Author: Tiaraa Price

  • Floodwood at Kirkland Arts Center, Clinton, December 14th

    Floodwood at Kirkland Arts Center, Clinton, December 14th

    For the second year in a row, Floodwood played a holiday show at the Kirkland Arts Center (KAC), in Clinton. I regrettably missed the show last year and was determined not to miss it again. The KAC is an intimate venue and ticketing was capped at 150 people, providing a truly unique experience to those lucky to be in attendance.

    floodwood kirklnd arts center
    Floodwood at MVCC

    Floodwood has been picking up steam since their founding in September of last year, with appearances both locally and throughout the northeast. Describing themselves as a “progressive string band”, they are a combination of talented musicians specifically from and dedicated to the CNY area.

    Tim Herron, a popular local musician famous for his energetic playing and original songs opened the show was the perfect choice to get the crowd ready for Floodwood. Having only ever heard of Tim by word of mouth, I was certainly impressed by the talent and level of musicianship that was brought to the table. As Tim closed his set, he brought up Jason Barady, a tremendous mandolin player, and together burst into an upbeat rendition of Pink Floyd’s “Hey You”. The KAC was full of a diverse mix of folks ready to see Floodwood. Family, friends, old and young, locals and those that made a special trip for the show; it felt much more like a party at someone’s awesome art filled home, than a concert.

    Some of Floodwood’s songs were familiar and some new to me. “Long Way to Virginia” is one of my favorites and I was pleased to hear it. They even busted out a Christmas tune!! As a long time moe. fan, I couldn’t help but hear some similarities, specifically with “Magnolia Road”- is this not “Tambourine”? – Ironically Al explained the following night to his audience in Buffalo how the song came about. He noted that it was originally used as an instrumental intro to “Tambourine”, which then morphed into another song called “Green”, and then he collaborated with another musician, forming “Magnolia Road”. Al explains it better, but you get the point.

    While the idea of a side project with Al Schnier and Vinnie Amico, both of the aforementioned jam band originally peaked my interest in Floodwood, Nick Piccininni, Zach Fleitz, and Jason Barady keep me coming back time and time again. This is not moe.; Floodwood stands on their own as a high energy and exploratory bluegrass band. Piccininni, with his superb skills on the fiddle, banjo, and on vocals, was my choice for MVP of the night, keeping the crowd young and old alike dancing.

    Closing with an explosive “Cumberland Blues”, Fleitz, and Barady had a wonderfully energetic duel. I overheard one of the youngest attendees clearly amazed by the performance, ask his mom, “What are they doing up there?” looking for explanation of the frenetic pace and heated musicianship, definitely a poignant moment.

    Coming back on for an encore, Floodwood was joined by Diane Schnier, Al’s wife, (who is also a talented musician in her own right) and Tim Herron, for a sweet and soulful rendition of the Neil Young classic, “Helpless”. This was a wonderful night full of great people and memorable music, and I hope that the KAC can continue the tradition for years to come.

  • Jimkata and Manhattan Project – Piers & Blake, November 30th

    Jimkata and Manhattan Project – Piers & Blake, November 30th

    After a truly raging Halloween show a month ago at The Westcott in Syracuse, I knew that I couldn’t miss Jimkata, along with The Manhattan Project, when they came to Utica.

    Both bands have been touring extensively for months, Jimkata specifically supporting their new album, Die Digital. Off to a late start, and with some time to kill before they went on, I chatted briefly with bassist Dave Rossi. After being on the road, he was glad to be back closer to home, although none too glad to be back in the chilly Upstate NY weather. We discussed the venue (really unique and the bathrooms are nice too!), the Upstate music scene (awesome!) as well as upcoming New Year’s plans. They’ll be at The Haunt in Ithaca for NYE, but I was excited to learn of their Phish aftershow on 12/28 @ Club 39!

    Jimkata Manhattan Project
    Jimkata

    Manhattan Project took the stage as the room started to fill. Many that I spoke with were excited to see what they’d bring to the table tonight. This Rochester duo has been touring extensively, with several festival appearances, including at Camp Bisco, and have been building their fan base at every stop.  Having seen them several times in the past, I knew I was guaranteed a good time. It consistently amazes me that this energetic and texturally complex sound comes from just two guys, Shawn Drogan and Charlie Linder.

    Their infectious mix of dub, house and techno, combined with a visually stimulating light show made their show highly danceable from start to finish. Their remixes and steady progression of songs kept the crowd engaged. “Knight Rider” remix was a true standout and had many folks in the audience looking around in awe, “Is this really happening? This is awesome!” As they closed their set, the crowd was certainly primed and ready for Jimkata.

    Their set started off strong cruising easily through much of the new album, Die Digital.  The new album, while still lyrically thoughtful, adds the right punches whether it be electronic beats, synth or a heavy bass line and intertwines everything so perfectly. Energy was high and the room turned quickly into a full on dance party, a crowd locked in and grooving to the sound. Their “5th member” if you will, a wall of lights in sync with the show provided an additional layer of intrigue to Jimkata’s already complex and captivating show.

    Standouts of the night included “Electronic Stone”, a crowd pleaser with an extremely catchy chorus, as well as one of my personal favorites “American Cars”. Having followed Jimkata for several years, I love their growth as musicians, and their evolution of sound. Their lyrics, combined with a new found electronic edge makes for an unforgettable experience.

    This was a thoroughly satisfying show,  and I cannot wait to see them again at the end of the month. GO SEE JIMKATA, and MANHATTAN PROJECT! You won’t regret it.

  • moe. at Saranac Brewery, Friday October 12, 2012

    moe. brought much needed heat to their return to Utica on October 12, 2012. The night was seasonably cold, with a hard frost forecast and temperatures in the thirties, but that did not stop the bundled fans from welcoming moe. back to Saranac Brewery in true Utica form. The weekend featured an auction benefiting Hydro Relief Web, a local Anti-Fracking group. Up for grabs were autographed merch and one of Al Schnier’s guitars, truly reinforcing how invested this band is in the local community.

    The night opened up with a standard “Spaz Medicine”, however moved quickly into a jammed out 15+ minute “Dr.Graffenberg” that got the crowd moving.  Heavy on the xylophone, it shaped up to be an impressive version of an awesome tune, topped off by a tight and high energy “Waiting for the Punchline”. It was a first set full of jams, and excellent flow, evidenced by “The Pit”> “Wormwood”> “OkayAlright” stopping briefly to fire into “Deep this Time”, and closing out with a dark “Downward Facing Dog”. The Saranac was flowing as the traditional brewery toast was bestowed upon the crowd, “To Great Friends, Great Beer and Great Music”, and there was more to come.

    [youtube http://www.youtube.com/watch?v=18KT1An821Y]

    Second set opened up with “Captain America”  as moe. brought the song far beyond the normal “sing along” that it has potential to be, instead thoughtfully jammed it out and stretched it to the limits and then transitioned seamlessly into a slowly building “Akimbo”. The thoughtfulness continued throughout the set, with a well balanced, and timed “Water”, a relatively mellow “Head”, and funky “George”.

    “Spine of a Dog” had a rough start, with some apparent lyric issues that were quickly rectified as the crowd was more than happy to fill in the gaps. Spine’s most notable feature was the underlying drum current, with each band member building on the base until again, they seamlessly segued into “Buster”. The night closed with “Threw It All Away”, and the xylophone was busted out again for “Crab Eyes”, a personal favorite.

    This show stands out for its well planned song placement, seamless segues, and overall high energy. Despite the cold weather, it was a scorching show with an amazing setlist to prove it.

    Set 1: Spaz Medicine > Dr. Graffenberg > Waiting For The Punchline, Tubing The River Styx > The Pit > Okayalright, Deep This Time > Downward Facing Dog

    Set 2: Captain America > Akimbo, Water > Head, George, Spine Of A Dog > Buster

    Encore: Threw It All Away > Crab Eyes

    Download the show here