Category: Syracuse

  • Interview/Review: Ott and the All Seeing I go LIVE in Syracuse

    Interview/Review: Ott and the All Seeing I go LIVE in Syracuse

    There has been a recent trend of electronic DJs and producers recreating their music on stage with a live band. Thankfully, Ott, a UK based Master Engineer/Producer/DJ, is one of them. Ott & the All Seeing I are the result as he is joined by Naked Nick (Vocals, Guitar, Synths, and Percussion), Chris Barker (Bass), and Matt White (Drums).  I was privileged to catch two of their sets recently, in particular one on Sunday, October 7th at The Westcott Theater in Syracuse, NY.

    OTTUnimpressed by the “rave” music found in London clubs, Ott discovered a commonality with artists who shared his love of organic dub and pristine electronics such as The Orb and Dub Syndicate. These artists were not afraid to concoct music with one part heavy bass rhythms, one part spacey soundscape and one part gorgeous melody; shaken not stirred. Ott spent time honing his engineer skills working with such artists as The Orb, Sinead O’Connor, Brian Eno, Steve Hillage, and more recently Simon Posford of Hallucinogen/Shpongle fame. His first release on Simon Posford’s Twisted Records was Hallucinogen-In Dub (2002), where he remixed classic Hallucinogen songs. Since then he has released three of his own, Blumenkraft (2002), Skylon (2008) and Mir (2011)

    Having seen Ott a half dozen times or so in the last few years, I have felt a connection to his music ever stirring within me. His music can have an intoxicating effect on me and OH what a beautiful buzz! It is like his music breaks and enters my soul and commands my body to move in ways previously unimaginable. Heading to the Syracuse show I was eager to be a part of the energy he shares with his audience.

    Playing to a smaller crowd, the Westcott was less than half full of guests but Ott & the All Seeing I were not to be daunted. Playing through giant speaker stacks that easily withstood Ott’s powerful sound, the band got down to work. Having as much space as I needed, I danced away the set, oblivious to any perceived problems in my life. The show highlights for me included “Splitting An Atom”, “Owl Stretching Time” and of course always a crowd favorite, “The Queen of all Everything”. The live performance gives Ott’s music a raw and powerful energy, full of life.

    Traveling with me to this show was Kelly, a precious gems and mineral merchant of Kali’ka Crystals and Creations. Kelly had “gridded” Ott’s stages with crystals at two previous shows, a process in where she places crystals in an array that is meant to help harness energies. Her grid this night included Smoky Quartz for meditation, Amethyst and Selenite for intuition and divinity, Lepidolite for stability and communication, Lemurians (and Pink Lemurians) for love and spiritual awareness,  and Herkimer Diamonds for attunement and connection. Post show the band joked about how she should jump on the tour bus with them as they enjoyed her crystal work and company so much.

    Any chance I am afforded to see Ott & the All Seeing I again will be taken with utmost seriousness. It is truly a spiritually enlightening experience.

    I had the privilege of asking Ott & the All Seeing I a few questions as they broke down post show:

    Chris McMullen: Do you have a favorite venue in upstate NY?

    Ott: Oh thats hard. It depends who turns up,…it depends who’s there.

    Chris: How much time had Ott & the All Seeing I gotten to practice live?

    Ott: Not much actually, we were fairly unprepared when we got here.

    Naked Nick: It’s just life’s logistics. We did everything we could and we were all practicing individually. Some of us are in the east of England and some of us the west, so the amount of times we can actually come together in one place is quite limited.

    Ott: The first time we were able to come together and all play in the same space was our first gig in Baltimore.

    Nick: We never all played in the same room together!

    Chris: Oh wow, I was at the NYC show at Club 39 and thought you guys sounded pretty good.

    Ott: Yeah our sound guy had to totally rewire everything there. Our crew really pulled it out of the bag. I quite enjoyed it in the end.

    Chris: It was a tight space.

    Ott: I love the hot sweaty basements….that doesn’t sound quite right, does it?

    Nick: I think there is going to come a time when I can use that piece of information against you. Not sure yet when it will be.

    Chris: Have you found yourselves engaging in any pre or post show rituals?

    Ott: I can see patterns forming. Kelly and her crystal garden are the closest thing to a ritual we have. But she’s abandoning us! She has driven miles to see us. We will miss you Kelly.

    Nick: It’s really nice to see some familiar faces coming to more than one gig, it’s meant a lot.

    Chris: Are there any musicians you’ve been listening to lately?

    Ott: I generally don’t listen to anything made after 1982 really, actually no, to be honest, 1978 at the moment.

    Nick: Bird Of Prey, Sun Monks

    Ott: Nick’s your man. If you want to hear somebody reel of loads of really contemporary artists that no one’s ever heard of. He’s your man. I actually don’t like music very much. I try and avoid it.

  • Saturday in Syracuse: Soul Risin’ Album release show at The Westcott (Ticket give away too)

    Saturday in Syracuse: Soul Risin’ Album release show at The Westcott (Ticket give away too)

    Syracuse’s music scene has always been vibrant and featured some incredible acts in the past and local favorites Soul Risin’ continue to make their mark as one of the best in the region. This Saturday at The Westcott Theater, Soul Risin’ releases their  third album Rise & Fall. Recorded in recorded in April at More Sound Recording Studio and engineered by Jason (Jocko) Randle and Andrew Greacen, the album is a fantastic effort (review here). You can pick download or stream the album at www.soulrisin.bandcamp.com or pick up a copy of the physical album and download MP3s at cdbaby.com

    soul risin'On Saturday at The Westcott Theater, Doors open at 7pm with Boots N’ Shorts on shortly after 8pm, then Brother Joscephus and The Love Revival Revolution Orchestra followed by Soul Risin’ taking the stage shortly after 10pm

    Adding to the release of the album is the cause behind the show. From ticket and album sales, Soul Risin’ is raising money to help a local  Syracuse woman who was recently diagnosed with cancer, has no health insurance, so as to help her family out with basic needs. Bryan Weinsztok, lead singer of the group lost his father a year ago on October 16th, hence the album release date this week. In order to help the family meet their needs with bills and groceries, Weinsztok is looking to raise $1000 or more to benefit the family. Keeping charity close to the cause is noble, especially on such an eventful night already.

    Take a listen to the free stream on Bandcamp and enjoy the music. Soul Risin’ is known for putting on a solid live performance with something for everyone, making for a great regional jam show.

    TICKET and ALBUM GIVEAWAY!

    is giving away a signed double LP Vinyl of Rise and Fall AND Two tickets to Saturday night’s CD release party at The Westcott Theater.

    To enter, follow @ on Twitter or Like us on Facebook – doing both increases the chances to win! Winners will be announced Saturday afternoon at 12pm.

  • Soul Risin’ produces a powerful third album in ‘Rise & Fall’

    Soul Risin’ produces a powerful third album in ‘Rise & Fall’

    I was introduced to Soul Risin’ in 2009 by my friend Greg who noted that Jon Fishman himself called himself a fan of the group. When Phish played the War Memorial in the fall of 2009, an indoor lot scene was created with vendors of food, beer and clothing, as well as a few bands, most notably, Soul Risin’. Their first two albums were in regular rotation on road trips and the third album will find a home in the mix very shortly.

    Soul Risin'The album kicks off with “Don Negativo (Fool Like You)”, a country/rock foot-tapper, including a Blues Traveler vibe in the vocals that push right to the edge of each peak, building up again to the refrain. Title track “Rise & Fall” has a “You Can Call Me Al” rhythm, very calypso in composition with evenly balanced horns in the back. This is a definite crowd pleaser of a tune. “Heavens Done” has funk and blaring horns from the start, scat style singing and large builds with the horns, giving the band it’s first rock anthem of the album. “Tidal Waves” has a rockabilly, hip shaker beat to it while “Leaving Train” is the first softer track on the album, growing to nearly a full band ballad.

    The next few tracks (“Worcester”->”Baby”) carry the theme of the passing of lead singer Bryan Weinsztok’s father last year through the birth of his child this spring. 

    The island jamming music of “Worcester” is a little Strangefolk-sounding mixed into the progressive jams and guitar work. This track opens up nicely with keywork from Mike D’Ambrosio before returning to the composition and Weinsztok’s impassioned lyrics. “The Door” gets started on a slow and steady path, but halfway through diverges and gets abruptly louder, with notable accents from Adam Fisher’s bass.  Another album highlight, “Part Two/Open the Door” showcases John Capozzolo’s drum work and Jim Dunham’s Percussion, providing the framework for the band to create a song with even greater depth; one cannot help but recall Dave Matthews efforts from a decade ago when hearing “Open the Door”, a compliment to this grand track.

    “The Greatest Advice” moves by at a breakneck pace but the lyrics chillingly stick out, notably the repeated “Love means more than madness, when we’re tossed off to life’s great abyss. Ours is the flame that burns in this insane world over.” A lullaby sung from father to child, “Baby” is the softest moment on the album. “Punk” takes the album out on a high note, with Weinsztok’s guitar tearing through the song.

    Key Tracks – Rise and Fall, Worcester, Part Two/Open the Door, The Greatest Advice

    Soul Risin’ plays Saturday at The Westcott Theater for the official album release party. You can win tickets via at the bottom of this page.

    Soul Risin’ on Facebook 

  • One World Concert at The Carrier Dome

    It’s hard to imagine a reason why thirty musicians from all corners of the world and all genres of music would be performing on a stage in Syracuse.  But if you can imagine the Dalai Lama being the combining force that brought them all to The Carrier Dome on Tuesday, October 9 for The One World Concert.

    Labeled as “a historic celebration of peace, music, and common ground,” was a fast paced variety show, exhibiting some of the world’s best musicians, in order to share the message of peace with the world.  As Whoopi Goldberg the emcee put it, we were all there for a “piece of the peace.”  And while that may have been true for a fair amount of the audience, the great majority was there for the star-studded line-up meant to perform after the Dalai Lama’s speech.

    Aside from a few technical issues, the speech given by His Holiness the 14th Dalai Lama was both inspiring and entertaining.  Who would have expected one of the great spiritual leaders of the word to have such a great sense of humor and be taken seriously while wearing a Syracuse University visor?  He spoke of peace, tolerance, and leaving the past centuries of war and conflict behind us for a new one filled with peace and happiness.

    When Dave Matthews came on stage, everyone was filled with happiness to spare.  The renowned artist graced the crowd with a three-song set, a rarity for the evening and a privilege only granted to four of the thirty acts at the concert.  Without a doubt, Matthews was the headliner.  After his performance of “Mercy,” the crowd was ready for the rest of the concert to get underway.

    Natasha Bedingfield sang “Unwritten,” Nelly Furtado “Spirit Indestructible,” and Cyndi Lauper and Angelique Kidjo did a duet of “True Colors,” as everyone seemed to be having a great time, really paying attention to and enjoying the music.  That is, until Roberta Flack came on.  The audience seemed more interested in trying to keep a wave going, than actually listening to her perform.  Needless to say, the artist was upset and ended up leaving the stage without so much as a goodbye.

    The world music artists were expectedly unknown to most of the audience members, with the exception of AR Rahman.  However, Rahman didn’t even sing the song that made him famous by him and The Pussycat Dolls for SlumDog Millionaire, so most people were truly hearing his music for the first time.  There were also artists from Afghanistan, Iran, and Israel.  In fact, this concert marked the first time in history an Israeli artist and Iranian artist shared the stage.  The Israeli pop singer, Liel Kolet, was one of the few artists who got a three song set, and she seemed to impress the crowd.

    By the end of the show, the stadium had emptied out significantly.  Being a college campus on a week night right before mid-terms, it was to be expected.  The closing act was Counting Crows, and they had a straight-up jam session lasting several songs that was great to watch and a fantastic way to end the show.

    Review by Morgan Craig

    Previously known for his traditional Hasidic beard and fedora, reggae star Matisyahu proved the old cliché “you are your hair” to be true when he stepped out on stage at the One World concert freshly shaven and quaffed. New album, New man, and a handsome new man at that. During his performance a few rows behind me, someone shouted “You’re Hot!”, a phrase I have never heard used to describe Matisyahu before. On stage he seemed right at home, as Matisyahu grew up in Westchester County, New York about four hours away from Syracuse, where he attended White Plains High School.

    When the lyrics to the hit “One Day” off his 2010 album Light echoed throughout the dome it was clear why he chose to perform the older song.  “Sometimes I lay under the moon. I thank god I’m breathing.” The perfect compliment to the messages about cherishing life from the Dalai Lama. The words: “We don’t wanna fight no more, there’ll be no more wars and our children will play” gave me chills. I looked around the bleachers to find that the rest of the audience was just as moved, bobbing and swaying to the relaxed vibe. Inspired voices in the crowd sang along to the chorus repeating the words “One Day” and in that moment the possibility of one day having world peace really hindered in the air.

    After reading the names David Sanbourn, Cyndi Lauper, and Angelique Kidjo on the set-list for the One World Concert at Syracuse University last Wednesday. I had never imagined the three would collaborate so melodically. Nor should I have been surprised by anything at that point in the concert considering Whoopie Goldberg had  introduced the Dalai Lama (who later gave up the stage to Dave Matthews). Like an iPod on shuffle you never knew what would play at the One World Concert.

    The child in me gawked at the stage as the great Cyndi Lauper emerged in an edgy black and white suit jacket and loud pattern leggings. “We’re gonna do a song.” From the floor audience someone yelled “Girls Just Want To Have Fun!” to which Lauper replied with a smirk, “Not that one. I do wish you a lot of fun though.” She proceeded to pick the strings of a steel pedal guitar. David Sanbourn added to the sound with an aged-to-perfection-saxophone and then Angelique Kidjo let out her stunning vocals and the three produced a rendition of “True Colors” that left every soul rejuvenated.

    A tranquil sense of peace and oneness fell over the dome until Angelique Kidjo to an energetic bound back to center stage for a solo performance of “Afrika” off her sophomore album Spirit Rising. There was not a single booty in the arena that wasn’t shaking to the bongos. I’d be surprised if the Dalai Lama himself wasn’t moving his peace-maker backstage. In a shimmering blue suit jacket, Kidjo single-handedly turned the previously calm One World Concert into one big peace-party. My peers and I, as college students, saw Kidjo as just another obscure world-music artist on the set-list whose performance we would use as a chance to run to the bathroom before acts like Matisyahu or Swizz Beats. However, the instant we heard her booming, divalicious voice we were hooked. Her energy was contagious. From 30-year old men to high schoolers everyone in the Dome had caught the afro-fusion fever. Angelique Kidjo was the perfect example of how music can bring people together.

  • Dum Dum Girls at Schine Underground, October 11th

    The Dum Dum Girls are a band whose genre cannot be defined in a simple manner. When describing the group, fans of the Dum Dum Girls often use phrases like “dream pop,” “noise pop,” or “chill wave.” They use phrases that aren’t necessarily found on the iTunes “Music Categories” tab.

    This precise characterization associated with the Dum Dum Girls is a result of the band’s effort to create a musical style of their own, one that strays in the opposite direction of today’s exclusively female pop groups. In doing so, Dee Dee, Jules, Sandy, and Malia have pinpointed exactly how they want to present themselves, and on Thursday, October 11, this presentation was put on display at Syracuse University’s Schine Underground.

    Introducing themselves in lace tops and skirts significantly shorter form a proportional perspective than their complimentary tights, the Dum Dum Girls spoke first with “Mine Tonight,’” the opening track of their recently released EP, End of Daze.

    As their set progressed, the Girls continued to emphasize End of Daze, playing four of the EP’s five songs that earned the band “Best New Music” recognition from Pitchfork and a spot on this year’s CMJ lineup in New York City.

    Tracks from their two full-length albums, “I Will Be” and “Only in Dreams”, appeared in the eclectically put together set as well, along with the title track from 2011’s He Gets Me High.

    Throughout the show, the Dum Dum Girls also committed to communicating primarily through their music, deviating from any pre-song banter with the crowd. While many musicians take some type of conversational approach in an effort to connect with their audience, The Dum Dum Girls exhibited no such strategy. This lack of dialogue, however, by no means correlated with a disconnected audience. The venue’s guests found themselves dancing with the set’s more upbeat songs, driven by a snare drum that created a rhythmic version of sounds not unlike those of gunfire.

    The band’s mellower songs reflected lead-singer Kristen Gundred’s (A.K.A. Dee Dee) angelic stage presence. Standing out as the lone “Dum” blond, Gundred exemplified both a seraphic appearance and vocal ability. Her ethereal nature, however, fittingly contrasted with her punk-rock attitude.

    The Dum Dum Girls’ commitment to epitomizing rock lasted their entire set and peaked as they transitioned into their final song, covering the Smiths’ “There is a Light that Never Goes Out.” The Girls showed no fear in presenting one of Morrissey’s most popular songs to a surely Smiths-savvy crowd.

    This type of audacious behavior has resulted in burgeoning success for the Dum Dum Girls, putting Dee Dee and company exactly where they want to be.

  • New Riders of the Purple Sage – Live at The Westcott

    By Gauraa Shekhar

    Buddy Cage, the pedal steel guitarist, shoots an amused look in my direction. Standing in the front row, I can almost feel him say, “What are you doing here, kiddo?” I suppress the urge to stereotype as I scan the crowd—sixty-somethings men and women dressed in overalls, hippie dancing to “Where I Come From”. The old man in pigtails standing next to me flashes a huge grin and offers me a whiff of an aromatic something passing hands. “No, thanks!” I assure him I am good. I feel out of place. I am the only one with black XX’s stamped across the back of hand—evidently, the only seventeen year old in the room.

    photo by Frances Huang

    The New Riders of the Purple Sage chime into chorus. And I am pulled out of the background, zapped into the song. The group of seventy-year-olds with their twangy opening burst out more energy than the two young acts before them did—combined. Tonight, there is reason to celebrate. “It’s the 7th year anniversary of our renaissance!” screams David Nelson before cranking the intro to “Panama Red”. “We’ve been together for 45 years!” adds Falzarano. The crowd went berserk.

    As The New Riders of the Purple Sage jams to oldies like “Glendale Train”, “Last Lonely Eagle” and “Louisiana Lady” from their eponymous record, nostalgia billows over the crowd, overwhelms it. Lovers lock eyes, friends hold hands and you can almost feel the music transcending time. The band is playing “Down for the Ride”, when I witness a man jump out of his wheelchair. He holds onto the railing in the front row for support, sways along with the music as he lands on his feet. He catches me looking at him in awe. “Kid, do you know what music is?” he asks. “It’s knowledge. It’s how stories are shared from campfire to campfire and eventually brought to us today.” I nod, soaking in this bizarre experience before me.

    The show rollicks towards an end and as Nelson mentions a closer, the crowd begins to chant, “Dirty Business! Dirty Business!” And there you have it. The band plays the eight minute long hit single from their debut album and the crowd simply loses itself in it.

    I don’t quite know what I was doing there but I felt that no EDM show could measure up to this weirdly wonderful night. Tonight, this was a community: all as one. As they say, it’s always a freak show when the riders come to town.

    Download Steven Weld’s recording of the show