Category: Reviews

  • THEY WERE ALL GOLIATHS’ EP is energetic

    THEY WERE ALL GOLIATHS’ EP is energetic

    They Were all Goliaths is an experimental progressive metal band from Bald Knob, Arkansas.  They are a group of friends who strive to make original music that has deep tones and riveting breakdowns.  They draw inspiration from such bands as Born of Osiris, The Plot In You, The Word Alive, The Browning and more.  They are an unsigned band that is not afraid to make music that is different than the usual post hardcore shit you hear now.   With a unique sound and solid riffs this band shows that they can create good music without a label.

    THEY WERE ALL GOLIATHS incorporate keyboard synths along with the usual drum, bass, and guitar sounds.  Their EP is laden with keys and riffs that keep the listener on their toes.  The production is solid with good transitions between songs and vocals that keeps the energy flowing.  I especially like the song, This is Ours to Keep.  This song has many tempo changes and breakdowns that show the bands talent.  I thought the keyboards does add to the band’s sound, but at times sounds out of place.  They Were All Goliaths is definitely a band I would recommend checking out!  They are held down by no one and are not afraid to make creative music!

    Aaron Watson-Vocals/Synth
    Jonathan Mandrell-Guitar
    Gunner Basinger-Guitar/Keys
    Katulsa Wilson-Bass
    Tyler Goetz-Drums

    http://www.facebook.com/TWAGoliaths?sk=app_2405167945

    Rob Born

  • HEAL THESE WOUNDS self titled release is determined

    HEAL THESE WOUNDS self titled release is determined

    Albany, NY based hardcore band Heal These Wounds (Innerstrength Records) play it like they mean it. Their self-titled 8 song release (12 songs if you ask my iTunes library…what the fuck?) is 33 minutes of crunchy riffs, heavy breakdowns, gut-in-throat vocals, and some solid melodic guitar interplay.

    heal these woundsThe group finds a good balance between the Metalcore of yesteryear and the newer sounding hardcore bands of today.  A great band for fans of the harder side. Though there isn’t much dynamic range in the vocals, and the music isn’t groundbreaking by any means, Heal These Wounds bring the heavy.

    Overall, this recording is very good, certainly worth the $7 they are asking for it. There are a few moments when some of the tracks loosen up a bit, but pay no mind. I’d wager a guess it’s because the 5-piece puts in as much heart in the studio as they do on stage, making every attempt to destroy themselves as they tear through their songs. Something tells me if you put these guys in front of the right crowd, the ground will be a mighty shade of crimson by the time they finish up. Watch out for the UFC hopefuls in the pit during “Aurora.”

    By the way, the Gary Coleman long sleeve and booty shorts with their name across the back in their merch options are totally rad, too. Smackity smackity. Check those out at Big Cartel, and give Heal These Wounds a “Like” at their Facebook.

    http://healthesewounds.bigcartel.com/

    https://www.facebook.com/healthesewoundsny

    -Greg Allis

  • SHOW REVIEW: Ominous Seapods @ Valentine’s – 12/17/11

    SHOW REVIEW: Ominous Seapods @ Valentine’s – 12/17/11

    For potentially the last time, the Ominous Seapods were together again back at their old stomping grounds in Albany at Valentine’s on New Scotland Ave. Forming in 1989 and breaking up in 2001, the band has had reunion shows here and there in recent years, performing at moe.down in 2009 and various locales in Upstate New York. But this may be the last time as co-founder and guitarist Dana Monteith is off to Australia, so any reuniting will be long distance and difficult to anticipate, although with their recent history of reuniting for gigs, the next one looks to be years off into the future. The theme for the night was a send off and featured covers by Men at Work, AC/DC and The Angels, as well as all the hits fans would expect to hear the last time the band played, potentially ever. The beer of choice for the night was very apropos as well: Fosters oil cans.

    ominous seapods valentine's“Since they split about 10 years ago, they’ve played these reunion shows once a year or once every two years. They hardly sound like a nostalgia act. Sure, you’re partying with friends and the sounds that you had so fun with in 1990s, but the songs have lasted. They don’t sound dated. And what really amazes me about the Seapods is that after all these years and life, you can still put these guys on stage together and it’s inherently weird and spontaneous. When they take the stage it comes with built-in surprises and opportunity for improvisational magic.” Mike McKinley, State of Mind Music

    The Seapods’ crowd is older now, many in their 30s and 40s who grew up with jambands like the Seapods. When they played alongside moe. and others in the 90s, either band seemed poised to rise to stardom and although moe. has lasted as a result, it is fair to argue that Ominous Seapods would have gone the same direction. When I first saw them at Hungry Charlies in Syracuse in the fall of 1997, I wasn’t hooked, but I knew enough to pick up an album and get to know this band. In the next few years, I saw them when they came to town and connected with the music and the crowd, much like I was doing at Phish shows and festivals at the same time. Indeed the 90s were kind to jambands and incredible memories are had by many who were able to see the Seapods and dozens of other acts perform on a regular basis in the Northeast. Thus, having fans from California, Oregon, Texas, all across the East Coast and Northeast in attendance to give the band a sendoff was expected, as what stands to be most likely the last Seapods show without a follow up reuniting gig in the near future.

    “The most memorable Seapods moments I can think of would be the Mimi Fishman glaucoma gig in Syracuse when Damon’s stomach got super red from a wire whisk bashing together (bellybucking) with Max; the reuniting at Gathering of the Vibes in 2005; a group of us were crowded around the stage with tears in our eyes; it was like they had never stopped playing at all. Had they not broken up, I think they would be beyond where moe is now. ” Kat Griffin, Queensbury, NY

    The first set opened up with a Jet Smooth Ride to kick the show off followed by Blackberry Brandy and its refrain “I’m home again” providing an early theme to the show. After Match Maker, the band thanked the crowd and mused “Everyone come to Seapods down under”, albeit on a budget freighter, since a reunion gig there in Australia, while sounding awesome, would be one of the most expensive shows although with this fanbase, it is hard to rule even that out. Long Way to the Top was the perfect cover for the night and represented a look back at the history of the Seapods when they were on the rise over a decade ago. If I had a Smile was a grand instrumental composition before moving into a jam followed by a seamless transition into Guide to Roadside Ecology and Michael Murphy III.

    “Tonight was very bittersweet; a rollercoaster of emotions, people came out of the woodwork, possibly for the last time. I think they’re leaving the door open and I will be there next time they take the stage together. I will say that the band was very tight for the very limited rehearsal they had, and that I really loved the variety of the band’s setlist, bringing songs from all points of their career into the mix! It was so awesome to see lots of old school hard core Seapods fans, some who came out of the woodwork to give the band and Dana a proper send off!! ” Rich Lemire, Albany, NY

    Set 2 started with banter from Dana talking about New Years Eve at Valentines long ago with Dr. Jah and Moonboot Lover and talked about the backroom with pot brownies, Jagermeister and who knows what else before being taken down the stairs to end the night, something all who have partied at Valentines can relate to. The band laughed about old memories that fans shared during setbreak, laughing all the while before breaking into Bong Hits and Porn, picking up right where they left off. A reinvigorated crowd back in from the cold was transplanted into 1999 to the jammy number while Dana waved his guitar into the speaker for distortion. Adirondack Blue seamlessly segued from Waiting for da Bomb 2 Drop brought to the stage old friends in the form of Josh Himmelback on mandolin and Vinny Amico from moe. on drums. Buddhaful Belly mellowed things out for a short while with long, deep and spacey grooves. The funk kicked in with Your Life has been Cancelled due to a Lack of Interest and provided a sandwich of Land Down Under that was met with great enthusiasm following banter over the music towards Dana and what he will be missing (among other things, Saranac beer). Josephine’s Grand Motion had Streets of Cairo teases and the set was capped off by a 13 minute version of Leaving the Monopole, one last time.

    “My favorite memory of the Seapods was ‘Rock the Vote’ in Syracuse with moe., Moonboot Lover and Ominous Seapods did ‘Big Bottoms’ on stage with Bass ass-slapping and all three bands on stage. My favorite moment tonight however was Bong Hits & Porn, which always was and forever will be my favorite Seapods song. It was stellar. ” Marcy D, Brunswick, NY

    Am I Ever Going to See Your Face Again? by Australian group The Angels (google the video) was a rare and very appropriate cover for the night’s encore, which was followed up by a call back to the stage for a 20 minute foursome of songs. The highlights of the second encore included Money to Burn with a solid Another Brick in the Wall Part 2 segment led by Todd who was making faces throughout. The finale of the night, Ship, included longtime Albany promoter Greg Bell on backup vocals of “Don’t want to swim in shit no more!” The crowd and band gave Dana a proper sendoff to Australia, filing out into the streets at close to 3 in the morning.

    The last Ominous Seapods show capped off a great year of live music in Albany. New Years brings Timbre Coup and Dirty Paris to Consider the Source. Over the course of two weeks, the torch has been passed from one generation of jambands to another. Happy and prosperous New Years to all the readers of NYS Music.

    I had a great time, great to know people still listen to it and enjoy it.
    – Dana Monteith, soon to be resident of Australia.

    Setlist:
    Set 1:
    Jet Smooth Ride, Blackberry Brandy-> As I Stand Here Now, Match maker, Taste Sensation Overload*#, Out of Myself*, Out of myself, It’s a Long Way to the Top (If you Wanna Rock N Roll)*^, If I had a Smile-> jam ->The Guide to Roadside Ecology->Michael Murphy III, Cary Suite

    Set 2:
    Bong hits and Porn*, Waiting for da Bomb 2 Drop*->, The Pull from Adirondack Blue+, Anything is Possible*, Buddhaful Belly, Your Life has been Cancelled Due to a Lack of Interest*->Land Down Under**-> Your Life has been Cancelled Due to a Lack of Interest*, It’s Good to be Alive (For a Change), Josephine’s Grand Motion% -> Room of Ruins, Leaving the Monopole

    First Encore
    Am I Ever Going to See Your Face Again?^^

    Second Encore
    Money to Burn*, Sneakin Sally Through the Alley*, I Hope I Shall Arrive Soon*, Ship*@

    * Todd Pasternack on guitar and vocals
    # Whisk on guitar
    ^ AC/DC cover, Brian Mangini on lead vocals and Melodica
    + Josh Himmelsbach on mandolin and Vinny Amico (moe.) on drums
    ** Men at Work cover
    % Streets of Cairo tease
    ^^ The Angels cover
    @ greg bell on backup vocals

    DOWNLOAD THIS SHOW HERE

  • OPETH’s “Heritage” is a Gift

    OPETH’s “Heritage” is a Gift

    Do you want to buy a last minute Christmas gift that will challenge your near and dear fan of Metal music? No, I am not talking about Lulu, that incredibly awful piece of art rock garbage starring Metallica with Lou Reed. I am going to suggest an album by a metal band that has taken a chance that most in the genre would not dare take. Quite simply, I am recommending that you pick up a copy of  Opeth’s newest record, Heritage, for your beloved metal fan.

    Gone are the screams and howls of front man Mikael Akerfeldt. As matter of fact, a lot has been jettisoned and re-tooled here. Although the band still has quick brilliant outbursts of maximum crunchiness, the metal is gone for the most part. Ultimately, what the band has achieved, is taking what they have become famous for and dropping the loudness right out of the equation. Strangely enough, the result is one that works to perfection. Fans of Opeth’s rich metal driven back catalog, are having all kinds of reactions to this new album. Three camps of thinking are creeping up here: 1) Close mindedness to the new direction (a minority group at this point) 2) Unbelievable praise on the highest of levels for musical bravery and 3) People who did not dig it initially, who now understand that this is the band’s ultimate masterwork (the majority) In any case, it is a departure that is welcome and shows the band’s passion to create the best possible record that they can.

    Now after getting all of the objectionable questions out of the way, it is easy to speak freely about what makes the record so timeless. It is beautifully dark, progressive, sprawling, and loud when it needs to be. The songwriting is a touch more reminiscent of the band’s overall influences. After listening to a song like The Devil’s Orchard, all I could think about was the King Crimson record, Red. It has that kind of vibe. In fact, that vibe is felt on a majority of this record. The use of Mellotron and Hammond based piano, helps paint a dark eerie landscape that accentuates the stop and start approach of attack. Also of note is the way in which the band has conceptually pieced together Heritage. It is obvious that this record was intended to be listened to in it’s entirety.

    It’s a slightly old school idea but when we put out a record there are no ‘key songs.’ It’s the album that matters,” states Akerfeldt. “We’ll never have a ‘hit single.’ By no means would I want one song to be more important than another. We always put out an album and I personally enjoy listening to entire records. That is the kind of art that I like. I like bands with strong albums as opposed to just a couple of strong songs.”

    There is a bottom line to this: give it a chance if you have heard it is not good. Other than Mastodon’s newest release, The Hunter, I can not think of an album that is anywhere near as good as this in 2011. Buy it as a gift, and watch your recipient try to figure out what is going on. It may take a couple of listens to let it fully absorb, but if that feeling of worth resonates…you will not hear the end of it!

    -Erik Jensen

  • Featured Band: Burn Everything

    Featured Band: Burn Everything

    Rochester’s Burn Everything was formed in the spring of 2007 from the ashes of the band Fallguy. Conisisting of Matt Dalberth handling vocal duties, Damian Marinaccio and Charlie Street On Guitars, Mike Gifaldi as bassist and drummer Tony Castronova, Burn Everything released a 5 song Self-Titled release in August of 2008. Mathy, heavy, and guitar driven, it both stands on its own and shows great potential for the next release all at the same time.

    That next release came along in July of 2011 with Last Run Through The Ruins, a 6 song work that feels much more like potential fulfilled. I hate to use a word already in overuse, misuse and overall abuse but from the first runs in Ghost Of the Waves, this effort strikes me as progressive. Sudden tempo changes throughout feel not at all disjointed, which would be far easier to pull off than this effortless sounding, yet extremely astutely played collection of songs. The vocals buck the trend of cookie monster with laryngitis and a dildo filled rectum that most bands in this field resort to. Matt Dalberth’s delivery conveys competent urgency. The lyrical content is dark, well written and vague. Filled with post apocalyptic images of monsters, carnage and death. Just as it should be. Almost every mathy band out there gets compared to Dillinger Escape Plan. This is one of the few bands that deserves the comparison.

    Both the Self-titled and Last Run Through The Ruins are available for free download on bandcamp. See the link below to grab them!

    For more on Burn Everything:

    http://www.facebook.com/#!/burneverythingnow

    http://burneverything.bandcamp.com/album/last-run-through-the-ruins

    – Brian Lawrence

  • LIVE FAST, DIE FAST’s “The End Of What We Know” inspires nostaglia, modern NYHC

    LIVE FAST, DIE FAST’s “The End Of What We Know” inspires nostaglia, modern NYHC

    Live Fast Die Fast wants you to know they’re NYHC. They want you to know this so much, in fact, that in the first song of this album, they tell you they are. Along with Agnostic Front’s Vinny Stigma and This Is Hell’s Rik Jimenez. Furthermore, AF’s Mike Gallo Produced this. Clearly they have the friends, the pedigree and the location to claim NYHC. But, I once told my girlfriend I was hung like a horse only to be proven wrong on a disastrous trip to the stables. So, I began to listen to this release with an open mind, but a ‘going to the stables’ mentality.

    The album opens with the lyrics “New York Hardcore, 2011. We’ll never let this die.” I find myself partly relieved and partly doubtful of this. In 2011, many bands who call themselves hardcore are playing less technical metal and wearing makeup. If your preshow routine is sitting in front of your grandmother’s vanity with a Mary Kay case, I’d rather you didn’t call yourself hardcore. Because you’re not. Also, this album won’t be for you. Short songs referencing real hardcore topics such as ‘the struggles’, ‘the streets,’ unity and brotherhood pervade this entire release. Unfortunate reality sinks in on “Song of our Youth” where the lyrics talk about about trudging on despite the pressure to change, while remaining true to who you are. It’s a shame when hardcore bands feel persecuted within the hardcore community for being actual fucking hardcore bands.

    I find myself getting angry listening to this album, but not in the way 12 year old me did when first listening to Age Of Quarrel. I find myself getting mad that this album inspires nostalgia in me. Because this is what hardcore is. The song Seenster especially inspires this with lyrics like “There was a time not too long ago/Where I felt no life,not even at a show/no heart, no calling, no unity/kids showing up just to be seen”. No frills, no downtuned guitars, many songs clocking in under two and a half minutes, this album is a great example of NYHC somehow living and breathing in 2011. And in the form of a new band and not an old band putting out a new record that’s just not as good as their classics. It reminds me of the first time I heard Underdog or Agnostic Front. This album says hardcore isn’t about feelings or fashion or having connections with the right labels. It’s about going through shit in life, realizing you’re not alone and coming through it scarred and stronger.

    Listening to this album a few times, I find myself not wanting to get too in depth with the who’s and what’s. What the guitarist is doing, what the drummer is doing. Is this 4 chord rock? None of that is important. So many bands focus on that and lose sight of the fact that they do not play appealing songs. I don’t care if it’s gourmet food in your turd, if it fucking smells like shit it smells like shit. Wipe your ass, flush and get out of the bathroom. I’ll only cheer when the door’s closed and you’re gone. Live Fast Die Fast have put together a great collection of short, angry NYHC anthems that will undoubtedly stand up to a trip to the stables any day.

    Live Fast Die Fast – Lenny Leonardi, Rich Allegretta, Marc Divito, Paul Turano, Nickel Yeomans

    Track Listing:

    only the strong survive
    call to action
    battle lines
    charades
    times of glory
    blood collar crime
    kings and coyotes
    seenster
    song of our youth
    road less traveled
    no hope
    depression

    -Brian Lawrence

  • Mike Gordon at The Egg in Albany, December 11th, 2011

    Mike Gordon at The Egg in Albany, December 11th, 2011

    Among the Phish side-projects that have stood out and been fan favorites, Trey Anastasio and Mike Gordon have had the greatest response to their work outside the box of Phish, working with friends and musicians they admire and creating a sound that is separate and distinct from that of Phish. Mike Gordon’s current band includes Scott Murawski from Max Creek on guitar, Todd Isler on drums, Tom Cleary on keys and Craig Myers on percussion and represents Mike’s musical evolution outside of Phish. He has dabbled in movie making with Outside Out and Rising Low, played acoustically with Leo Kottke (and should be returning the studio with him soon) and assembled Ramble Dove, a slightly more country sounding band in 2006. However, none of these acts allowed Mike to spread out his wings and improvise in a style akin to his playing with Phish but not mimic his role. Here, Mike is in the lead, calls the shots and plays new songs for fans and tunes from his solo catalog, including his latest release Moss. A crowd of 700 filled into The Egg for Mike Gordon Band on December 11, 2011 for a great sounding room and were granted a stellar show full of twists, turns, fun and jamming throughout.

    “Horizon Line” had a nice jam out of it but remained unfinished before moving into the powerful number “Only a Dream”, found played by Phish only in the studio release Party Time. The benefit of seeing Mike (or Trey for that matter) is catching some of the songs that Phish has yet to play but fans long to hear. The added bonus to a Mike show is hilarious banter, this time with a request for the audience and band to only speak in three letter words, and avoid conjunctions. After this funky lecture, “Deranged” led the way with a sweet jam to lead into the song that built and built, reminding me of a Talking Heads tune with the percussion and patience in the jam. “The Way it Goes” by Gillian Welch debuted with Phish in September in Colorado with Mike singing vocals and showed the extent to which Mike brings the songs he wants to play more with his side band, adding hope to fans that we might hear this gem of a cover in the next few weeks at Madison Square Garden. The light country-twang to the guitar from Murawski was replicated neatly while Gordon took the vocals and sang with fervor. “Just a Rose” brought Murawski to the vocals, a funky number that had the band and crowd bouncing in unison, complete with a brief “Blackwater” (Doobie Brothers) tease.

    mike gordon the egg 2011The second set started out with the oft-Phish covered “Funky Bitch” by blues legend Son Seals and the set never seemed to end from there on out. “Sugar Shack” came next, followed by the most unique cover of the year, Alanis Morissette’s “Hand in my Pocket”, again sung by Murawski, but with a different bit of force behind the vocals, gritty and bluesy, a bit jagged and with a proud response from the crowd. The end of “Hand in my Pocket” got dark and funky before getting spacy and moving into “Dig Further Down”, where numerous members of the audience caught a subtle yet distinct teasing of the “Rebel Theme from Star Wars” by Cleary on the keyboard, providing room for the rest of the band to improvise alongside him before segueing back into “Dig Further Down”. “Skin it Back” (Little Feat) has been a sporadic Mike staple at shows dating back to the 1980s and many who weren’t fortunate enough to catch this band had to settle for Halloween 2010 in Atlantic City or re-listen to Ian’s Farm from 1987. Mike introduced the final song of the night, “The Who’s Won’t get Fooled Again”, as a song he used to play in his high school band, a fresh and spot on version that brought the house to their feet.

    To cap it all off, Mike told the crowd he was going to bring a friend out from high school to sing on the next tune, which led to Steve Pollak aka The Dude of Life to come to the stage, take the extra mic in hand and sing the words he penned years ago to “Suzy Greenberg”. The crowd was jumping up and down at this debut performance that capped off an epic night. Pollak spoke rather than sang the lyrics, but when it’s your song, you can do with it what you want; no one in the crowd argued with him in this instance. The night ended on the highest of notes and I now understand the argument that ‘Mike Gordon Band is better than Trey Anastasio Band’, although I don’t take sides. Mike’s band is fresher, more psychedelic and jammy than Trey’s big band project. I love em both, but it was Mike who finally brought the dude.

    Setlist:

    Set 1: Horizon Line, Only A Dream, I’m Deranged, The Way It Goes, Just a Rose, Voices, River Niger, Don’t Do It -> Horizon Line

    Set 2: Funky Bitch, Sugar Shack, Hand in My Pocket, Dig Further Down, Crumblin’ Bones, Skin It Back, Hap Nappy, Won’t Get Fooled Again

    Encore: Suzy Greenberg*

    *Mike Gordon debut, with Steve Pollak (The Dude of Life) on vocals.

  • COSMONAUTS “The Demise of Daniel Raincourt” is an epic indie rock treasure; purely infectious

    COSMONAUTS “The Demise of Daniel Raincourt” is an epic indie rock treasure; purely infectious

    Glens Falls, NY has been housing an epic indie rock treasure in the form the quintet Cosmonauts.  Their upcoming release entitled “The Demise of Daniel Raincourt” (Jan. 14th, 2012) contains five tracks of intricate story-telling ear candy. Ethereal layers of tasteful and coherent instrumentation serve as the stage for massively memorable and dramatic vocal hooks. The dark, cryptic melodies cleverly employ rich dynamic changes and spoken background parts, all of which are sure to have anyone singing along by their second listen. The singer occasionally sounds pleasantly akin to Andrew McMahon of Something Corporate and Jack’s Mannequin. The lyrics lay out chapters to an ongoing character narrative, not unlike Coheed & Cambria that forms another unique characteristic to Cosmonauts’ material.

    As if the clever songwriting were not reason enough to check it out, the production is spot on, clear, and adds all around to the bands desired tonal vibe. While only five tracks, “The Demise of Daniel Raincourt” definitely weighs into the full-length bracket, with most tracks over five minutes and the last exceeding nine. From the ominous verses and purely infectious, soaring vocal climaxes of the first track (Daniel’s Letter), to the twisting turns and goose-bump raising movements of the closing/title track, the record has a firmly definitive vibe and feel to it, without sounding at all like a bunch of all-to-similar songs, a plague of many modern bands across the genre lines. These guys pull from a wisely vast span of rock, pop, indie and various stylistic influences to accompany their schooled variety of instrumental additions to the usual guitar/bass/drums; including delicate piano to head turning flamenco guitar riffs. Several sudden time and feel changes within some songs almost throw the listener off briefly, but are precisely executed and impressive.

    Listening to the record from front to back yields a very smooth and complete listening experience, as each unique movement seems to flow into the next. This band without a doubt is a threat on all plains, from diverse and tasteful musicianship to powerhouse vocals and song-crafting prowess, and will certainly be making a stir anywhere they bring this music. The band has put out a steady flow of material in their brief career so far, and has already independently moved well over 1,000 copies of their debut E.P. They also have a 7’’ out on Kentucky based Little Heart Records. Watch out for these space age rock contenders, Cosmonauts doesn’t seem to be leaving orbit any time soon.

    For more on the Cosmonauts –
    Facebook: http://www.facebook.com/CosmonautsMusic

    -Chris Parmelee

  • GALLERIES “It’s all in the timing” EP is intense; sure to impress

    GALLERIES “It’s all in the timing” EP is intense; sure to impress

    The post punk movement is alive and well, and really taking hold in Upstate, NY. Add another formidable band to a list of intelligent riff monsters in our region. The 5 piece Oneonta band, Galleries, is  sufficiently astute in the game of raucous 3 minute mini anthems. Their full length feature album, Breathe and Repeat, drives this home with confident authority. Not content with resting on their laurels, the band recently completed their newest EP, It’s All In The Timing. Recording and releasing two different records in one year can be a daunting path. Galleries seems to have been able to pull this off quite effortlessly. In the process of recording their newest release, they were also able to grow by a mile musically. I think that is what I find most impressive about this band overall.

    It’s All In The Timing is 4 songs of high quality, high intensity, in your face power punk. The track, Two More Years, is a great example of a slow tempo half song that lunges into a another galaxy with it’s Dead Milkmen style relentlessness during the remainder. Strategy is great within this band, and they deliver more of the same on other tracks like Last One Out, and A New Beginning. Of significant note, is the song Payback. This track is easily the best on this EP. It is complex and filled with gang style vocal madness that is up their with the best in the industry.  It also shows that while there is a formula in place, the band does not get stale within the boundaries they have set for themselves.

    The EP is available for download on ITunes, and it is unclear when the piece will be officially released in physical form. For now, I highly recommend that you spend a couple of dollars and download these tunes online. I promise you it will be worth the scratch.

    Tracks:
    Two More Years
    Last One Out
    Payback
    A New Beginning

    For more information on Galleries –
    Facebook: http://www.facebook.com/galleriesny

    -Erik Jensen

  • Bands come together, raise over $1,500 in memory of Zachary Blanchard

    Bands come together, raise over $1,500 in memory of Zachary Blanchard

    As long as there has been life, there has been loss. And when tragedy strikes we are forced to face elements of mortality that make us feel weak. The thoughts of an existence taken so quickly, swiftly and without justification. All is lost; our outlook on life becomes bleak. October 28th, 2011 brought so much discord amongst the friends, family and peers of Zachary Blanchard. A young life ended so abruptly. As many sat back in dismay and watched as the world around them crashed, hearts were coming together. And as an epilogue is to only the greatest of albums, the closure was to the book of this life, a serenade that embraced the hearts of those pleading for answers.

    Saturday, December 3rd, 2011 marked a celebration of life within The Dungeon in Watertown, N.Y. hosted what was known as a benefit for Zachary’s family. Local bands flooded the stage with an outpouring of support for this family. Set after set, delivering their best performances to an on looking crowd. Fans gathered around the stage. Singing along, moshing in glory of a beautiful life. Zachary will never be forgotten.

    The sponsors, bands, promoters, all donated their time to be a part of something bigger. Together, this event raised over fifteen-hundred dollars for Zach’s mother and father to help their sons memory live on and help cover the expenses incurred by the loss of their son. The lineup consisted of six local to regional bands who donated their time and effort to make this happen. The show opened with This Above All, followed by Razed in Hell. Both of these bands created the atmosphere of intensity that was to be followed by the acts to come. Chaotic Embrace was delicately woven into the mix of the bill and delivered a fantastic live set, as can be expected of this magnificent trio. Still Rings True and Landslide Victory pulled in the diversity and displayed excellent acts of musicianship. With raffles sprinkled in between sets, a video montage to honor Zach’s life, Maps of War and Thoughts in Reverse took their place on the stage to help close up a night to remember.
    It’s times and circumstances like these that bring friends, families and peers together. And although they are tragic, discouraging, and saddening it’s a reality in life that we must face. We all die. Our lives at some point will come to an end and what will live is the memory of what we created. I personally got involved in music because of the unity you can expect within the scene. The way if one person falls in the pit, another is there to lend a hand. (Even though he may be the one knocking you down next) No monetary gain can ever bring back the emptiness a parent, sibling or any other family member feels. But as a group of caring people who come together to create a supporting embrace when we have a fallen friend, we can set a higher standard.
    I personally would like to thank Matthew Salter for putting the show together; he put a majority of his time into this. The bands, This Above All, Razed in Hell, Chaotic Embrace, Still Rings True, Landslide Victory, Maps of War, and Thoughts in Reverse, your immense generosity is an example for other bands to follow. All the sponsors who donated to the raffles, volunteers who donated their time in helping promote this and The Dungeon at Velocity for allowing us the use of their venue. I know myself, from Upstate Metal felt honored to be a part in such an amazing event. Together, over fifteen hundred dollars was raised to help Zachary’s family. I’d also like to thank Zach’s parents, siblings and family for giving us Zach. I know he was a truly loved member of this scene, and in spirit he will always be a part of every show. I can’t fully express the inspiration you all have instilled within me. Zach will never be forgotten. Below I have placed the video montage that was made in Zach’s memory. Please take a moment and watch it, celebrate with us as we mourn the loss of a truly amazing person.

    For more information on the bands/sponsors:
    This Above All: http://www.facebook.com/thisaboveall
    Razed In Hell: http://www.facebook.com/pages/Razed-In-Hell/187334467969438
    Chaotic Embrace: http://www.facebook.com/chaoticembracenny
    Still Rings True: http://www.facebook.com/stillringstrue
    Landslide Victory: http://www.facebook.com/pages/Landslide-Victory/114153098607577
    Maps of War: http://www.facebook.com/mapsofwar
    Thoughts in Reverse: http://www.facebook.com/ThoughtsInReverseBand
    The Dungeon at Velocity:  http://www.facebook.com/pages/The-Dungeon/117535787606?ref=ts
    Triumph Through Tragedy Promotions: http://www.facebook.com/pages/Triumph-Through-Tragedy-Promotion/273408712712005

    -Christine Palmer