The Finger Lakes GrassRoots Festival of Music and Dance started over 20 years ago as a concert to benefit local AIDS support organization AIDSwork at the State Theater in Ithaca NY. Featured artists were Donna the Buffalo and pals The Horse Flies, and Neon Baptist.
Encouraged by the success of that night, members of Donna the Buffalo conspired to create a festival that would continue to raise money for the fight against AIDS and other worthy causes, provide regional and national exposure for excellent local musicians, and expose the local and regional music lovers to excellent national and international artists.
The idea proved a success, and with the help of zillions of volunteers, and the generous support of many friends in the musical community, GrassRoots came into being as an annual event. In the intervening decade(s), GrassRoots has grown from humble beginnings to become a nationally recognized event, unique in its focus on traditional and contemporary roots music, and one of the few self-sustaining non-profit arts organizations in the state.
The festival is presented over a four day period (Thursday-Sunday) on four stages which run ridiculously long hours to accommodate the 60 some bands that play the festival. The band selection reflects the eclectic tastes of our ‘amorphous committee’, a difficult to nail down group of musicians and artists who lean toward roots related & world music.
GrassRoots doesn’t hesitate to bring you great music you’ve never heard of before. Every year wonderful new bands are discovered and presented along with many old and true friends. Check out the list of previous years artists for a general idea of what’s in store for the future.
The 22nd annual GrassRoots Festival is held at the Trumansburg Fairgrounds in Trumansburg New York, located about 10 miles north of Ithaca NY on Rt..96 on the west side of Cayuga Lake in the very scenic Finger Lakes region of central New York. It’s all about having a grand time, generating a feeling of community, and giving something back to enhance our town, our society, and our world.
After almost a month of playing what has been hailed as one of their best in over a decade, Phish made a final stop in Saratoga for a truly amazing three night run at Saratoga Performing Arts Center (SPAC). Fans packed local hotels, Lee’s Campground and the couches and floorspace of friends and family to prepare for the end to a great tour. Phish has had some good tours since they got back (Fall 2010, Summer 09 leg 2, NYE 2010) but as the tour evolved, it became clear that Phish had devoted time and effort into finding that 3.0 sound on a regular basis inside shows, as well as reintroducing an aire of unpredictability to their setlists. Practice and a more focused band generated best-of performances of songs, especially Carini and Sand, plus huge bustouts of songs long shelved, namely Little Feat’s Skin it Back, played for the first time in 24 years at Jones Beach on July 3rd. To both tour vets and new and excitable phans, the shows at SPAC were slated to ring out the tour with a bang.
Friday, the venue and sprawling parking lots were filled with fans of all ages, as Phish has become a true family affair, with parents bringing kids and phamily traveling long distances to see each other and enjoy some amazing music along the way.
The show started with Runaway Jim and progressed through first set crowd favorites before opening up Tube (finally!) for a rare appearance of Talking Heads’ ‘Psycho Killer’ which energized the crowd immeasurably. If that wasn’t enough, the organ of Argent’s ‘Hold Your Head Up’ presented us not with Jon Fishman, but Friar Tuck, the running name gag from Fish, derived from his tucking of his dress into his boxers, now in the same pattern as his iconic dress. Tuck brought out a large pair of cymbals which meant ‘Cracklin’ Rosie’, last heard in 1999. The crowd sang loudly with Tuck before he dashed around the stage and bowed over and over again. The rest of the set had Stash, a beautiful Corinna and excellent set closer in Light Up Or Leave Me Alone
Set 2 charged out the gates with three jam-worthy songs: Chalk Dust Torture > Carini > Sand. By the time the funk had settled, 20+ minutes had elapsed and we were all sweaty. The set continued to roll with Roses Are Free > Punch You In the Eye > Sneakin’ Sally Through the Alley -> Ghost > Suzy Greenberg, a set of songs with monster jam potential, capped with Tom Marshall and Steve Pollak onstage for the lyrics to Run Like an Antelope. Loving Cup capped a great show as fans meandered back down to their hotels and latenight plans.
Featured latenight Wyllys and NY Hustler Ensemble, took Putnam Den by storm, unleashing an energetic and powerful performance. Wyllys tore through albums and sweat bullets as he spun with hardly a break over two hours. Alongside him was Jennifer Hartswick on trumpet, Steve Molitz (Particle) on keys and Derek VanScoten on guitar. Ferocious jams grew from Wyllys’ mixing and generated a dance party of the gorgeous Phish female variety. Anyone who has yet to experience the Hustler Ensemble is missing great dance music and an eclectic combination of musicians blending their sounds together fluidly.
Saturday brought more of Friday’s heat, as well as NYS Music’s own Tabitha Clancy, who attended her first Phish show that (read Tabitha’s thoughts on the show in italics below).
The show got off to an interesting start with Grind, a barbershop quartet tune, followed by a well laid out set, including a solid version of Cities->Maze and Peaches en Regalia> Bathtub Gin.
“I meandered into the thick crowd weaving in and out and around whatever little pathway down the lawn I could find. So far, in the parking lots, at the concessions, and on the lawn, everyone was jovial, pleasant, courteous and generous. No sooner did I take my spot on the lawn, a four part vocal harmony broke out yonder. Phish began a cappella and the entire crowd was at attention. Another misconception was now proven wrong. I always thought the Phish scene was for the drugs, not the music. I was wrong, dead wrong. These people loved their music first and foremost. As the sun began to set, Phish and their fans were inching their way into my heart.”
The second set started with a bang, sandwiching the rarely played cover (last time in 1998) Blister in the Sun in between two parts of Down with Disease, which segued seamlessly into Boogie on Reggae Woman, TV on the Radio’s Golden Age and 2001, making for nearly an hour of jams and dancing for the eager crowd.
“Going into this not knowing any songs, it would be unfair of me to attempt any sort of set list review. I can say this, I was immediately impressed with Page McConnell. He had all his various keyboard equipment under his command at every moment. He was boxed in but it was as though he only had to wave a finger on an ivory press, and bam”
A trio of songs for the weary to rest their feet and bodies followed: Backwards Down the Number Line> Prince Caspian-> Scent of a Mule, the latter with one of many Blister teases. A Mike’s Groove sandwiching Contact in between wrapped up the set, but not the show, as a tribute to fallen Beastie Boy MCA was in order, with a fired up crowd responding to the classic ‘Sabotage’
“All the musicians looked as though they were up there to do what they love. I saw lots of smiles on stage. The crowd added to the experience as well, they too are as much a part of the show as the music. And they know their cues. For example, during “Also Sprach Zarathustra,” on the last peak in each instrumental chorus, the entire audience tossed up their glow sticks.”
The crowd left knowing there was only one more day for more Phish magic, one more day of bustouts and Type II jamming that defies explanation to non-phans; this is part of the power of Phish, where you can rage a show proper but explain it to a friend? Quite difficult.
“Much of what my assumptions were, have been proven wrong. I enjoyed Phish at what has become their hometown turf. I am doubtful I will become a die-hard follower, but I would definitely see them again nearby. Overall, I was happy to be a part of what amounts to be an experience – one that everyone should have at least once.”
Once out of the venue and headed to downtown Saratoga, Putnam Den held a sold-out show with Dead Sessions, Vermont’s premiere Grateful Dead tribute band. The show doubled as a celebration of The Waterwheel Foundation’s 15th anniversary and a portion of ticket sales benefitted their work to keep Lake Champlain clean. Seth Yacavone, a gifted guitarist, took the lead on many vocals, notably Cold Rain and Snow, Alabama Getaway and Half-Step. Vocalist Christina Durfee added radiant harmony and danced onstage to the music, mirroring the full house. Post-shows are designed for the latenight revelers and unfulfilled dancers, both of which made Putnam Den and easy hot ticket this early Sunday Morning.
And now it was upon us: the end of tour. Sometimes bittersweet, sometimes long sought, the final show of this 19 show tour had fans on the edge of their seats, with a great number of songs possible and excitement teething from the lots to the pit.
Sunday Funkday began with AC/DC Bag > My Soul followed by Camel Walk. Sample in a Jar gave the crowd a breath before Wilson segued into Party Time. A rare and soft Driver followed Gumbo and Nellie Kane, landing into Foam. If I Could provided a soft interlude for couples and fans of this now-rare song off 1994’s Hoist and the one two punch of Split Open and Melt > La Grange (ZZ Top) got the crowd down and dirty, along with a smattering of “FUCK YEAH!’s” from the crowd when La Grange appeared for the first time in over 300 shows.
First-timer and Niskayuna resident Reece Taylor shared his take on his show experience (in italics below).:
“Seeing the band on stage was amazing. The five string bass laid down some groove work and Trey sung with his guitar. It was a first, watching band members bounce on a trampoline while still playing instruments or at all for that matter. The band sounds almost prog rock but showed they have many other influences. The cool crowd had a laid back persona for the most part”
Set 2 brought the heat and spacey jamming inside and out of numerous songs. Opening with Axilla > Light > Twist was a “we’re not done just yet” statement, segueing into every song and not stopping till David Bowie said so. A unique version of Kill Devil Falls > My Friend, My Friend was cooled down with the rare Swept Away > Steep which moved peacefully into Piper, a competitor for best SPAC Piper yet, rivaling 2004’s version. From there, Free moved into a spooky Kung, a stellar Harry Hood, Cavern and David Bowie to cap things. Returning to the stage for the encore, Page gave thanks to the fans and their crew for the support and love this tour, and the band dipped into You Enjoy Myself, only the second version this tour of their most-played song. The crowd went nuts for much of the song’s 20 minutes, rising high to the occasion during the peaks and lyrics “Boy. Man. God. Shit.” letting their energy pour that one last drop to end the show.
The three nights of Phish at SPAC proved to be a highlight run of the tour, although the level at which Phish is playing these days, fans will debate the best show of Summer 2012 for quite sometime. This is due in part to a ‘something for everyone’ quality to the shows, as well as Phish fans willing to debate all aspects of the band, ad nauseum. All the bustouts of rarely played songs have added to anticipation among fans, because the best thing about all the bustouts is that they are ALL in play now. Expect the unexpected at Phish and don’t miss them next time they roll into town, its worth it every single time.
The Wood Brothers made a greatly appreciated stop in Buffalo on the 24th of June in support of their first ever live release, Sky High, a title that seemed to describe the mood of the crowd on this perfect summer night at the Tralf Music Hall.
Few were prepared for the beautiful Sunday mass-style healing we were about to experience. The Wood brothers, Chris on upright bass and Oliver on guitar, joined the stage with their unique drummer Jano Rix, and opened with the stylish and soulful cover of ‘Up Above My Head’, immediately showcasing their perfect 3-part harmonies and the amazing acoustics that the Tralf has to offer. Their one long set of songs old and new, ranged from folk-type ballad ‘Lovin Arms’ (which was dedicated to their mother) to songs more gritty and blues driven like ‘Where My Baby Might Be’. It really made you wonder how they are pulling off so many genres of music with such style and accuracy.
The Wood brothers really took us back in time to a simpler place as they gathered around a mic in the front of the stage with Rix on ‘shuitar’, a beat up acoustic guitar with lots of gadgets that he played like a cajun. They played a few songs of this style like an old bluegrass group and the crowd that was mostly seated was now dancing like crazy. Chris Wood transitioned from the fingered jazz bass style to a classically bowed interlude during a beautiful solo that then opened the doors for a vivacious version of a Wood Brothers classic, ‘Liza Jane’. This portion of the show was some of the most soulful music this reviewer has ever seen performed. Things got a little more funky and free with songs like ‘One More Day’ and ‘Honey Jar’. It was here that Jano Rix proved himself to be the best possible addition to this amazing duo. His style of drumming is raw, but relaxed and it really compliments the more classic style of playing of the brothers.
The Wood Brothers took the stage once again for an encore, ‘Luckiest Man’, a song that really shows the world that the Woods are all about great songwriting. The guys really got the crowd going once more with ‘Shoofly Pie’ from their latest album, Smoke Ring Halo, again showing off their incredible harmonies and Oliver’s southern roots.
The band lingered happily after the show signing merchandise and chatting with fans until the venue was empty. In fact, at the very end there was about 6 fans sitting with Oliver chatting around a round table who looked like they weren’t going anywhere anytime soon. These are really great guys, truly amazing musicians with so much soul and talent that put on a show you can’t get anywhere else. Do not miss an opportunity to see them. Bands like this don’t come around too often. They will be performing at this year’s moe.down in Turin, NY at the end of August as well as other festivals around the country.
Visit www.thewoodbros.com to pick up a copy of their new live release, see complete tour dates, and more.
Writing two weeks out and I feel like I am still recovering from a huge Mountain Jam 8 musical onslaught. There is so much to say but first I just have to say that again the folks at Radio Woodstock throw one heel of a well run party. Warren Haynes deservedly gets a ton of credit but the behind scene work to make this festival so easy and enjoyable is what keeps me coming back.
As he has for the past couple years, Moose drove in from Detroit and picked me up, blasted tunes through some beautiful New York farmland and before you know it, we were in good old Hunter, NY. Again no lines getting in, MJ is just so hassle free. With much appreciation to top photographer, Rakes, we got hooked up in a ski lodge and were with a full house rockin’ crew. There are many ways to do Mountain Jam, good camping scene, some stay in the lodge ($), some in town, each way works, our place came with a foosball table which at 3 in the morning featured some serious competition. Anyway, the festival was led off by a teenage rock band- Going Dark who delivered a great set- Funny as the festival would close with a still young but not teenage Stevie Winwood closing. And that is Mountain Jam, so much musical diversity, like the mountain weather, if it isn’t working for you wait five minutes something else will come along. The musical highlight Thursday for our crew had to be the Brooklyn based funk outfit, Turkuaz. Basically if you want to dance and just have fun, these guys bring an army of fun. Later that night the heavy sound of Planet of the Abts and the groove and funk of Karl Denson had wet the appetite for a long weekend.
Friday made it down to hear the sacred steel of the Lee Boys. Coming out of a Florida church, this family band brings some inspired gospel driven rock. They proved to be one of my festival favorites, with the big one on drums destroying the place and the Dr. on the pedal steel constantly take us higher. The Sheepdogs out of Canada bring a mix of the Stones and the New Riders and easily lived up to the hype as one of the top up and coming rock outfits. Speaking of living up to the hype, Andres Osborne did a particularly fine version of Dylan’s Masterpiece. The late afternoon featured another of my personal festival favorites; the Travelin’ McCourys with Keller Williams. Even without brother Rob on the banjo, Ronnie on mando and Jason Carter on the fiddle are as good as it gets on their respective instruments and Keller, is well a nut. They are supercharged and can play anything, from a tip of the hat to recently departed Doc Watson (Tennessee Stud) to current pop hit by Foster the People (pumped up kicks), got some good dancing in with brother Rick. As mountain jam does, quick change into the blues powered rock of Gary Clark Jr. and then onto the Roots. The Roots are show stoppers, billed as hip hops hardest working band, they are propelled by drummer ?uestlove , but it is the horn section who run laps around the band that just kills me, especially the tuba player, gotta be seen, plus their cover of Curtis Mayfield’s people get read y was a musical highlight. Ok night number one of the Mule, what is left to say? They are the last man standing is the world of rock, there is no excuses they are going to bring it for hours. The only real question is could they out due last year? Friday night they came close, Saturday, well yea they did. Friday’s three plus hours featured a huge version of mule, plus great covers of the Who’s love ain’t for keeping, Dylan’s I shall be released and the Dead’s The other one. Big thanks to Butchie for guiding me back home, and also to Nancy and Jason for coming to get me for late night/early morning fun. Somehow Stern and I are in the burlesque tent (dancers long gone) listening to rockabilly at 3am, I don’t know.
Saturday. Here is my advice; make friends with a professional chef who likes to party and is willing to cook up breakfast for the masses, it is a good way to start a morning after. Went for a hike way up the mountain with Kevin and Pete and dug the tunes of Zack Deputy and the forest. Came down the mountain and caught the old school of Charles Bradley, gotta give best outfit to his leather jumpsuit as well as his seasoned vocal chops. The now for something completely different award went to Mariachi El Bronx, a L.A. based rock mariachi band- which either you loved or didn’t (I caught a nap in a hammock). Back up for the Word, so happy to see them again, a true supergroup. The set a groove and mine it until the whole mountain is dancing, which is just what Holz and I did. Early evening enjoyed a fine cocktail party while digging the return to the music performing world of the piano and songwriting brilliance of Ben Folds Five. Then the Mule. First set killed and concluded with a bit of Brit music: She came in through the bathroom window/Bitch. The second set was one of those moments that we all live to say we were at, their tribute to Levon Helm. With tons of guest including his band, download the set, youtube it, just get it. Most time musicians’ play for us, this set they were clearly playing for themselves, they were just happy to share. Emotional and yet tight, versions of Night they drove old Dixie down, Cripple Creek, It makes no difference and the Shape I’m in, were flawless. “Out of nine lives, I’ve spent seven, how in the world am I gonna get to heaven?” Knowing the set closer and having heard it, sung it, played it a million times, still does not prepare for the version of The Weight they laid on us. All this and they played a whole third set as long as any acts set. Late night was great, Nigel Hall Band, Lotus both were great.
Sunday, my head hurts and guess what the strongest day of music awaits. Had to miss some good music as I was slow and the mountain weather not conducive. But by the time Trombone Shorty got on, his high energy beat back the rain and Geoff got me to dance. Next up came another of my favorite sets, I had been dying to see the Carolina Chocolate Drops and they proved to be even better live than on disc. Playing the Black Southern Root music, their show-personship and musical talent puts them in a class by themselves be it on their own material (country girl) or covers (Johnny Cash’s Jackson) this music makes you feel good. Speaking of feeling good, Tedeschi Trucks followed and as they did two years ago, blew up the mountain. As large as a band can be they do not get in each other’s way Susan Tedeschi’s voice is unmatched and Derek Trucks unique guitar style will get anyone rollin’ and tumblin’. Dawes had the tough job of following but did well to keep the crowd with their Americana rock. Then it was time to make some noise, back for the 7th year Michael Franti and Spearhead. He even made the sun come out. You known he is going go into the crowd, the flower guy will do his thing, Franti will get the kids on the stage, the whole beach ball thing, but man is it just beautiful. Great version of ganja babe. Warren came out and tried to sneak some Beatles by Franti and he just grabbed it and ran with it. Dead tired, Spearhead will get anyone dancing. The festival closer was music legend Steve Winwood and his voice remains. A strong set of finely crafted music covering his whole career, the Blind Faith tune Can’t find my way home as well as the set closer with Warren of Gimme some lovin’ were highlights.
Need to give a shout out to the smaller acts as all through the weekend some of the up and comer sets were fantastic. The first rap artist at Mountain Jam; Philly’s Ground Up, were really good, as was soulful Simi Stone, the rock group Delta Rae was as enjoyable to look at as to hear and Franti’s acoustic set in the awareness village is worth the festival price of admission every year. So there you have it, Gary Chetkof and his WDST staff work for a year to make a perfect festival and they succeed because they are music fans that value experience over the almighty dollar, I say bless them for that righteousness and start planning yourself because it is less than 300 days to MJ 9.
One of the great rites of passage into summer that the Northeast offers every year takes place in a small campground tucked in the woods of northern Massachusetts. I’m talking about StrangeCreek Music and Arts Campout Festival of course, and Camp KeeWanee. This quaint campground in Greenfield, MA is typically used for children’s summer camps, but before that gets underway, the summer kicks off with a fantastic festival that features some of the finest bands that this region of the country has to offer as well as some true up and coming acts.
We arrived at the campgrounds late Thursday night after driving though a pretty light but constant rain storm. An early arrival like this is paramount for this festival. One of the more unique aspects of StrangeCreek is that pretty much all of the general camping area is in a wooded area right next to a small river. There are plenty of spots there to set up camp sites, and large ones at that, but they go quickly and the later you arrive, the further back into the woods you have to trek in order to set up a base camp. Early birds are really rewarded in this aspect as they get first dibs on the woods, so to speak.
After a quick hello and chat with festival promoter and Wormtown owner Mark Blanchette upon arrival, we were on our way to try to set up camp as best we could in the dark, wet surroundings. Mark and his Wormtown crew do an incredible of producing and hosting StrangeCreek every year. They seem to have it down to a science with the festival now in its 10th year of existence. There were plenty of people around for help if it was needed, readily available supplies like ice and security maintained a steady but low key presence all weekend.
Despite the elements, setting up camp in the woods was devoid of hassle. Having two experienced festival goers made things a little easier. Some much needed sleep parlayed into Friday morning and the first day of music. As more festival goers arrived with gear in tow, Timbre Coup played a relaxed but energetic set on the main stage. This group from Albany, NY always seems to deliver interesting, progressive music and definitely fit in the aforementioned ‘up and comer’ category. Their mix of rock and funk grooves, along with a bubble making machine in the audience, made for a fun set and nice start to the weekend.
The Alchemystics once again brought their mix of reggae, funk and soul to StrangeCreek and ushered in the evening session. This band is no stranger to this festival and by the end of their set, they had everyone moving and spirits were high. This gave way to the night’s headliners, Donna the Buffalo. This eclectic yet funky group has now been delivering infectious tunes for more than 20 years. Formed in Ithaca, NY, DtB offers a little bit of everything as a band. They have elements of rock, blues, country and zydeco in their music and the band has always maintained a socially conscious image. While some band members have come and gone, the core of the group remains in Jeb Puryear and Tara Nevins. Donna’s set featured classics such as “If You Only Could See” , “No Place Like the Right Time” and “Family Picture”. Along with some newer tunes thrown in, their set threw the night into high gear and almost assuredly garnered them some new fans.
Another true rising star on the scene, Dopapod, threw it down in one of the late night cabins. Their set kept the party going and was high energy to say the least. With every performance, this group seems to get both collectively better and more off the wall. Their brand of rock meets acid jazz meets electronica is a welcome addition to any weekend. They have a full summer slate of shows this year and are sure to be a fixture in the late night festival slot. Do yourself a favor and make some time for this band this summer; you’ll have plenty of opportunities.
As night turned to day, the Wormtown Cabin was filled with the familiar sounds of The Grateful Dead via the cover band Shake Down. Their set kept the cabin nice and hot and was ended with a truly mesmerizing version of “Morning Dew.” With the sun almost fully risen, it was time to call day 1 a success and try to rest up for day 2.
Saturday saw both the temperature and amount of live music increase. The afternoon kicked into gear with a set from the new look McLovins. Guitar virtuoso Jeff Howard is out and two new guitarists, Atticus Kelly and Justin Berger, have entered the fold. Their set was light and enjoyable and included a take on “Shakedown Street”, keeping the Dead vibe alive and well. With two new members in the band, the musical execution may not have been as crisp as past shows, but clearly the foundation for a new and fuller sound has been laid. With more practice and regular gigs, this band should remain a must see on the festival circuit. It’s just a shame they no longer have a band member who slightly resembles the actual McLovin character.
The afternoon action on the main stage continued with Marco Benevento and a set full of musical mastery and whim. Playing with Dave Dreiwitz on bass and Andy Borger on drums, Benevento went through many song found on his solo albums. A true highlight was the new tune “Fireworks” which established a bright and sunny mood on a gorgeous sunny mood. A notorious consumer of Marker’s Mark, Marco even ducked off stage between songs and provided a fan with some from his personal stash. When he wasn’t playing bartender for the crowd, Benevento flashed the musical prowess and wackiness that have made him a household name as it pertains to the jamband scene.
Toubab Krewe, an act growing in national popularity, took the stage soon after and delivered a set full of its typical ethnic grooves and rhythms. They wowed the audience with their mastery of various instruments and styles. Afterwards, on the other main stage, a StrangeCreek staple, New Riders of the Purple Sage, kept the music going. This is another band that has performed at StrangeCreeks of yore and they kept the Dead vibe going that was prevalent all weekend with an absolutely stirring rendition of “Peggy-O”.
Finally, it was time for Saturday’s headliner and co-name sake of the festival, Max Creek. You can tell right away when a band consists of members that have been playing together for years and make musical mastery seem almost effortless. Max Creek fits this description and they delivered another set that was high in intensity and fun. They delivered a fun mix of originals and covers, the latter of which was highlighted by an explosive version of “Eminence Front” that closed the action on the main stage for the day. Other fun covers from this set included “The Night They Drove Old Dixie Down” and “Helter Skelter”.
The late night action was highlighted by a performance from Giant Panda Guerilla Dub Squad. Their brand of high-octane reggae and funk is a welcome addition to any late night grouping. This band has sure come a long way from playing in the woods (and not being on the bill) at one the early Camp Biscos. A performance by Viral Sound kept everyone moving and shaking in the Kee Wanee cabin until the wee hours of the morning.
As Sunday arrived, some festival goers began to pack up and break down their campsites in an effort to stay ahead of the game. With Monday being Memorial Day, this is not an essential action by any means, but usually a smart one. We decided that leaving Sunday night wasn’t a bad idea, as a weekend full of sun and music was beginning to take its toll. However, there was business to attend to first.
The Tells, a StrangeFolk side project of sorts, played their typical Sunday set at the Vernville stage. They succeeded in keeping the spirit of The Grateful Dead alive with a sweet and soft cover of ‘Ripple’ after playing a few Strangefolk songs that had been on the shelf for over a year. Another fun aspect of StrangeCreek is the presence of small side stages placed in openings in the woods. All weekend long, lesser known bands filled the woods with music. Some not-so-lesser known bands also saw action on this stage as Tom Hamilton and his American Babies performed Sunday night and Dangermuffin the night before.
A hot and humid afternoon soon gave way to the night and two of the bigger acts on Sunday. Ryan MontbleauBand, another festival regular, got the crowd warmed up with a fun, hip set that showcased his song writing (and performing) talent. He’s developed a fervent following that seems to get a little bigger and louder each time out.
With everyone in good spirits, it was then time for the other co-name sake of the festival, Strangefolk, to take the stage. Earlier this year, the band had a very successful “reunion” tour with Reid Genauer back on vocals. However, this was the newer formation of Strangefolk, but that doesn’t mean they didn’t rock as hard. Hits like “Sweet New England” and “Entitled” were played to perfection and filled the night air with a beautiful and familiar sound. A cover of Crosby, Stills & Nash’s “Carry On” served as both the encore and the bookend (for us) of the weekend. Alchemystics delivered another set in one of the late night cabins and they were followed by Jimkata, a band that is no stranger to the festival late night schedule.
If you’re looking for a fun, close and well-run festival to kick start your summer, you need look no further than Greenfield, MA and StrangeCreek. It’s a truly special weekend that sees many attendees returning faithfully each year. This sense of togetherness and community is prevalent from the moment you park your car. So ditch the beach and the barbecue one year and get to StrangeCreek. You’ll certainly be glad you did.
Detroit is a hellhole. There’s entire streets where they just shut the power grid off because fucking no one lives there. In 2009, when a reporter asked mayoral candidate Stanley Christmas why the murder rate had recently dropped 14%, he answered “There just isn’t anyone left to kill.” This is of course a fertile breeding ground for angry punk rock. Summer Dies, a 13 song offering by Aggro or Die, illustrates this nicely.
AOD describes themselves as ‘Detroit Hardcore Nerd Rage Wood Pushing Concrete Surfing Radd Reggae Thrash Punx’. That’s a lot of words. With songs a bit longer than what I generally expect in thrashier bands, I didn’t find myself losing interest in the middle… the songs seem to ebb and flow effortlessly and maintain dynamic throughout. I hear DRI meets Agent Orange (check guitars in Punch Out!) meets glimpses of The Suicide Machines, with some Citizen Fish thrown in for good measure. That’s a pretty potent combination, and one the world needs more of.
With a majority of songs about skating, video games and of course Detroit living in extremely desperate times, AOD has produced a fine document with Summer Dies, one that’s well worth the money spent to check it out. And who knows, you might just save Detroit’s economy by buying it.
Music is a powerful force, especially for musicians. You don’t touch it… It touches you. In 1992, the young group of like-minded teenagers studying at a Berklee music program met up and started jamming. Though probably unaware of the opportunity and effect they would have in the future, they, like so many other aspiring players, undoubtedly dreamt of their chance to come.
Fast forward to 20 years later, the band Lettuce, who got their name by asking bar owners and musicians onstage a very simple question (“Let us play?”) has left an indelible mark in the world of Funk, Soul, and Hip Hop. Now, instead of the band asking the question, it’s the fans yelling a command. Ala Bad News Bears, “LET THEM PLAY!!!”
Needless to say, Lettuce followers were eager to get a taste during their short run of upcoming dates, including a Syracuse stop at Westcott Theatre on June 7th. I got in touch with Adam Deitch via email prior to their show, and let them know that 315 is ready and read our Lettuce Interview with Adam Deitch
1) What’s up and thank you very much for taking the time to speak with Upstate LIVE! It’s been a while and you guys are back at it… How does it feel to get back on the stage together again? Any fun surprises we can look forward to?
We’re back and ready to FLY. We will be playing some of our newest, freshest cuts from our new record, “Fly” as well as our classics.
2) Lettuce has been a group for 20 years… Did you imagine the band having such a positive impact in the music world when you were first sitting down and getting started? How does it feel knowing your creations have inspired so many bands to start jamming?
We hope to inspire young musicians around the world to get together and explore the magic of playing FUNK music. Its a team oriented style of music that when properly “locked in”, can bring people together.
3) Your last release “Rage!” dropped in 2008. Everyone in the group is active in other projects, so it’s been a long wait for new material? What can you tell us about the new album ‘Fly’?
The new album, Fly is our greatest work yet! We spent the year working out the songs at our gigs to get them to a point where they feel just right. We recorded the album on 2 ” tape, so it has the sound and feel of a classic record.
4) You played Westcott Theatre on June 7th, and the next day you opened for Dave Matthews at Saratoga performing Art Center. What is it like going from a 700 capacity venue to a 30k+ venue? How does the onstage dynamic change for you?
We will definitely be using that big stage in Saratoga! Our bassist, Jesus Coomes likes to run around the stage and get the crowd hyped, so we’re looking forward to that one. Musically, we approach the shows the same.
5) Lettuce incorporates a wide range of old and new influences in your sound. How important do you think it is to have a background and understanding of the forefathers of a particular genre when forming a new project?
I think in ANY field that one chooses to dedicate oneself to, having a deep understanding of the forefathers in that field can only expand your understanding and help you succeed.
6) So, Lettuce members are all very accomplished players who’ve worked/are working with a “Who’s Who” of top-notch artists and performers, and all have their own projects that they work on. Are there any new collaborations in the wing for the band as a whole or individual members?
Right now, we are concerned with the eight members of Lettuce and how we can take over the world. Eventually, you will see more collabs with guest “golden era” MCs and maybe some more shows featuring Maceo, Fred, and Pee wee of JB fame. Kraz is writing and producing for EVERYbody right now.
7) Can you hip us to some of the artists you are currently digging on? What does Lettuce listen to during those long drive between venue stops?
We listen to a lot of classic hip hop, 60s and 70s reggae/dub music, 60s and 70s (some 80s) soul and funk, as well as rare movie soundtracks from the 60s and 70s as well. Neal Evans, our keyboard player is the authority on that stuff.
8) Lettuce has opened for some of the biggest acts in the music biz… Are their any groups that you hope to share a bill with in the future that you haven’t yet? Any places in the world you are looking to perform that you haven’t already?
I would personally like to do some co-bills with the Budos Band, And we REALLY want to get to Europe at some point, as well as South America, especially Brazil. We’re all fiending to get back to Japan again, also.
9) What’s the craziest or most memorable show Lettuce has played to date? What was it like?
We had a great show at Electric Forest festival as well as at Camp Bisco last year, which really helped introduce us to the younger fans who normally listen to electronic music. I think we converted a few of them 🙂
10) Lastly, what advice can you give some of the young, up and coming bands out here in Syracuse, in NYS, and everywhere that listens to Lettuce who hope to make it in music, on the road, and as a professional musician?
Listen all day and night to the records that paved the way for the music you play. Know all the musicians that were significant in that style. Watch the musicians on YouTube and study their body language on stage. Keep writing new ideas and recording music. Stay together and make people DANCE!! Spread positive vibes whenever possible!
Funk is great music for getting down to, although late night at StrangeCreek Music and Arts Festival brings out some of the best up and coming bands in the Northeast. When 10-piece band Big Ol’ Dirty Bucket from Boston started playing, I was drawn in by the horns and stayed for the rhythm and double threat vocals. The cabin got quite warm throughout the set, as it would be expected with a sexually charged dose of funk and world beats. The band is only two years old but holds great promise with strong live performances coupled with a great self-titled debut album
With strong influences from Parliament Funkadelic, The Meters, Stevie Wonder and most music from the Soul Train era of 70s funk, Big Ol’ Dirty Bucket has strong potential and with funk this deep, they should be on JamCruise within a few years time. The opener, Phototonic Amplifier People has blaring horns and impressive vocals from Sarah, aka Lil’ Shrimp. Mic Smoke gets sharp horns accenting catchy lyrics “When Smokey told Michael Jackson, When they give you the mic don’t give it back son”, Big Daddy Disco sings with a Q-Tip velocity and cadence to the words. SinLamento starts with a deep grooved bass before growing into a salsa/tejano number, sung entirely in Spanish. ChuckNorris is notable for weed references and high speed funk, Blue Dream gives a Stevie wonder groove on the keys while I Don’t Want to Ride Your Emotional Rollercoaster is soft in an R&B style, akin to Bill Withers ‘Ain’t No Sunshine When She’s Gone’, a very emotional track. Black Cloud Joe is Wilson Pickett-esque with a big band backing a boisterous story about Joe. Capping it all off is a highlight, All Night Long and Once in the Mornin’, a sexually charged song, with a dash of Ohio Players and a porno-funk guitar in the background, plus balanced dueling vocals.
As said in the final track, “There ain’t no party like a bucket party cause a bucket party don’t stop” are true words, coming from first hand experience and listening to a funking wonderful debut album. Look for Big Ol’ Dirty Bucket this summer at a festival near you!
Key Tracks: Mic Smoke, Sin Lamento, All Night Long and Once in the Mornin’
What can you say about Cake? “Clever”, “ironic”, and “monotone” are just a few words that come to mind, but I’ll be darned if they aren’t one of the most interesting bands still rocking the live circuit. Their rise to prominence was inevitable. I mean, can you honestly say that when the opening for “The Distance” projects over your speakers, you DON’T turn it up? That’d be a load of rich, creamery butter.
Forming in the early 1990’s, Cake made their way around the Cali circuit, undoubtedly turning heads and captivating crowds wherever they played. Their sound is unique and highly enjoyable… You can either listen with intent, or as background, and it just seems to make a whole lot of sense, and none at all, wherever you are.
Brought to you by Dan Smalls Presents, Cake will be rocking Brewery Ommegang in Cooperstown on June 15th. Something tells me there’ll be plenty of good times and lots of beer drinking! It’s a “Must See” event for our area, and likely a strong sell out… Get your tickets, folks!
Here’s Vincent DiFlore and I bantering back and forth via email, talking about stuff and junk. It’s Cake… It’ll be entertaining 🙂
G- What’s up guys and thank you for taking the time to speak with Upstate LIVE! How’s everything been going on the current tour?
V- Things are good. We took some long bus rides. I’m not sure if we like the same TV programs. We actually keep the TV off almost all the time, and discuss social, medical, and political issues. It’s a real laugh riot.
G- So Cake is a little more than 2 decades old, and you’re still turning heads and making fans wherever you go. What’s the secret ingredient that makes your recipe so moist?
V- The secret ingredient is probably the unquantifiable element, that is the gestalt of the group. Our statement as a group that plays tight arrangements with good interplay, is much more powerful than any single element on its own.
G- Your music encapsulates many different genres, and it’d be difficult to pigeonhole your sound into one special place. If you were to explain your sound to someone who’d never heard your tunes before, what would you tell them?
V- It’s hard core easy listening. Downstream from mainstream. Hank Williams and Sly Stone are at a party together and they’re listening to AC/DC records backwards.
G- You have 7 albums out so far, including a b-Sides release, and 2011’s “Showroom Of Compassion” was your latest release. How do you go about writing your albums, and what is the recording process like for you guys? It must be a whole lot of fun coming up with Cake tunes!
V- John is our primary songwriter. He brings the words and melody to us, along with other riffs he has for it, and we all contribute to the arrangement plus other melodic lines and rhythmic ideas.
Often we will scrap one arrangement in favor of another. We diligently work on a song until it is ready to get into a final mix.
G- How do you feel about the music permeating the airwaves these days? Is Cake a fan of anything coming out that maybe you can hip us to? What do you guys listen to when going back and forth on tour?
V- I have a great routine going in my work area, where I also keep my turntable. I go to my collection of vinyl with my eyes closed, and grab a jacket randomly. This keeps me from being picky. I know these albums are still in my collection for a reason. I’ll take the vinyl out, and lay the needle down on any track. The results are often profound. It’s always a song that resonates with me in the moment somehow.
G- So, who are you voting for in the election? Any particular favorites to lead the U.S. for the next 4 years?
V- I’d like to see the President and Secretary of State continue to work their international diplomacy. I think Obama and Clinton are quite good at it.
G- Are there any changes you would like to see come to fruition during the next president’s term… Attainable goals you think we could hit if we put the government to work?
V- An alternative to fossil fuels would be great. I hope we encourage and invest in innovation.
G- Back to the music… I think, with the exception of Norwegian Black Metal, Cake could probably blend into just about any live event and make it work. Are there any acts that you hope to share a bill or collaborate with one day?
V- Perhaps we could get together with one of these bands from Norway you mention. That would be an awesome collaboration. I’m into it.
G- Since most of your shows are probably memorable, can you tell us about the craziest show you’ve played to date? Where was it and what was it like?
V- Once we were asked to play at a Bar Mitzvah in Boca Raton. There was a nice invitation, so we called the family and actually set it up. It was a kick. I’m glad we did it.
G- Lastly, what advice can you give some of the young, up and coming bands out here who want to make it in music, on the road, and as a professional musician?
V- The advice I would give is to always work on the material. You have to have some bones to put the meat on.
Having been to many music festivals in the past few years, I have seen the growth of music festivals, the broadening of the crowd and lineups, as well as a community that is vibrant, positive and open to all. Music festivals are one of the great American cultural events and their continued development is a positive for local communities nationwide. However, there is a growing trend that is both disturbing and dangerous to both festival attendees and those in the local communities nearby. Sky Lanterns, also known as Chinese Lanterns, are a dangerous new trend at festivals that have the high potential to create the worst scenarios at a festival, and miles away.
After mentioning my concern in festival reviews over the past two years, where I witnessed the dangerous nature of Sky Lanterns, I attended StrangeCreek Music and Arts Festival in Greenfield, Mass over Memorial Day weekend where I saw these lanterns sent up in the air without concern for the risk or impact involved. In order to educate the festival-going populace, a few conversations were had with friends and acquaintances that led to this article.
First of all, what are Sky Lanterns? They are purchased completely flat and then expand to create a three foot tall cylindrical shape with a cardboard platform, roughly the size of a small pizza box. Once expanded, the wick is attached to the bottom of the paper lantern and lit on fire. Aside from not burning the paper, the lantern is held up and allows the flame to heat the air, thus rising up and floating away.
http://www.youtube.com/watch?v=MUe-EuLO-mU
But wait, aren’t open fires banned at festivals? Indeed nearly all festivals ban open fires, with only a select few having a bonfire that is far away from spreading the fire to nearby trees and brush, and under the watchful eye of an attendant staff member. A sky lantern IS an open fire and if you can’t burn citronella candles, votives or campfires at a festival, common sense dictates that these should not be allowed, as it is an uncontained fire.
Yes, it is a bit appalling that folks who set them up and watch the fire grow will laugh and ogle. There’s little you can do here, but at the least, learn from a mistake, like these folks.
So why do people set them up? The number one reason given to me by multiple people at multiple festivals over the past few years: it looks cool. That’s all it takes, for something to look cool, you just have to ignore what happens after it is released. When I ask these folks during setup and take off, they are focused and want to make sure the wick is attached properly, and they happily share that it looks cool. Over three years and more than a dozen festivals, it’s still the only answer I have received.
You may ask yourself, is this actually a problem? Yes, very much so and a proactive community effort can stem this from becoming a tragic problem. Some may not notice this as an issue because they do not go to festivals or may not see one while at a festival. The presence of a sky lantern at a festival may be to add to the vibe of the festival but facts are facts: this is a flaming surface being sent up into the skies with no way to control its direction. Think of a flaming, stringless kite that doesn’t burn out for 20 minutes or so, and you get the idea.
I have seen these lanterns crash down, flame lit, causing damage. Here are a few stories from fans who have witnessed them in recent years:
Superball, July 2011
A first person account from Andy Hill: “At first I thought the sky lanterns were cool. I had seen them at a bunch of shows leading up to Phish’s Superball at Watkins Glen Speedway and they were set off without incident to my knowledge. So I didn’t give them much thought beyond that. They definitely look awesome when done in a proper and safe manner. But my opinion of them changed pretty quickly after Superball. I was in the back of the concert field, slightly Fish side enjoying the show. More than not, my eyes are closed when getting down at a Phish show, as was the case this time. Eventually I started hearing a commotion from the people surrounding me and as I opened my eyes and looked to see what the ruckus was about and out of the corner of my eye I saw a bright light coming towards me. Before I realized what it was it hit me it was gone. A sky lantern had been let go prematurely and did not have enough lift to fly. Instead it listed towards me and clipped my head and continued on into the crowd, staying dangerously low and leaving me with the smell of burnt hair…MY BURNT HAIR!!! Luckily, I was not hurt but it was far too close for comfort. I agree that under controlled circumstances, sky lanterns are pretty harmless and are pretty amazing to watch. But in a concert setting where there are so many variables that could allow a dangerous outcome, the risk is certainly not worth the reward.”
StrangeCreek, May 2012
This past weekend at the StrangeCreek Music and Arts Festival, near the main stage, a few fans were setting the sky lanterns up in the evening and night. Lowell Wurster, working festival staff recalls “I saw three sky lanterns get set off this weekend and one of them fell burning in the woods, which had to be extinguished. It’s the same reason why most festivals don’t allow fires.” There were at least a dozen set off Saturday and Sunday night at StrangeCreek, all because “it looks cool.” (This is an actual quote). Later reports indicate that these sky lanterns were landing in a cow pasture up the road and scaring the cows. It’s a bad idea at a venue such as Camp Kee-wa-nee due to the fact that fans are living in the forest for three or four days where there is a lot of material that could combust with ease.
Liberate, August 2011
Taking an early morning walk at Liberate Music Festival, near St. Albans, Vermont, I found some paths behind the stage that led into the woods. I got about ¼ of a mile down a trail and I saw something unique – a bush that was burnt out and had the shell and wires of a sky lantern. I looked around and found little around the bush that caught fire as a result, thankfully. It was a case of pure luck that this bush didn’t ignite the woods around bush. I brought the shell to the festival producer and his jaw dropped. Needless to say, no lanterns were set off that night. Proof again that these lanterns do not burn out and they are a fire hazard.
moe.down, September 2010
Standing to the left of the soundboard on Saturday night of moe.down, I saw some people setting these off from the top of the hill near ‘Gelston Castle’. Some took off over the trees into the Mohawk Valley but one took a dive from a windgust and dove directly into the tapers section right in front of the soundboard. This lantern came in with speed and wind behind it and dove direct into the taper pole, knocking a couple over before trailing off into the rest of the crowd, then taking off again! Of course, more lanterns followed after, and on Sunday night too.
Consider this point from frequent festival-goer Dan Weathers: “Everyone probably never thought their house would flood because who would think a hurricane would affect places like Vermont and New Jersey because there is a pretty small risk of that happening. Then we get a hurricane and no one is prepared and we have a catastrophe and major problem. And people freak out and say how could we not be prepared? Everyone says it’s minor and there is very little risk but guess what, that risk can be devastating. So while they are kind of cool, who wants to be that douche that starts a major fire and causes major destruction?”
In the conversations I have had this week, it was suggested that these are never seen at concerts. This is true because there is far more security to get into a concert so it would be difficult to find these in regular use at amphitheaters. At music festivals there is less security (compared to concerts, although the search can be more stringent) but there is also more freedom at a festival, one that is taken advantage of by some.
Tents, brush, trees, dry areas and drought-prone regions all can be set ablaze quickly. Ever seen a tent go up in flames? Nylon tents (most of the ones sold today) will burst into flames very fast, leaving only poles behind. I witnessed this in Boy Scouts at a demonstration of tent safety where we were shown the result of a single flame near a tent. It took only a 20 seconds before the tent was engulfed in flames. Imagine someone is in that tent and a sky lantern comes crashing down. A friend made a valid point – people don’t think that something of beauty can be dangerous and they do not fully understand and respect fire in all its forms. Flying fire in an arid environment can devastate.
I have always wondered if there was a religious nature to these lanterns, or at least a spiritual one. While this has never been confirmed from first person interviews, it seems to still be a possibility. Festivals are spiritual events for some, so adding to the spirit of the festival is a natural next step. However, where music festivals are bigger and grander than nearly all in America, Britain has bigger problems, where family houses have burned down as a result of these sky lanterns. Even in Vietnam, an area of the world where sky lanterns are set into the air or afloat on the ocean have banned these aerial arson machines after 20 forest fires were caused from their uncontrollable nature.
Should we await a tragedy like these before acting? Certainly not. A proactive community effort needs to be in place at all festivals, including notifications of this no-no sent out in advance, including the usual suspects: glass, weapons, nitrous, fireworks, open fires and now, sky lanterns. Penalties are the same – confiscation in the interest of the public good.
When a sky lantern gets trapped in a tree and sets it on fire, how will a wooded festival be able to put the flame out, get people away and prevent the fire from spreading? That festival would not be back the next year and the result would affect all festivals nationwide. The media feeds on stories of festivals that portray them in a negative light. What better than a random flaming drones to bring down all we enjoy about festivals?
There are proper places for these lanterns, although they are limited. One idea presented in discussions was to set them off over water, preferably the ocean where it can float out to sea with a good wind behind it. I would argue that this is acceptable and the risk is minimal at best, provided the winds take sky lantern out to sea. Few festivals are located right on the water, so for the most part, leaving these behind and not using them is the best recourse for this situation.
Education of this matter is also part of a proactive effort we can all take part in. Sharing this piece will hopefully wake people up and prevent them from setting them off, because its only a matter of time before a tragic story like the one in Britain is heard in the news and online in America.
In short, sky lanterns are not needed, provide little benefit and are dangerous to all at a festival. Unless you are on the ocean or far away from an area that may be flammable, do not use sky lanterns. They are a waste and danger to us all.
Please note, I DO encourage those who enjoy sky lanterns to step forward and share the benefits they have on a festival and the area around the festival. I have asked many but there is always more to this story.
And yes, glowsticks are also bad too for the environment in the longterm because they do not biodegrade. Lights and fires are pretty, but let’s use our heads folks.
Friday, the venue and sprawling parking lots were filled with fans of all ages, as Phish has become a true family affair, with parents bringing kids and phamily traveling long distances to see each other and enjoy some amazing music along the way.
With strong influences from Parliament Funkadelic, The Meters, Stevie Wonder and most music from the Soul Train era of 70s funk, Big Ol’ Dirty Bucket has strong potential and with funk this deep, they should be on 