a tune that had the Westcott going like it was 1973 again.

    While this version of DSO is definitely different from the last incarnation, one thing holds true: The Grateful Dead spirit Is alive, well and on a trip that hopefully never ends.

  • Rubblebucket At The Westcott Theater, November 14th

    Rubblebucket At The Westcott Theater, November 14th

    Around the educated-listener music scene, there has been quite a buzz about the Boston-based band Rubblebucket. At the Westcott Theater November 14th, I finally got to check out what all the hipster hubbub was all about. The lead vocalist, Kalmia Traver, is one of those rock chicks every female music lover wishes she could be. Traver’s, and the rest of the band’s “I don’t-give-a- $&?!-I’m-a-dork” attitude got the entire house grooving hard. Other than easily noting their whimsical horn section, the band’s sound is hard to put a finger on. To give you a good idea of their musical spectrum, at one point in the show Kalmia asked the crowd if they were in the mood for one of the bands dark and stormy songs or one of their happy dorky songs. Both types were shouted equally from the loyal audience and the band settled on one of their new songs “(Focus) Oversaturated” off their 2012 EP Oversaturated. The track incorporates ghostly arpeggios and has a tempo which definitely puts the song in the dark and stormy category even though its hip-hop claps keep the song fun. You can download “(Focus) Oversaturated” for free on their website rubblebucket.com

    Rubblebucket eventually brought the mood back up to happy and dorky when they played their most popular new song off the Oversaturated EP, “Came Out Of  A Lady”. Kalmia and the boys in the horn section highlighted the song with random choreographed dance moves at different parts. The show became more of a celebration than a concert when giant tinfoil robots came dancing into the pit. The band’s fun interactive qualities are clearly a major driving force in their success. Their physical antics and showmanship were beyond captivating. Anyone who hadn’t previously seen them live knew they were in for something cool when the band played their first song wearing spotlight medallions around their necks, like Flava Flav at a rave. Twice in the show, Kalmia was helped over the metal gate in front of the stage by fans in the front and  proceeded to climb into the crowd for dance breaks with the audience. Band leader and trumpet player Alex Toth joined in the crowd as well playing his trumpet on the shoulders of a lucky fan. The band ended the show by jumping into the crowd one by one (giant robots included) and parading through the room to the back where they had a jam session in a circle while the audience danced and clapped around them. At this show, if you weren’t dancing, you stuck out like a sore thumb. Rubblebucket’s live performance exceeded my expectations. If they keep it up they can look forward to capturing many new fans and keeping their old ones coming back for more.

  • Interview/Review: Ott and the All Seeing I go LIVE in Syracuse

    Interview/Review: Ott and the All Seeing I go LIVE in Syracuse

    There has been a recent trend of electronic DJs and producers recreating their music on stage with a live band. Thankfully, Ott, a UK based Master Engineer/Producer/DJ, is one of them. Ott & the All Seeing I are the result as he is joined by Naked Nick (Vocals, Guitar, Synths, and Percussion), Chris Barker (Bass), and Matt White (Drums).  I was privileged to catch two of their sets recently, in particular one on Sunday, October 7th at The Westcott Theater in Syracuse, NY.

    OTTUnimpressed by the “rave” music found in London clubs, Ott discovered a commonality with artists who shared his love of organic dub and pristine electronics such as The Orb and Dub Syndicate. These artists were not afraid to concoct music with one part heavy bass rhythms, one part spacey soundscape and one part gorgeous melody; shaken not stirred. Ott spent time honing his engineer skills working with such artists as The Orb, Sinead O’Connor, Brian Eno, Steve Hillage, and more recently Simon Posford of Hallucinogen/Shpongle fame. His first release on Simon Posford’s Twisted Records was Hallucinogen-In Dub (2002), where he remixed classic Hallucinogen songs. Since then he has released three of his own, Blumenkraft (2002), Skylon (2008) and Mir (2011)

    Having seen Ott a half dozen times or so in the last few years, I have felt a connection to his music ever stirring within me. His music can have an intoxicating effect on me and OH what a beautiful buzz! It is like his music breaks and enters my soul and commands my body to move in ways previously unimaginable. Heading to the Syracuse show I was eager to be a part of the energy he shares with his audience.

    Playing to a smaller crowd, the Westcott was less than half full of guests but Ott & the All Seeing I were not to be daunted. Playing through giant speaker stacks that easily withstood Ott’s powerful sound, the band got down to work. Having as much space as I needed, I danced away the set, oblivious to any perceived problems in my life. The show highlights for me included “Splitting An Atom”, “Owl Stretching Time” and of course always a crowd favorite, “The Queen of all Everything”. The live performance gives Ott’s music a raw and powerful energy, full of life.

    Traveling with me to this show was Kelly, a precious gems and mineral merchant of Kali’ka Crystals and Creations. Kelly had “gridded” Ott’s stages with crystals at two previous shows, a process in where she places crystals in an array that is meant to help harness energies. Her grid this night included Smoky Quartz for meditation, Amethyst and Selenite for intuition and divinity, Lepidolite for stability and communication, Lemurians (and Pink Lemurians) for love and spiritual awareness,  and Herkimer Diamonds for attunement and connection. Post show the band joked about how she should jump on the tour bus with them as they enjoyed her crystal work and company so much.

    Any chance I am afforded to see Ott & the All Seeing I again will be taken with utmost seriousness. It is truly a spiritually enlightening experience.

    I had the privilege of asking Ott & the All Seeing I a few questions as they broke down post show:

    Chris McMullen: Do you have a favorite venue in upstate NY?

    Ott: Oh thats hard. It depends who turns up,…it depends who’s there.

    Chris: How much time had Ott & the All Seeing I gotten to practice live?

    Ott: Not much actually, we were fairly unprepared when we got here.

    Naked Nick: It’s just life’s logistics. We did everything we could and we were all practicing individually. Some of us are in the east of England and some of us the west, so the amount of times we can actually come together in one place is quite limited.

    Ott: The first time we were able to come together and all play in the same space was our first gig in Baltimore.

    Nick: We never all played in the same room together!

    Chris: Oh wow, I was at the NYC show at Club 39 and thought you guys sounded pretty good.

    Ott: Yeah our sound guy had to totally rewire everything there. Our crew really pulled it out of the bag. I quite enjoyed it in the end.

    Chris: It was a tight space.

    Ott: I love the hot sweaty basements….that doesn’t sound quite right, does it?

    Nick: I think there is going to come a time when I can use that piece of information against you. Not sure yet when it will be.

    Chris: Have you found yourselves engaging in any pre or post show rituals?

    Ott: I can see patterns forming. Kelly and her crystal garden are the closest thing to a ritual we have. But she’s abandoning us! She has driven miles to see us. We will miss you Kelly.

    Nick: It’s really nice to see some familiar faces coming to more than one gig, it’s meant a lot.

    Chris: Are there any musicians you’ve been listening to lately?

    Ott: I generally don’t listen to anything made after 1982 really, actually no, to be honest, 1978 at the moment.

    Nick: Bird Of Prey, Sun Monks

    Ott: Nick’s your man. If you want to hear somebody reel of loads of really contemporary artists that no one’s ever heard of. He’s your man. I actually don’t like music very much. I try and avoid it.

  • Saturday in Syracuse: Soul Risin’ Album release show at The Westcott (Ticket give away too)

    Saturday in Syracuse: Soul Risin’ Album release show at The Westcott (Ticket give away too)

    Syracuse’s music scene has always been vibrant and featured some incredible acts in the past and local favorites Soul Risin’ continue to make their mark as one of the best in the region. This Saturday at The Westcott Theater, Soul Risin’ releases their  third album Rise & Fall. Recorded in recorded in April at More Sound Recording Studio and engineered by Jason (Jocko) Randle and Andrew Greacen, the album is a fantastic effort (review here). You can pick download or stream the album at www.soulrisin.bandcamp.com or pick up a copy of the physical album and download MP3s at cdbaby.com

    soul risin'On Saturday at The Westcott Theater, Doors open at 7pm with Boots N’ Shorts on shortly after 8pm, then Brother Joscephus and The Love Revival Revolution Orchestra followed by Soul Risin’ taking the stage shortly after 10pm

    Adding to the release of the album is the cause behind the show. From ticket and album sales, Soul Risin’ is raising money to help a local  Syracuse woman who was recently diagnosed with cancer, has no health insurance, so as to help her family out with basic needs. Bryan Weinsztok, lead singer of the group lost his father a year ago on October 16th, hence the album release date this week. In order to help the family meet their needs with bills and groceries, Weinsztok is looking to raise $1000 or more to benefit the family. Keeping charity close to the cause is noble, especially on such an eventful night already.

    Take a listen to the free stream on Bandcamp and enjoy the music. Soul Risin’ is known for putting on a solid live performance with something for everyone, making for a great regional jam show.

    TICKET and ALBUM GIVEAWAY!

    is giving away a signed double LP Vinyl of Rise and Fall AND Two tickets to Saturday night’s CD release party at The Westcott Theater.

    To enter, follow @ on Twitter or Like us on Facebook – doing both increases the chances to win! Winners will be announced Saturday afternoon at 12pm.

  • New Riders of the Purple Sage – Live at The Westcott

    By Gauraa Shekhar

    Buddy Cage, the pedal steel guitarist, shoots an amused look in my direction. Standing in the front row, I can almost feel him say, “What are you doing here, kiddo?” I suppress the urge to stereotype as I scan the crowd—sixty-somethings men and women dressed in overalls, hippie dancing to “Where I Come From”. The old man in pigtails standing next to me flashes a huge grin and offers me a whiff of an aromatic something passing hands. “No, thanks!” I assure him I am good. I feel out of place. I am the only one with black XX’s stamped across the back of hand—evidently, the only seventeen year old in the room.

    photo by Frances Huang

    The New Riders of the Purple Sage chime into chorus. And I am pulled out of the background, zapped into the song. The group of seventy-year-olds with their twangy opening burst out more energy than the two young acts before them did—combined. Tonight, there is reason to celebrate. “It’s the 7th year anniversary of our renaissance!” screams David Nelson before cranking the intro to “Panama Red”. “We’ve been together for 45 years!” adds Falzarano. The crowd went berserk.

    As The New Riders of the Purple Sage jams to oldies like “Glendale Train”, “Last Lonely Eagle” and “Louisiana Lady” from their eponymous record, nostalgia billows over the crowd, overwhelms it. Lovers lock eyes, friends hold hands and you can almost feel the music transcending time. The band is playing “Down for the Ride”, when I witness a man jump out of his wheelchair. He holds onto the railing in the front row for support, sways along with the music as he lands on his feet. He catches me looking at him in awe. “Kid, do you know what music is?” he asks. “It’s knowledge. It’s how stories are shared from campfire to campfire and eventually brought to us today.” I nod, soaking in this bizarre experience before me.

    The show rollicks towards an end and as Nelson mentions a closer, the crowd begins to chant, “Dirty Business! Dirty Business!” And there you have it. The band plays the eight minute long hit single from their debut album and the crowd simply loses itself in it.

    I don’t quite know what I was doing there but I felt that no EDM show could measure up to this weirdly wonderful night. Tonight, this was a community: all as one. As they say, it’s always a freak show when the riders come to town.

    Download Steven Weld’s recording of the show