Category: Regions

  • Dark Star Orchestra at The Westcott Theater, November 25th

    When Dark Star Orchestra made its way to the Westcott Theater this past Sunday, it was difficult for me to understand, fully, the emotion I used to have for the band.

    For years I saw them dozens of times, closing my eyes and pretending I was at a Grateful Dead show and enjoying an experience I was far too young to taste myself, as Jerry Garcia had passed away when I was just eight years old.

    But this DSO show was different. It was my first non-festival DSO show without former guitarist John Kadlecik, who made the leap from the minor leagues to the majors in joining Furthur, Bob Weir and Phil Lesh’s latest post-Jerry Dead collaboration in late 2009. In his place was a fitting man, one who even looks similar to Jerry: Jeff Mattson.

    Well, to be blunt, I still had a blast. With a rollicking “Here Comes Sunshine” to kick things off – the crowd still filling the small venue – DSO proved to me they hadn’t lost a step. In fact, I’d say they gained a little more soul with Mattson leading the group.

    “Me and my Uncle,” “Ramble on Rose” and “Looks Like Rain” had me wondering if this was an early 1970s Dead recreation, or an original setlist, which I prefer. “Deal,” “Mexicali Blues” and “They Love Each Other” told me this was definitely a recreation, which turned out to be from St. Louis on October 30, 1973. “El Paso,” “Row Jimmy” and “Jack Straw” kept the flow of upbeat tunes coming, but the band seemed a step slow. That, or I was just slow from a week of work and not Thanksgiving celebration. Who knows?

    Easily the highlight of the knight came next with my favorite pairing of “China Cat Sunflower>I Know You Rider.” Mattson took the lead, trading licks with Rob Barraco, the man who has played keyboards with countless post-Jerry bands. To close the set was a spacey, yet tight, “Playing in the Band.”

    The second set kept pace with a “Mississippi Half-Step Uptown Toodeloo,” a personal favorite, that featured the intricate song played flawlessly. “Big River” got the crowd back on its toes before the group bled into “Dark Star.” This wasn’t your average version, as the psychedelic riffs from Mattson were in perfect sync with the tribal rhythms provided by drummer Dino English.

    The rest of the set was a segue-fest, with “Dark Star” moving seamlessly into “Stella Blue>Eyes of the World>Weather Report Suite Prelude>Weather Report Part 1>Let it Grow” before the band finally took a breather. “Going Down the Road Feeling Bad>Johnny B. Goode” closed one hell of a set. For the encore, as predicted, was “One More Saturday Night,” a tune that had the Westcott going like it was 1973 again.

    While this version of DSO is definitely different from the last incarnation, one thing holds true: The Grateful Dead spirit Is alive, well and on a trip that hopefully never ends.

  • “We Have a Committment to Everywhere”: An Interview with Jeff Lloyd, Guitarist and Singer for The Heavy Pets

    “We Have a Committment to Everywhere”: An Interview with Jeff Lloyd, Guitarist and Singer for The Heavy Pets

    Of the many acts to come out of Central New York, The Heavy Pets have risen to headlining acts at festivals nationwide amid a consistent touring schedule. Rising from Syracuse University a decade ago and taking their talents to Miami, the quartet has regularly returned to the Northeast with a great response from fans. Johnny Goff talked to Jeff Lloyd before the shows this weekend in Syracuse (The Westcott, 11/30) and Buffalo (Nietzche’s, 12/1) as well as a Phish post show at Rebel in NYC on 12/30.

    jeff lloyd heavy petsJohnny Goff: So Jeff, if you could, Can you indulge our readers with a brief history of The Heavy Pets, who have roots in Upstate NY.

    Jeff Lloyd: Well, Guitarist Mike Garulli and I have been playing music together, he and I, since we met, in high school, in a little town called Goshen, NY, where we both grew up. We’ve played under various bands w/ various names since that time but it really all started in Goshen. My mother is the music teacher there and Mike and I used to be the two guys who brought their guitars to school and kind of played to kids during lunch break and like that. We both kind of had our own little crowds so we decided ‘why not combine them’ and we’ve been playing music together ever since. Then I went to Syracuse NY for college and played in a band and that’s where we met Jim Wuest, our keyboardist, and we brought him into the fold and with that came a lot of great tunes and a whole vast array of knowledge of other kinds of music that neither Mike or I had been previously introduced to. So that added a whole other element and Jim, Mike and I have been playing music together ever since.

    JG: And this all kept going til after college?

    JL: After college, we decided to move to Florida and start a band and do it the right way. Our original bass player for The Heavy Pets had started an internet marketing company that really took off so we decided to use the opportunity of a good job in South Florida to start fresh and we basically just, from day one, used that job as a rouse to save up enough money to be in a band full-time. It took a couple of years and we had started the Heavy Pets in the meantime and it allowed us to basically quit our jobs and focus on this full time. And so, that’s how we were able to focus solely on The Heavy Pets and being full-time musicians. And The Heavy Pets, despite having roots in Upstate NY, we are a Florida band. That’s where we started and that’s where we call home.  But it’s nice, because NY has always been our home and our home away from home at the same time. When we are here, we get to see our families and when we are on the road, it’s always nice to be able to look forward to our east coast swings where we know we’ll be able to see our families and friends.

    JG:  So, how does that work with your touring focus? Whether or not you tour in the Southeast vs. the Northeast or vs. out West in Colorado? Where are your pockets of fanbase?

    JL: We really don’t have a commitment to anywhere. We have a commitment to Everywhere. So we try to play as many places as we can. But we obviously try to tour the Northeast as much as possible. The Northeast is where we have connections and know people and we’ve been touring the Interstate 95, so I’ve spent as much time here at my home in Upstate NY as I do at my home in South Florida. Two  of the guys in the Heavy Pets are from Goshen and the other three are from the Philadelphia area so we all get to see our families quite a bit. In fact, we are all visiting our families right now. (as of interview time on Wednesday, 11/28/12) so it works out really well for us.

    JG: So how does your Florida home and Upstate NY roots jive with any shows you guys have coming up?

    JL: So we basically a lot of December off in Florida and we have this one week left up here with shows in Boston, Northhampton, Syracuse and Buffalo and we’re really excited about this week right now. But then we go home and we have 2 weeks in Florida, where we’re not off, but we’re gonna be home and doing some private events and a corporate gig. But the main reason for us being home in Florida is to practice and rehearse and we’re gonna do another EP. We just released an EP called “Everywhere Sessions Volume 1”. The whole idea behind that is us being in a studio playing live, in a natural setting. But, it’s in a studio, and we’re just getting some great takes of our songs being played live. We basically played each song twice and in every situation, the second time just came out money.  And that’s what the “Everywhere Sessions” is.  We went from this whole idea where we were making these albums where we were working with this fantastic producer out in California and adding all these bells and whistles but this is really a little more natural. This is us. This is kind of, the way, we would always want to do things.

    JG: Would you say this approach is getting back to your roots?

    JL: Well, yeah. Actually, We’re really getting back to what we’ve always wanted to do: And that is go in to a studio and pound out some great recordings where we get to show people who are we as a band live on stage but in a studio setting. So we’re gonna go home and try to record another EP and try to release that right around Christmas time. Also, we’ve been working on these videos that kind of correspond to the “Everywhere Sessions.” I can’t get into it too much but the previous videos were us driving around in a van and talking about various subjects and then playing songs that in some way, relate to the topic we were just talking about. But we’re gonna be expanding that idea by taking us out of the van and putting us into some different kinds of settings where we show “us just being us”, you know? We’re just trying to show people who we really are. I think our greatest assets is ourselves so we just want to try to show people us being real.

    The Johnny-5: Five fun questions for Jeff Lloyd of The Heavy Pets

    1) JG: Top 3 deserted island albums?

    JL:  Grizzly Bear – Veckatimest, Paul Simon – Rhythm of The Saints, Jimi Hendrix – Band of Gypsies

    2) JG: Worst job you’ve ever had?

    JL:  Boston Market in high school.

    3) JG: Your Secret indulgence?

    JL: Watching the NY Giants

    4) JG: Any Place in world you’d want to visit before you die?

    JL: The Great Pyramids in Egypt

    5) JG: Name any Musician (dead or alive) you’d most want to play with?

    JL:  Frank Zappa or Bob Dylan

  • Jams for Tots – Give Back and Get Down

    With the Holiday Season under way, there is no better time to help those who are less fortunate. For the past few years, Luke Weiler, aka Positive Mental Trip, has been spreading holiday cheer as well as musical jams around NY. Going on its 7th year, Jams for Tots teams up with the Marine Corps Toys for Tots to raise money and donate toys at shows. “Every kid should feel that someone cares enough about them to get them a present. That’s the reason we do this” Luke Weiler, Jam for Tots Coordinator. Each event hosts different musical acts and talents that play for free to support the cause.

    Concert goers are asked to bring a new, unwrapped toy worth $5 or more retail value and they will get into the show for free. Those who don’t bring a toy will pay a cover fee, with all funds getting donated to purchasing toys for children this holiday season. All toys and cash donations go towards the Marine Corps Toys for Tots except for the Athens Jams for Tots where the donations go specifically towards the children in Greene County.

    The following are the 5 Jam for Tots scheduled events:

    December 1 at O’Tooles– 1814 Central Ave Albany, NY: Live Music from 6PM – 2AM Bands include Positive Mental Trip, Catalyst, Of the Mountains and many more.

    December 7 at Trexx Nightclub- 323 N. Clinton Street, Syracuse, NY Bands include Positive Mental Trip, Mikey Parkay, True Risen, The Blockheads and many more.

    December 8 at Upper Deck– 1 West Street, Gloversville, NY Bands include Positive Mental Trip, Weather Machine, Of the Mountains, Catalyst and many more.

    December 14 at Crossroads Brewing 10 2nd Street, Athens, NY Bands include Positive Mental Trip, Phil Massaro Symphony, John Pinder Band and Billy Lester.

    December 15 at The Finger Bullet 1692 Bennett Street, Utica, NY Bands include Positive Mental Trip, Sassafrass Jenkins, Joe Sweet, Catalyst and many more.

  • The Big Up Music and Arts Festival Will Return in 2013

    The Big Up Music and Arts Festival Will Return in 2013

    After a one-year journey, The Big Up Music and Arts Festival returns for the summer of 2013. Shireworks Productions has shared a transmission received from The Big Up Mothership, who reported it had been traveling in outer space since the end of the 2011 fest, when it got sucked into a wormhole and then spit out into a previously undiscovered frontier. See the full transmission of the message below.

    Entering its third year, The Big Up presents a new paradigm in the independent festival scene by maintaining a boutique ethos. Showcasing three nights of live music, arts and culture, programmed with a premier festival experience in mind.

    Festival goers listen to seamlessly flowing, yet rarely overlapping music schedules that play like the best summer mixtape, while geocaching, attending a workshop, or simply soaking in the sun. For the 2013 festival, fans can expect to experience a unique synthesis of live national and groundbreaking musical entertainment, interactive art, sustainable initiatives, high-end production quality and an intimate vibe, all at a tremendous value.

    big up festivalHosted by the livetronic power-trio, Higher Organix, past Big Up festivities have featured 72 hours of music with performances by EOTO, Tipper, Big Gigantic, Gramatik, Digital Tape Machine, RAQ, OTT,  Marco Benevento and many more. The Festival weaves a dynamic festival landscape of space-themed arts, magical woods, a wide array of food, crafts, and participatory activities.

    The Mothership has advised to stay tuned to Festival website and on Facebook.

  • Matt’s Music Together – Music Education for Children in the Capital District

    Matt’s Music Together – Music Education for Children in the Capital District

    A musical education is the foundation of early learning for infants and young children, and children are proven to learn best by exploring their environments and playing and watching their peers and role models. Matt’s Music Together, a program that offers music classes for families and their children age newborn to age 4, brings together research-based groups of children of a variety of ages that fosters a natural, family-style learning environment. Music Together is an international program with centers in most metro areas, so even outside of the Capital District of New York, visit www.musictogether.com to find classes near you.

    Matt's Music TogetherClasses with Matt’s Music Together are completely non-structured class, with very few rules and where children are playing along side other kiddos. Here, there is not a focus on learning theory, how to play instruments or anything too structured but rather a chance for children to learn a broad foundation of musical understanding, exposing children to a huge amount of language, culturally diverse music and a bunch of music that is rhythmically different and in a different key than most other children’s music.

    By playing around and observing people, children begin to learn the ABCs of music, how to sing in tune and play in rhythm. Director Matt Yaeger notes “I can say pretty much without fail that a child who stays in the program for a few years will be able to do these three things. Not to mention, every 10 weeks we use a collection of music that has about 25 new songs. Each year, that is approximately 75-100 songs being added to your child’s musical cannon that most others do not have.”

    Meeting once a week for 45 minute classes, the groups incorporate songs, rhythmic rhymes, movement and instrument play. These activities are presented as informal, non-performance-oriented musical experiences that are developmentally appropriate for children and easy for parents and caregivers, regardless of their own musical ability. Sessions are held in the Fall, Winter and Spring for 10 weeks long, with a Summer session that is six weeks long and an upcoming early-Winter session in early-December that is three weeks long.

    The early-Winter session starts on December 7th and costs $65 for the first child, and an additional $25 for the first sibling over eight months and additional siblings over eight months only $15 while additional children under 8 months are FREE. Each sessions comes with Music Together’s “Family Favorites” CD, a $15 retail value. Classes are held at St. Timothy’s Lutheran Church in North Greenbush, NY and are held twice Friday from 9:30-10:15 am and 10:30-11:15 am.

    To register for Matt’s Music Together, go to mattsmusictogether.com and for more information on Music Together, check out Musictogether.com

    “Learning the basics of music is like riding a bike. Once you’ve learned how to sing in key and play in rhythm you never forget… Except you don’t need training wheels.” – Matt Yaeger

  • Syracuse Guitarist Miss E. Releases Killer New CD Yesterday’s Muse

    Miss E. is Missy Ragonese, a guitarist/percussionist/ singer/songwriter based in Syracuse. She plies her trade in and around Central NY under several monikers: Miss E., Miss E. Duo, her main band Dovetail Joint and Miss 3, a female power trio.

    Ya gotta do what ya gotta do to get your name out there and this lady lays it on the line every day. Yesterday’s Muse is like “the story so far” in her journey as a professional musician. While her influences become clear, her voice and guitar licks quickly establish a style both contemporary and individual.

    Let’s run this baby up the flagpole and see what happens. Miss E. is joined by her Dovetail Joint band-mates Paul Carpenter on bass guitar and Dan Redmond on drums, along with a guest appearance from Syracuse native Paulie Cerra on sax.  “Cherie”, the opener, is sweetly melodic featuring Paulie’s silky licks rolling over Miss E’s deft rhythm line, a very smooth beginning that transitions nicely into “Always”, a bittersweet reminiscence. Miss E. knows how to tell a love story and you can feel her swoon as the memory swirls. It’s downright beautiful, her voice rich and sure, the guitar dances with her while her heart opens lyrically.

    Each song segues to the next with sounds from nature leaving no empty spaces between each piece mixed by perfectly by Jeff Moleski at Moletrax Studios. “Just One Kiss” is the first track where Miss E. lets the electric guitar rip and cuts loose some solos. Her soaring licks melding with the heart-felt vocals to fully express her emotion in the moment.

    “A Girl Like Me” switches up gears a bit with this song of determination and defiance against the road-blocks of a musician’s life and the belief in a dream that keeps her going against it.

    “The Tide is Turnin’” turns it up several notches on the attitude meter as Miss E. wails a growling vocal line accenting her screaming guitar solos. This is all about spitting in the face of oppression no matter what form it takes and she reveals several. The reggae break puts a light beat behind the most serious in a Marleyesque way.

    Isolation can be confused by onlookers as arrogance and “Anything Less” paints a picture of reality vs. conceived illusion from others jealousy. A hand that holds you down, instead of lifting you up, until you realize what really counts is your own image of yourself. Her sultry, knowing voice echoes their words until you can feel her confidence take over in the final verse. Very powerful stuff here, most artists don’t have the nerve to be this self-expressive and it’s a hallmark of the whole album.

    “Oh No” let’s Miss E. wave her Hendrix flag, her funky wah pedal work and gritty voice scream out, trying to pull someone back from the edge and expressing the intense frustration that can bring.  Her solo lines cast a lifeline that seems to not reach the intended goal.

    “Hold On” brings a reggae feel to a lover’s cry for patience, but we all know how difficult waiting can be. She pleads for the space to make things right before they can be together, and the raw emotion in her voice makes you want to believe.

    Paulie Cerra returns on “Super Woman Lover (SWL)”, his sax is as sultry as her dream sequence verbalized. I know I said it before, but the lady can write a love song. This time she’s flat out confident and sexy, determined and strong. The “Spooky” feel is perfect for the topic and twists the lyric in your mind.

    A little bit of Carlos pops right out of “When It’s Your Turn”, from the Latin percussion feel to the chord progression. Almost a dare or a challenge to step-up and keep it real, it’s softly in your face and honest.

    “Is This Love” could almost be a Toy Caldwell tune, simple and to the point, yet emotive in the guitar line, more than through the lyric. Each solo ascending the previous to the ultimate conclusion and the answer to the question asked. Both.

    “Shoot Me Down” sets its tone right off the bat, it rocks hard and bares her heart. Humility is always a tough topic and the wanting to retain it is tougher.  She pleads for honesty and guidance from her inner self, or is it from her lover? To be oblique as a writer is a slippery slope and she navigates this one with skill.

    “Indigo Sunset” pays a musical homage to the Indigo Girls, Miss E.’s light touch on the acoustic reminds me of a lighter “History Of Us” melody, not the topic, but the feel of the guitar.  A great closer that gives her a chance to show-off her acoustic chops to match the variety of feels she has playing electric.

    Overall this is a fabulous and daring album of life-stories, the best music always comes from the heart and Miss E.’s heart is all over each cut here. I found this to be a great cruising disc, especially when you can listen to it completely without interruption. I bet it’s pretty good to make-out to as well.

    You can find Miss E. and Dovetail Joint on facebook and her disc is available on cdbaby

    Check it out and support local music!

    Key Tracks: Always, The Tide is Turnin’, Is This Love

  • An Interview with the Guys of Formula 5

    Formula 5 has come a very long way since their start. Their talent as individuals and as a band has moved light years ahead from when they first took stage around the Capital District. Formula 5 has quickly become a staple in the Albany live music scene, opening for such bands as Timbre Coup, Twiddle, The Heavy Pets, Dopapod, The McLovins and Lucid. It is certainly refreshing to see a young up and coming band be so passionate about their music and be representing Albany’s music scene. Jenni Wilson sat down with the guys from of Formula 5 at the recent Autumnation Festival and followed up with the band for their first interview with .

    Jenni Wilson: Where are you all from?

    Formula 5: We are all pretty local to the Capital Region/Upstate NY area. Mike (Keys, Vocals) and Joe (Guitar, Vocals) are from Latham, Bill (Bass, Vocals) is from Clifton Park and Greg (Drums, Yelling) is the odd ball from all the way up in Lake George.

    Jenni: When did you guys start playing together and how did you meet?

    F5: I guess the way we all came together was pretty random. It was definitely a gradual process starting with Bill. Bill had been playing some music with some former members of our old band called Chinatown Lights. You may or may not have heard that name before in the Albany area. They played as a threesome for a little while (2 guitars and bass) and eventually met Greg by chance. Bill met while waiting in line for Phish tickets at the Times Union Center, found out he played drums and lived in Lake George and they set up a time to jam. They got together, liked the connection and started playing as a foursome. Eventually they wanted a keyboardist and they contacted Mike, who went to the same local high school as the former guitarist, was local to the area and was currently playing keys in a Grateful Dead cover band called the Green Mountain Pranksters. Mike joined wanting to explore his original music ideas and they started practicing and scheduling more gigs around the Albany/Upstate area. After about a year, the band stalled out when the former lead singer and major song writer departed the group.

    With the future of the band in question, Bill and Mike decided they wanted to try and keep this thing afloat by finding a new guitarist and pursuing the music that they loved – Jam music. The older lineup tended to be more of a funk/soul group and they all felt like they were ignoring their true musical direction of more improvisational music. They went through many, many auditions and finally settled on the unlikely younger brother of one of Mike’s high school friends – Young Joseph. When Joe came up to audition we weren’t exactly sure of what to think. He was 19, he had no band experience and no one had heard him play prior to the audition because he had no recordings of his playing to send us. From the very first audition, we knew he was the guitarist that we were looking for. He fit our style very well and things seemed to “click” right away. In January of 2012, Joe became our guitarist – and things have really taken off since we finalized our current lineup.

    Jenni: Who are some of your influences?

    F5: Being that we employ a very loose, improvised musical standpoint, our influences would have to point to artists such as Phish, Grateful Dead, Medeski, Martin & Wood, moe., Umphrey’s McGee and many others who have made the jam scene what it is today. We are also very big blues, folk, Americana, Motown and classic rock fans that have been influenced by the greats such as Jeff Beck, Clapton (and his assorted projects), Traffic, David Bowie, Van Morrision, The Band, Little Feat, Bob Dylan, Led Zeppelin, Lynyrd Skynyrd, Rush, Miles Davis, BB King, Stevie Wonder, among many, many others. Growing up in our generation we have been exposed to many different genres and we are indeed very influenced by 90’s alternative music, some pop music as well as some of the newer indie groups that are writing great music in the 21st century. We like a lot of different music.

    Jenni: What are some of your goals as a band?

    F5: Some of our goals as a band include playing some larger regional festivals such as Catskill Chill, Gathering of the Vibes, Mountain Jam, moe.down, Backwoods Pondfest and others. In the next year we would like to release another larger studio album. We have enough new original material for two albums already and can’t wait to get back into the studio with some of these newer tracks that we are already playing live.

    One major goal that we have as a band is to expand our musical resume as pertaining to different styles of music. Some of our favorite genres include reggae, funk, folk and blues but we really are working to encompass other genres such as more progressive rock, electronica, and even some exotic music styles. We have already written a bluegrass song and experimented with more progressive time structures and Middle Eastern scales in some of our newer material and are looking to incorporate these genres into our new material.

    Jenni: Can you guys talk about the reincarnation of Formula 5 and the origin of your band’s name?

    F5: Sometime towards the end of our old lineup, we decided we wanted to change our band name and we were toying with some concepts such as “Formula” or “Elixir” referring to the various influences and styles that come together from our various members to create our unique sound. We dragged the decision making process out for a very long time and we finally decided on Formula 5, due to their being 5 members in the band at that time and the fact that we were so sick of arguing about it. It seemed to be the name that everyone hated the least. Clearly we are now a four-piece band so it’s the most misleading band name of all time. In all honesty, we just thought it would be less trouble to keep the same name, websites, mailing lists, logos, etc… rather than re-branding ourselves. We knew that our new sound with Joe on guitar was going to do a majority of the re-branding anyways. Now we kind of enjoy the name because we know people are sitting there trying to figure out why we’re named Formula 5. People either think we can’t count or were looking to add another member. The truth is neither: we can count and no, we are not actively looking for another member. We are just focusing on becoming tighter as a band and writing more and more new material as a band.

    Jenni: Where have you guys toured so far?

    F5: In our short year as a group we have begun to play around parts of New York State and even a few outside of the borders as we look to grow and expand. While we haven’t strung together what could be considered a “tour”, we try to do the weekend warrior thing while we work our day jobs during the week. We frequent the Albany music stops, Putnam Den in Saratoga, Shepards Cove/Park in Lake George, The Monopole in Plattsburgh, The Waterhole in Saranac Lake, Java Barn in Canton, Oneonta, Rochester, Syracuse, Buffalo, Jamestown and other random places across the state. We’ve played a few festivals as well such as StrangeCreek, Bellstock, the recent Autumation Festival, Green Mountain Getdown festival in VT, Mama Strawberry Jam and a few other smaller festivals. We are working on something in Boston and New York City as well.

    Jenni: Where are your favorite places to play?

    F5: We are still trying to play some of major stops in the northeast but we still love getting back to place we got our start – Red Square in Albany. We’ve had some great shows in the north county at the Waterhole in Saranac Lake and the Monopole in Plattsburgh. The Java Barn was a very memorable for us we absolutely loved the hospitality and the eager crowd that couldn’t get enough. Black Oak Tavern in Oneonta is also a very fun one for us.

    Jenni: What is the name of your album and how many tracks are you including?

    F5: Currently the album is slated to be self-titled “Formula 5”. Another idea we had was “Peanut Butter Tuesday” but not sure if that’s going to happen. It will likely be self-titled unless an amazing name comes up in the next few weeks. We are picking our final mixes of the songs and will be sending it off to get mastered over the next couple of weeks. There are seven tracks total on the album with one of them being a short interlude leading into the track “Mister Elixir”. We chose six of the oldest tracks that we have been playing since the beginning of this lineup and many of them were written and played long before Formula 5. While being our oldest tracks, we also feel that these tracks really illustrate our style as a band and what we like to do with our songwriting. Each song averages about 7-8 mins (we’re a jam band…) and they showcase many different styles that drive us. We have straight ahead rock, minimal funk, horn-driven R&B, gritty blues, reggae, progressive time structures and plenty of improvisation across these six tracks. We employed the horn work of Bryan Brundige (trombone) and Jeff Nania (saxophone), two well know performers in the Capital Region to spice up the funky track “Houdini.” Stay tuned for an album release party in early 2013.

    Track Listing for the upcoming self-titled debut album:

    1. “Hot Box”
    2. “Coming Home”
    3. “Paella”
    4. “Sueno”
    5. “Mister Elixir”
    6. “3 Ring Circus”
    7. “Houdini” feat. Bryan Brundige and Jeff Nania on horns

    Jenni: Is this your first experience in the studio as a band?

    F5: Yes, this is the first time we have entered the studio as a band. A few of us have done some assorted studio work but nothing too extensive. We really focused on this album and put a lot of time and thought into it. We can’t wait to get it out there for people to hear.

    Jenni: What are some future shows you guys will be playing?

    F5: We’ve got some great shows schedule in the next month or two. Friday November 23rd we are at the Bayou in Albany; December 7th we’re at the Monopole in Plattsburgh; December 15th at The Putnam Den in Saratoga with our friends Lucid; January 4th we’re at the Dinosaur BBQ in Troy; January 18th we’re in Buffalo with our good friends Funktional Flow; January 19th we play in Jamestown, NY again w/ Funktional Flow and February 2nd we are in Oneonta at the Black Oak Tavern.

  • Dark Star Orchestra Due at The Egg in Albany on December 5th

    Dark Star Orchestra Due at The Egg in Albany on December 5th

    Dark Star Orchestra has been heavily jamming all across the country on their fall tour this year and will be making a stop to play at The Egg in Albany, New York on Wednesday December 5th. DSO uses entire shows from the Grateful Dead‘s era to recreate song for song performances from historic set lists. At the end of each performance, the band announces the date and venue where the original show just covered took place, making the night a fun guessing game for fans. With each show, DSO performs with extreme precision to creating a sensational experience that new and old Grateful Dead fans can both appreciate.

    dark star orchestra Frontier FieldThis Dark Star Orchestra show at The Egg in Albany is sure to be extra special, besides the fact that it’s one of the last four nights of their tour, but also to the fact that Jeff Chimenti of Furthur will be sitting in as keyboardist.

    The show is scheduled to start at 7:30 and is open to all ages. Concert goers can buy tickets at the eggs website and can get more information on the bands website

  • Marco Benevento’s Tiger Face heads to Red Square in Albany, Saturday December 1st

    Marco Benevento’s Tiger Face heads to Red Square in Albany, Saturday December 1st

    Marco Benevento brings his Tiger Face tour to Red Square in Albany on Saturday December 1st, bringing an intense and high-energy show to a venue that has shown him much love in the past. The show starts at 9pm and is an 18 and over event. You can buy advance tickets here.

    Pick up TIGERFACE as an LP, CD or Digital Download through iTunes Amazon or The Royal Potato Family

    TigerFace is a big step in a bold new direction – one that further blurs the lines of jazz, rock and popular music.” – Hidden Track

    marco benevento tiger faceVideos from Parker Harrington from Marco’s 10/11/12 show in Cambridge, Mass

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  • Jimmy Herring and Victor Wooten close out Tour at The Egg, November 18th

    Jimmy Herring and Victor Wooten close out Tour at The Egg, November 18th

    Wrapping up an incredible tour featuring masters of guitar, bass and talent from Berklee College of Music, Jimmy Herring and Victor Wooten brought their respective bands to The Egg for a fantastic final show. Herring’s band featured a four-piece lineup that focused on jazz and blues channeled through Herring’s guitar-work, while Wooten’s band was an ensemble of four bassists and two drummers, giving a new twist to the night’s musical selections.

    jimmy herring victor wootenHerring, the lead guitarist for Widespread Panic and formerly of Aquarium Rescue Unit, Frogwings, Jazz is Dead and Project Z, took his position at stage right in his usual Captain Morgan ‘one foot forward, leg slightly bent’ stance. Bandmates Jeff Sipe (drums), Matt Slocum (keys) and Neal Fountain (bass) were incredibly tight sounding after this 12-show tour. Slocum’s keys added pizzazz to each song, while Herring gave a clinic on the interweaving of jazz and blues through his Stratocaster. Highlights of the instrumental set included “Rainbow”, covers of The Beatles “A Day in the Life” and “Within You Without You” and a phenomenal and scortching version of Led Zeppelin’s “Since I’ve Been Loving You” with Derico Watson and J.D. Blair on drums – three drummers for one incredible song. The 80 minute set kept the audience on their toes, with the direction of the music constantly changing. Herring’s new album Subject to Change without Notice is now out, check it out and experience his incredible guitar skills.

    Setlist: Matts Funk, Gospel 6/8, Duke and Cookie*, Ballad^, Rainbow, Miss Poopie, Since I’ve Been Loving You**, Heads Up, A Day in the Life, Bilgewater Blues, Within You Without You

    * with Victor Wooten on bass // ^ with Steve Bailey on bass // ** with Derico Watson and J.D. Blair on drums

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    With a thundering bass intro, Victor Wooten and his seven-piece band arrived on stage. Taking out a bow and sitting down with a small upright bass, the show began with “A.W.S.” as the crowd gazed upon the lineup – four, count em FOUR bassists in ONE band, plus two drummers and the angelic voice of Krystal Peterson on vocals. “Brooklyn”, played for the makers of Wooten’s bass had a brief segue into “Tell me Something Good” inside before moving back into “Brooklyn”. Derico Watson blew it up on drums as “My Life” ended, featuring Wooten on vocals. “The House that Jack Built”, an Aretha Franklin rarity was dedicated to Jack at the soundboard and featured Matt Slocum on keys, continuing the collaboration between the two bands.

    Stevie Wonder’s “Superstition” brought out with Jeff Sipe on drums and Neal Fountain on baritone guitar for a rousing rendition, with Wooten introducing the band, notably hyping up (Professor) Steve Bailey of Berklee College who plays a six-string fretless bass, leaving even the masterful Wooten in awe. More Steview followed with “Overjoyed” before the band left the stage, leaving Victor on the stage solo for a few minutes of bass noodling before bringing out Jimmy Herring for a duet of pure improvisation, capped off by a play on “Amazing Grace”. The two bands combined forces for the encore, bringing out all 11 musicians and two crew members to sing “I Shall Miss Your Smiling Face”, with a brief “Billie Jean” vocal jam from J.D. Blair in between, giving a wonderful ode to the audience and The Egg on their final night of the tour. With two masters of their craft and instrument, this was one for the ages.

    Setlist: A.W.S., Brooklyn, My Life, The House that Jack Built*, Superstition^, Overjoyed, Victor and Jimmy Improv duet

    Encore: I Shall Miss Your Smiling Face**

    * with Matt Slocum on keys // ^ with Jeff Sipe on drums and Neal Fountain on baritone guitar // ** with all members of both bands on stage

    Download the show from the night before in Buffalo via etree

    Watch a playlist of two songs from Jimmy Herring Band and three from Victor Wooten Band, including the huge encore.