Category: News Desk

  • Pretty Lights is more than just Pretty Lights

    Despite the cold November Third wind outside, Pretty Lights fired up the Times Union Center on the inside. Albany’s biggest venue hosted producer Derek Vincent Smith, better known as Pretty Lights, and his electronic dance beats. Doors opened at 7 with the show kicking off at 8 but I arrived around 9 in hopes of beating what was sure to be a crazed mob of teens trying to get it. The TUC had a beer garden set up for the one night event, much to the disappointment of the older crowd but a wise decision considering the mass of underage concert goers. There were large black curtains blocking the view of the show from the beer garden area, making the beer garden all the more obnoxious.

    The stage was filled with multiple towered structures aching to be lit, while a clock on a big screen counted down the time until Pretty Lights’ performance. The floor was open to the first 3500 people inside, most of whom were covered in neon, glow sticks, face paint, furry boots and many other costumes. There was a good amount of people in the seats but all the action was on the chaotic dance floor. Pre-show was the ever popular panic of concert goers rushing, trying to find your friends and a good spot to watch the show. Most of my friends and I were content with hanging back in our own dance space, and always the best place to people watch too.

    With the countdown over, the audience erupted and Smith took his place atop the stage. To watch the jam packed crowd bounce in almost perfect union to the beat of every song was astonishing. The shows at the local Washington Armory I was accustomed to had nothing on the force of Pretty Lights and the fans. The music started and the energy never stopped, the frenzy of dancers helpless against the electronic beats and  flashing light show. It took everything I had NOT to blink for fear that I would miss the hundreds of lazers shooting across the arena and futuristic images being blasted across the huge screens outstretched across the stage.

    The music that blasted from Smith’s speakers was welcomed and embraced by the thrill seeking crowd. Ranging from a wide array of hip hop, a little soul and a great deal of electronic mixed with some house and dubstep, Pretty Lights knows what works and can easily control the crowd. One of the most memorable moments of the night was when Smith performed “Finally Moving” which features the ever popular Etta James, “Something’s Got a Hold on Me” amping up the crowd to all sing along and groove to the beats. This was a great set up for the next big song of the night, a remix of Jay Z’s “Empire State of Mind”, a recent New York anthem and a refreshing hot remix.

    Pretty Lights is more than just a really intense light show, it has an unrelenting carousal of beats and melodies that keep your mind, body and soul in party mode all night. Pretty Lights offers free music, as well as wallpaper and icons on his website and after touring the U.S. he will ring in the New Year with a two-night stand in New York City.

  • Max Creek Haunted Halloween Bash with Conehead Buddha, October 26th, Lake George

    After celebrating their 41st Anniversary weekend at Lake George’s Fort William Henry Inn and Conference Center in April 2012, jamband fixtures Max Creek returned to the same venue for their Haunted Halloween Weekend Bash. Weekend events such as Creekend, Camp Creek and StrangeCreek Campout take on a family atmosphere with people traveling from all over New England to get their Creek on.  I attended the first night of the two night stand and it was a solid kickoff to what is always a great night of music. It’s probably appropriate for me to issue this disclaimer: I’ve probably seen Max Creek more then any other band including the Grateful Dead and consider myself a Creek Freak so I may be a little biased!

    Opening the first night of festivities was another veteran genre blending jamband, Conehead Buddha. When I entered the auditorium at Fort William Henry, the place was relatively empty with most people milling around outside or hanging out at their hotel rooms which faced the lake and the auditorium.  I never caught Conehead Buddha 1.0., so I was unfamiliar with them and it was a most pleasant surprise. I was instantly caught up by the groove of the band, which had dressed up in costume as a zombie mariachi band. They were  laying down infectious grooves of ska, jazz, funk, reggae and salsa. Completely unfamiliar with their catalog, I just let the music take control. I did catch teases of The Allman Brothers “Jessica” in one song.  And they got saxophone!!, as well as trumpet, trombone and percussion. I would have loved to hear them launch into “Hey Pachuco” because they had me wanting to break out my best impression of Jim Carrey in the Mask.

    Being a Halloween Ball, there was a costume contest and there were prizes awarded both nights for best costumes in several categories. The judging went on the first night between the stage change. On my night there, there were some awesome costumes that included a Bedouin and a Belly Dancer couple, a pair of Hula-hooping kitty cats, a Lumberjack with a Chain saw,  Raggedy Ann and Andy, and a Jellyfish to name a few.

    Max Creek took the stage at the fashionably late time of 11:20 PM with only keyboardist Mark Mercier in costume. This was the second show I’ve caught with the ‘noobs’,  the very talented Jamemurrell Stanley on percussion and the equally talented Bill Carbone on drums. Over the years, the drums have been the section that has had a rotating cast of characters while the core trio of  Scott Murawski (lead guitar and drums when he takes to the kit),  John Rider (bass), and Mark Mercier (keyboards) have remained intact. I was a big fan of the ‘Gregs’ and the other ‘Scott’ and of course the late great Rob Fried but going back to a percussion drum setup vs drums, the latter has added a color to the music missing since the passing of Fried.

    The core three took turns on vocals with Murawski on his own original “If you Ask Me”,  Mercier on cover “After Midnight” and Rider on his original “Devil’s Heart”, which featured some great interplay between Murawski on guitar and Rider on his bass.  The energy upped a notch on the Grateful Dead’s “Bertha” before Mark Mercier took on country ballad  “Long Black Veil”.  There is always a bust out or two at Max Creek shows and up next was the seldom  played “Silver Jack”. It was then  Murawski’s turn to get playful on the lyrics of  “Trippin’”  (Scott heard someone had the best little kitty in town).  Set oneclosed with Warren Zevon’d “Werewolves of London”, which I was surprised they broke out the first night. Barking and baying and a vocal jam ended the first set at about 12:50 AM. With eight songs averaging over 10 minutes each shows why Max Creek is a jamband legend.

    After a brief intermission the band returned to a room that had emptied out. Creekenders had returned to their rooms to get prepared for the second set and were a little slow to return.  As Set two opened with “Louisiana Sun”, steam gathered and the room was soon full again. John Rider then launched into “Blood Red Roses”. For some reason I always think of pirates holding up glasses of grog and singing along when I hear this song but two young male Creekers in front of me engaged in a ‘mosh’ dance. After some Auld Lang Syne teases, Mark Mercier launched into another of his original ballads “Said and Done”. I’m not sure how Mark remembers all the lyrics and I think he changed them here and there but I am always captivated how his rich voice draws you in to the tale he is telling on his ballads. “Southbound Train” had some excellent harmonies before drummer Bill Carbone took to the vocals on “I’ll be Your Baby Tonight”.  “The Same Things” blended into a spacey jam with just Scott and the drummers as Mercier and Rider left the stage, later followed by Murawski while Rider came back on with the drummers. I left shortly after Rider returned and missed “Slow Down” and one of my favorite Murawski originals:  “You Let me Down Again”. They closed the night and early morning with “I Shall be Released” and “Signature”.

    Max Creek will be playing the semi-local Infinity Hall in Norfolk, CT on November 24th and for those shut out of Phish at YEMSG (like myself), on 12/31/12, the NYE Masquerade Ball will be held at The Great Hall in Union Station, Hartford, CT.

    Set I: If You Ask Me > After Midnight > Devil’s Heart > Bertha, Long Black Veil, Silver Jack, Trippin’, Werewolves of London
    Set 2: Louisiana Sun > Blood Red Roses>Said & Done, Southbound Train, I’ll Be Your Baby Tonite, The Same Things > Drumz > Drumz & Bass > Mojo, Slow Down, You Let Me Down Again
    Encore: I Shall Be Released, Signature
  • Dark Star Orchestra is Truckin’ Up To Buffalo: An Interview with Drummer Dino English

    Dark Star Orchestra kicks off their U.S. tour right with a two-night stand at the Town Ballroom in the heart of Buffalo this Friday and Saturday.  Dark Star Orchestra never seems to forget to show Buffalo some love, but we are more than happy to welcome them back for what will be two very special nights of Grateful Dead music.  Do not sleep on getting tickets for Friday, as Saturday night’s show is completely sold out.  Tickets can be purchased here.  

    Dark Star’s drummer Dino English took a minute to talk about the Buffalo scene and life on the road with NYS Music.

    NYS Music: How often do you catch yourselves straying outside the boundaries of a given era’s style? I imagine it must be tempting and almost subconscious to play the big bombs of a late-era Bertha or the Lydian jams of Cassidy when you’re supposed to be coloring inside the lines of the early 70s.

    Dino English: We stick to the arrangement of the time period but sometimes the arrangement we end up playing  is an educated guess from having played so many shows.  We encourage each other to listen to each  show but it’s not a requirement. And daily time constraints dictate that we often can’t listen to the whole show all the time.  We talk over arrangements right before we go on or even on stage but sometimes a detail will slip by all of us at which point we take a guess.  Our main concern is to play the best music we can for the audience that night.  … However we see fit.

    NYS Music: Buffalo has quite a pedigree in the history of the Dead. Do you honor that in a way that is different from how you might approach a gig in a town without so much history?

    Dino: We love playing Buffalo because the fans have such a history with the Grateful Dead.  It’s an enthusiastic crowd.  That synergy between audience and band propels us to play well most of the time.

    NYS Music: The term “psychedelic” gets tossed around rather cheaply but I think you guys have been in this long enough to have a deep appreciation for what it really means. What is it about Grateful Dead music that provides a platform for this experience and where else have you come across it?

    Dino: I think you are referring to the experience which occurs with this music that is hard to articulate.  Some call it “psychedelic”, others call it the “x factor” or simply “it”.   Many Grateful Dead fans have experienced “it” but usually in their own way …although it may seem ( or may be) that everyone in a room is experiencing the same thing at the same time.  They just know they took part in something that happened which seems to encompass something larger than themselves.  It’s both a communal and a private experience which results in the feeling of “having your mind blown”.  It’s the part that gives Grateful Dead music, experienced live, a bit of a spiritual experience.  Whole books have been written on trying to define what it is about GD music that causes this or why it happens.  I can just say “it” does happen but as always “it” can be elusive.

    For us on stage, the music plays the band. We, the band, allow the music to take us over so that we may simply be a lightning rod for the energy that flows through us.  It has some elements of being possessed by a spirit greater than oneself.   (If you are a star wars fan, you might call it “the force”).  It’s a genuine feeling of the music simply playing through you.  Very little thought goes into it.  You actually want to not think too much because if you are being distracted by your thoughts, you aren’t in the moment with the music.  If this feeling is happening on any level with the band, usually the audience feels it too.

    NYS Music:  Jerry is famously quoted as saying “some people really go to pieces on the road.” What are some nuggets of Dead-style wisdom you guys have picked up from your time on the road?

    Dino: I’d like to think we have learned from the mistakes from those who have travelled before us but as the song goes “it’s so easy to slip”.   Everyone deals with things in their own way the best they can.  Sometimes we are on top of the world, other times we are barely hanging on and all of us at different times are usually in different spaces mentally. Being in the Dark Star Orchestra is something like being on a bucking bronco.  You try to enjoy the ride for as long as and as much as possible without getting thrown off.

    For tickets and show details visit www.darkstarorchestra.net

  • Van Ghost and The Revivalists head to The Bayou in Albany on November 17th

    Van Ghost and The Revivalists head to The Bayou in Albany on November 17th

    New Orleans’ The Revivalists and all star six-piece band Van Ghost, featuring Jennifer Hartswick from The Trey Anastasio Band, will co-headline The Bayou Cafe in Albany this Saturday, November 17. Tickets can be purchased for $10-$12 by visiting Ticket Fly. Doors are at 8, show starts at 930pm.

    Van Ghost and The RevivalistsSince forming in 2007, The Revivalists have rightfully earned their reputation as the next breakout band from the music capital of New Orleans. The groups blend of soulful, syncopated rock and earnest songwriting comes to life through a meticulously crafted and ever-evolving live performance. For more information, visit The Revivalists official website 

    Van Ghostfounded by singer-songwriter and guitarist Michael Harris Berg  features the talents of decade-plus Trey Anastasio Band vocalist Jennifer Hartswick, who has shared the stage with Herbie Hancock, the Rolling Stones, Dave Matthews Band, among others. The sympathetic interplay between her silk and sandpaper vocals intertwining with Berg’s folksy emotive lead vocals has become a staple of Van Ghosts sound, garnering favorable comparisons to CSNY.  The band also features the telepathic interplay of guitarist Grant Tye, drummer Greg Marsh, and Klem Hayes. For more information, visit the Van Ghost official website.

  • Albany ranks #9 in Top Metro Areas based on Musical Acts per 10,000

    Albany ranks #9 in Top Metro Areas based on Musical Acts per 10,000

    We wrote back in August about the rank of Rochester as #9 in the nation in regards to concentration of musicians and music-related businesses, with even Kingston and Albany ranked in the top 15 of small metro areas. What this says about Upstate New York is that we have a vibrant music scene, one notable enough for inclusion in this study three times, covering the western and Hudson regions. This of course led to some vibrant discussion in the group on Facebook.

    albany top metroNow, Zara Matheson at the Martin Prosperity Institute has created a new map of the Top 20 Metro Areas, based on the number of Musical Acts per 10,000 people.  While larger metro areas like Los Angeles, San Francisco and Miami are on the list, towns like Honolulu, Orlando and Las Vegas are tourist areas and attract crowds to their downtown and outlying areas that lead to increased crowds for bands, leading to fans in the long run.

    the low beat albany top metroHowever, Albany ranked at number 9 seems to stand out as an outlier in this list of 20 (which also has Dutchess County at #19), because we are neither a large metro area compared to other cities on the list, nor are we a popular tourist destination. But where did all these bands come from? If Albany has roughly 100,000 people living in the city, then conservatively, we have 1,540 bands in the Albany area alone. If you take all the bands in Albany of varying size, and even skew down by a third, we still have 1,000 bands. That’s a lot of talent, especially when compared to cities of larger size that are the home of huge signed acts. Albany has had a few in their day (Blotto, moe., Ominous Seapods, to name a few) and there are many more waiting in the wings (Timbre Coup, Consider the Source, among many others) that are making a name for themselves among the relatively small population of Albany and high number of acts, per 10,000 people.

    While we don’t have a tourist presence in the Albany area, one that would help give musicians a greater audience for their music, we are at a crossroads of Interstates 87 and 90, central to small suburban areas in 4 states that, with a greater push for tourism, could lead to the scene becoming even larger than it currently is. We have the bands, we just need more fans seeing more music! It’s a fan’s market out there in the greater Albany area, you just need to get out there and find some music you like and GO SEE LIVE LOCAL MUSIC!

    Top 20 Metros Based on Musical Acts per 10,000 People
    Rank Metro Musical Acts per 10,000
    1 Los Angeles 184
    2 Napa, California 183
    3 Las Vegas 176
    4 Jersey City 175
    5 Honolulu 174
    6 Orlando 170
    7 San Diego 164
    8 Stockton, California 161
    9 Albany, New York 154
    10 Seattle 154
    11 Santa Cruz 153
    12 San Francisco 150
    13 Miami 149
    14 Ventura, California 142
    15 San Jose 138
    16 Tacoma, Washington 137
    17 Santa Barbara, California 132
    18 Newark, New Jersey 130
    19 Dutchess County, New York 130
    20 Bergen-Passaic, New Jersey 129
  • An Interview with Ryan Zoidis of The Rustic Overtones

    An Interview with Ryan Zoidis of The Rustic Overtones

    The Rustic Overtones take a swing through Upstate NY this weekend with a stop a the Putnam Den with special guest Stone Revival Band on Friday, November 16th at 9pm and the next night at Foodstock V at The Chance Theater in Poughkeepsie, NY at 5:30pm. Saxophone player Ryan Zoidis caught up with Pete Mason after this weekend’s Bear Creek Music Festival  and discussed his role in The Rustic Overtones, Lettuce and his affinity for Upstate New York.

    Ryan ZoidisPete Mason: Playing saxophone in Rustic Overtones and Lettuce, how did you get started out with each band?

    Ryan Zoidis: I met the Lettuce cats in 1992 at the Berklee College of Music five-week summer program. I met Eric Krasno in an ensemble we were assigned to then met the rest of the guys shortly after. We all wanted to play funk music and that’s exactly what we did. We ended up meeting up after high school when we all went to Berklee and lived in the same dorm. We used to jam till 5am regularly and we started playing parties at different college dorms. Most of us left Berklee after about a year but some stuck around. A few of the guys were in a band called Fat Bag that was a great live hip hop group and they started touring a bit, so that put a damper on Lettuce.

    Meanwhile, I left school, moved back to Maine to regroup and find a gig when my good friend Tony Mcnaboe asked if I wanted to play in Rustic. I went to a rehearsal and it went well, although I didn’t love the music initially.

    My first show was in Orono, Maine at Geddy’s . The place was jam packed, the crowd was singing the lyrics, Gutter was a star. That’s when I realized I wanted to play music that appealed to the masses, and Rustic was really special. Shortly after I joined we got signed by Clive Davis and the rest is history.

    Pete: Bear Creek was a collaboration fest this past weekend. What makes the climate of fests like Bear Creek so conducive to collaboration with other musicians?

    Ryan: Our friend Paul Levine started Bear Creek because he wanted to do a funk festival. He booked his favorite bands Lettuce, Dumpstaphunk, The New Mastersounds, etc… We have done some great collaborations that weren’t necessarily planned, they just happened.

    Pete: What was your musical highlight of Bear Creek?

    Ryan: The Friday night Lettuce set was on fire!

    Pete: The Rustic Overtones took a hiatus before reuniting in 2007; how has the balance of being in two acts been a challenge in recent years?

    Ryan: Well, I’m doing this for a living. I really need to stay busy to make it work. Lettuce has never been a hard touring band, only 30 shows a year max. Since Rustic got back together we only do 60-70 a year. It’s challenging sometimes schedule wise and it’s tough to have to choose between the two. I also started a reggae band called Royal Hammer with Dave Noyes, Gary and Mike from Rustic. Our first album will be out this winter. We want to get that out on the road too.

    Pete: How do you like Upstate New York, having played festivals and venues here for many years?

    Ryan: Upstate’s always been really good to Rustic. We had some crushing shows at Revolution Hall, which was our favorite venue. WEQX, a radio station here plays us, so that helps. Putnam Den is awesome and they treat us great; Castaways in Ithaca is cool too. There’s a lot of good spots, kids who like to check out music. Getting stoked for the weekend Upstate!

    For more info check out therusticovertones.com

  • Preview moe. at The Capitol Theatre

    This Friday, November 9th, rock jam-band moe. is scheduled to play at the historic Capitol Theatre in Port Chester, New York. The event is 18 and over, with tickets going for $35. There will be a general admission standing room only floor and a reserved seated Lodge and Balcony area. If you get tickets for Reserved Lodge and Balcony, you will NOT have access to the general admission floor. The doors open at 6:30 and the show is scheduled to kick off at 8. The Capitol Theatre’s box office will be open Friday from 12pm-6pm, you can call via phone at (877)435-9849 or Tickets can always be purchased at ticketfly.com

    Moe. was one of the first bands that got me into the entire jam-band scene. Moe. is a great band to introduce friends into this musical genre and they always deliver with an unforgettable performance. The crowd is usually full of dedicated fans, better known as moe.rons, who can appreciate the Buffalo, NY band for bringing them a unique, heartfelt experience at each show. After being together for three decades and producing 17 albums, there is more than enough music to be played at any moe. show. Band members Al, Chuck, Rob, Jim and Vinnie continue to gain fans with their high energy performances, individual talents and sense of humor.

    Moe. has played at a number of festivals such as Bear Creek, Gathering of the Vibes, All Good and Bonnaroo. The quintet also hosts their own festivals such as moe.down and snoe.down. They will be ringing in the New Year once again in Portland, Maine, sure to be a sellout.

  • LED BY THE BLIND Releases debut music video

    Led By The Blind has released their debut music video for “O#2”, a song from their 2011 release “Controversy”. The video is entirely self-produced and directed by Jamie Ervay, the drummer/singer of the band, on the ridiculously small budget of just $500. The video features a creepy storyline in which the main character (also played by Jamie Ervay) wakes up in an unfamiliar environment and can’t find his way out. The video has memorable visuals and a great cinematic style, giving some insight into the minds of the artists and giving the video a feel of it’s own that differs from the traditional style of music videos seen everyday. The video was shot regionally to the band over just 3 days with a Canon 6D camera. The editing and visual effects were all created over just a 30 day period.

    Jamie had this to say, “I’m pretty proud of this video. It’s the first I’ve ever made of this magnitude and it’s the first time I’ve combined all of the skills I’ve acquired over the past decade. I give the credit to all the bonus features on ‘The Lord Of The Rings’, and ‘Matrix’ trilogies. I just hope people enjoy it.”

    The video can be seen here http://youtu.be/ZNlNyw5YiU8 or at most any of the band’s web presences including www.ledbytheblind.com

    [youtube http://www.youtube.com/watch?v=ZNlNyw5YiU8&w=560&h=315].

  • MAN OVERBOARD Announce Lost Tape Collective Holiday Show 2012

    MAN OVERBOARD Announce Lost Tape Collective Holiday Show 2012

    Man Overboard and their label, Lost Tape Collective, have announced their annual holiday show in Philadelphia. This year’s event will take place on December 15th at the Theater of the Living Arts on South Street. Here is a quote from the band about this years show:

    “Every year we curate the Lost Tape Collective holiday show. We try to comprise the show of bands that are friends, tour mates and bands we enjoy and support. We spent the summer on Warped Tour with Alan Day and I Am The Avalanche… Seahaven was on our headline tour in February and Daylight + Citizen are old buds so its going to be a great night of friendship and hangouts…. we hope everyone with an interest in these bands can make it out to the show!… we will be announcing a special guest and final act fairly soon”

    Tickets for the show go on sale Friday, November 2nd at noon via LiveNation’s website.

    Saturday, December 15th @ Theater of the Living Arts
    334 South Street – Philadelphia, PA

    Lineup:
    MAN OVERBOARD
    I AM THE AVALANCHE
    SEAHAVEN
    CITIZEN
    DAYLIGHT
    ALAN DAY (of Four Year Strong)

    www.facebook.com/ManOverboardnj
    www.losttapecollective.com
    www.defendpoppunk.com
    www.riserecords.com

  • Preview of The NY Banjo – A Five-String Summit

    Dan Smalls Presents brings a wonderful night of music to The State Theatre in Ithaca on November 2, 2012 with NY Banjo -A Five-String Summit featuring Bela Fleck, with Tony Trischka, Eric Weissberg (Dueling Banjos), Richie Stearns, Peter Wernick (Hot Rize), and Mac Benford (Backwoods Band).  Doors to this show open at 7:00 p.m. and music begins at 8:00 p.m.  Tickets are available online through the theater’s website and via the box office and range from $29.50 to $36.50.  Gold Circle tickets (preferred seating) available for $42.50.

    The NY Banjo – A Five-String Summit has a very rich tradition.  So rich, in fact, it reaches beyond its own ten year history and into the history of the banjo’s story.  Actually an instrument with African heritage, the banjo began to assume its place in the culture of americana music around the 1930s.  Pete Seeger was at the apex of that effort, and his time touring with Woodie Guthrie helped catapult him along with, and perhaps through, the burgeoning folk scene of the time.  Audiences began to embrace the banjo as a lead instrument, and as the lead instrument in many cases.  Largely because Seeger was not only an expert technician but also so adept at fusing politics and social issues with song, he and his banjo filled a much needed niche in the country given the political and social climate of the changing times.  New York City began to flourish with the sounds of flying fingers and a wave of young musicians emerged hungry to lend their thumb picks to the cause.  Among those musicians was Eric Weissberg, ultimate member of the NY Banjo Summit, who studied for a time at the nimble hands of Pete.

    Bluegrass groups began to take shape and New York City was a hotspot in the early 50s, at the cutting edge of the wave.  Through the rise of Mike Seeger and The New Lost City Ramblers, The New York Ramblers and The Down State Rebels and many others, banjo players were evolving and developing their own styles.  Naturally, they cooperated, work-shopped, and listened to each other, drawing out the best innovative ideas each had to offer and strengthening the overall community.  Mac Benford and his 5 string were upstate, and so entered Ithaca’s part of this tale with Benford’s The Highwoods Stringband.  Other notable bluegrass musicians included in his I-town contemporaries include Walt Koken, Howie Bursen, and Ken Perlman and as they are wont to do, these musicians all began to collectively establish a community supportive of their genre in the Southern Tier, a healthy extension of downstate’s scene.  Communities easily blossomed into networks and it is from that The NY Banjo Summit was planned in 2002.

    In the 1970s, Bela Fleck was living among the downstate limb of the body of New York bluegrass and is a part the next wave of appreciation for the banjo.  He studied under Tony Trischka and whittled his craft to precision.  He has unique techniques of interacting with his instrument and he is both traditional and progressive.

    That’s quite a history and quite a root stock running through New York!  This history was recognized in 2002 when the  Empire State Plaza Performing Arts Center in Albany, NY, assembled an all star group of banjo aficionados for the first New York Banjo concert.  This marks the 10 year reunion of that effort and a 10-city New York Banjo Summit tour arose in honor of the accomplishment.

    For additional information regarding this show, please reference the State Theater and Dan Smalls Presents websites.  Gold Circle Seats refer to the first 10 rows in the center section of the theater and also the first 2 rows of the balcony section.